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  1. TT Ricks by TypeType, $19.00
    Attention! Important information! There is no Cyrillic support in TT Ricks! TT Ricks useful links: Specimen | Graphic presentation | Customization options About TT Ricks: We are glad to present you the new font TT Ricks, which continues the line of trendy and yet affordable TypeType Starter Kit fonts. TT Ricks is a flamboyant elzevir-type serif, for which the words “cute” or “calm” are not a fitting definition. TT Ricks can be classified as a display title typeface that works especially well at large and medium sizes in packaging design, book graphics and posters. The typeface is inspired by the pre-digital font “De Vinne”, which was designed in 1892 by the designer Gustav F. Schroeder. We liked certain aspects of the historical prototype, but at the same time, when creating TT Ricks, we did not want to limit ourselves—on the contrary, we were eager to discover a completely new spirit and bring bright details to the font. The TT Ricks typeface stands out for its strong contrast, noticeable sharp serifs, narrow letterforms with a pronounced displacement of flows in the arches. The typeface has very dense spacing, and in the bold style, the text set begins to resemble Gothic by its richness and tension. Important visual features of TT Ricks are the dashing shapes of ascenders and descenders, the thin and sharp stroke endings, and the “elzevier legs” of the letters R K k. In the lowercase round characters c e s, you can notice the pronounced slope of the oval, which contrasts with the general set of the font. These "slanted" signs and ascenders and descenders of the letters f and y are designed to cut the monotony of a set and to entertain the reader's eyes. The TT Ricks typeface consists of three weights (Regular, Medium, Bold) and one variable font. Each style consists of 553 glyphs and contains 18 OpenType features. The most interesting features are stylistic alternates for the letters R K k with alternative short leg shapes, two sets of figures for working with upper and lower case characters, and a set of original icons that further reveal the spirit of the family. Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org Attention! Important information! There is no Cyrillic support in TT Ricks! TT Ricks OpenType features: aalt, ccmp, locl, numr, ordn, tnum, onum, lnum, pnum, case, liga, calt, ss01, ss02, ss03, ss04, ss05, ss06 TT Ricks language support: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani +, Banjar, Basque +, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Bosnian (lat), Breton +, Catalan+, Cebuano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican +, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gikuyu, Guarani, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish,
  2. Dangerfield by Solotype, $19.95
    The Barnhart Bros. & Spindler foundry put out a caps-only face called Dante. We liked it, but felt it needed a lowercase. The result here is a rather nice square design, which has become a personal favorite.
  3. Conflict by Typomancer, $20.00
    ‘Conflict’ is one of Typomancer’s early typefaces; it was released when the foundry started. After a few years, we decide to give it some major changes, including more weights, more glyphs, brand new outline, and revamped kerning.
  4. Big Limbo BT by Bitstream, $50.99
    This freeform exercise in typographic design echoes the looseness of early 1960's advertising. Brian breaks almost every typographic rule we can think of — but so what? The bold letterforms of Big Limbo are anything but stuck!
  5. Gans Rasgos Escritura by Intellecta Design, $20.90
    Gans Rasgos Escritura shapes (108 tails) was selected and freely interpreted from the vignettes catalog by Fundicion Gans published in 1920. You can combine these ornaments with your favorite fonts. We suggests the use of Pretoria Gross.
  6. Charm by Typomancer, $20.00
    ‘Charm’ is one of Typomancer’s early typefaces; it was released when the foundry started. After a few years, we decide to give it some major changes, including more weights, more glyphs, brand new outline, and revamped kerning.
  7. Formal Event JNL by Jeff Levine, $29.00
    The hand lettered actors’ credits on a title card from the 1937 film “Shall We Dance” served as the model for Formal Event JNL – an Art Deco sans serif font available in both regular and oblique versions.
  8. Peter Sellers by Type-Ø-Tones, $40.00
    Peter Sellers is a revival display font. We wanted to pay homage to the fifties graphic design with this stylish typeface. Use the “Base” style alone or overlap it with “Volume” and change it to another colour.
  9. As of my last knowledge update in April 2023, the font named Albatross created by Altsys Metamorphosis is not universally recognized in the catalog of commonly utilized or well-documented typefaces. ...
  10. Nawin Arabic by Letterjuice, $43.00
    Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. The proportions and letter shapes are flexible, escaping from tradition to increase expressivity and personality in the design. For instance, variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. For instance, this is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The typeface has a wide range of ligatures that enhance movement and fluidity in text making look text alive.
  11. The font Sofachrome, crafted by the renowned typeface designer Ray Larabie, is a glimpse into the future through the lens of the past. It's a font that embodies the spirit of the high-speed, technolo...
  12. Imagine if a font went to boot camp, survived on black coffee, and decided it was going to be the most unapologetically bold personality in any room or webpage it entered. Meet EDGE – not just a font...
  13. The MonkeyLove font, created by the talented Dan Vuletici, is a whimsical and playful typeface that embodies a unique blend of creativity and fun. Designed to capture the hearts of those looking for ...
  14. Alright, let's dive into the unique world of the font named Dead Letter Office by Channel Zero! Capturing the essence of mystery and nostalgia, Dead Letter Office is not your everyday font. It seems ...
  15. Roycroft Initials, crafted by the talented Dieter Steffmann, is a font that harks back to the charm and distinctiveness of the Arts and Crafts movement. This font category, known for its artistic bea...
  16. Ah, Verdana! Picture this: you're browsing through your computer, searching for that perfect, clear, and friendly font that just screams "readability." Boom, there you land on Verdana, and it's like ...
  17. Ah, Tucker Handwritten! Imagine a script so carefree and whimsical, it's like each letter rolled out of bed, stretched, and decided to dance its way onto the page. If fonts were people, Tucker Handwr...
  18. Ah, the font Precious by Bolt Cutter Design, it's quite an artistic gem! Imagine a font that dances between elegance and whimsy, that's Precious for you. It's not just a name; it's a perfect descript...
  19. The Air Conditioner font by Font Diner evokes a cool, retro vibe that seems to whisk you back to the golden era of the 1950s and 1960s, a time when diners, drive-ins, and Americana culture were at th...
  20. Opera House by Solotype, $19.95
    This is a fake and a fraud and not a bad-looking type. We did this to imitate the look of an old wood poster font, but it is completely new. Don't tell anyone. Please note: no lowercase.
  21. Vienna by Solotype, $19.95
    This early 1900s type is from the German foundry of Schelter & Gieseke, and is typical of early twentieth century design. As usual, we have added all the modern necessities, such as monetary signs for the major commercial countries.
  22. Albion Seventies by Greater Albion Typefounders, $20.00
    Albion Seventies is a display typeface from that fun era of psychedelic wallpaper, bright colours and bright orange everything! It's a splendid face for posters and banners, and did we mention, it works really well with orange backgrounds?
  23. Totem by Cuda Wianki, $20.00
    TOTEM is simple and geometric, strong and modern. Previously it was designed for our logo and next we made the rest of the alphabet, including multi-language coverage and numbers. Totem has a nice set of ornaments too.
  24. Tschicholina by Type-Ø-Tones, $40.00
    Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase "universal" font which has always been considered to have very little future; this is why we have it in our catalogue.
  25. HF Monorita by HyFont Studio, $29.00
    HF Monorita is the first monospace we have created. It is perfect for coding, display and design. The subtle curves on the diagonal strokes create a friendly vibe and can create a better reading flow for the users.
  26. Rocker stage by Jehansyah, $9.00
    This font is very beautiful if we combine it into a design that wants to appear bold, bold and unique, there are several alternatives that you can use to make this font as support for your design project.
  27. Manifesto Bold by Solotype, $19.95
    In digitizing this old font, we took great liberties with the design, removing some jarring elements. The result reads much more smoothly than the original, retaining the overall character of the original. Hope you don't mind, Mr. Beeler.
  28. Olifant by Hipopotam Studio, $25.00
    Typeface originally designed as a monospace font (single standard width for all glyphs). We needed that for a project where letters stood directly above each other. Eventually it became proportional, and only the digits have a fixed width.
  29. The font named "Broken Toys" designed by PizzaDude is an intriguing typeface that embodies a playful yet edgy aesthetic, ideal for projects that require a touch of whimsy and rebellion. As its name s...
  30. The Flim-Flam font, crafted by the talented Tom Ledin, exudes a playful and whimsical quality that instantly grabs the attention of the viewer. This typeface, much akin to its name, embodies a cheerf...
  31. Ah, Chemical Gus! If fonts were characters at a science fair, Chemical Gus would undoubtedly be the eccentric, wild-haired inventor whose experiment table teems with bubbling potions and mysterious, ...
  32. "The Alchemist" is a distinctive font crafted by the notable S. John Ross, a creator with a propensity for designs that imbue text with personality and depth. This font is no exception, capturing an ...
  33. SexyRexy - Unknown license
  34. VLNL Sardines by VetteLetters, $35.00
    Sardines is a project by Jacques Le Bailly aka Baron von Fonthausen. This original version is the one that saw the light as a monospaced font student project and which would eventually grow into Vette Letters’ largest font family (see VLNL Neue Sardines). Sardines is an eclectic mash of classic curves and mathematical measurements, leaving a very distinct typographic flavor. While most of our type is market-fresh, this one comes out of the can, but it’s delicious nonetheless. And it’s great for adventurous BBQ-ing!
  35. Le Charisme by Prestige Artsy Studio, $19.00
    Le Charisme is a modern charismatic and timeless all-caps serif font that is perfect for any branding project. Le Charisme is also ideal for quotes, headings, or even wordmark logos. Le Charisme provides a beautiful touch of charisma and class to your projects. Le Charisme comes in with its official alternates and ligatures that are ideal to incorporate in your luxurious projects. The font is fully accessible by trying in lowercase and uppercase. I can't wait to see what you can do with Le Charisme.
  36. Felousia by Yahya Type, $17.99
    Felousia – This font have more than 30 unique alternate and ligature that to give your logo, business card and another project to a unique vintage look. Felousia – this style works well for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, or whatever project you’re working on. WHAT’S INCLUDED? Uppercase & lowercase letters. numbers. punctuation Ligature & Huge Stylistic alternate. Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com
  37. Mundial by TipoType, $24.00
    Mundial translates as “Worldwide”, this name is a statement: the idea of synthesizing characteristics from different traditions in a single typographic style. Here and there you can see gestures that are clearly associated with different eras and cultures, but not to be confused: the main characteristic of Mundial is the summary, the cohesion and the sum that results in more than each individual part. Mundial is a typeface for this time in which individual identity marks, are the best aid to build a world together.
  38. Typek by Agnieszka Ewa Olszewska, $25.00
    Typek is a sans serif typeface for the lovers of minimal design and great curves. Typek outlines' professional shapes are perfect for large display usage.. Perfect for branding, posters, web and publications. The idea is to treat the letters' stroke create absorbing and interlaced shape. The design of small interfering in letters' construction makes Typek unique. Typek contains uppercase, diacritics and digits. The Typek Family is in two versions: Regular and Outline. Outline version can be an interesting addition and decoration for the Regular version.
  39. Barock 1720 by SoftMaker, $10.99
    Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Barock 1720 is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.
  40. FF Marselis Slab by FontFont, $62.99
    Danish type designer Jan Maack created this slab FontFont in 2013. The family has 8 weights, ranging from Light to Black (including italics) and is ideally suited for advertising, packaging, logo, and branding as well as web and screen design. FF Marselis Slab provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.
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