Gower Gulch JNL was inspired by some antique gold shirt pins spotted on an internet auction.

LunchBox Slab is the pair of LunchBox, a uniquely hand-drawn typeface that gives numerous customizable options and a fully authentic look. The serifs in LunchBox Slab are simple blocks, with bulbous terminals on curved letters, which creates a unique effect. Identical to its pair behind the scenes, LunchBox Slab’s OpenType features allow access to over 1,500 different characters. Contextual alternatives give each letter 4 different character styles, all cycling through each other to ensure that no two letters ever show up together. There is also a custom set of small caps, each with 4 style variations as well. Stylistic alternatives give an extra hand-drawn flourish, loop and slight variation, also with 4 different styles per letter. Discretionary ligatures pertain to both regular all caps LunchBox as well as stylistic alternatives. It gives special letter combinations a unique interaction, giving your design a unique and personalized look without spending hours creating it and outlining your text. Included are also a set of swashes that also have four style variations to both the regular and stylistic alternatives, as well as lowercase letters with ascenders and descenders. All of these options are available in Light, Regular and Bold. LunchBox Slab Ornaments includes nearly 200 different graphics, flourishes, frames, catchwords, text breaks and arrows. If you do not use OpenType but are using a program that includes a full glyph panel, you will be able to manually access each of the style variations you want. Enjoy!

A storm has been brewing. It’s Hurricane. A complete redesign of a popular style. New flair and excitement abounds with this fast moving spirited brush script. This updated version of Hurricane was created with high end advertising in mind but can also be used for designs outside of commercial uses— greeting cards and social expression, or even scrap-booking projects. There are three regular styles and a PRO version of the script styles, plus a graphics font to add an extra breeze to your work. Hurricane Regular is straight forward with the more Roman capital forms. The Script version swaps the caps out for the more flourished uppercase. And finally, the Swash version contains many of the alternate letter forms found in the PRO version. Hurricane Pro offers the features of all three of the regular Hurricane versions with added OpenType programming and additional alternate glyphs. The Contextual feature of Hurricane swaps out the regular forms for more flashy characters along with necessary ligatures and alternates that give perfect flow to the words. Access the stylistic sets for even more creative options. In addition, see GLORY— a sans serif spin-off (pun intended) to complement the script styles. The Glory styles contrast to Hurricane’s slanted, brushy speed. In addition, an inline font has added to complete the pro package. I sincerely hope you enjoy this exciting update to a font I have always found to have huge potential.

TT Fellows useful links: Specimen | Graphic presentation | Customization options There can't be too many universal fonts! Meet TT Fellows, a new workhorse whose functionality allows you to comfortably use the font in a variety of projects. Calm and neutral at first glance, the mood of TT Fellows can change. Working with the typeface, you can reveal its soft and friendly nature, or even the brutal one, for example, by typing the text exclusively in capital letters in the bold style. TT Fellows is easy to use and perfect for setting large text arrays. Thanks to the font's uniwidth and versatility, the font is ideal for use on websites or in periodicals. Bold styles will work harmoniously in headlines or as accents in print or on packaging. TT Fellows is a humanist sans serif with a mechanical touch. With its open shapes, the friendly neutral character of thin weights and an even softer character in bold weights, the new typeface differs in character from the classic TT Norms® and TT Commons sans serifs, while still offering the same functionality. Calm regular styles differ from bold, deliberately display and more expressive ones. By the way, TT Fellows is a unwidth typeface. It was important for us that the user could change the styles, knowing that the layout will not suffer. The typeface features equal width proportions, open apertures, and slightly squared ovals, which associatively brings it closer to other popular modern fonts. Since the idea of the typeface was focused on it being a uniwidth typeface, we needed to fit the bold styles into the regular em squares, which led to interesting graphic solutions that are noticeable, for example, in the k and ж characters, in which the branches are cut directly into the stems. TT Fellows consists of 19 styles: 9 upright, 9 italic and 1 variable, each with over 700 glyphs. The font has 26 useful OpenType features. For example, there is a switch to single-part versions of letters a and y, fractions, tabular characters, case versions of punctuation, and localized versions of characters for different languages. There is a ligature for a combination of two characters of a complex design fl. TT Fellows font field guide including best practices, font pairings and alternatives.

The aviation world contains loads of stylish logotypes, from handwritten scripts to geometric styles and so on. The Avionic Condensed family finds its origins of inspiration in the Air China company logotype, and from there has been expanded upon to create a large stylistic family of 40 fonts. Avionic celebrates the geometric sans serif styling of the original logotype, evolving beyond the condensed all capital set logo to include a lowercase designed in parity with the original design style, as well as many weights and widths to offer a fresh diversity. Each subfamily includes a full standard character set with expansive international support of latin based languages, and 5 weights jumping from book to black, along with 5 accompanying obliques. This family is ready to chart a course for your design destination, whatever it may be. Here's what's included with the Avionic Family bundle: 370 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. 5 weights in each subfamily: Book, Regular, Bold, Heavy, & Black. • 4 widths in the collection: Condensed, Regular, Wide, and Extra Wide. Accompanying Obliques with each weight/width style. Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Avionic Collection is for you: You're in need of a dynamic geometric font with a variety of weights and widths for your designs You're an aviation junkie and have to have anything inspired by Air China You love the style of Bank Gothic, but really want something just a little different You are looking for a pseudo-techno style font family with versatility You just like to collect quality fonts to add to your design arsenal

A whimsical and playful font that harks back to the charm of childhood toys and creative imagination. Inspired by classic peg and construction toys, this font brings a delightful twist to typography. It's as if each letter has been carefully sculpted from colorful pegs, inviting you to assemble words like a puzzle, creating your own visual narrative.

Bolyar Pro type family is the ancestor of our successful font Bolyar . We decided to develop it to a new higher level - making it more sophisticated, detailed and useful at the same time. The new improved Bolyar is able to satisfy every typographic taste and meet the ever growing design requirements for high quality typefaces. If you are addicted to classic vintage style, then you could easily use Bolyar Pro for almost anything - from letterhead, logos and catchy headlines to elegant packaging, book covers and wine labels. Alternates, Swashes and Ligatures will help you customize almost every single letter and fit perfectly to your artwork. Bolyar Pro type family is showing an abundance of many new useful features and options like: - Five weights each sold as separate font - Over 1200 glyphs per weight - Full multilingual support of all European languages as well Greek and Cyrillic - Brand new Alternates and Swashes fully supported in all languages (even with accented characters) - Many useful ligatures - Full Open Type and True Type support for Mac and Win Platforms - New Bolyar Ornaments - a new complimentary font exclusively designed to fit the new Bolyar Pro, containig decorative shields, frames, ornaments and borders. Bolyar Pro font family is great for any kind of labels - in this link you could see some amazing examples how to use it alone or in combination with our Bolyar Ornate Pro font family.

“A picture is worth a thousand words” and here, that’s more than true. Take a look at Erotica’s Booklet; Erotica’s Poster Design and Erotica’s User’s Guide before reading below. THE STYLES The difference between Pro and Std styles is the quantity of glyphs. Therefore, Pro styles include all the decorative alternates and ligatures while Std styles are a reduced version of Pro ones. Big and Small styles were thought for better printing results. While Big is recommended to be printed in big sizes, Small may be printed in tiny sizes and will still show its hairlines well. INTRODUCTION I have always wondered if the circle could ever be considered as an imperfect shape. Thousands of years have passed and we still consider circles as synonyms of infinite beauty. Some believe that there is something intrinsically “divine” that could be found in them. Sensuality is many times related to perfectly shaped strong curves, exuberant forms and a big contrasts. Erotica is a font created with this in mind. THE PROCESS This story begins one fine day of March in 2012. I was looking for something new. Something which would express the deep love I feel regarding calligraphy in a new way. At that time, I was practicing a lot of roundhand, testing and feeling different kinds of nibs; hearing the sometimes sharp, sometimes soft, sound of them sliding on the paper. This kind of calligraphy has some really strict rules: An even pattern of repetition is required, so you have to be absolutely aware of the pressure of the flexible pen; and of the distance between characters. Also, learning copperplate can be really useful to understand about proportion in letters and how a minimum change of it can drastically affect the look of the word and text. Many times I would forget about type-design and I would let myself go(1): Nothing like making the pen dance when adding some accolades above and below the written word. Once something is mastered, you are able to break some rules. At least, that’s my philosophy. (2) After some research, I found that the world was in need of a really sexy yet formal copperplate. (3) I started Erotica with the idea of taking some rules of this style to the extreme. Some characters were drawn with a pencil first because what I had in mind was impossible to be made with a pen. (4) Finding a graceful way to combine really thick thicks with really thin hairlines with satisfactory results demanded months of tough work: The embryo of Erotica was a lot more bolder than now and had a shorter x-height. Changing proportions of Erotica was crucial for its final look. The taller it became the sexier it looked. Like women again? The result is a font filled with tons of alternates which can make the user think he/she is the actual designer of the word/phrase due to the huge amount of possibilities when choosing glyphs. To make Erotica work well in small sizes too, I designed Erotica Small which can be printed in tiny sizes without any problems. For a more elegant purpose, I designed Erotica Inline, with exactly the same features you can find in the other styles. After finishing these styles, I needed a partner for Erotica. Inspired again in some old calligraphic books I found that Bickham used to accompany his wonderful scripts with some ornated roman caps. Erotica Capitals follows the essentials of those capitals and can be used with or without its alternates to accompany Erotica. In 2013, Erotica received a Certificate of Excellence in Type Design in the 59th TDC Type Directors Club Typeface Design Competition. Meet Erotica, beauty and elegance guaranteed. Notes (1) It is supossed that I'm a typographer rather than a calligrapher, but the truth is that I'm in the middle. Being a graphic designer makes me a little stubborn sometimes. But, I found that the more you don't think of type rules, the more graceful and lively pieces of calligraphy can be done. (2) “Know the forms well before you attempt to make them” used to say E. A. Lupfer, a master of this kind of script a century ago. And I would add “And once you know them, it’s time to fly...” (3) Some script fonts by my compatriots Sabrina Lopez, Ramiro Espinoza and Alejandro Paul deserve a mention here because of their undeniable beauty. The fact that many great copperplate fonts come from Argentina makes me feel really proud. Take a look at: Parfumerie, Medusa, Burgues, Poem and Bellisima. (4) Some calligraphers, graphic and type designer experimented in this field in the mid-to-late 20th century and made a really playful style out of it: Letters show a lot of personality and sometimes they seem drawn rather than written. I want to express my sincere admiration to the fantastic Herb Lubalin, and his friends Tony DiSpigna, Tom Carnase, and of course my fellow countryman Ricardo Rousselot. All of them, amazing.

La tipografía Castelan Hispane es una tipografía inspirada en documentos y textos antiguos históricos españoles del siglo XVI. Los trazos semi-medievales - cursivos, le dan una apariencia antigua pero también moderna para los proyectos en los que se desee utilizar la tipografía. Cuenta con seis estilos y tres pesos, ligera, regular y negrita. Cada peso contiene también su forma “itálica”. The Castelan Hispane typeface is a typeface inspired by ancient Spanish historical documents and texts from the 16th century. The semi-medieval - cursive strokes give it an ancient but also modern appearance for projects in which you want to use typography. It has six styles and three weights, light, regular and bold. Each weight also contains its “italic” form.

Introducing PLANET ADVENTURE - SCIFI FONT. This font is inspired by techno circuit boards, combined with the scifi font type. PLANET ADVENTURE is great for any kind of display purpose from logos, Tshirt, apparel, product packaging, tittle header, poster, merchandise, social media, labels, branding. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Elizabeth a script that carries the imperfections of a hand written brush script. It includes regular and discretionary ligatures, as well as stylistic alternatives and swashes. If you are working in a program that supports Open Type, I would suggest purchasing the Pro version as it includes all the features Elizabeth has to offer. If you are not working with Open Type but want to have the option of the swashes are stylistic alternatives, then you can buy both the regular Elizabeth and the swashes version. It will allow you to have most of the functions of Open Type.

Mellinde is new, fresh, & modern with handmade calligraphy, decorative characters and dancing lineage! Wonderful for invitations like greeting cards, branding material, business cards, quotes, posters, and more!! It comes with 472 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code) so that all alternative characters can be easily accessed by craftsmen or designers.

The Typorium presents a new optimized and enriched version of ITC Ellipse which first appeared in 1996 in the International Typeface Corporation typeface library. ITC Ellipse Neo design has been lightly modified. Three weights have been added (light, Medium, Extra Bold, including Italics) to the original Regular and Bold styles. ITC Ellipse Neo is both modern and classic. Modern in the unusual shape based on the geometric ellipse form. And classic in the structure of some letters like the lower cases c, e, g, o, s. These letters alone could come from a traditional typeface, but they fit perfectly with the atypical rest of the alphabet giving it a present-day and traditional mix. Furthermore, the ellipse shape fits naturally in the italic styles, giving the font an organic and fluid feeling. ITC Ellipse Neo offers OpenType features such as alternate characters for upper and lower case, and an extended accented character set to support many languages. Five weights have been created for each style to offer a wide range of graphic possibilities in a tidy digital footprint. Designer: Jean-Renaud Cuaz Publisher: Typorium MyFonts debut: December 15, 2020 Le Typorium présente une nouvelle version optimisée et enrichie d'ITC Ellipse qui est apparue pour la première fois en 1996 dans la bibliothèque de caractères de l'International Typeface Corporation. Le design de ITC Ellipse Neo a été légèrement modifié. Trois graisses ont été ajoutées (léger, moyen, extra gras, y compris les italiques) aux styles originaux Regular et Bold. ITC Ellipse Neo est à la fois moderne et classique. Moderne dans le dessin inhabituel basé sur la forme géométrique de l’ellipse. Et classique dans la structure de certaines lettres comme les minuscules c, e, g, o, s. Ces lettres pourraient provenir d'une police de caractères traditionnelle, mais elles s'intègrent parfaitement avec le reste de l'alphabet plus insolite en lui donnant un mélange de modernité et de tradition. De plus, la forme de l'ellipse s'intègre naturellement dans les styles italiques, donnant à la police une sensation organique et fluide. ITC Ellipse Neo offre des fonctionnalités OpenType telles que des caractères alternatifs pour les capitales et les bas de casse, et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues. Cinq graisses ont été créés pour chaque style afin d'offrir un large éventail de possibilités graphiques pour une empreinte numérique rigoureuse.

Introducing, Astire Klarish is a new retro serif with all clean and soft lines, tight curves, a combination of regular and italic versions adding to the appeal and trendy elegant look! This serif typeface that looks amazing in both large and small settings is perfect for your design needs yet still clean and elegant to apply to a variety of other formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging. , fashion, make up, stationery, novel, label or any kind of advertising purposes. WHAT YOU GET : Astire Klarish Regular (Open type) Astire Klarish Italic (Open type) Astire Klarish Bold (Open type) Astire Klarish Bold Italic (Open type) This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it! Thank you.

Raqmi Monoshape is a simplified version of the Raqmi font family with unified (non-varying) shapes. This font family supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes two weights: regular and light, each of which has normal and left-slanted Italic versions. The script design of this font family follows the Arabetics Mutamathil style utilizing varying x-heights. The Mutamathil type style utilizes only one glyph per Arabic Unicode character or letter, as defined by the Unicode Standards. Raqmi Monoshape includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph.

Galena Pro is an extended version of Galena, a typeface published for Bayer Corporation in 1996. Galena Pro is based on the open and organic forms imagined by the writers of humanist Italy, who designed the first so-called Roman characters. Humanist style fonts have moderate stroke contrast, uneven widths, and a classic, but soft and easy-to-read appearance. Galena Pro gives a new birth to the 15th century incunabula, a typographic drawing where the gestures of this standardized handwriting are not mechanical, but more fluid. The Galena Pro series can provide professional typography with OpenType features such as alternative sets of numbers, fractions and an extended character set to support Central and Eastern European as well as Western European Languages. The different styles of the Galena are enriched with a condensed variant to meet the need for space savings in titles and texts.

Galena Pro is an extended version of Galena, a typeface published for Bayer Corporation in 1996. Galena Pro is based on the open and organic forms imagined by the writers of humanist Italy, who designed the first so-called Roman characters. Humanist style fonts have moderate stroke contrast, uneven widths, and a classic, but soft and easy-to-read appearance. Galena Pro gives a new birth to the 15th century incunabula, a typographic drawing where the gestures of this standardized handwriting are not mechanical, but more fluid. The Galena Pro series can provide professional typography with OpenType features such as alternative sets of numbers, fractions and an extended character set to support Central and Eastern European as well as Western European Languages. The different styles of the Galena are enriched with a condensed variant to meet the need for space savings in titles and texts.

21st century innovation demands a 21st century style. It’s the age of virtual assistants. It’s machine learning and AI. It’s blockchain and cryptocurrencies. Shape the feel of these modern concepts with the mechanically-inspired forms of Chypre. Chypre’s subtle technological feel is perfect for our culture’s evolving electronic media applications. At its source, the carefully adjusted character designs and the balanced weight contrast convey to the modern reader an understanding of cutting edge concepts through a pleasing human feel. Unlike many other tech-driven fonts out there, this next-gen cyborg is a great option for text settings as well as headlines. The new face is composed of six styles, including numerous alternates which dramatically alter the appearance. There are also extra letter shapes, numerous figure options, and extensive language support. Designed to fit where you need a high-tech feel, Chypre is a modern font for a modern age.

Short Films is an all-new-styled family, which kind of looks like Art Deco Style. Wide opened counters and softly rounded bowls create a new feeling – Retro but futuristic, geometric but humanistic. Exquisite contrast between thin and bold parts of glyphs make mixed feeling – Pop and feminine, formal and casual, strong and soft. The most distinctive feature is a coexistence of decorativeness and Readability. This coexistence expands the range of font usage. You can use this font for not only titling but also body-text. Short Films consists of 6 weights and their matching Italics for a wide range of usages. Further, Short Films supports international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Short Films covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

Galena Pro is an extended version of Galena, a typeface published for Bayer Corporation in 1996. Galena Pro is based on the open and organic forms imagined by the writers of humanist Italy, who designed the first so-called Roman characters. Humanist style fonts have moderate stroke contrast, uneven widths, and a classic, but soft and easy-to-read appearance. Galena Pro gives a new birth to the 15th century incunabula, a typographic drawing where the gestures of this standardized handwriting are not mechanical, but more fluid. The Galena Pro series can provide professional typography with OpenType features such as alternative sets of numbers, fractions and an extended character set to support Central and Eastern European as well as Western European Languages. The different styles of the Galena Pro are enriched with a condensed variant to meet the need for space savings in titles and texts.

Really excited to introduce Nakone, a luxury bold Serif with two styles: solid and stencil. A lot of stylish alternates will make this font suitable for your any design project. Features: UPPERCASE lowercase Number & Symbol International Glyphs Alternative Uppercase Alternative lowercase Ligatures If you need anything else just shoot me on email at: dedukvic@gmail.com or find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en Hope you enjoy it.

Will Carter, well known in connection with his private press in Cambridge, has combined the skills of a calligrapher with a practical knowledge of printing. His mastery of pen-drawn letterforms was put to practical use in the design of Klang. Klang is a slightly inclined and calligraphically shaped sans serif with short ascenders and descenders. The Klang font is useful for informal applications, such as invitations, greetings cards and posters, but can also be used in advertising.

I started this font on a Monday and I finished it the Monday after, so I guess the name is right! Another Monday started off as a bit of doodling (with a Sharpie pen) on a piece of paper. Before I knew it, I had a complete glyph set and it looked nice. Another Monday is a bit messy, uneven and maybe even a little weird, but it will look good on postcards, packaging and labels.

Kanna Aoki had fairy tales in mind when she designed MVB Greymantle. She drew dots with a felt pen to build up the forms, giving them their particular rough character. The “Extras” font contains a set of whimsical illustrations, including a portrait of Greymantle—her 18-pound cat, a set of curly initial caps, and border parts.  MVB Greymantle has been spotted on numerous children's books, in magazines, in salad dressing advertisements, and on food packaging.

In 1994, Edward Benguiat designed ITC Edwardian Script, an emotional, lyrical, even passionate calligraphic typeface. Its appearance was influenced by the look of writing with a steel pointed pen, an instrument which can be pushed as well as pulled, and which produces stroke contrast when pressure upon it is varied. The delicate, sophisticated letterforms of ITC Edwardian Script font were drawn and redrawn until the connective elements of the letters were perfected to create the look of true handwriting.

At home, we don’t drink soft drinks at all. Maybe sometimes, when one of the kids has a birthday party, but we normally don’t have a stash of the stuff. We have cordial, or, as wel call it in Holland: limonadesiroop (‘Lemonade Syrup’). There you go, another font name xplained! Today Syrup was made with a marker pen and a lot of paper! It comes with a frizzy, sticky goodness to give your designs that extra kick.

Ready for Anything BB is a classic comic book lettering font designed with a Speedball C-6 pen nib, giving it supremely versatile letter-forms to complement any comic book art. As if that weren't enough, it also features contextual alternates that swap through six versions of every letter, three versions of every number, exclamation point, and questions marks. It also automatically corrects errant serif-I, and creates a bouncy baseline for any more than three consecutive letter!

A contemporary interpretation of grotesque (historic) typestyle, relying on geometric shapes applied to a grid. Idiosyncrasies within the typeface are based on how this grid is constructed and applied rather than those inherent in drawing type with a pen or cutting from a block of wood. Other grot types retain the quirks of original woodcut typefaces. Elephant has a different vocabulary of quirks that remove it from being too reverential or constrained to a historic context.

ITC Skylark, from designer Patty King, is an alphabet with a strong handwritten character and calligraphic influences. The figures look as though they were written with a broad-tipped pen on rough paper. The result is a light stroke contrast, irregular outer contours, pointed stroke endings and a clear slant to the right. These characteristics lend the font its spontaneity and liveliness. ITC Skylark is best used for headlines and short texts in point sizes of 12 and larger.

Basicly, Kalli Sketch is humanistic cursive drawn with pen. Inside the font you'll find a host of Opentype features, alternate characters, including a full set of alternate ampersand characters (stylistic alternates), standard ligatures that automatically connect as you type and discretionary ligatures. Also, font contains basic and alternative Cyrillic characters, and more than 50 floral ornaments. Because of lightness and transparency, Kalli Sketch is looking good in combination with serif and sans serif (particularly bold) fonts.

Aesop was developed from some book jacket lettering drawn by Michael Harvey for an edition of Aesop’s Fables by a master Japanese Artist. It is based upon a pen-drawn script, and is characterised by a lively sense of movement and grace. Aesop Plus, being an OpenType font, contains many alternative characters and additional ligatures which can be automatically substituted to enhance the liveliness of set text, where the application in which it is used, permits.

ITC Woodland is the work of Japanese designer Akira Kobayashi. It is based on Kobayashi's hand lettering with a flat brush or square-edged pen. I wanted to design each weight to act its own part," says the designer. "The light version tends to look almost fading in small sizes, but the heavy weight is as black as Cooper Black." The cheerful ITC Woodland is ideal for graphics, greeting cards, correspondence, and other applications requiring a light touch.

This brush script is what you call real. Designed using a pentel brush pen on paper, it captures all the nuances of real lettering. Texturized streaks are inconsistent, just as you would expect in real life. This font has tons of personality but it doesn't yell at you like many brush scripts can. Emily Lime Brush is an easy choice that can cover many design projects. Designed to be straight-forward & easy to use. Multilingual support.

I have been making some clean, connected fonts lately and when I was working on another one of these, I felt the need for something chaotic. So, Scapegoat was born. I used a round nibbed steel pen and Chinese ink and the result is quite a messy font. It may look chaotic, but as Nietzsche once said: ‘from chaos comes order’. Amen to that! Comes with double letter ligatures for the lower case and a whole lot of diacritics.