After Butler is a lovely and timeless handwritten font. It is the best choice for creating eye catching logos, branding and quotes. After Butler is PUA encoded which means you can access all of the glyphs and swashes with ease!

Nautikka was designed from the waves of the sea is a sans serif, elegant and functional for editorial design, visual identities or digital applications. With 685 glyphs, 5 weights and variations in italics is a versatile font with great legibility.

Kelly Signature is a unique handwritten font. A little bit quirky, this font looks incredibly adept on a wide variety of contexts! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Request is a bold and authentic display font. It celebrates abstract shapes in all their eclectic beauty. This font will look truly outstanding in a wide range of contexts. Featured : Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard)

Degila is a cool and trendy serif font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it to your most creative ideas and notice how it makes them come alive.

Colibre Bristole Pro is a serif font family that crafted with precision, Colibre Bristole consist of 9 styles from thin to black. has 49 ligatures to make writing more interactive Features : · Multilanguange · Alternates · PUA Encoded · Font Family totals 9 fonts

Gabuters is a cool, brushed display font. No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation. Features: Multilingual Support Ligatures Swash PUA Encoded Numerals and Punctuation

Lightning Christmas is handwitten font featuring stars light. It will add an awesome to any design project that you wish to create! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Greatlove is a brush script written in natural brushes. Written in quick motion using a rather dry brush pen, looks beautiful and is perfect for designs like, magazines, logos, product packaging, quotes, posters, merchandise, social media greeting cards and more.

Pentastic is a natural hand printed font designed for the look of written by pen. Clear legible style yet cute and fun. Pentastic features extended characters, containing West European diacritics and ligatures, making it suitable for international environments and publications.

Blaster Timers is a classy brush font. Made for any professional project branding. Every letter has a unique and beautiful touch. Features: Beautiful Ligatures PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from DIn Studio

Margareth Gretal is a beautiful script font with a natural and unique design will make your project more beautiful and powerful. The font is suitable for your branding project and any design. Features: Multilingual Support PUA encoded 11 Alternates 52 Swashes

Sumida is a special ward in Tokyo AND the river running through the city. Sumida script is a nice, handwritten font, which was made using a sharpie pen. Sumida Script comes with double letter ligatures and an extensive language support.

Blapuhy is a lovely handwritten font, designed with the help of a brush pen. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Mightwell is a modern Brush font. With a classy and natural handwritten style, it brings a classy and chic typeface. Mightwell is best used for weddings, branding, logotype, and quotes. Features: - Beautiful Ligatures - PUA Encoded - Multilingual Support - Numerals and Punctuation

Simple and eye-catching display fonts for your design touch. You can apply it to packaging designs, posters, logos, quotes, merchandise etc. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features

Neilston is a bold handmade font of beautiful bold typeface with an authentic touch. This includes OpenType features with PUA encoded such as alternatives and ligature. This font is perfectly made to be applied especially in logos, and various other formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Feature: Uppercase & lowercase letters Numbers and punctuation marks Multilingual PUA is encoded We highly recommend using a program that supports OpenType features and the Glyphs panel like many Adobe and Corel Draw applications, so you can see and access all Glyph variations.

NewYorkerType was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it in, I just looked at the type and redrew it completely by hand. So it is not just a copy, but rather a redesign. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, but the best. Yours, sincerely honoring Rea Irvin a great type- and magazine-designer Gert Wiescher

Brastika is an elegant serif family with 9 weights from Thin to Black. Brastika also includes a bunch of alternate characters (PUA Encoded) and ligatures to give you a wide range for create an unique typographic design results. Brastika is suitable font for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: OpenType support Playfull to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much I really hope you enjoy when using it!

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

Ghadys is a sweet, romantic and timeless handwritten font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. The file you will get is: • Works on PC & Mac • Simple installation • Can be accessed in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works in Microsoft Word. • Encoded PUA Character - Can be accessed completely without additional design software. Happy Crafting!

This is the vintage version from my best selling font - Duarose, you can check it from this link - https://crmrkt.com/8dVKRE Duarose - Vintage Version is a classic and vintage serif with a bunch of alternates up to 6 style for each characters that will make your presentation or logo even more stunning and stand out! With two style, Rough & Stamp, this font will make your design looks more handmade and vintage. You can use this font for any adventure and outdoor design. Duarose also support Multi Language. and already PUA Encoded! Features Rough & Stamp Style All Uppercase Number & Symbol Multi language Alternates for each characters PUA Encoded

Meethlake was born from an inspiring vintage display. This font gives a feel of a vintage, classic, old, handmade looked like. Already PUA Encoded, this font is perfect for people looking for vintage aesthetic or logo-type. It's suitable for any graphic designs such as branding materials, t-shirt, prints, business cards, logos, posters, t-shirts, photography, quotes, and more. - Meethlake Script, Meethlake One, Meethlake Two, Meethlake Three. - Numerals & Punctuations - Meethlake Script support Ligature, Stylistic Sets, Contextual Alternates, and Swashes. - Simple installation and choose the Opentype (especially in Meethlake Script) - PUA encoded open (open with Character Map on Windows and Font book on MAC) - Multilingual characters

Sunbest Mora is a curly designed serif family font that consists of 9 weights from Thin to Black. Sunbest Mora also includes a bunch of alternate characters (PUA Encoded) and ligatures characters to give you a wide range for creating attractive typographic design results for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: OpenType support Playful to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item, please kindly contact me: ekahermawanputu@gmail.com Thank you so much...I really hope you enjoy when using it!

Rivervale font a typeface which is inspired by vintage lettering sign and art. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage as well as modern theme. It comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded. Features : uppercase and lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Almatine Script is a classic signature font inspired by classic handwriting that using a flat pen (or signature pen) and written in the low height of letterforms. There is Almatine Sans as the combination, a clean sans serif that you can use the sans serif for sub-headline, tagline, and body text. This font duo has elegant looks and modern that perfect for logotype, display, labels, watermarks, signatures, signage, photography, weddings, advertisements, fashion, food, magazines, and much more! Almatine Script equipped with some OpenType features such as stylistic alternates, stylistic sets, and ligatures that you can mix and match to get the natural handwriting looks!

Kambegi is a bold retro serif font with a casual feel and a clean, great modern retro aesthetic. Use this Kambegi serif font to add a special retro modern touch to any design idea you can think of. This font is PUA encoded which means you can access all glyphs and swashes easily via Character map or Character Viewer on mac! Feature : Uppercase & lowercase Numbers and punctuation Multilingual Alternates, swash & ligatures PUA encoded We highly recommend using a program that supports the OpenType feature and the Glyphs panel such as many Adobe and Corel Draw applications, so that you can view and access all variations of Glyphs.

Kamaniya is a lovely and magical script font, with characters that dance along the baseline. It has a casual, yet elegant touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Kamaniya Font includes a full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. Also it includes: long lowercase beginning and ending swashes. The font has a smooth texture, so it would be perfect for your design. The file you will get is: • Works on PC & Mac • Simple installation • Encoded PUA Character - Can be accessed completely without additional design software. Enjoy!

Jure Stojan first created JY Klin for a student magazine in Ljubljana, Slovenia. ‘It was borne out of my frustration with layout [programs] and their taste for messing with decent fonts (making the headline occupy the entire column width at any cost, for instance). Therefore, I designed a “heavy duty” display font—it can be extended up to 120 per cent without any loss in quality (it is fairly condensed, so no one could think of squeezing it any further). I even used the font, stretched by the very 120 per cent, for 10 point text and the result was surprisingly legible (given some peculiar details prominent at display size).’

Kalivo is a beauty display family, this high contrast font is great for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! Kalivo also includes alternate characters (PUA Encoded) and ligatures with 9 weights to give you a wide range for create an unique typographic design results. FEATURES: OpenType support Playfull to use (with ligatures and alternates options) Multilingual support, numbers, and currency symbols. PUA Encoded If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much I really hope you enjoy when using it!

Font naming is not all that difficult. Take Printout for example. I was busy working on this font, when my niece came over with a poem she needed to have printed. One of her classmates had the same request (they’re writing poems for our national Remembrance Day). As I was printing out these poems, I thought the name Printout would be perfect for the font I was working on. See? It’s not rocket science! Printout is a totally awesome, completely handmade font. I used an almost dried out Japanese brush pen to get the eroded effect. Maybe I should name my next font ‘Dried Out Brush Pen’? I’ll let you know.

Shallota is stylish designed font for any display use with 9 weights from Thin to Black. Shallota also includes a bunch of alternate characters (PUA Encoded) and ligatures to give you a wide range for create an unique typographic design results. Shallota is versatile font for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: * OpenType support * Playfull to use (with ligatures and alternates options) * Multilingual support * PUA Encoded If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much.. I really hope you enjoy when using it!

Pastel Orange is incredibly casual and elegant serif font with rounded tails that will add a timeless look to any design project!. Very suitable for logo, brand identity pack, packaging designs and many more.. This font is PUA encoded which means you can access all of the glyphs and swashes with ease via Character map or Character Viewer in mac! Features : uppercase & lowercase numbers and punctuation multilingual alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. how to access alternate?: https://hanscostudio.com/tutorial/ Enjoy!

History, as it's said, tends to repeat itself. The round-point pen lettering used in the 1920s logo and ads for Dodge Brothers cars (pre-General Motors) is an early predecessor to the techno type styles of the 1980s. Square in shape, with unique stylization to some letters, Jalopy JNL can cross the decades and be used for a 1920s period piece and still look fresh in an ad for computer parts. Rather than round out the inside lines of the characters to fully emulate the strokes of a lettering pen, the inside lines have straight intersections for the contemporary side of this font's design.

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

Permanent Park - 1990s Graffiti Inspired Marker Pen Font A hand-drawn marker pen font inspired by graffiti tags and 1990s Hip Hop. Permanent Park is a marker pen font with a graffiti tag aesthetic inspired by the golden-age of Hip Hop and 1990s TV shows. It’s 100% hand-drawn and comes packed with alternative characters for creating truly natural looking type treatments. No repeated oo’s, ee’s and ll’s that are a dead give-away of lazy lettering! Permanent Park is a highly customisable all-caps design featuring a complete set of uppercase and lowercase characters, along with numerals, punctuation and language support. It also features a complete set of alternatives with additional lowercase characters (for mixing things up even more), and a selection of underlines and symbols for an illustrative flourish. It’s a uniquely fun, urban looking font, typical of 90s music videos and TV shows, and equally suited to sports, travel and food themes. Check out my visuals for ideas on how you might use it on posters, movie titles, product packaging, broadcast and advertising.

Alias Vertical is a sans serif typeface with a vertical cut-off point for letter endings. The vertical cut-offs bend round characters (b, c, o, etc) into a squarish, high-shouldered shape, suggesting Roger Excoffon’s Antique Olive. In mid-weights, the typeface mixes Antique Olive with typefaces such as Gill or Johnston, for example the shape of the t, the l borrowing Johnston’s flick. Vertical has the same minimal difference in weight between verticals and horizontals as Gill and Johnston, and the same sharp connection point where curves meet straight lines. Like Antique Olive, Vertical has a narrow connection point here, adding contrast and definition. The overall effect feels austere at lighter weights and strident and graphic at bolder weights, and sharp and incised throughout. In the Bold and Black weights, the squarish and top heavy shape of Antique Olive is most noticeable. For example the wide uppercase, with the B having almost-even width between top and bottom curves, and the almost-overhang of the top curve of the G. But Vertical does not have as extreme an aesthetic or square shape as Antique Olive. As well as its wide design, the upper case is given extra authority by being a slightly heavier weight than the lower case. This is a device borrowed from Gill, and other ‘old’ typefaces, where the upper case is presented as a titling design. Modern sensibilities are more focussed on an even colour between upper and lower case. Vertical was originally intended as a sister typeface to Ano, like AnoAngular or AnoStencil. Vertical developed into a similar but separate design. Ano was designed for use in Another Man — in its modular, circle-base design, and the way there aren’t the amendments usually made in bolder weights to ensure letter clarity. This is for layouts where different weights are used together in different sizes so that the overall letter weight is the same, a feature of the magazine. Where Ano is simple and graphic, Vertical has nuance and texture. It is a pragmatic, utility design. In the balance between graphic and typographic, its focus is the latter.

I spend a lot of time following two obsessions: packaging and hand lettering. Alongside a few other minor obsessions, those two have been my major ones for so many years now, I've finally reached the point where I can actually claim them as “obsessions” without getting a dramatic reaction from the little voice in the back of my head. When you spend so much time researching and studying a subject, you become very focused, directionally and objectively. But of course some of the research material you run into turns out to be tangential to whatever your focus happens to be at the time, so you absorb what you can from it, then shelf it — like the celebrity bobblehead that amused you for a while, but is now an almost invisible ornament eating dust and feathers somewhere in your environment. And just like the bobblehead may fall off the shelf one day to remind you of its existence, some of my lettering research material unveiled itself in my head one day for no particular reason. Hand lettering is now mostly perceived as an American art. Someone with my historical knowledge about lettering may be snooty enough to go as far as pointing out the British origins of almost everything American, including lettering — but for the most part, the contemporary perspective associates great lettering with America. The same perspective also associates blackletter, gothics and sans serifs with Germany. So you can imagine my simultaneous surprise and impatience when, in my research for one of my American lettering-based fonts, I ran into a German lettering book from 1953, by an artist called Bentele. It was no use for me because it didn't propel my focus at that particular time, but a few months ago I was marveling at what we take for granted — the sky is blue, blackletter is German, lettering is American — and found myself flipping through the pages of that book again. The lettering in that book is upbeat and casual sign making stuff, but it has a slightly strange and youthful experimentation at its heart. I suppose I find it strange because it deviates a lot from the American stuff I'm used to working with for so long now. To make a long story short, what’s inside that German book served as the semilla, which is Spanish for seed, for the typeface you see all over these pages. With Semilla, my normal routine went out the window. My life for a while was all Bezier all the time. No special analog or digital brushes or pens were used in drawing these forms. They're the product of a true Bezier process, all starting with a point creating a curve to another point, which draws a curve to another point, and so on. It’s a very time-consuming process, but at the end I am satisfied that it can get to pretty much the same results easier and more traditional methods accomplish. And as usual with my fonts, the OpenType is plenty and a lot of fun. Experimenting with substitution and automation is still a great pleasure for me. It is the OpenType that always saves me from the seemingly endless work hours every type designer must inevitably have to face at one point in his career. The artful photos used in this booklet are by French photographer and designer Stéphane Giner. He is very deserving of your patronage, so please keep an eye out for his marvelous work. I hope you like Semilla and enjoy using it. I have a feeling that it marks a transition to a more curious and flexible period in my career, but only time will tell.

Spooky Ghost is a cool, fun, and quirky decorative font. This font is PUA encoded which means you can access all glyphs and swashes with ease! Add it confidently to your favorite Halloween designs and let yourself be amazed by the outcome generated.

Raytone is a cute and delicate handwritten font, designed with the help of a brush pen. It has a cheerful style that will elevate your projects to the highest level. Use this lovely font to brighten up any kids and school projects.