Introducing Cendhany is a hand lettered typeface. This font is made by handwriting naturally using a brush pen so it can produce good quality fonts. They work perfectly for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, wedding, advertising, etc. This typeface comes in uppercase, lowercase, punctuation, symbols, numerals, alternate, ligatures, etc also supports multilingual.

Kayshi is a stylish, clean, and modern display sans font, with a very different style from the others. Kayshi is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats – and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. We hope you enjoy the font and have fun! Thank You.

Gerig is a unique, stylish, and fun font that is unlike most other fonts. Having an anatomical shape between thin and thick lines makes it beautiful and visually unique from most other fonts make your project more stunning by adding this font. It is a font that every designer, writer, and programmer should have in their library. because this font is unique, stylish, and fun. Cool ligature and alternative fonts help add a unique flair to your project. Make the most of your designs by using this font today. What’s Included : Standard glyphs Iso Latin 1 Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Every character in this font is meticulously crafted from eerie, yet beautifully haunting music notes. Here are some ways you can use this font to your benefit: Party Invitations: Create spine-chilling invitations for your Halloween party that resonates with the theme, setting the mood for a night of hauntingly good fun. Posters and Flyers: Craft attention-grabbing posters and flyers for haunted houses, Halloween events, or horror movie screenings that evoke the perfect blend of fear and fascination. Merchandise: Design eerie merchandise like t-shirts, mugs, or stickers that cater to Halloween enthusiasts and music lovers alike. Digital Media: Elevate your digital content, including social media graphics, banners, and web elements, to capture the essence of Halloween in a truly unique way. (This font only includes the 26 characters based on the English alphabet)

Hello everyone, I would like to introduce my newest font Molista Script is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a complete set of lowercase and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains multiple ligatures and many contain alternative Style Stylistic Sets such as a heart swash alternative. You can see an example in the image above. Molista Script is very suitable for market designs being developed today, this font has a stylish, trendy, natural and soft font, with this font you can take advantage of opportunities every moment is a great way to highlight the celebration of the best of the party, because this font will be an advocate for the purposes such as wedding invitations, branding, parties, graduations, birthdays, gatherings, etc. Thank you, LetterFresh

The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced. Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structure of the typewriter typestyles. Of course printing types were proportional designed as typewriter typestyles had a fixed width. So it is possible that except from the method of production for typewriter typestyles, the design of printing types were copied. In the design of the Typist, the purpose was – next to the monospace feature – to include some of the features of the early typewriter typestyles. Features such as the ball terminals and the remarkable design of the letter Q. This new typeface lacks the mechanical and cold look of the early typewriter typestyles. The Typist comes in six weights with matching italics in two versions. One that resembled the early typewriter typestyles (Typist Slab) and a version designed with coding programmers in mind (Typist Code).

The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced. Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structure of the typewriter typestyles. Of course printing types were proportional designed as typewriter typestyles had a fixed width. So it is possible that except from the method of production for typewriter typestyles, the design of printing types were copied. In the design of the Typist, the purpose was – next to the monospace feature – to include some of the features of the early typewriter typestyles. Features such as the ball terminals and the remarkable design of the letter Q. This new typeface laks the mechanical and cold look of the early typewriter typestyles. The Typist comes in six weights with matching italics in two versions. One that resembled the early typewriter typestyles (Typist Slab) and a version designed with coding programmers in mind (Typist Code).

Energize is a sports font family with 3 weight (thin, regular, bold) & various styles of outline - extrude. The Italic styles bring another vibe of speed. This font family is built to bring active looks, racing, workouts, and other athletic activities. Its shape is rooted in the the competitive sports spirit. The Idea is to bring the dynamic shape mixed with weight , elevating athletic performance through progressive innovation of font, so whenever people see the font they think of hard work and sports.

Spanish Main is a revival of an old MacKeller Smiths & Jordan font named Sloping Black. Like most foundries MacKeller Smiths & Jordan doesn't display all the letters of the fonts in their specimen books so it took a little more time to find the complete character set for this old beautiful classic font. New in this version is the addition of a Greek character set which is experimental as you normally don't see Old English style fonts include a Greek alphabet.

Quince is a playful, zesty, handwritten font. Lower case letters are energetic and sweet, then as all-caps its essence shifts to more architectural and stylish. Both upper and lower case have a set of double-letter ligatures to keep it lively. Quince family also features Quince Designs, an original, floral picture font drawn by Amy Dietrich, rich with charming patterns, borders and spots. See your projects bloom with Quince. Posters also include images from Kiwi Fruits, another picture font by Atlantic Fonts.

BLUM is a beautiful bubble font for lovely logotypes, branding & display usage. This font is perfect for creating outstanding logos, promotional content, and marketing graphics that can really grab the attention of your visitors. Please see the examples shown above to get an idea about the capability of this font. This font is specially handmade with great OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 249 glyphs are included.

Lateman is a casual font built with apps. with freestyle and natural make this font look friendly to the project you are working on. Lateman only consists of uppercase letters, but if it collaborates with other fonts, it will feel more striking like the preview example above. This font was created for superhero movie titles and is perfect for movie titles, superheroes, action, animation, war, and more. You can see the sample preview above for comparison, stay the center of attention and classy!

Corpesh was drawn in Adobe Illustrator during the wee hours of the night. It is a single weight set of fonts, no bold version. As is/was much of what I have done over the last year, it was created purely to pass time. As a self taught amateur in this field, I only do this for the enjoyment it brings me. This typeface is being released early, at the same time as 'Brainstroke', for exactly the same reason that typeface is, that being a health crisis. I know this typeface is not complete, with, as mentioned, no bold version, and probably never will have.

Rhelax is a luxurious font with a modern look and feel. It has a subtle and elegant style that adds a touch of class to your designs. A wide selection of alternate ligatures and fonts means you can use these to create a custom style for your project that creates a beautiful and unique look. This font offers a unique touch to each letter, making it ideal for a wide variety of projects where you want to stand out from the crowd! What’s Included : Standard glyphs Iso Latin 1 Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Vintage sheet music for a song from the 1941 animated feature "Mr. Bug Goes to Town" featured a casual, hand-lettered inline type style on its cover page. Recreated as the digital font Go to Town JNL, this design is presented in all the imperfect glory of pen and ink lettering. Go to Town JNL is available in the regular inline version as well as a solid version. A bit about the cartoon: The project was created by the legendary Fleischer Studios in Miami, Florida (they had relocated from New York City), after they could not obtain the rights to adapt Maurice Maeterlinck's "The Life of the Bee". Beset by the expenses of relocating to Florida, growing production costs on the full-length feature cartoon and other problems; mid-way through the making of "Mr. Bug Goes to Town" the Fleischer brothers were forced to sell their studio to their distributor (Paramount Pictures) in order to continue in operation. It was released on Dec. 5, 1941 - just two days before the Japanese attack on Pearl Harbor. The release [and subsequent re-release by Paramount as "Hoppity Goes to Town"] was a disappointing failure, earning [as late as 1946] only $241,000 of the initial cost of $713,511 it took to make the film.

Hello good people. introducing our new font 'Piedmond' This time we wanted to create a gallant signature font. Inspired by men's hand strokes, with a decisive pattern, each glyph is formed through the pressing of the pen, the orientation of the shape is almost constant with the direction of the pattern that continues to point forward and ends with a strong pressing of the pen. We call it the masculine signature type, reflecting a confident attitude, a definite decision and full confidence. We design this font for modern product branding, not only for men, but women also love this masculine side. This font is equipped with swashes, alternates and additional ligatures for the lowercase. By using this font, it will give your brand more confidence to appear wider. Thanks

VLNL Boulangerie was originally an incomplete set of early 20th century wood type letters, that Donald Roos found in a dust covered carton box stashed away somewhere at the Royal Academy in The Hague. Charmed by the letter forms Donald decided to print them on paper with a printing press. Next he digitised the prints as they came out, including small imperfections and damages. The missing characters were composed and added digitally to complete the alphabet. (See if you can spot those!?) We think VLNL Boulangerie is a little French in appearance (hence the name), it's joyful, warm, a little crunchy and round-ish. It defenitely has that ‘je-ne-sais-quoi’ that seperates it from most wood type grotesques. It can be perfect for lettering on a storefront window of – let's say a bread shop or a lunchroom. Or a logo for a downtown hipster café. VLNL Boulangerie hardly has any limitations actually.

"Old is Gold".. Perhaps that's the best words to represent this typeface called Fragtude - a pair of vintage display typeface consist of bold script and serif. One of our finest typeface, crafted carefully to make sure its quality. Inspired by 40s 50s lettering and signage, the nostalgic feels will bring you back to the good ol' days. This typeface is perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual swash and ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Monggirella script font is a pretty calligraphic script font with flourishes, that will look gorgeous on all your designs, wedding invitations, love stories, branding materials, logos, business and wedding cards, calligraphy Insta quotes elegant fashion sketches, calligraphy love monograms and much more. Monggirella script font contains the Cyrillic glyphs too. Monggirella script font contains a full set of uppercase and lowercase letters and can be used to create a handwritten calligraphy look. Some letters include the flourishes and you can receive them by typing numbers after letters. Please use the glyphs map to choose the letters with flourishes Multilingual Support for 31 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. Cyrillic glyphs support for Russian, Belorussian, Bulgarian, and Ukrainian languages. (Does font support more Cyrillic languages just type a message in the text box below and see if all characters you’ll need are there.) Please note, sometimes the text box may not display the flourishes, but they are definitely available! :)

Flexi Gloo Font A display typeface that has a bubble character and graffiti theme font to work with. The Flexi Gloo font is, as the name suggests, a hypebeast and unique display font. This font I've created has been in heavy use this year & is very versatile, goes well with a variety of designs, elevating it to the highest level. Add this font to your favorite creative ideas and see the results! Features: Single Case, alternate, ligature & multilingual There it is! I really hope you enjoy it

Presenting Mindstay, a elegant vintage serif font that exudes timeless charm and elegance. Its clean lines and meticulous attention to detail embody the essence of classic typography, making it a chic serif font. Whether you're creating a vintage-inspired logo, a retro-themed poster, or an elegant typographic composition, Mindstay adds a touch of refinement and sophistication to any project. Its meticulously crafted serifs and distinctive letterforms evoke a sense of nostalgia and grace, transporting your designs to a bygone era. Features : Uppercase & lowercase Numbers and punctuation Alternate Characters Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. !

Bold mutant typography. Retro-futuristic. Sixties meets 1990’s comic book inspired, superfast for your superhero? The pencil tissue was dragged out from the very back of the file cabinet, stuck in the metal rail, it was lost then found- to bring a unique look to your project. A companion font to astroluxtype’s Spacepod, both fine ways to mark and identify your spacecraft. Note the lowercase letterforms that make connectors such as g, j, y, b, d and g. See the posters at myfonts.com for examples of how to you might use this feature. Redrail Superfast is a minimal glyph set which can be used at various sizes, we consider it a headline/display font and best applied larger than 36 points in size.

Instroducinng the sophciated of modern typography with Vancouver - Condensed Display. This font embodies the essence of modernity, allowing your words to command attention on every page. Its condensed form and contemporary design make a striking impression, while maintaining readability and professionalism. Whether it's fashion magazines, cutting-edge websites, or sleek branding materials, Vancouver confidently stands out, commanding attention with its modern editorial flair. Let your creativity soar with a font that embodies the essence of modernity and sets your designs apart from the rest. Features : Uppercase & lowercase Numbers and punctuation Alternates Characters Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

It's another beautiful day in scenic Astro City, home of post modern gods and ordinary mortals alike. Look into the sky and perhaps you'll get a glimpse of everyone's favorite man of the hour, if not the man of tomorrow... SAMARITAN! See the families related to Samaritan Lower: Samaritan & Samaritan Tall .

We know what you're thinking... This is not a new font, just an old one with a few bullet holes in its helmet, dirt on its shins and some carbon scoring on its breastplate. You're thinking this is like a variant cover by Joe Madureira or J. Scott Campbell -- handsome and rugged on the outside but weak and effete on the inside. Well, my fine, font-finagling friend, you'd be Dead Wrong! This really is an All-New, All-Different, All Star, Ultimate Collectable, from the Comicraft House of Ideas! Our Dynamic Duo -- Johnny Comicraft and Ferran 'Nuff Said have brought you another winner from the Silver Age of comic book lettering. It’s a little worse for wear, we admit it, but wouldn't you be after three rounds with the Justice League of Avengers Assembled?!? See the families related to Battle Scarred: Battle Cry & Battle Damaged .

(pronounced hor-hay) Some years ago my wife and I had our evening meal in a restaurant on what is called the northshore of Massachusetts. Of course, if you check a globe or map you'll see that the pilgrims needed a compass, it should have been called the eastshore as it's on the east end of the rectangle/hook we call the Commonwealth of Mass. In any event, the menu our waitress gave us was hand-lettered with shapes that I used to develop the 4 fonts called Jorge. When I brought the preliminary drawings into the office Steve Zafarana, a designer and cartoonist referred to them as Jorge's new design, the name stuck.

Mind Boggle was made during the renovation of our fixer upper farm house. We had to demolish an old annexe (because it was unsafe) and it caused us some stress, as one wrong movement of the excavator would mean at least a partial collapse of our home… Luckily the driver was a pro and it was mind boggling to see what he could do with a huge machine like that. Mind Boggling? Ah! Check! Mind Boggle is a handmade, all caps, headline font. It is a bit wobbly in places, but it comes with loads of character. The dotty style comes with thousands of hand made dots. They’re not perfect, they’re not even round, but they are unique!

Falmera Pearson is font a typeface which is inspired by vintage lettering sign and art. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage as well as modern theme. It comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded. Features : uppercase and lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Kyoto Northern is a great choice for a brand identity, suitable for packaging, web banners, headlines and business cards, very unique and natural. This font is handwritten using a marker pen, equipped with a ligature following the habit of writing quickly, so you can feel the sensation of handwriting which is very natural. When you write in a relaxed and calm state, your writing will look very good and the writing flows well. Kyoto is the name of the city that we chose as a representative of calm and natural. Type and feel the amazing handwriting.

The Danish designer Nina Lee Storm designed Noa for use on television and computer screens during the late 1990s. She began her six-member type family with the creation of bitmap fonts, developing their print outlines only secondarily. Noa’s letters exhibit a tall x-height, coupled with very short ascenders and descenders. Storm is proud to report that her typeface also looks very “Danish.” Why don't you give it a try?

I designed this font because it didn't exist - it’s based on hand rendered type created for black and white line marker scamps used in the advertising industry. I use it that way and it’s saved me a LOT of hand-rendering time over the years. Of course, Scamps works as an informal marker script in its own right too. I’ll be interested to see what you do with it.

Element 120 (Unbinilium) is a hypothetical chemical element in the periodic table. You can forget about that, I just thought it was a cool name for a font. Element 120 is a hand drawn Ultra Bodoni. I drew all the glyphs by hand, then gave them a good grunge makeover and the result is what you see before you. Comes with a periodic table of diacritics as well!

The P22 Bauhaus Set includes three type faces designed by Herbert Bayer, including the famous Universal font most commonly associated with the Bauhaus school. A collection of 72 graphic elements inspired by various Bauhaus works rounds out this collection. This set is authorized by the Herbert Bayer Estate. For more typefaces from the Bauhaus, see our Josef Albers set. © 2021 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

Introducing Jakarta Culture, Thank you for visiting Jakarta Culture! A very fun yet elegant script font with lots of energy, it lets you create beautiful handcrafted typography in an instant. With extra curves & twists, Jakarta Culture is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers, weddings and anything else you can imagine. What's really awesome is that Jakarta Culture comes with a full set of lowercase alternatives, which allow you to create more authentic custom-feel texts. This type has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Jakarta Culture! Feel free to use the #Black Studio tag and the #Jakarta Culture font to show what you've been up to, I really hope you enjoy it! Thank you!

Introducing Sun Beautiful, Thanks for checking out Sun Beautiful! A very fun yet elegant Signature font with lots of energy, it lets you create beautiful handcrafted typography in an instant. With extra curves & twists, Sun Beautiful is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers, weddings and anything else you can imagine. What's really awesome is that Sun Beautiful comes with a full set of lowercase alternatives, which allow you to create more authentic custom-feel text. This type has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Sun Beautiful! Feel free to use the #Black Studio tag and the #Sun Beautiful font to show what you've been up to, I really hope you enjoy it! Thank you!

Take a closer look and see how beautifully soft this calligraphy script is, both elegant and simple. Holy Mary is a lovely calligraphy font that writes beautifully and is easy to read. Holy Mary Font will instantly make your designs stand out from the crowd, adding a unique look and touch to whatever you put it on! Providing the combination of elegance, freedom, and sophistication from its own unique curves and elegant ink flow, along with modern touch makes it perfect for various design needs, for your project needs a feminine or masculine touch, Holy Mary can do it all! Perfectly suited for logo design, wedding invitations, labels, quotes, headings, signage, and more! Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy