Paviljoen (meaning Pavilion or Gazebo in Dutch) is an Art Deco typeface which was modeled on cast-iron lettering on some monumental buildings in Amsterdam. I only had a few glyphs to work with, so I designed the remaining ones myself. Paviljoen comes with extensive language support.

BD Unicorse is a retro futuristic mixed case display font with the main characters set on the small keys and alternatives on the capital characters. It features 12 ligatures and is great for the use as headlines in magazines, logotypes on posters, games, movies or music packaging.

The classic blues album "I'm Jimmy Reed" released on the legendary Vee-Jay label out of Chicago featured title lettering in a bouncy, fun, casual take on the classic Latin Wide style of alphabet. Bluesman JNL offers a full digital typeface based on that album titling.

The fundamental in creating this typeface is the implementation of our interest in typography over the past year. Inspired by the elegance, consistency, and hard work of Times New Roman pull up our minds to a daunting blank canvas and began to think about what we had to do to take this idea even further. Whatever comes to our mind and when it is poured out, it will certainly remain within the rules of the letterforms. This typeface is created by a careful approach, consisting of 28 fonts 13 weights with matching true italics forms. Feature an extended charset of over 1800 glyphs, covering 219 languages using Latin, Cyrillic (basic to extended), and Greek alphabets. Included advanced open type features like stylistic alternates, terminal form, swash, discretionary ligatures, ordinals, small caps, positional numbers, fractions, and case-sensitive forms. BD Megalona provides a range of choices that will give luxury vibes in symmetrical layouts with selective deviations, and work well in a stylish look for your typographic project. This is a complete package of problem solvers perfectly suited for body text and high-impact headlines. Advance open-type features definitely stunning on logos, branding, magazines, website, etc. BD Megalona is our ego in expression that aims to supply the necessity of design nowadays while still in the corridors of the glory of past traditions as a source of our inspiration. We would like to show you a SHORT FILM about the process of designing BD Megalona Font Family, Click Here!!!

Body graphic project at Behance Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use. Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use. Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques. For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights. All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.

Big News! Tenez has been selected for the Tipos Latinos Biennial 2016 and Typographica’s Favorite Typefaces of 2015! Tenez is a Grand Slam display didone typeface from Plau. We designed it for a branding project, further developing the resulting logotype into a typeface we felt could solve many designers’ needs. Its origins are rooted in pointed nib calligraphy which can be seen in contemporary Didot and Bodoni inspired typefaces. But Tenez’s shapes are organic (these modern typefaces were originally cut by hand after all) – in fact that was the challenge we set from the start: to make a typeface as organic in construction as possible. This echoes some of late 19th century typefaces and advertising, yet we thought of it for contemporary uses. One of the several unique features of Tenez is its unusual Thin weight, in which the contrast between thin strokes and the black area left by the serifs makes for a typewriter-like personality. The italics provide a perfect counterpoint to the roman weights. Tenez was unapologetically conceived as a display typeface meant to be used large as in magazine openings, drop caps or everywhere there’s a need for elegant impact. The family includes support for almost all Latin languages available, figure sets for almost every conceivable occasion (tables, text, you name it), alternates for the quirky beautiful R (sometimes simpler is better, but not always!) and Q (with a nice big tail for that article opener). Tenez pairs really well with our no-frills sans-serif Motiva Sans and our cute vertical connected script Primot.

Clinto Sans Serif Clinto Sans is a simple geometric sans serif font Clinto Sans are constructed using basic geometric shapes such as circles, squares, and triangles. The letterforms are based on simple geometric proportions, resulting in a consistent and harmonious visual rhythm. Clinto sans serif fonts embrace simplicity and have a minimalistic approach. They aim to reduce letterforms to their essential elements, eliminating any unnecessary embellishments or flourishes Clinto Sans also has Straight Lines and Clean Edges. Clinto Sans also have open apertures, which refer to the space enclosed by the curved or diagonal strokes of certain letters like "a," "e," "g," and "s." The open apertures contribute to legibility and readability, especially at smaller sizes. Special features: - Ink trap Ink traps are small recessed areas or notches incorporated into the corners or junctions of letterforms. They were originally designed for letterpress printing to prevent ink from filling in and distorting the shapes, especially at small sizes. However, in modern digital fonts, ink traps are often used as a design element to add visual interest and maintain legibility at small sizes or in low-resolution environments. - Alternates Stylistic alternates offer alternative shapes or forms for certain letters in the font, a, e, g, and r, etc. Stylistic alternates can be accessed through OpenType features in design software. OpenType is a font format that allows for advanced typographic features and character substitutions, you can access the alternate letterforms through the glyphs palette or the OpenType panel in their design software and apply them selectively to specific letters. Thank You _

GEOspeed, a typeface that redefines design standards, this typeface goes beyond conventional, fusing robustness with elegance. Ideal for advertising use, posters or banners, GEOspeed is the very essence of modern visual expression. The typography includes 28 geometric icons accessible through the Open Type Functions: smcp and c2sc. Regular and Versalite: Two Styles, One Powerful Visual Identity: GEOspeed features two unique styles to meet all your creative needs. The Regular version provides solidity and clarity, while the Versalite adds a bold and distinctive touch. Together, these styles allow you to explore an unlimited range of visual expressions. 22 degree inclination: Movement and modernity in each letter: With a 22-degree incline, GEOspeed is not just about movement, it also has an avant-garde feel. Each letter is an expression of dynamism, capturing attention and carrying your message into the future. Each letter is a statement of progression and avant-garde. Sans serif geometry. GEOspeed's sans serif geometry sets a new standard for modernity. Each character is a geometric masterpiece, creating a contemporary look that highlights strength and elegance. Readability is guaranteed with meticulous metrics and kerning. Advanced OpenType features. GEOspeed's advanced Open Type features give you precise control over the appearance of your text. From sophisticated ligatures to typographic variations, your creativity is the limit. Explore an infinite range of possibilities with GEOspeed's numbers and letters set. From striking figures to expressive letter combinations, each design is unique. Includes dynamic fractions that maintain readability without sacrificing style. Every detail has been perfected to ensure a flawless typographic experience.

An unadorned Grotesque with a refreshingly personal touch. If “Grotesque” mainly means “industrial, mechanical, anonymous typeface” to you, Klainy might redefine your image of the genre. Yes, it’s a Grotesque—but with a contemporary look and a lot of personality. Klainy’s apertures are more closed at the top and more open at the bottom, creating an informal rhythm that sets Klainy apart: a confident, optimistic voice with a clean appearance. Terminals are subtly back-bent: these quaint “hooks” make Klainy a bit more personal, a bit friendlier. (You can find them in the a, c, f, and r.) Just like its old-style Grotesque ancestors, Klainy is optimized for display sizes and short texts. There, its unobtrusive quirks can be wholly appreciated. However, the familiar Grotesque appearance makes sure that the typeface is comfortable to read in smaller sizes, as well. Use Klainy whenever a basically classic sans-serif typeface with a modern and individual twist is called for. This font family comes in eight weights ranging from Thin to Black, each with a matching italic style. More than 500 glyphs and a bunch of Open Type Features make it a reliable companion for all of your projects. You can fine-tune the flavor of Klainy with Stylistic Alternates such as a one-story a and a two-story g. Their simple construction blends perfectly with the design concept of this typeface. Klainy is a seasoned blue-collar worker that surprises you with wit and team spirit. It’ll be a great addition to your font library.

Raguki is a sans serif display font with a modern and unique style. Aesthetic letterforms with stylistic ink traps make this font have bags of personality. Raguki has open-type features (salt and ss01) that enable the user to transform the letterforms to create different designs. We hope you enjoy it. Saga Studio

Mecatoque is a sharp, futuristic display font and works best in text and display applications, such as posters, headline, magazine, logos and titles. Mecatoque font has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for Mac and PC, in Open Type, PostScript or TrueType.

A futuristic grid-based interpretation of the classic Prisma by Rudolf Koch (1927-29). Prizma2012 breaks away from typical rounded characteristics of most Multiline designs and embraces 45 degree angles, a rigid grid system and open ended terminals. Intended for use at large sizes, the family comes with four weights for optimal impact.

The decorative title typeface was designed at Polygraphmash type design bureau in 1967 by Iraida Chepil. It is a decorative variant ('open', or 'engraved') of classical serif typefaces. For use in magazine headlines, title and display typography. The revised and completed digital version was designed for ParaType in 2005 by Victor Kharyk.

Pyragy is a display font with a classical vibe. It has beautifully crafted nine swashes. It’s genuine, interesting, and perfectly fits different design works, such as posters, book or album covers, digital spaces, or any other media. It supports various Latin-based languages and comes with powerful open-type and true-type features.

Aligarh is a semi-slab serif font formed with a smooth rounded bracket whose edges end with unique shapes, an exploration of combining unique styles in a typefaces. Designed to be used in a variety of media both print and digital media. 18 fonts built from 9 sizes and supported by open types.

Amador. Designed in 2004 by Jim Parkinson. Originally released as a Type 1 font, Amador was refreshed (version2) and re-released as simple Open Type in 2012. A blackletter designed in the spirit of the Arts and Crafts movement. The works of Frederic Goudy and Rudolf Koch are also reflected in this design.

Aksara is a sans serif font with a geometric touch. Aksara is not purely geometric, proportions have been designed so that all characters can look harmonious and have better readability. Aksara comes with five types of weights including Italic style, bringing a total of ten styles and has been supported in various languages.

Magical Vintage Font - Retro 70's Script Style. It comes with open type features like style alternatives, style sets, contextual alternatives & binders. This Retro styled font will help you create amazing designs. It offers beautiful typographic harmony for a wide variety of design projects, including logos & branding, social media posts, advertising & product designs.

Grown is a modern and clean display font. The design of typeface will make your design more beautiful and inspiring. This font will suitable for any project, like branding, print template, logo and more. Features : Accents (Multilingual characters) 18 Ligatures 19 Alternates PUA encoded Numerals and Punctuation (Open Type Standard) Full Support

Hardcore is made with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, quotes, product packaging, merchandise, social media posts, and more. Features: - All Caps letters - Numbers & Punctuation - Simple installation Work for PC and MAC - PUA Encoded Open

Introducing our new product that called �Balise� A retro sans serif influenced from 60s style typeface and coupled with a touch of rounded corners to provide a playful concept with a vintage design style. Balise has 5 weights, and is also equipped with open type features and is supported by various international languages.

In Issue Number 84 of Push Pin Graphic, Seymour Chwast offered up this rather odd variant of his own extrablack, superbold in-your-(type)face, Blimp. Not recommended for body copy, but makes interesting and unusual headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Galexica is a geometric, modernistic, sans-serif typeface. The original family had five members, but an upgrade in 2019 expanded that to ten, with five weights and italics for each of those weights. The eccentric letter forms have a techno or futuristic look. There is also a monospaced version of this design,

Designed after the sixties neon sign of an arthouse cinema in downtown Zurich, Studio 5 is now a typeface for many applications. The three different styles include old style numbers and alternate characters for titling. All styles have the same metrics. Bold and open styles can be layered for neon sign effects.

Amigueta Script is a handlettered script font, dynamic and pretty with swashes. Can used for various purposes. such as the title, signature, logo, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Amigueta Script features Open type feature, including initial and terminal letters,ligatures and International support for most Western Languages is included.

Setter is a type family that stands between geometric and humanist styles. Its unique features and large x-height gives it a modern look. Good for small text blocks, headlines and logos. Vast latin character set: Central, Southeastern and Western Europe. Vietnamese, Pinyin and Pan African Latin. Math and Currency. Enjoy it!

Legendaria is a very sophisticated and elegant connected script font. Its more than 1300 ornamented characters make it incredibly versatile. Most lower case letters have at least 15 different options, including tails and flourishes. For Open Type users “Legendaria OT” is the best choice instead the separated files of ornamental complementary fonts.

Introducing a new Layered bold script called Stonekids. Stonekids inspired by handlettering, bold script logotype and kids fonts. Stonekids comes with open type features and multilingual accent good for logotype, poster, badge, book cover, t-shirt design, packaging and any more. Multilingual accents: ŽžŠŒšŸÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ Features: - Uppercase - Lowercase - Number - Punctuation - Multilingual - PUA Encode - Opentype

A well-designed bold art deco font. Very chunky. Uppercase, lowercase, numerals and punctuation. CastleType additions to the Koloss family include Koloss Bold Condensed and Koloss Bold Wave. The latter was used beautifully in the wonderful children's book The Leaf Men (and the Brave Good Bugs) written and illustrated by William Joyce.

Five years later, DSType proudly introduces Estilo Pro: the Ultimate version of Estilo. Now with sharp edges and five weights from Hairline to Bold, Estilo Pro includes an extraordinary set of features like alternate characters, initial swashes, ending swashes, ligatures, ornaments and drop caps in a total of 1000 glyphs per weight.

BEMACK is handwritten made with a brush pen, this font will tear through your text with unmistakable energy, dynamic and spontaneous flow. To help you create stunning custom handwriting displays. BEMACK comes with alternates character, ligature, punctuation, numerals. Also included is a bonus extras swashes, handmade designed to perfectly for headlines and short texts. Use it for magazines, t-shirt, packaging, logos, advertising, quotes, branding, posters, editorials, cover artwork, movies, websites, etc BEMACK is coded with Unicode PUA, Allows full access to all the extra characters without having special software designing. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor / app. Thanks so much for looking and Enjoy it!

Flourish breaks the mold of traditional typography. Part italic, part roman, this iconoclastic font is all style. William Millstein casts the contours of formal pen strokes in a taut upright framework to create a typeface that nods back to its origins while looking defiantly forward. The neat and light semi-serif flaunts crisp geometric touches without conceding warmth or personality. A sophisticated design solution that isn’t stuck up, Millstein Flourish makes invitations, identities, and editorial settings thrive. Originally offered by Photo-Lettering in the early 1940s, Millstein Flourish was digitally updated by Jeremy Mickel in 2011. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Adrian Frutiger came up with this unusually purposeful and strong design in 1981 for Linotype. Early humanistic typefaces of the sixteenth century, especially Jenson, served as models for Breughel. The right sides of the stems are vertical and at right angles to the baseline while the left sides of the stem curve into the serifs, making the typeface look as though it slants to the right, and giving it a sense of movement and liveliness. The ductus of the broad-edged pen is reflected in the flow, rhythm, and texture of text set in Breughel, but at the same time this design has a regularity of form that is typographically solid. Breughel is an ideal typeface for the designer with skill and vision. Use it to create innovative publications, posters, and advertisements.

Matilost Wikly is an elegant handwitten fontinspired by natural brush typography. Written in rapid motion using a slightly dry brush pen. This will give you a fresh and elegant design. Matilost Wikly comes with uppercase and lowercase letters, large sets and small sets, numbers, alternative styles for several lowercase characters are also available that make your text and design more attractive. Try Matilost Wikly, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. - Included multilingual support and special ligatures If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows):

Introducing an elegant calligraphy font called Aromatic Ginger. This fonts inspired by dip pen calligraphy that every letter made many stylistic alternates like swash, tail and etc. The Aromatic Ginger font is perfect for greeting card, wedding invitation, logotype, personal branding, signature and many more. What's the feature - Uppercase and lowercase - numeral and punctuations - OpenType features initial and terminal form, swashed, alternates, and stylistic alternates. - Multilingual support more 25 language - PUA encoded Note: For access OpenType features this font, make sure that your software is supported OpenType like illustrator cc, photoshop cc, or Corel x8. If not yet supported, for the alternative to access OpenType can using character map check this video https://www.youtube.com/watch?v=KV7n5nxmsLs&feature=youtu.be Thanks for using this font. Have a nice day:)

Piguet Script is an elegant handwitten fontinspired by natural brush typography. Written in rapid motion using a slightly dry brush pen. This will give you a fresh and elegant design. Piguet Script comes with uppercase and lowercase letters, large sets and small sets, numbers, alternative styles for several lowercase characters are also available that make your text and design more attractive. Try Piguet Sript, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. - Included multilingual support and special ligatures If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows)

A romantic little modern calligraphy font duo that will all whisk you off your feet! It comes with an extra dingbat font with oodles of sweet little flourishes and embellishments too! Tanglewoods Script has a lovely whimsical character with the natural organic flow from a real calligraphy pen. It’s perfect for weddings, feminine logos, branding, invitations, quotes, social media, websites, and well....just about anything pretty! :) It includes opentype features - stylistic alternates for the lowercase letters, and a comprehensive set of natural looking Ligatures to add to the natural nature of the typeface. The Complimentary sans serif font, Tanglewoods Sans, is a whimsical and light-hearted uppercase font. The extra dingbat font, Tanglewoods Extras, has 62 beautiful flourishes and embellishments, all available by hitting the keystrokes A-Z, a-z and 0-9.

Kindred is an organic and hand-lettered sans typeface. It has a friendly and organic feel that works great for branding, social media, and marketing! Kindred is inspired by hand lettering art - incorporating many letters that fit into each other and swashes that add a hand-drawn feel. The corners are slightly rounded to give it an organic and friendly feel. With so many alternatives and ligatures, each word can be customized to fit the needs of your project. The Details: 34 Standard Ligatures: Enabled by default to create a hand-drawn feel! (Make sure your open-type features are enabled!) These can also be switched out depending on the look you're going for. Over 90 Alternatives: These are the perfect way to make the type look custom-made for your project. Add small details, change double letters, or add swatches that fit around surrounding letters. Language Support: Danish, English, French, German, Irish, Italian, Portuguese, Spanish, Swedish, & Swiss German.