Digital Sans Now combines and completes the many diverse requests and requirements by users of the past years. By now, 36 versions for over 70 Latin and Cyrillic languages have become available, including Small Caps. Digital Sans Now is also available as a webfont and reflects, with its simplified and geometric construction and its consciously maintained poster-like forms as well as with its ornamental character, the spirit of the decorative serif-less headline typefaces of the 1970s. The basic severity of other grotesque typefaces is here repressed by means of targeted rounds. Exactly these formal breaks allow the impression that it could be used in a variety of visual applications. Short texts, headlines and logos of all descriptions are its domain. It is because of this versatility that the typeface has become a desirable stylistic element, especially in such design provinces as technology, games and sports, and that, for many years now, it appears to be timeless. Additional weights designed on the basis of the original, from Thin to Ultra, the Italics, Small Caps and alternative characters allow for differentiated “looks and feels”, and, with deliberate usage, give the “Digital Sans Now” expanded possibilities for expression. The basis for the design of Digital Sans Now is a headline typeface created in 1973 by Marty Goldstein and the Digital Sans family which has been available from Elsner+Flake since the mid-1990s under a license agreement. The four weights designed by Marty Goldstein, Thin, Plain, Heavy and Fat, were originally sold by the American company Visual Graphics Corporation (VGC) under the name of “Sol”. Similarly, the company Fotostar International offered film fonts for 2” phototypesetting machines, these however under the name “Sun”. The first digital adaptation had already been ordered in the mid 1970s in Germany by Walter Brendel for the phototypesetting system Unitype used by the TypeShop Group, in three widths and under the name “Digital Part of the Serial Collection.” Based on the versions by VGC, Thin, Plain, Heavy and Fat, new versions were then created with appropriate stroke and width adaptations for data sets for the fonts Light, Medium and Bold as well as for the corresponding italics

The Garamond family tree has many branches. There are probably more different typefaces bearing the name Garamond than the name of any other type designer. Not only did the punchcutter Claude Garamond set a standard for elegance and excellence in type founding in 16th-century Paris, but a successor, Jean Jannon, some eighty years later, cut typefaces inspired by Garamond that later came to bear Garamond’s name. Revivals of both designs have been popular and various over the course of the last 100 years. When ATF Garamond was designed in 1917, it was one of the first revivals of a truly classic typeface. Based on Jannon’s types, which had been preserved in the French Imprimerie Nationale as the “caractères de l’Université,” ATF Garamond brought distinctive elegance and liveliness to text type for books and display type for advertising. It was both the inspiration and the model for many of the later “Garamond” revivals, notably Linotype’s very popular Garamond No. 3. ATF Garamond was released ca. 1918, first in Roman and Italic, drawn by Morris Fuller Benton, the head of the American Type Founders design department. In 1922, Thomas M. Cleland designed a set of swash italics and ornaments for the typeface. The Bold and Bold Italic were released in 1920 and 1923, respectively. The new digital ATF Garamond expands upon this legacy, while bringing back some of the robustness of metal type and letterpress printing that is sometimes lost in digital adaptations. The graceful, almost lacy form of some of the letters is complemented by a solid, sturdy outline that holds up in text even at small sizes. The 18 fonts comprise three optical sizes (Subhead, Text, Micro) and three weights, including a new Medium weight that did not exist in metal. ATF Garamond also includes unusual alternates and swash characters from the original metal typeface. The character of ATF Garamond is lively, reflecting the spirit of the French Renaissance as interpreted in the 1920s. Its Roman has more verve than later old-style faces like Caslon, and its Italic is outright sprightly, yet remarkably readable.

You may recognize the looks of Retroxoid - if not, then let me help you out: Retroxoid is actually a font I made back in 2007. I ran prints of the font, through a very bad copymachine, used a wet cloth to make the print look worn, scanned the prints and voila! Retrozoid, my very first Open Type font, was born! Now in 2010, Retroxoid has risen from the past, and is ready to burst your designs with clean, round and futuristic shapes!

Sebino Soft family is a rounded version of Sebino. It is a neutral sans-serif type family with 9 weights, from thin to black, with corresponding italics. Sebino Soft has a large x-height with open apertures which make texts more legible at small sizes. Each font includes OpenType Features such as Proportional Figures, Tabular Figures, Numerator, Superscript, Subscript, Case-Sensitive, Denominators, Scientific Inferiors, Ordinals, Ligatures and Fractions. Sebino Soft will make your artworks better with its clean & clear shapes.

Emblema is an evocative font that exudes Art Deco style from early decades of the 20th Century. Its geometric shapes give a clean and modern look to any design where it is applied. Emblema was designed in 12 subtly different weights and is ideal for achieving the same weight in a single word when using different point sizes. Open Type users can access an extensive set of alternative and ornamental characters including 3 different size sets of caps, providing the utmost in versatility.

ITC Atelier Sans began as one of Curtis's renovations. His goal was to create a monoline design with Art Deco “sensibilities,” but without the geometric precision and relatively small x-height of faces like Futura or Kabel. Gentle curves and suggestions of serifs create a crisp, clean and open face that is at once sleek, sensuous and still affable. Available as a two-weight family with complementary italics, ITC Atelier Sans is another successful and usable revival from Nick Curtis.

Cover Sans is a humanist geometric typeface with an orthogonal structure, which provides stability when composing a text. Open shapes and low x-height give this font balance and makes it an air-breathing typeface. Cover Sans is a stable and strong condensed font that works well for magazines and publishing. The strong personality of its alternative characters gives the font a modern and elegant style, which makes it ideal for use on annual reports as well as on business logotypes.

Heart Love come with 320+ glyphs. The alternative characters were divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The OpenType features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts), so that all the alternate characters can easily be accessed in full by a craftsman or designer. Happy Designing

Centola - a perfect clean modern serif Font is an open type with clean shapes and precise kerning. Centola Font Features: - Full Set of standard alphabet and punctuation - Ligatures - PUA Encoded - no special software needed to access extra characters - Language support: All European languages - Multilingual Characters AÁĂÂÄÀĀĄÅÃÆBCĆČÇĊDÐĎĐEÉĚÊËĖÈĒĘẼFGĞĢĠḠHĦIIJÍÎÏİÌĪĮĨJKĶLĹĽĻŁMNŃŇŅÑ OÓÔÖÒŐŌØÕŒPÞQRŔŘŖSŚŠŞȘẞTŤŢȚUÚÛÜÙŰŪŲŮŨVWẂŴẄẀXYÝŶŸỲỸZŹŽŻ aáăâäàāąåãæbcćčçċdðďđeéěêëėèēęẽfgğģġḡhħiıíîïìijīįĩjȷkķlĺľļłmnńňņñoóôöòőōøõœpþ qrŕřŗsśšşșßtťţțuúûüùűūųůũvwẃŵẅẁxyýŷÿỳỹzźžż Thanks so much for checking out my shop, and please get in touch if you have any questions! Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Fabejan a perfect mixed calligraphy and modern serif Font is an open type with clean shapes and precise kerning. Fabejan Font Features: - Full Set of standard alphabet and punctuation - PUA Encoded - no special software needed to access extra characters - **Language support**: All European languages - Multilingual Characters AÁĂÂÄÀĀĄÅÃÆBCĆČÇĊDÐĎĐEÉĚÊËĖÈĒĘẼFGĞĢĠḠHĦIIJÍÎÏİÌĪĮĨJKĶLĹĽĻŁMNŃŇŅÑ OÓÔÖÒŐŌØÕŒPÞQRŔŘŖSŚŠŞȘẞTŤŢȚUÚÛÜÙŰŪŲŮŨVWẂŴẄẀXYÝŶŸỲỸZŹŽŻ aáăâäàāąåãæbcćčçċdðďđeéěêëėèēęẽfgğģġḡhħiıíîïìijīįĩjȷkķlĺľļłmnńňņñoóôöòőōøõœpþ qrŕřŗsśšşșßtťţțuúûüùűūųůũvwẃŵẅẁxyýŷÿỳỹzźžż Thanks so much for checking out my shop, and please get in touch if you have any questions! Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Winterberry (Ilex verticillata) is a species of holly, native to the USA and Canada. I thought it was a rather cool name (pun intended) for a messy script font made during a cold spell. Winterberry was created using Chinese ink and a crappy brush - hence its messy appearance. Use Winterberry on your alt-Christmas invitations, your fantasy novels, your rock albums or your website! You’ll love it! Comes with a bunch of diacritics and some ripe double letter ligatures as well.

ALS Ekibastuz is a contemporary urban-style typeface extremely suitable for periodicals and advertising. It has defined, open, clear-cut letterforms and modern proportions. Originally designed to work well for headings, Ekibastuz was developed further to give a distinct energetic feel when used at large sizes and be highly readable and neutral at small sizes. It consists of six font styles and offers a wide choice of weights, which is useful for creating contrast between boxes of text on a page.

Sharon is a Classic Display serif style with Uppercase and Lowercase feel nice balanced. Provide alternates font in uppercase and lowercase variant style make the design letter looks incredible. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. How to access Alternate Characters? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs Have a great day, Haksen

Yet another san serif typeface, Yassitf is a generic sans, a font meant to blend in rather than stand out. It has little contrast and is almost monoline. It includes three widths: condensed, narrow, and regular. The widths have four to six weights: ultra thin, thin, light, plain, bold, and extra bold. Further, each width and weight combination has both upright and italics styles. The thirty fonts in the family contain several open-type features, including both proportional and tabular (monospaced) numbers.

Solaris is a sans serif or a grotesque as we still call it where I come from. (it is an old term which means strange compared with Roman which was the normal font) The face is an open sans, which means that the round signs take the air into the form, minuscule d is drawn kind of backwards like in Gill Sans, which sets off on minuskel a. Here is the Regular version, with a slightly difference between stems and hairlines.

Valor is a display face inspired by uncial forms seen through a modern roman lens. The result is a type with strong contrast between thick and thin strokes and a highly geometrical construction that even so retains a hint of the charm of hand-written uncial letters. A number of alternate forms and ligatures add to the personality of the face and offer flexibility in usage. Best suited for large titling work such as in posters or book and magazine covers.

Hallo Aluyeaholic! Introducing Manverse, a bold manly typeface. Inspired by the things that make up the world of men. With a bold, strong, and firm vibe. Coming with 2 styles, all caps and multilingual support. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Thanks for checking out my font. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Diaper Bag is a ding bat font providing images related to baby: bottles, pacifiers, rattles, cribs, bassinets, safety pins, and some random things like umbrellas (for a baby shower), expecting moms, storks, baby feet, teddy bear, rubber duckey, booties, teething ring, etc. You can use these to make baby shower invites, baby announcements, and anything you can customize with your own design. Bellafonts' user license allows for commercial use so you can make products for re-sale, including services offering graphic design.

Pinky Style is a Lovely Craft Font display font with heart design. Fall in love with its incredibly versatile style and use it to create spectacular designs! Pinky Style is perfect for branding, logo, invitation, quotes, apparel design, product packaging, merchandise, game titles, cute style design, Book/Cover Title and more. What's Included : - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features.

Tarnese is a calligraphic font, created to look as close to a natural handwritten script as possible. Tarnese includes over 60 natural-looking open-type ligatures and and a full set of upper and lowercase alternates, making your design more attractive. In the glyph palette you will also find ornaments that can be used for underlining, and to combine and enhance your text. Suitable for use in designing titles, invitations, title books, stationery designs, quotes, branding, logos, greeting cards, packaging, posters, and more.

Andreash – Sans Serif Font. It has a elegant, classy look and beauty. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects. Highlight: - Easy instalation - Work on PC or Mac - PUA Encoded Support - Basic Latin A-Z and a-z - Numbers - Symbols - No special software is required, The fonts can be opened and used in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.

Marli is an adaption of a face designed by F. Schweimanns and issued by the Stempel Foundry from 6 to 48 point, as “Korso”, in 1913. In 1936 the American Intertype issued their version for the line composing machines in 12 and 14 point as “Camera”. It is a very suitable type face for personal stationery, announcements, greeting cards and the like. The font is updated with a full Open Type character set, while also a Cyrillic has been added.

Arlista is a stylish, classy and modern handwritten font with many alternative styles for your beautiful project. We make this font carefully so that each letter can be accessed well. Alternatives to the letters a-z, beautiful decoration, and the ligatures make your project more elegant and classy. Arlista also has multilingual support and is PUA encoded. Features : 350+ Glyphs Ligatures Alternates Simple installations Standard Uppercase and Lowercase Alphabet Numbers and Punctuation Swash Stylistic Set Open Type Features PUA Encoded Multi-lingual Support

Shecarea is a beautiful script font with 2 style, fill style and line style. This font has a modern and unique font feel, there is more feminine style too. Shecarea is perfect for is perfect for logotype creation, lettering compositions, wedding invitations, fashion projects, book design cover, magazines typography, cards, packagings, posters, branding and more. Come with open type feature like a lot of alternates and also ligatures. Its help you to make beautiful lettering. This font is also support multi language

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. Because of delays in production, the face was never used by the magazine. However, Gimbel Brothers, the famous New York department store, opened in 1910, around the time of the release of the typeface, which was used almost exclusively for its advertising and was often known as Goudy Gimbel, but the typeface was better known by the Monotype series number Goudy 38.

XXII YeahScript – This brush script font with its large range of alternates fits great for any kind of signpainter job. It is designed to easily create cool logos, headlines and text phrases within a blink of an eye. Just open your glyphspalette and simply chose the alternates that fits best to your creation. Lots of swashes alternates and linestrokes will help you to complete your unique designs. For further detail click Behance Project or download the pdf in the gallery.

Midan, designed in 2005 by Kameel Hawa, director of Almohtaraf Assaudi, is a modern Arabic typeface based on simplified Naskh with a slightly modulated stroke treatment. It is suited for text settings, especially in brochures and magazines. It is characterized by a large body height and open counters and as such can be used in small sizes. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Texas Chili is a modified version of our Philadelphian font family. With Texas Chili we've squared the curved inside brackets from the Philadelphian font which helps open up the inside of some letters for a sharper appearance. The Texas Chili font family also includes a Unicase i that's balanced to the weight of the uppercase. You need an application such as Adobe Creative Suite or any other Opentype aware program to access the alternate Unicase i in the Chili font family.

Agaiz - Modern Display Font. Inspired from unique typography and lettering in the elegant alphabet from modern megazine and we combine with elegant typography style. With modern ligature you can make great lettering for beautiful artwork. Come with open type feature ( a lot of alternates and end swash), its help you to make great lettering. Agaiz best uses for Logotype, heading,cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more. Agaiz font is also support multi language.

Sisco is a complete font family of 18 weights intended for editorial use and brand identity. Open counterforms give it a touch of modernity and technological. Sisco is designed to be legible in small sizes in both paper and display devices. It contains a set of authentic Small Caps and various sets of numerals, fractions, ligatures, and an extensive map of suitable characters for most languages ​​based on Latin characters. Sisco is a typeface that will bring the future to your graphic projects.

Street Rats is a Handwritten font with a Realistic monoline graffiti style, with awesome swash perfect for your awesome urban designs. It will elevate a wide range of design projects to the highest levels, be it branding, headings, designs, invitations, signatures, logos, labels, and much more! Features: Uppercase Punctuation Swash PUA Encoded open Support for MAC or PC Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) That's it! If you have any questions don't hesitate to ask! Stay Classy!

This Fonts designed so that users can use it more easily and make graffiti designs easier. Dark Razoor is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with graffiti look. Features: All Caps PUA Encoded open Support for MAC or PC Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) That's it! If you have any questions don't hesitate to ask! Stay Classy!

LONG NIGHT is a a handwriting/signature script with open type ligatures and stylistic alternates. Perfect for titles, headings and logotypes, products packaging or photography watermarks. It includes Western European accented characters. For additional customisations (for logotypes for example) or if you have any further questions, request pleas contact me. Thank you I hope you like this font & good luck with your project! Roland Instagram: @rolandhusedesign Cool background image that inspired the name by my good friend Joshua Guandique https://www.instagram.com/josh_g_art/

Carino is a stunning classy modern bold all-caps sans serif that comes in three beautiful weights to complement every project you're working on. Use to create beautiful headings, gorgeous invitations, stunning logos, and so much more!! Perfect for displays, headers, invitations, save the dates, weddings, and so much more, Carino will become a playful staple in your font library! HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs

Nora Slab blends a geometric inspiration with warm humanist elements, making it the perfect choice for when you need a fresh, contemporary slab serif typeface. The companion Nora Grotesque makes the Nora family a real workhorse for any use, including web, digital, print, branding and signage. Nora Slab has a large x-height and open counterforms, making it easily readable. It supports multiple languages: Central and Eastern European as well as Western European languages. It has eight weights with related obliques.

This minimalist and elegant looking font is ready to accompany your project. Simple but powerful and beautiful. Can be applied to packaging logos, wedding invitations, branding, creative posts, posters, quotes, landing pages, and much more to explore. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Ligature Note : Open with a program that supports the Opentype feature and an glyphs panel is available to see more alternative characters. Sample programs like Adobe Illustrator and the like! Thanks.

The Retroica perfectly represents vintage aesthetics display typeface. This project inspired by beautiful lettering in old label. Some letter contains beautiful alternates characters (ss01 - ss04) and some ligatures The Retroica matches applies in some designs such as the logotype, poster, packaging, branding, quotes, badge and more custom design. The features uppercase, lowercase, numeral, punctuation & symbol, ligatures, alternates, multilingual support, PUA encoded (fully accessible without additional design software). How to get access alternate glyphs with designing software to open type fonts, klik here.

Monatha is a classy script typeface that suitable for cute & feminine looks on your works. Monatha is perfect for girly product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Ligatures - Ending Swashes - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features. --- Hope you enjoy with our font! Attype Studio

For some reason I had to think of Moby Dick (the classic book by Herman Melville) when I was busy working on this font. No, I don’t live near the sea, nor do I have a pet whale. It’s just one of those things… Whalebone (named after Captain Ahab’s prosthetic leg) is a handmade, all caps brush font. It wasn’t actually made with a brush; I used a broken satay skewer and Chinese ink. Whalebone comes with discretionary ligatures for double letter combinations.