Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

The above-the-store signage for many newspaper stands, soda shops, candy stores, luncheonettes and pharmacies of the 1950s and early 1960s were what was referred to as “privilege signs” provided by one of the major cola brands. Consisting of the brand’s emblems on the left and right, the remainder of the sign would carry the desired message of the storekeeper (such as “Candy – Soda – Newspapers”) in prismatic, embossed metal letters. Inspired by these vintage signs, Privilege Sign JNL recreates the condensed sans serif lettering style in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.

It’s cherry season, so I bought 2 kilos of cherries at the local cherry farm. The cherries I bought had been in a cooling cell, so they were quite cold. As I was eating them, the name for this new font popped up! Chilly Cherry is a handmade serif. It’s a little wobbly, a little off-center, but it will surely put a smile on the cherry lips of your customers.

VENGEANCE IS MINE, I WILL REPAY, sayeth the Lord. "BUT IF YOUR ENEMY IS HUNGRY, FEED HIM, AND IF HE IS THIRSTY, GIVE HIM A DRINK -- FOR IN SO DOING YOU WILL HEAP BURNING COALS ON HIS HEAD.""AND FURTHERMORE" sayeth the Lord, "WHEN I FINALLY GET AROUND TO EXPRESSING MY VENGEANCE, LO. MY WORD SHALL BE RENDERED IN A FONT WITH THREE RAGGED LAYERS -- VENGEANCE IS MINE!"

Let Bronze Script take you back. Back to the golden age of vintage when hand drawn scripts appeared in every form of publication. A different time when everything moved slower, lettering was done with expertise, and every detail awarded care and attention. In our age of cold digital creations, you can rest assured that Bronze Script will give you that tailor made flare only a nostalgic font can offer.

Boho is inspired by a bohemian girl who is a free soul and creative spirit. She is a city girl, but she loves spending a lot of time outdoors and being close to nature. She loves art and going to the antiques and organic food markets. She is a wild and free spirit who knows no bounds. Boho is Coto Mendoza’s first Script font family, which is based on gestual calligraphy with Cola pen. A first exposure to gestual strokes applied to font design can be seen in her previous work, Macarons. Boho consists of 4 subfamilies: Script, Line, Sans and Serif. Each subfamily comes in 4 weights: Regular, Bold, Italic and Bold Italic. Script and Line versions include a teardrop terminal variant. Dingbats and ornaments are also included. Boho. Love and creative spirit!

The cold, conservative strokes of a typical sans-serif/grotesque descend into a distinctive "bat-wing drip" in this subtly spooky font named after the band for which it was originally designed. Perfect for any wordings which project darkness or menace, yet still require an air of respectability. Business in the front, evil in the back. Comes packaged in both TrueType and OpenType formats with standard complement of alpha-numeric glyphs, punctuation marks, mathematical symbols, and European diacritics.

There's always time for Cake! Check out my latest display font - Cake Bake. It's a fun bubble font full of character, with 70's retro vibes. An all uppercase type (alternate uppers on the lowercase keys) hand drawn for a natural flow and feel. Use this for logos, headings, book titles, quotes, or whatever you want to add a splash of cheeky fun. For good measure, I added an outline version... you're welcome. More Colt Type Co. fonts

I like Carrot Juice a lot. I don’t drink it that often (and I should, really), but nothing beats a freshly squeezed glass of cold carrot juice!! Carrot Juice font is a lovely script font: handmade with love (and a rather cheap Chinese brush pen which I bought online). Carrot Juice will come in handy when you need that handmade look - cookbooks, websites and product packaging spring to mind. Comes with a abundant harvest of diacritics.

FF Neuwelt™, from Jens Gehlhaar, is open, inviting, highly legible, and strikingly handsome. Combining the straightforward clarity of a geometric sans with a welcoming warmth, FF Neuwelt’s eight display and text weights, vast range of alternates and extended character set, make for a family with few limitations. While grounded in a solid geometric sans serif foundation, Gehlhaar has drawn a large suite of alternate characters that infuses FF Neuwelt with softened, and ultimately easy on the eyes, humanistic shapes and proportions. Alternative cursive italic forms and a choice of round or square punctuation are also available at the click of a mouse. FF Neuwelt is spaced for sizes larger than 16 point, while FF Neuwelt Text has more open letterspacing to set perfectly at sizes smaller than 16 point. In addition, five key lowercase characters were drawn with more legible shapes. The result is that FF Neuwelt adapts from text to larger sizes and one stylistic mien to another with ease and grace. FF Neuwelt is a natural for interactive design, performing well on both large digital displays and small screens. Counters are generous and apertures are open, making them a perfect choice when setting text as microcopy or in short blocks where quick and accurate comprehension is the goal. Even the heaviest weights translate well to on-screen reading. FF Neuwelt also speaks with authority in large sizes on big screens. Equally at home in print environments, FF Neuwelt is a perfect choice for long-form text, captions, editorial, packaging, point-of-purchase design – as well as extensive branding projects. Its many choices of alternative characters make for a design that draws the reader in, without overpowering the message. Although he has drawn typefaces in addition to FF Neuwelt, Gehlhaar is primarily a filmmaker. Directing commercials with style and grace, his work includes spots for Nissan, Apple, Emirates Airlines and Microsoft. As a creative director, Gehlhaar has worked on a broad range of projects for Coca-Cola, MTV, EPSN, Volkswagen and more.

Chutz is an audacious slanted typeface with horizontal contrast and horizontally oriented strokes developed for Jewish brand Chutzpah of the Feisty Foods company based in Brooklyn, New York. Scripts: Latin, Greek, Cyrillic, Hebrew Languages: 480+ Hinting: TrueType autohint for static fonts. Variable font is unhinted. The promo images used photos of Ola Rafailyk, and photos of Marta Dzedyshko, Josh Sorenson from Pexels.

Winterberry (Ilex verticillata) is a species of holly, native to the USA and Canada. I thought it was a rather cool name (pun intended) for a messy script font made during a cold spell. Winterberry was created using Chinese ink and a crappy brush - hence its messy appearance. Use Winterberry on your alt-Christmas invitations, your fantasy novels, your rock albums or your website! You’ll love it! Comes with a bunch of diacritics and some ripe double letter ligatures as well.

Morexbomb is an exclusive piece made with a touch of cold darkness, featuring a heavy and death metal feel to compliment your design. Morexbomb is very easy to use in any variation or writing combination with extra custom bracket, also perfect for metal band logos, merchandise, clothing, apparel, or anything else that calls for a metal feel. Here is tutorial how to use it : https://youtu.be/Qi5tgAc2MMw Recomended Software to use : Corel Draw Adobe Photoshop Adobe Illustrator Clip Studio Paint

Fox Grotesque is another member of the Fox Family and stylistically finds itself between Fox TRF (with some extreme curly lowercase letters), and Fox Sans (a cold geometric sans-serif). While the typeface is intended for use in display sizes, it is also quite legible in text and is well suited for editorials. Fox Grotesque is released in OpenType format with extended support for most Latin languages and includes some opentype features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions.

An informal decorative sans serif was designed by Gennady Fridman and released by ParaType in 2004. Based on informal lettering. In Russian 'Zubilo' means 'Cold cutter' or 'Chisel'. Colorful letterforms seems to be cut by an amateurish but strong hand used to operate with rough metal tools, not with pen or pencil. The face is good for use in advertisements, posters and headlines, especally for comic editions and youth press. Decorative styles were added in 2011 by the same author.

Open Case JNL is the distant cousin to the 2009 release by Jeff Levine Fonts called Cold Case JNL, as both were based on sets of lettering stencils designed and manufactured by the Huntington Oil Cured Stencil Company (originally of Huntington, New York and later of Delray Beach, Florida). While sharing similar design traits, there are enough differences to have both type designs work well together in a complimentary setting. Open Case JNL is available in regular and oblique styles.

Codec Pro is the newest incarnation of the Codec family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design. The original typeface has been completely redesigned and expanded to feature a wide range of eleven weights, from the hairline thin to the bulky fat, while the character set has been extended to include not only latin, cyrillic and greek but also arabic, farsi and urdu scripts. A veritable swiss-knife for the designer, Codec Pro also includes a wide range of alternates and stylistic sets that cover all the subfamilies and the moods of the original type system. So while the standard set (Codec Cold) has terminals cut parallel or perpendicular to the baseline, emphasizing geometry for a more constructed look, stylistic set 4 (Codec Warm) uses open diagonal cuts and humanist shapes to give the typeface a gentler, warmer feeling. Set 3 (Codec Cold Logo) comes alive with funky ligatures, while Set 5 (Codec Warm Logo) stretches uppercase characters horizontally for a dynamic, unexpected effect

Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands. Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters. Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses. This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from the 1950s and early 1960s.

I don’t know about the weather on your side of the globe, but here it is mighty cold! I was trying out a new technique of font-making AND I was craving a pumpkin spice latte, so I named this font Spiced Pumpkin. Spiced Pumpkin is a rounded, thin, all caps typeface with a heart warming, ice melting attitude. It looks good on product packaging, book covers and postcards, so (in other words) give it a whirl and see what you’ll end up with!

High-quality ornamental initials superimposed on nursery rhyme backgrounds such as Humpty Dumpty, Ride a Cock Horse, Baa Baa Black Sheep, Tom Tom the Piper's Son, Rub-A-Dub-Dub, the Queen of Hearts, Old King Cole, and many others. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Ornate and accurate renderings that can be used for the beginning of paragraphs in any children's publication or texts relating to nursery rhymes and fairy tales.

Winter Beast is a captivating winter brush font that unleashes the untamed spirit of the season. With its bold, brisk strokes, this font encapsulates the raw beauty and power of winter, making it the perfect choice for projects that demand a rugged, cold, and untamed aesthetic. Whether used in winter-themed designs, holiday graphics, or any project that seeks to embody the frosty allure of the season, Winter Beast adds a chilly and visually striking element to your typography, making your text stand out like fresh snow on a moonlit night.

Ever think that supermarkets are becoming less personal and more clinical and cold? What will cost you less than a trip to the supermarket and put a smile on your face? Smiley was inspired by the hand-brush lettered signage at country grocery stores. There's something about the feeling you get when you visit a small town and stroll on over to the corner market. Everyone is pleasant, courteous, and they all have a smile on their face. You can have that local small town grocery store charm for yourself when you buy Smiley today.

Conceived on a cold evening to the hot Jazz of the Eri Yamamoto Trio at Arthur’s Tavern in the Village, font Molly Louie is best described by the person for whom it was named. “Very intricate, like a whole little world in each of them” and “The solid is nice too, like little cut up sandwiches.” The detailed and solid versions facilitate a variety of two-color applications. You might not use this decorative display font at smaller sizes, but you are encouraged to let your imagination guide you.

Introducing Kinship, a Grotesque 9 weight font family by We Are Colt. Kinship has been created to be your all-round go-to grotesque font that works well for copy and titles. With nine standard weights, this font is more flexible than a bungee rope. Kinship is a sans serif modern classic grotesque font, perfect for adding personality to logos and brochures. Pairs well with script and brush fonts: I recommend Stroom . Features: 9 separate font weights Western European, Central, South-eastern Upper and lowercase Numerals Free 300 font weight

According to my own knowledge, and the info found around the internet, lemons are good for your health. Not only do I care about my health, I also care for a good dessert! :) And this is where the lemon enters the the arena! I love the sweet and sour taste of the lemon - I love it in drinks (hot or cold) in ice creams, cakes, sweets ... you name it! I just had to name this font something with the word "lemon" in it, because I find it mouth watering! :)

Jasan is the Czech expression for ash tree (Fraxinus Excelsior) which provides great wood for tools and furniture. In a landscape it’s a rather inconspicuous tree which forms beautiful alleys. Jasan typeface represents a synthesis of many famous sans-serifs: despite the concept being strictly rational, it’s not at all cold. Simple shapes & human expression will make your projects nicely colored. It brings excellent clarity for printed and web publishing, visual identity & information systems. The 36-font family contains multi-lingual support including Cyrillics, Small Caps & rich palette of OpenType Features.

The reason for Nicolien van der Keur to design the Rougon font was the translation of twenty novels written by Emile Zola, a French writer, and translated by Martine Delfos. It follows the lives of the members of the two titular branches of a fictional family living during the Second French Empire (1852–1870) and is one of the most prominent works of the French naturalism literary movement. This series deserved a font with French roots and corresponded to the period in which Zola’s books were written and published, the period between 1870 and 1893, the end of the nineteenth century. Extensive research into French historical typefaces has led to a type specimen from the French type foundry Deberny et Cie in Paris around 1907. It turned out to be good and helpful source as it contained a sample of a typeface that reflected the content and style of the novels, but also represented the period in which the books were written in France. A large part of the novels are about the generations of Rougon, so it seemed a natural choice to give the font that name. It is available in one weight and contains stylized portraits of Emile Zola and the French Marianne. This font also contains various ornaments.

Skope is an experiment in horizontal stress and also a recreation of the extreme lettering style of comic masters such as Josep Coll or Manuel Urda from his cartoons in the pages of the classic TBO (Barcelona, Spain, 1917-1998) or our contemporary favorites Francesc Capdevila -Max- and Joost Swarte. The proportions and some of the fundamental features of Skope are drawn from the features of the masthead of the magazine Triunfo (Valencia, Spain, 1946-1982). The inspiration for the numbers comes from a kitchen clock from the 70’s photographed in the distance in a second-hand shop.

Cassia - a dynamic ‘Egyptienne’ with contrasting Italics and a classical appearance. More individual and agile and less cold than most Slab Serifs, it joins impetuosity with vitality. In display sizes it dazzles through its lusty appearance, and, even in the smallest sizes, it works superbly for large amounts of text. Cassia comes in ten styles, in OpenType format and with extended language support for more than 40 languages. All weights contain small caps, standard and discretional ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

In isolated Eastern European states, atop cold castle towers, nefarious nonbelievers are discussing their diabolical devises with their minions, acolytes and sweet little Yorkshire terriers! Evil Doings is a font that gives form to the softly spoken schemes and terrifying tweets of these psychopaths, sociopaths and just plain naughty boys and girls. Will Good Triumph and Defeat the EvilDoings of EvilDoers?! Only if we listen to the cries of the oppressed proletariat and quash the devilish dreams and evil schemes of Fascist Dictators EVERYWHERE! Features: Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters. Includes Western European international characters.

A condensed font using constructivism history to convey the cold hearted steel of machinery and progress. Gridlock tries it's best to fit as much info as possible in a small space neatly in line and with the subtle curves and smoothness of bent steel. The inspiration for Gridlock actually came accidentally after designing some lettering for a self-promo project and it needed something that just was condensed with visual appear. So imagining about how condensed fonts feel, I imagined them being squished together just like cars in traffic are forced to work together to make it to their end destination.

Inspired by public fonts in New York in the 1970s. Authority pays tribute to the almost unnoticed but powerful effect type have on our lives. From waiting on a cold morning to catch the 307 to Morton West High School, to the rain and snow worn stencil on a postal box. Public typography is a part of the little spaces in your lives where life actually happens. Government designed fonts were chosen to communicate authority and help grease the gears of the day-to-day grind. Authority beckons back to these days with it's mildly condensed feel, squared corners and weight presence.

We cannot imagine anyone not liking beer. Especially on a warm summer night there is simply little that can top an ice cold brewski. And with the current wave of home-brewed ales and lagers, Vette Letters decided to not stay behind and brew its own brand. Just so we can design our own beer bottle label using our own font. VLNL Thueringer comes from the drawing board of Jacques Le Bailly (a.k.a. Baron von Fonthausen), the German-French specialist in the fields of both beer and type design. One day Jacques got inspired by Albrecht Dürers 15th century Fraktur (blackletter) alphabet, and decided to design a contemporary rounded version of it. Although the historic context is clearly visible, Thueringer definitely stands its own ground. It's a modern techno-style blackletter with a (beer)truckload of interesting design details. Thueringer contains a number of ligatures and an alternate set of numbers. Apart from the regular uses like logos, posters, flyers and headlines we definitely would like to see our Thueringer used on beer bottle labels and crates, but also cafés and hipster bars would do well with this modern-day blackletter. Hell, even wine or liquor labels, football team jerseys, Oktoberfest flyers, it's just too much to mention. As long as it is accompanied by a cold beer.

Mark van Bronkhorst designed MVB Celestia Antiqua at a time when font choice was limited. Design was characterized by overuse of the few fonts that came with laser printers. A rustic typeface, recalling the roughness and irregularity of pre-digital printing, was a response to the cold crispness of DTP. MVB Celestia Antiqua holds its own among a large group of other “weathered” serif fonts, in part due to the size of the family: three weights, small caps, italics, and two titling styles. But it's also successful because it's simply drawn well, the contours only as rough as they need to be, enabling text at any size, large or small.

Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by Eugen Nerdinger and Lisa Beck. From a few letters of that model, Lalola became an original design and a single font, comprising all the necessary characters for languages based on the Latin alphabet. You can ‘say it loud’ with Lalola, either in lower or uppercase, yet with wit and a unique, distinctive friendly voice. Lalola received already two mentions, the Typefacts’ Best Typefaces of 2013 and the prestigious TDC 2014 Certificate of Excellence.

Inspired by an old Russian book about Moscow’s plan to take over the world, this font was designed to give digital prints the taste of hand lettering. It’s vivid outlines and slight differences in boldness between characters give it an accurate and realistic imperfect letterpress look. It works amazingly well as a text font in small sizes and shows it’s crippled outlines only at larger sizes. »CA Moskow has a plan« has got an extensive character-set including Russian Cyrillic, the Russian Rubel and the Turkish Lira sign. Although it includes kerning, for a full simulation of letterpress print and cold-war feeling we recommend to turn it off.

Named after the strong cold winds on Southern France, the Mistral font family is another original creation displaying the panache of the French graphic artist Roger Excoffon. Mistral is an informal script in which all letters link up in vigorous strokes. First issued in 1953, its brush-like stems look spontaneous and fresh. The descenders are fairly long and the whole alphabet has a distinctive and unforgettable effect on the page. Mistral is a good complement to sans serif typefaces. Mistral is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.

Selektor is a small font family characterized as geometrical sans. Inspired and after that designed with charm of technical letters, it contains a few letters with specific endings that gives Selektor a peculiar impression. Global overview of Selektor says it's a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics. It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names. Contain 3 weights - Light, Regular and Bold and matching Italics. All family members include Small Caps and Fractions as well as additional OpenType features.

“Kamenica” - named after a beautiful small mountain river in Serbia - is a font family containing 3 weights: Light, Regular and Bold. The Kamenica river is only a few meters wide. Mostly shallow and cold, clear and green, it was the direct inspiration source for the creation of this condensed typeface. As our other typefaces, “Kamenica” also combines traditional shapes with modern forms, tall x-height and a collection of more than 300 glyphs. Comparing the river with the font, we could say that letters are the fishes that lives in the Kamenica river and that the font weights are the seasons in which this river shows most of its own character.

Selektor Slab is small font family created as logical extending of the Selektor font family. Inspired and after that designed with the charm of technical letters, it contains a few letters with specific endings that gives Selektor Slab peculiar impression. Global overview of Selektor Slab says it’s a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics. It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names. Available in 3 weights - Light, Regular and Bold and matching Italics. All family members include Small Caps and Fractions as additional OpenType features.