Manifest is a geometric typeface family based on the principles of simplicity, modernity and functionality. With a low-contrast design approach, it performs excellently in any project from print to digital. It comes in five weights with an extended character set including 240+ glyphs per typeface which supports Western and some Central European languages.

Blackside is a bold and authentic blackletter font. The font is suitable for any branding project like logo, t-shirt printing and many more. Outstanding in a wide range of contexts. Includes: Blackside (OTF) Featured : Alternates Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for downloading premium font from Din Studio

"Summer is Never Ending :D" Introducing a Better Summer Script. Made from a chic brush, it will make your design more beautiful. Includes: Better Summer (OTF) Features: Character Set A-z Numerals and Punctuation (OpenType Standard) Accents (Multilingual characters) PUA Encoded Beautiful ligatures I hope you can enjoy the font as you enjoy the summer :)

ITC Jaft is the work of New York designer Frank Marciuliano, an adventurous, energetic display typeface. It began with a series of posters designed by Marciuliano for the New York Times. The lettering was drawn with a bamboo pen and then filled in to create the unusual angles that give ITC Jaft its unique look.

Miftah is a modern serif font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Miftah (OTF) Features: Beautiful Ligatures Stylistic Set Swashes PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Chellinda Bold Script is a stylish and refined Script font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so much more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Beach Lombok is a modern and clean display (Serif) font create from our talented font designer. The design of Bogota will make your design more beautiful and inspiring. This font will suitable for any project, like branding, print template, logo and etc. Features: Accents (Multilingual characters) Alternates Ligatures PUA encoded Numerals and Punctuation (OpenType Standard)

FF Cocon’s designer, Evert Bloemsma (1958—2005) described it as a “serious typeface”. Despite first impressions, the description holds up well. Since its 2001 release, FF Cocon has been used in an astoundingly wide variety of design applications. At large sizes, FF Cocon works as a display face, with beautiful detailing. And at small sizes, it remains surprisingly readable. The lowercase letters a, b, d, g, h, m, n, p, q, r and u, were drawn without spurs, as Bloemsma made an attempt to erase every trace of handwriting; even “normal,” neutral sans serif typefaces still retain elements in their letterforms like this. Bloemsma wanted none of it. Although a difficult starting point for a typeface, this proved successful. Bloemsma’s design is a family of rounded yet rather asymmetrical forms with details reminiscent of brush-strokes, but that were not made with a brush in hand. In spite of its claim to seriousness, FF Cocon is a family of seductive, voluptuous styles. The original FF Cocon had two widths—normal and condensed. Later, a more compact Extra Condensed version was introduced, as well as italics.

🏆 Selected for Tipos Latinos 8. 🏆 Hiii Typography 2018 Merit Award. Rocher was designed while looking for an answer to a simple question: what would a typeface look like if it was made of stone? It certainly would look solid, but did we have to add cracks and rubble so it would resemble rocks? We didn’t think so. We decided to tackle the problem a different way. We added corners where there usually aren’t any and threw some unusual letterforms into the mix. The result is a typeface that feels like stone, but if you look closely there is nothing inherently stony about it. Unexpected corners provide just the right amount of roughness, while unusual letterforms give the text an informal aesthetic, traces of something naive and handmade. A family was born when the sturdy letterforms were turned into a series of playful layers. With 9 fonts in total, Rocher can be mixed and matched to create unique layered compositions that add depth to the layout. We designed Rocher to be used in logotypes, packaging, mobile apps and headlines. We are confident you will find another handful of scenarios where it can shine.

Diaconia Old Style is a new rendition of my workhorse body copy font that I originally designed to use for the body copy of "Printing in a Digital World." I became increasingly upset with the lack of lowercase numbers and true small caps. Diaconia started life as a modification of one of the Dutch Bible fonts I traced. It has changed a lot since then (although I have a hard time telling how much because I have lost the original). The plain and italic work especially well when used in very large sizes as display faces. The other four variants (small caps, heavy, heavy italic, and black) are designed for use in book production. Because I format all my own books, I was able to design fonts that met my needs exactly: lowercase numbers, SMALL CAPS font, Mac Command, Option, and Control symbols, ballot box in the section slot, and several other special characters. DiaconiaPro is the OpenType family of my body copy workhorse. This is the first font family I ever created: classic, elegant, easy to read. 583 characters: small caps, oldstyle figures, numerators, denominators, lining figures, accents and a lot more.

Sweet Gothic is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century.  Sweet Gothic Light is closely based on lettering from an engravers pattern from the early 1900s that was used for tracing letterforms with the engraving machine (pantograph) to make steel engraving plates. The design is related to many similar engravers gothics developed in the early 1900s, but as each engraving house created by hand their own patterns for popular styles of the time, there is variation among the models. Sweet Gothic offers contrast in stroke weight and its unique personality. The bolder weights are new designs, based on the characteristics of the Light. A serif variant (Sweet Gothic Serif) has also been developed to expand the usefulness of the family, offering an alternative to Copperplate Gothic. As such, most of the fonts are new designs, yet may seem familiar and ubiquitous given their model. The fonts offer two sizes of figures and monetary symbols: one set is intended for use with upper- and lowercase settings; the second set is the same height as the small caps.

Neue Frutiger Tamil was created by Pria Ravichandran and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 5 weights from Light to Bold to support the Tamil script. The typographic forms of Neue Frutiger Tamil are familiar and friendly. The Tamil shows traces of elements that is reminiscent of the calligraphic influences found in the 20th-century designs. Reflecting the modern typographic needs of the Tamil script, this type family is in the upright style. These two factors ensure that the two scripts, Tamil, and Latin pair elegantly. The result, Neue Frutiger Tamil, is an eclectic contemporary type family that bridges the past and the present. Neue Frutiger Tamil embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

It was in the beginning of 2008 when I designed a font named Quijote, its predecessor. In the middle of 2009, I looked at it again and thought it could be a good idea to make an update of it. Variables and Features: Quijote Sauvage Pro is the most complete variable. It includes all the ligatures, alternates and swashes. It has the OpenType function in order to alternate glyphs easily when running applications which support this. The font is also offered separately. Quijote Sauvage Standard has the right glyphs to get an equilibrium between wildness and softness. It includes standard and discretionary ligatures. Quijote Sauvage Stylistic has the sharpest glyphs. Its decorative traces are discreet in order not to have problems as regards legibility. Its upper case are less wild than the other variables. Quijote Sauvage Text is the most discreet of its partners. This one was thought in order to improve legibility. Its ascenders and descenders are shorter, so the words are easier to read in small sizes. Quijote Sauvage Contextual, Swash and Titling, are the ones with wonderful terminals. They decorate words, adding a wonderful look of wildness or passion.

Sweet Gothic Serif is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century. It is a serif variant of Sweet Gothic. Sweet Gothic Light (without serifs) is closely based on lettering from an engravers pattern from the early 1900s that was used for tracing letterforms with the engraving machine (pantograph) to make steel engraving plates. The design is related to many similar engravers gothics developed in the early 1900s, but as each engraving house created by hand their own patterns for popular styles of the time, there is variation among the models. Sweet Gothic offers contrast in stroke weight and its unique personality. The bolder weights are new designs, based on the characteristics of the Light. Sweet Gothic Serif has been developed to expand the usefulness of the Sweet Gothics, offering an alternative to Copperplate Gothic. As such, most of the fonts are new designs, yet may seem familiar and ubiquitous given their model. The fonts offer two sizes of figures and monetary symbols: one set is intended for use with upper- and lowercase settings; the second set is the same height as the small caps.

Out of a lifelong inner struggle, Philip Bouwsma unleashes a masterpiece that reconciles classic calligraphy with type in a way never before attempted. Maestro takes its cue from the Italian chancery cursive of the early sixteenth century. By this time type ruled the publishing world, but official court documents were still presented in calligraphy, in a new formal style of the high Renaissance that was integrated with Roman letters and matched the refined order of type. The copybooks of Arrighi and others, printed from engraved wood blocks, spread the Italian cancellaresca across Europe, but the medium was too clumsy and the size too small to show what was really happening in the stroke. Arrighi and others also made metal fonts that pushed type in the direction of calligraphy, but again the medium did not support the superb artistry of these masters or sustain the vitality in their work. As the elegant sensitive moving stroke of the broad pen was reduced to a static outline, the human quality, the variety and the excitement of a living act were lost. Because the high level of skill could not be reproduced, the broad pen was largely replaced by the pointed tool. The modern italic handwriting revival is based on a simplified model and does not approach the level of this formal calligraphy with its relationship to the Roman forms. Maestro is the font that Arrighi and his colleagues would have made if they had had digital technology. Like the calligraphic system of the papal chancery on which it is modelled, it was not drawn as a single finished alphabet, but evolved from a confluence of script and Roman; the script is formalized by the Roman to stand proudly in a world of type. Maestro came together on screen over the course of several years, through many versions ranging widely in style, formality, width, slant, weight and other parameters. On one end of the spectrum, looking back to tradition it embodies the formal harmony of the Roman capitals and the minuscule which became the lower case. On the other it is a flowing script letter drawing on the spirit of later pointed pen and engravers scripts. As its original designers intended, it works with simple Roman capitals and serifs or swash capitals and baroque flourishes. The broad pen supplies weight and substance to the stroke which carries energy through tension in balanced s-curves. Above all it is meant to convey the life and motion of formal calligraphy as a worthy counterbalance to the stolid gravity of metal type. The Maestro family consists of forty fonts distributed over two weights. The OpenType version compresses the family considerably down to two fonts, regular and bold, each containing the entire character set of twenty fonts, for a total of more than 3350 characters per font. These include a wide variety of stylistic alternates, ligatures, beginning and ending letters, flourishes, borders, rules, and other extras. The Pro version also includes extended linguistic support for Latin-based scripts (Western, Central and Eastern European, Baltic, Turkish, Welsh/Celtic, Maltese) as well as Greek. For more thoughts on Maestro, its background and character sets, please read the PDF accompanying the family.

Inspired by Halloween theme. The authentic fontto give you fun and playful feel but scary vibes too. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual PUA encoded

Penzance is a display monospace handwriting font. The typeface is a distinct hand drawn font using a fountain pen quill ink style. The Penzance name means "holy headland" in the Cornish language and is derived from the town on the English coast of Cornwall. Penzance is great for display work, invitations, writing, books, posters, logos and headings.

Wedding dress is a beautiful light handwritten font with a unique feel and looks stunning. This gentle font will look gorgeous on a variety of design ideas. This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Walmars is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease! Files Include : Multilingual Support Alternate Character Ligature Character Thanks

Thankmom is a stylish font that incredibly exudes elegance and class. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Thankmom comes with alternate, titling, swashes, and ligatures for fully customizable designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Hello, Youth Calm is a stylish, retro serif display font. Its funk and groove will definitely come in handy when you need to create some relaxed, laid-back designs. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype Character Alternates Ligatures If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Illushvara Design

Eastern Harrogate is a beautiful handwritten font, with a monoline style. Is perfect for many different project such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Siriella is a beautiful handwritten font. It brings an attractive typeface. Made for any professional projects. The font is suitable for any project like logo, t-shirt printing, wedding invitations, and greeting cards to social media quotes, branding, and more! Outstanding in a wide range of contexts. Featured : Standard Ligatures Stylistic Sets Multilingual Support PUA Encoded Numerals and Punctuation

Villena is a magical script font carefully created with a touch of elegance. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art! Villena is PUA encoded which means you can access all of the glyphs and swashes with ease!

Fillippo is a stunning monoline style script font with authentic and casual vibes. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, advertising, poster, greeting cards, logos and so on. Fillippo is PUA encoded which means you can access all of the glyphs and swashes with ease!

Halloween Rules is a cool-lettered and spooky decorative font. It is perfectly suitable for any Halloween-related project or crafty idea! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated. Halloween Rules is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Manito was designed by Garrett Boge in 1989. He employed a wide pen and angular, sturdy forms to simulate rough-hewn woodcut letters. The font, consisting of both capitals and small caps, provides an ideal graphic complement to collateral of a natural or environmental character. It is named after a native American word for 'Great Spirit'.

Father Christmas is a festive, fresh, rich, and elegant calligraphy font. It’s great for Christmas-themed greeting cards, branding materials, business cards, quotes, posters, apparel and more! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

'Old letterHand' is a very legible handwritten script font, created with a fine brush pen. The font was made with old style lettered ads in mind but it is has a modern look. It features a couple of ligatures, alternate characters and a few swashes for you to play around with. Related fonts are fourHand and blackHand.

Signtype Modern Script font is a natural & modern handwritten font. It's perfect for logo, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. This font includes ligatures and also Multilingual support. - PUA Encoded open - Support for Adobe Illustrator, Corel Draw, Indesign or Adobe Photoshop - Support for MAC or WINDOWS

Maritha is a gorgeous, cursive and thick lettered handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. Maritha is PUA encoded which means you can access all of the glyphs and swashes with ease!

Govanka is a beautiful and classic handwritten font. It is the best choice for creating attractive logos, branding projects, weddings, magazines, shops, and quotes. Each letter has a unique and beautiful touch, which will bring your designs to life! This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Shutterday is a beautiful and refined script font, featuring a lovely flow. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, materials marketing and much more! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Christmas letter is a stunning monoline style script font with authentic and casual vibes. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. Christmas letter is PUA encoded which means you can access all of the glyphs and swashes with ease!

Blossom Riviera is the perfect brush script font for giving your projects a natural, handmade feel. With its cool, awesome texture, it's perfect for creating beautiful, unique logos and headlines. So what’s included : Standard Latin Numbers, symbols, punctuations and ligatures Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!

Proudly present Gibroma – a modern and classic serif typeface with its own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

ITC Humana font is the work of British designer Timothy Donaldson, an extended and versatile font family with a large array of variations. Donaldson first created ITC Humana Script with a broad-tipped pen and then went on to design the corresponding roman. ITC Humana is the perfect font for anything requiring both clarity and a touch of personality.