A unique design accurately revived by Steve Matteson in 2021. Frederic Goudy designed Companion Old Style for Women’s Home Companion in 1928. In his own words: “I believe the new letter I showed him, both in roman and italic, is one of the most distinctive types I have ever made. It incorporates features which deliberately violate tradition as to stress and curves, but which are so handled that attention is not specifically drawn to the innovations introduced.” Companion Old Style exudes the style of pre-World War 2 Americana. The unique characteristics are wonderful for greeting cards, wedding announcements and holiday invitations. Companion’s nostalgic letterforms are light hearted and quirky yet highly readable.

introduce our font "Blinsithar" font Happy! finally this font has been released in 2023, with full of new ideas having new character for each letter. It has beautiful curves that enhance the appearance of the font which is no less attractive. Complete with lowercase and uppercase letters, punctuation, swash and ligature. By creating this font, we hope to help your design type needs, to support your business and your business. This font is very suitable for use as branding, logos, slogans, websites, weddings, products and so on. Full Set of standard alphabet and punctuation Extra set of ending swashed lowercase Handwritten ligatures Thanks so much for checking out my shop! Happy creating! Cheers! Hanief - Hanzel Space

Motoring at top speed calls for your own high-performance machine and a special racetrack font to run it on. Speedway was built with blacktop smooth caps to ease you through those short and dangerous curves. And its sleek, aerodynamic lowercase linking makes getting your speedy cruiser to the checkered flag a breeze. Developed in typeface alley for discriminating designers. And for the more adventurous, Speedway SG is now available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

English HU Garaetteok is a cute headline typeface that expresses a straight stroke and end in a round shape. The characteristics of the writing were added with straight strokes and lively curves. There are 1 weights of HU Garaetteok : Extra bold Cyrillic HU Garetteok - это милый типограф заголовка, который выражает прямые штрихи и заканчивается в круглой форме. Характеристики письма были добавлены прямыми штрихами и оживленными кривыми. Есть 1 вес HU Garetteok : Extra gras Greek HU Garaetteok είναι μια χαριτωμένη γραμματοσειρά επικεφαλίδα που εκφράζει ένα ευθύ εγκεφαλικό επεισόδιο και να τελειώσει σε ένα στρογγυλό σχήμα. Τα χαρακτηριστικά της γραφής προστέθηκαν με ευθείες πινελιές και ζωντανές καμπύλες. Υπάρχουν 1 βάρη hu Garaetteok: Εξαιρετικά τολμηρό

Cupcake Cuties is a delightful and whimsical handwritten font that brings a touch of sweetness and playfulness to all things related to cooking and kids. Its charming letterforms, adorned with playful swirls and endearing curves, evoke the joy and magic of baking and childhood. With each character carefully crafted as if with a sprinkle of fairy dust, Cupcake Cuties adds a whimsical and inviting flair to cookbooks, recipe cards, children’s menus, and party invitations. From delectable cupcake illustrations to delightful kitchen-themed designs, this font captures the essence of culinary creativity and the enchantment of childhood, making it a perfect choice to create a truly delightful and memorable experience for little chefs and their families.

Maria Martina Schmitt was born in Vienna, Austria in 1950. Since 1998, she has been working as a freelance designer, focusing on cultural collateral, economic publications, illustration, type design, and logo design. Airam blends contemporary legibility with historic blackletter forms, creating a contemporary text face that speaks to the old European past. Airam certainly appears darker than most other contemporary text faces. Airam’s letterforms are slightly broken, too. They display angled joints in lieu of smooth curves. This “broken” aspect actually aids legibility at smaller point sizes. While Airam may not be suitable for setting whole books or newspapers, this font will add a splendid touch to short tracts of small text. Additionally, Airam looks superb in large headlines.

Ambigane is a modern and elegant serif font that seamlessly blends sophistication with contemporary design. Its refined, timeless aesthetic is characterized by the subtle curves and clean lines of its letterforms, exuding a sense of luxury and professionalism. Ambigane strikes a harmonious balance between traditional serif elements and a fresh, modern twist, making it versatile for a range of design applications. With its well-crafted serifs and balanced proportions, Ambigane communicates a sense of refinement and style, making it an ideal choice for projects that require a touch of sophistication and a contemporary edge. Whether used in print or digital media, Ambigane conveys a sense of timeless elegance that elevates any visual composition.

Lewis Hamilton is a stylish signature font that embodies elegance and sophistication. Inspired by the signature of the renowned Formula One driver, Lewis Hamilton, this typeface exudes a sense of confidence and refinement. Each letter carries a graceful flow, reminiscent of a personalized signature, adding a touch of exclusivity to any design. With its sleek lines and carefully crafted curves, Lewis Hamilton captures the essence of a stylish and modern aesthetic. Whether used for branding, luxury products, or high-end invitations, this font brings a sense of prestige and class. Lewis Hamilton is the perfect choice for those seeking a signature font that exudes timeless style and a touch of celebrity allure.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. Villa is the abbreviation for Carrer Villarroel (Villarroel Street), where the Villarroel Pharmacy has been displaying this sign since the first quarter of the twentieth century. The Eixample Villa typeface system consists of sturdy letters free of ornaments with an industrial aspect. Only the treatment of the curves borrows modernist features. Like the rest of the families in the Eixample series, Villa shows its origin as a display font, but it has been engineered to give good results at small sizes as well.

Blacklist is a high-contrast typography inspired by transitional and contemporary typography. Fonts extend their use by giving weights ranging from thin to black. The natural curve, a swollen and sloping stem, grows in character as the font gains weight. While the thinner weight has lowered contrast and optical correction to create a warm and soft look. Featuring beautiful italics, excellent weight and extensive language support. Blacklist excels in display settings such as headlines, titles, branding projects, Logo design, packaging, magazine headings, advertising, short or long text. Blacklist also comes with two versions of Variable Regular and Italic to make it easier for designers to explore and perfect beautiful designs, unearthing lots of visual tones and hidden secrets.

Lemands is a strong-sharp serif font in condensed height. Designed with medium contrast and inspired by the modern-classic typography and the High Octane Rock genre. The serif is quietly sharp and has assertive lines and curves, giving the letterform looks solid and strong as a display font. Lemands is a display typeface that is perfect for many purposes such as a headline, sub-headline, logo, and short body text for magazines, books, fashion, quotes, youth t-shirt, signboards, logos, and many more! Available in 4 weights: Regular - Book - SemiBold - Bold. A great choice for a brave concept! Zip file featured: Uppercase Lowercase Numbers Symbols Punctuation Standard ligatures Accents : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝÞßàáâãäåçèéêëìíîïñòóôõöøùúûüýþÿ ĀāĂ㥹ĆćĈĉĊċČčĎďĐđĒēĔĕĖėĘęĚěĜĝĞğĠġĤĥĦħĨĩĪīĮįİıIJijĴĵĹ弾ĿŀŁłŃńŇňŌōŎŏŐőŔŕŘř ŚśŜŝŞşŠšŤťŦŧŨũŪūŬŭŮůŰűŲųŴŵŶŷŸŹźŻżŽžẀẁẂẃẄẅ Thank you, Ramz

Eligra is a modern and elegant sans-serif typeface family inspired by old and new classics like Helvetica and Gotham. Its geometric and precise strokes create a versatile and timeless font. However, Eligra has unique features, like its subtle swirls and curves, that add a dash of personality while still maintaining the font's simplicity and clarity. Eligra has more than 800 glyphs, with a large set of Latin, Cyrillic and Greek characters, several alternates, and different styles of numerals. It is clean, clear, stable, and contemporary, making it a perfect choice for branding projects, websites, advertisements, documents, presentations or any other occasion where you want to convey evenness while maintaining a contemporary and innovative look.

Rotis¿ is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. He named Rotis after the small village in southern German where he lives. Rotis¿ is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design.Today Rotis ia also available with pan european caracter set.

Rotis¿ is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. He named Rotis after the small village in southern German where he lives. Rotis¿ is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design.Today Rotis ia also available with pan european caracter set.

Rotis¿ is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. He named Rotis after the small village in southern German where he lives. Rotis¿ is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design. Today Rotis ia also available with paneuropean caracter set.

Rotis¿ is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. He named Rotis after the small village in southern German where he lives. Rotis¿ is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design. Today Rotis ia also available with paneuropean caracter set.

fracaso is an experimental font and was inspired by abstract / cubism artworks. My initial goal was to made it have a rather surreal and fancy mood. I painted the glyphs with seamless strokes and achieved an unusual style by developing an individual form for each glyph. So, due to contrasting various letter height and form each word have a unique, catchy, surreal rhythm. You may want to have fracaso font if you need to make a design with an abstract, surreal look for music / art subject. Great fit for posters, covers, clothes prints, packaging, logos, and everything you want to grant a fancy artistic mood. Features: Carefully tuned kerning (preview above doesn't always show it correctly) 3 Font styles each fits better for different design style Stylistic Alternates for each small letter and digit (mostly for the "original" and "dirty ends" style) Contextual Alternates for small letter and digit pairs; for punctuation depending on a glyph height 10 Standard and 7 Stylistic (Discretionary) ligatures for most common letter pairs Wide Latin language support (Western European, Central European, South Eastern European) If you have some issues or questions, please let me know: lhfonts@gmail.com Hope you'll enjoy using fracaso!

Made up of sixteen individual weights and spread over three different optical sizes, Essonnes is designed to bring utility back to the Didot genre. It’s a common belief among designers that Didones don’t work for text. This wasn’t true in 1819 and it isn’t true today. Like its forbearers, Essonnes is a truly optical family—not just a study in adjusting contrast. The text and display weights have been designed from the ground up for their intended roles. This means that everything from the height of the uppercase & lowercase letters have been specifically tuned for their intended purpose. Like many typefaces, Essonnes started after falling in love with a piece of history. In this case, it was the eccentric forms of Pierre Didot’s Type and the evolution of the High contrast Didone throughout the 19th century. It was out of curiosity and love for these forms that led to the first draft of what would become Essonnes back in 2011. These unique situations—screens, modern printing methods, the previous 200 years of typographic innovation since the original design, my own life experiences—have led to a typeface that, while based on history, is not stuck in it.

Introducing Hoax – a pre-worn sans serif with spirit, personality and distinction. This bold and semi-condensed sans serif is inspired by old copy machines and vintage prints. It is lively and eye-catching, ideal for where and when you want to make a lasting impression. Hoax is a celebration of character, a tribute to curiosity. Use this typeface and let everyone know that you mean business. OPENTYPE FEATURES: This font includes over 40 discretionary ligatures of prepositions and common words in English. These OpenType features can be accessed using OpenType friendly applications that allow the use of discretionary ligatures and stylistic sets. MULTILINGUAL SUPPORT: With over 700 glyphs, it has support for more than 150 languages, including Cyrillic script. List of discretionary ligatures: AND, ARE, AT, BY, FOR, EST, FEAT., FROM, IN, IS, OF, ON, OR, OUR, THAN, THAT, THE, TO, WITH, YOUR, CO. Each word is available in both upright and slanted versions. How to use: Activate the discretionary ligatures as you normally do in your OpenType friendly application. When activated, the words are in upright versions. To access the slanted versions, activate the first stylistic set (“Slanted Ligatures”). Happy typing!

Maestrale is a paradigm-breaking new take on calligraphy, built around a compact, serif-style core and outrageously long, flamboyant extenders. At large sizes, its confident, charismatic lettershapes are ideally suited for branding and decorative uses, whereas longer texts at smaller sizes naturally weave themselves into a flowing texture. The font comprises 1299 glyphs, including many stylistic alternates, ligatures, small capitals, and initial, terminal, and linking forms, and offers extensive OpenType programming to support them. The calligraphic form of Maestrale is complemented by a matching text font (Maestrale Text) with short extenders, available in three cuts (a serif-style Roman, an upright Cursive, and a tilted Italic). Maestrale is all about the lowercase; its capitals are deliberately understated so as not to steal the limelight. In fact, the font works very well when set exclusively in lowercase. Maestrale�s small capitals are fitted into the core space of the lowercase, allowing them to be freely interspersed with lowercase characters. Alternately, an OpenType feature is available to replace a and e in small-caps text with their lowercase equivalents for a fresh unicase look. Since alternates and ligatures play such an important role, Maestrale offers three different modes of use. The most straightforward approach is simply to start typing using Maestrale Pro � the extensive OpenType programming will ensure that collisions between extenders are avoided and attractive ligatures are substituted for common glyph combinations. A more interactive approach is provided by the font Maestrale Manual, which allows the user to manually select alternate forms and ligatures even in typographically unsavvy applications, such as PowerPoint (as long as standard ligatures are supported). Stylistic alternates are simply represented as ligatures of their base forms with one or more instances of the rarely-used by easily-accessed characters "~" (ASCII tilde) and "`" (spacing grave accent); linking forms are built with �_� (underscore), multi-character ligatures with "|" (pipe), and initial and terminal forms with the �less than� and �greater than� characters. For instance, the Maestrale wordmark in the posters above was simply typeset with the string (`ma`est|r_a```l```e)| in Maestrale Manual (The parentheses represent �less than� and �greater than� characters here.) Feel free to type this string into the test line below and see what happens! Make sure Standard Ligatures are enabled. An instruction sheet listing all alternate forms and their accessibility is available from the Gallery tab on this page. The third mode of usage is aimed at professional designers, who make use of sophisticated software with extensive OpenType support. These power users are advised to use the font Maestrale Pro again, where all glyphs are accessible as stylistic alternates. Maestrale Text is a less extravagant but more versatile variation on the design of Maestrale, replacing Maestrale�s swashes with efficiently compact extenders. It is intended to serve as a perfectly matching text companion to Maestrale calligraphy, but constitutes a full-fledged typeface in its own right. It is equally at home at display sizes as it is in pull quotes, titles, and high-impact blocks of text. Maestrale Text comes in three complementary faces: A serif-style Roman, an upright Cursive, and a tilted Italic. Maestrale is the Italian word for �masterful�. It is also the traditional Italian name for the northwesterly mediterranean wind, better known by its French name, Mistral. Acknowledgements: I am grateful to the helpful souls on the Typophile forums for extensive feedback and encouragement on Maestrale, and to the TypeDrawers forum for feedback on Maestrale Text. This font is dedicated to Simone.

Looking for a elegant, stylish, modern, and adventure font? Ready to make your branding shine? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Brighter Miracles-A Script Font Brighter Miracles is a handcrafted font designed to bring your branding to life and add a touch of elegance, modernity and style. Perfect for social media branding projects, fashion designs, printed quotes, packaging, or even as a stylish text overlay to any background image. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Are you trying to make an elegant, modern, and stylish statement with your invitations, social media, website, or printed materials? Ready to enchant your audience and enhance your branding? Introducing Carloti-A Sans Serif Font Carloti is a gorgeous uppercase sans serif font that will whisk you away to a place of style! We are hoping that through this elegance and passion edged font, you can maximize your designs, reign in sales or make lasting impressions. The ideal font for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Carloti includes Multilingual Options to make your branding globally acceptable. Features: Standard Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Blowsters is a textured SVG Sans Serif typeface. Available in two types, solid version and transparent version. This type of font perfectly made to be applied especially in headlines which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Solid version and svg version numbers and punctuation multilingual ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Kirshaw is not your grandfather's sans serif from the 1950s and 1960s. All those old classics like Helvetica, Futura, Franklin Gothic, and Univers are showing their age like an old Elvis Presley song. Kirshaw is a clean, rounded design with sharp contrasting edges. Like those classics, Kirshaw is easy to read in small body copy and captions, plus it's delightfully modern and stylish for headlines and logos. I designed Kirshaw and Kirkly while undergoing cancer treatment at Stanford Medical Center. Font design was always in the back of my mind and now I had extra time. Kirshaw is a distinctive, modern, easy-to-read sans serif family consists of 14 weights (including italics). It’s an Adobe Latin 3 Character Set containing 350 glyphs per style (including special characters).

The Nautical Fabulous font features a perfect blend of boldness and condensed letterforms. Its clean lines and sharp edges give it a catchy look that is ideal for modern branding, striking headlines, and impactful displays. With its commanding presence, this font effortlessly stands out in any design composition. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Have you been looking for a script font? Do you dream of creating headings that stand out and inspire creativity, imagination, modernity, and endless fun? Get ready to transcend to a world of magic, laughter, and butterflies. Your projects will spark delight and engage everyone who sees it! Morning Vintage-A Script Font Morning Vibes is a handcrafted font inspired by designs and illustrations from urban styles. An excellent choice to add the right amount of street and retro vibes. Perfect for social media branding projects, fashion designs, printed quotes, packaging, or even as a stylish text overlay to any background image. Morning Vintage includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Introducing PUTREY Typeface PUTREY font is designed with a modern concept that is simple and dynamic. The sans serif style adopted by the PUTRAY font is a 2022 style font, has a unique swash alternative, has a large selection of ligatures. In addition. Sans Serif typefaces such as “PUTREY typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The PUTREY typeface contains 837 glyphs with many unique and interesting alternative options. Plus, there's a cool sans serif font family for header and description text from light to black. In the poster preview all the letters are in the PUTREY typeface.

Aphrosine is a font based on pointed pen script. A huge lot of alternatives and smart OpenType features allow it to look almost indistinguishable from real live handwriting. Aphrosine is something between handwriting and calligraphy: it took too much effort for being “just handwriting” but lacks seriousness and regularity comparing to true calligraphic fonts. That’s why it was called after a peculiar character from a children’s book: a witch who was very fond of dressing, makeup and writing letters. Aphrosine has three faces. But unlike most other type families, the glyphs from one face do not match exactly the glyphs from another one. The faces are based on writing with different nibs but by the same hand. The type is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015.

Epines is a modern handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Epines will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! Epines is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. What's Included : Bonus Swash Ai & Eps Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy with our font! Taznix

Marishka Roseville is a luxury and elegant display serif font. Marishka Roseville is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font comes in two styles, Regular and Oblique Version. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. We hope you enjoy the font. Thanks for purchasing and have fun!

My personal handwriting has changed a number of times over the years. Just Another Hand is a narrow brush drawn handwriting font, inspired very loosely by the handwriting of my high school days. There's a little artistic license taken with Just Another Hand in the sense that while I never really wrote with a brush in high school, I wanted a cleaner stroke for this interpretation. A little personality, a little restraint... a style that works for all sorts of projects across the board. The Just Another Hand Pro family contains 659 characters per font. The expanded SmallCaps option for gives the typestyle a little extra versatility, expanding on the original typeface inspiration. Opentype features include: A collection of ligatures Smallcaps Limitless Fractions Full set of Inferiors and Superiors Proportional figures and Tabular figure sets

Introducing, Foretelling Script. A condensed script typeface. A fun, playful and casual script made by natural hand writing. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Available in 3 styles : Reguler, Rough and Stamps Features : uppercase & lowercase numbers and punctuation multilingual swashes and ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Amistella Script, This font is perfect for branding, invitations, stationery, wedding design, social media posts, advertising, product packaging, product design, labels, photography, watermarks, special events and more. Amistella is encoded with PUA Unicode, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/app. You need a program that supports Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Created with love and attention to detail, this font instantly brings out the natural characteristics of your projects, adding a playful and whimsical touch. Whether you're designing websites, SVG graphics, home decor items, branding materials, blogs, logos, invitations, or more, Super Cute is the perfect choice to infuse your creations with charm and character. Super Cute offers a versatile combination of uppercase and lowercase letters, providing endless possibilities for your typographic compositions. It also includes a comprehensive set of numbers and punctuation marks, ensuring your designs are complete and well-balanced. With multilingual support, this font allows you to communicate your message effectively across different languages and cultures. With PUA Encoding, Super Cute unlocks additional special characters and glyphs, allowing you to add extra flair and uniqueness to your designs.

The Sign Paintoh is a retro bold script which will bring you back to 60s feel. The swashes makes this font looks great for retro lettering which you can create in a sec! This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/

Say hello to Grenoble, the sans-serif font that combines the best of modern design with the elegance of vintage feels. With its monoline strokes and clean lines, Grenoble is both simple and sophisticated. Choose between the regular and slant styles to give your designs the perfect balance of classic and contemporary style. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.