The BD Roylac typeface has its roots in some lowercase glyphs drawn by Jacques Loison in 1972. Some of these characters are included in the use of stylistic alternates. Filed under a retro-futuristic design the font separates two filled shapes by a thin and curvy line; sometimes following to the path leaning readability and sometimes interfere with it. The font is dedicated to the BD fanboy Monsieur «Eric de Broche des Combes» aka «Roy La Combe» to his fiftieth anniversary.

Sick to death of buying an entire dingbat font just for the ONE symbol you really want? Are you a closet Goth? Do you think Halloween should be a national holiday? If so, then you need Crania, the all skull font. No poorly drawn bats, no gay pumpkins, no goofy looking Frankenstein monsters or grinning mummies, no lame-ass puns carved into headstones... JUST SKULLS. Crania contains 52 different skulls and a PDF guide so you know what the hell you're doing.

Humboldt is an ultra fat headline face. How bold can you go? Humboldt is an experiment to push the boundaries of character recognition: Its forms are extremely bloated yet highly distinctive. Open type savvy features provide an unexpected embellishment: small capitals, both lower case and upper case figures and several alternate glyphs are intrinsic in the design. Humboldt makes nice headlines and striking poster typography or logotypes. It can to some extent be used for setting even short phrases of text.

Linotype Grafilone is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. In creating his font, Bo Berndal combined elements of the constructed and Art Deco styles. Slender and angular, Grafilone is mechanically exact and coolly resesrved. A distinguishing characteristic is the combination of angular and sloping strokes, which give the font a dynamic feel. Grafilone is particular good as a headline font and for initials when combined with constructed sans serif fonts.

For some reason I had to think of Moby Dick (the classic book by Herman Melville) when I was busy working on this font. No, I don’t live near the sea, nor do I have a pet whale. It’s just one of those things… Whalebone (named after Captain Ahab’s prosthetic leg) is a handmade, all caps brush font. It wasn’t actually made with a brush; I used a broken satay skewer and Chinese ink. Whalebone comes with discretionary ligatures for double letter combinations.

Introducing Miller Display new generation Decorative Typeface. Miller Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Miller is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Introducing "Vanderlin," a captivating retro script font that takes you on a nostalgic journey. With its charming swashes and alternate characters, Vanderlin adds a touch of vintage elegance to your designs. Crafted with precision, this font offers versatility and a timeless appeal. Whether you're working on a poster, logo, or any design project, Vanderlin brings a perfect blend of classic and contemporary. Elevate your creations with the distinctive style of Vanderlin and let your designs resonate with the beauty of the past.

“After Story” is a playful handwriting font special for summer display,that puts a smile on your project and will inspire you to create something fun and memorable. “After Story” will help you to create special and touching typographical design for vacation projects, for every day or the happiest day in life, happy birthday cards, baby shower, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols. OpenTypeFeatures Ligatures, alternates, old style numerals and fractions. Enjoy! VVDS

Clair De Lune is part of the famous Suite Bergamasque, written by Claude Debussy in 1890, and published in 1905. It means Moonlight in French, a kind of romantic name. The name is exactly what I had in mind for this übercute font. Clair De Lune can be used to design postcards and posters, liven up websites and give your designs an overall happy feel. Clair De Lune was handmade using a 0.5 pen, eco friendly Italian paper and a wooden kitchen table.

Crystal is a very trendy two font system that could be layered to give You multiple possibilities in designing. When You use it with gradient it gives a faceted 3-D effect. What is more it can be outlined that gives an additional industrial look. Both fonts contains the same metricts so using them is so simple-just copy & paste in place in different layers and then play with colors, gradients, outlines as You like :) Crystal is great for headlines and logotypes.

Boldina consists of 18 fonts with a lot of personality. This is a font to be mixed. That’s its purpose and that’s why it's designed as one single weight in so many different styles. My intent was to give designers a chance to use the same typeface in many different ways, putting together sans and serif, lots of italics and even Greek, Cyrillic and CE characters. The Ligatures and the Script versions give a more poetic and more accurate feeling to the text.

Juby is a minimalist font family with a geometric and sophisticated look. Designed especially for display purposes or even brand identity and logos. Use it for headlines, posters, visual identity, just anything that needs to stand out. It has been carefully edited, paying special attention to details, making Juby a safe choice for use at large-scale work. This font family has 3 weights with matching italics, containing uppercase and lowercase characters, numerals and a large range of punctuation (over 260 glyphs).

On the very northern edge of South Tucson lies an Old Pueblo institution, Le Caves Bakery, Home of the Vegetable Donut. That’s what they were called when Le Caves opened; now you’d say Vegan Donut, or No Animal Products Used. Radical concept in the Brave New World of 1935. I started with the letters from their sign and extrapolated the rest of the font from those. Deco Donut Fat is extrapolated from Deco Donut. If you want a donut, type a 0 (zero).

Skratchbook is a new handwritten font from the sketch pad of designer Tom Nikosey of CozyFonts. The family exists in 3 versions, Regular, Italic, & Back Italic. This font is a casual, coarse style meant to be used for personality and spontaneity. It's style conjurs anything from quick grocery lists to Halloween Party invites. It maintains amazing legibility in small sizes and it's true personality is revealed the larger it is set! Hoping this font finds your voice! Skratchbook, New from CozyFonts Foundry.

Linotype Cethubala is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by the Portuguese artist Patricia Carvalho, it is a playful and unusual font. Its roots lie in the characters of runes and old alphabets and the font is, in the words of the designer, ’an attempt to interpret and carry the knowledge of the magic world.’ Linotype Cethubala is intended exclusively for headlines in large point sizes.

Linotype Bariton is part of the Take Type Library, chosen from contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. Designer Alexei Chekulayev designed his font in one weight to mirror the Zeitgeist of the early 1930s. The characters of this extremely bold font are based on the form of a rectangle though its rounded edges soften its look a bit. Linotype Bariton should be used only in larger point sizes in headlines which should really catch the eye.

Variera is geometric with a semi-condensed sans serif typeface. It comes in 9 weights ranging from thin to black with matching italics that stand out in headlines and exude a charming personality. Variera is a Utility display type that is flavor in motion. Each part of its system works together to captivate you, combining emotion and usability, allowing you to create attractive and unique designs. Variera is a versatile font system, designed primarily for display uses with a need for visual impact.

About this font family Afons Infant has been designed for children’s storybooks; using round, single-decker letter forms to create simple, clear and readable stories that children are familiar. Features 5 weights (from thin to bold) Multi language Lowercase Numerals to blend with text Ligatures To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw and other applications. Designed and published by Andy Peat. Released April 2022

Introducing Zoomber Display new generation Decorative Typeface. Zoomber Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Zoomber is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Reqnad Display is part of a series of typefaces by Tondi Republk, inspired by modern industrial design and architecture. The Reqnad Display type system consists of seven typefaces with varying visual styles and weights which can be used interchangeably to create harmonious, versatile and impactful visual communication systems. Used alongside well curated imagery and grid based layouts it adds a modern appeal to written sentiments. To view more examples of layouts created with Reqnad Display search for the #ReqnadDisplay hashtag on social media.

The Tecn@ Square family were designed to head, enumerate, point out or highlight a point in a writing or plan. In this sense and for this reason, the characters are available only in capital letters and some signs or symbols that could serve such purposes. Among other applications, these characters are used in the personalization of plans, highlighting or indicating parts of the design that facilitate the Descriptive Memory of the plan or the development of a Manual or Installation Instructions.

Introducing Cathyna Display new generation Decorative Typeface. Cathyna Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Cathyna is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Look back to learn how to look forward - Joe Girard Find yourself and share your purpose with the Caride Script. With its bold vintage script type, sometimes you need to remind others that we must look to the past to pave a better way for our future. It’s time for you to unleash the old school retro trend again. Leather jackets? Making a comeback. Pompadour hairdos? Definitely cool. 70s music? They’re sampled in the music all over our radio stations! The magnificence of the past will surely help you give a new and fresh breath of life to your projects. This font was designed for you to use in any kind of projects that you might have! They were specifically designed to fit in anywhere you want them to be. We assure you that there will be no awkwardness in the relationship between your text and your designs, they’ll get along well like old-timey partners! The Caride Script is the perfect addition to bring your perspective to the world. Have the world see you and your encompassing view of the human experience with your creations!

The astype series Accolades A offers the designer a fine balanced set of calligraphic swashes, swirls and floral ornaments. The shapes are in systematic order and harmonize in contrast and detail. The shapes can be combined easily and the advanced designer can build hundreds of sophisticated compositions. No matter, whether packaging lables, invitations or greeting cards - every assignment with the need of a delightful appeal will be served well. Accolades A and A2 share the same base set of ornaments but differ in some of the major shapes. Despite these differences, the total width of the shapes will be always the same. If you are looking for some good companion fonts, give Gracia and Adana a try. Every classic high contrast stroke design like Didot or Bodoni works well. Note: To look perfect, adjust the size of the ornament font to fit in contrast the design of the companion font. So if you use a Bodoni font as companion, try to match the thickness of the thinnest part of a upper case Bodoni letter with the thinnest part of a shape from the ornament. Note 2: Each package comes with a technical documentation and an InDesign2 sample file.

Gothic fraktur inspired design, I wanted to resemble old german calligraphy but making it very geometric, so I used an isometric reticle during sketching. This is a display font, created for BIG sizes, non textual. I recommend it for branding, poster, logos or titles. Its very experimental -- it exists within the limits of legible and illegible reading. I choose the name “Garbancera” because gothic calligraphy has issues that are linked with dark, gloomy, lugubrious things or fear feelings, culturally in Mexico. I related this with death and for mexicans, death is something we celebrate and give us joy and happiness, annoying, the most representative Mexican characters, one of those is “La Calavera Garbancera” or better known as “La Catrina”, a clothes skeleton with only a hat. It was drawn this way to make a critic to all Mexicans at that time, that were poor but they wanted to represent a high lifestyle, “those that where to the bones, but with a French hat with ostrich feathers”. La Catrina was created by José Guadalupe Posada, a Mexican lithographer but also a newspaper illustrator. I think this is a beautiful font that can lead to great results, just use it wisely.

Galactic Adventure is a calligraphic brush font with a retro twist, inspired by the expressive movement and boldness of vintage advertisements. This font effortlessly combines the heavy, dynamic strokes of brush calligraphy with the cool, adventurous spirit of the past, making it an ideal choice for merchandise, branding, and creative projects that demand a touch of retro charm. Use underscore _ to make a underline. Example: Co_ol Use multiple underscores for longer swashes. Example: Super____human The Galactic Adventure font family features three distinct styles to suit your design needs: Regular, Bold, and their respective Italics. These versatile options allow you to capture the essence of the past while adapting to modern aesthetics, providing endless possibilities for your creations. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

PF Mellon is a modernist variable grotesque with mixed roots. Its unconventional aesthetic is the product of an exploration into the art of emphasizing titles, headlines and text in captivating and unpredictable ways. Contrary to conventional practices of highlighting text with heavier weights, PF Mellon proposes an intriguing new scheme based on striking and attention-grabbing compositions of narrow and extended letterforms- even when set in lowercase. Part geometric and part grotesque, PF Mellon’s expressionist alphabet and extravagant style challenge conventions of visual culture in an Art Deco-like manner. PF Mellon’s rebellious idiosyncrasy takes its cues from the eccentric personality of our popular PF Venue, an earlier geometric sans serif characterized by its daring combinations of non-uniform structures. PF Mellon’s basic design skeleton was influenced by nineteenth and early twentieth century condensed sans serif typefaces such as Stephenson Blake's Grotesque No.77 and ATF’s Alternate Gothic, adding an extra contrast to the thickness of strokes. PF Mellon is also available as a variable font format which you may request it free of charge from Parachute® once you purchase the whole type family.

Letrista Script is a product of observation and sensitivity of sign painter artists not only from United States but from other parts of the world, where the brushstrokes letters have reached a high level of importance in different context, where the writing makes fundamental part. With more than 1000 glyphs, this typography was created to achieve a unique texture without losing the legibility or force, to interact with the alternation of decorative characters and adornment that will surprise. After a year of working and checking with many artists, Letrista Script come up to the public with the guarantee of being an useful tool in your computer in the design time. When you know it, you surely won't stop using it, because of its beautiful characters and great texture. It is full of surprises and facilities for the users. Letrista Script includes standard ligatures, stylistics alternatives, discretionary ligatures, swashes, titling alternates and terminal forms, Stylistic Set 1, 2, 3 and 4, ornaments and a complete package of Catch Words. See specimen and samples here. Letrista Script was selected at the Bienal Tipos Latinos 2012. Check out some uses of this font here https://fontsinuse.com/uses/20207/ica-beverages

Boom. You asked for more, um, well just ‘more’—more swashes, more options, more weights, more of everything. I cannot give you more weights. The design just won’t allow it and anything else would be a compromise or a bastardization of the exemplars just to make money that I am unwilling to do. But, I did give you an overly indulgent, 90% cacao bar and espresso, Lust Script Fine. The ending strokes on these glyphs will literally draw blood. Enjoy it as much as I have. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

The beauty of a classic is that it never really goes out of style. The pure, simple elements which define its greatness only strengthen and solidify with time and exposure--elements like those that inspired Ranelte, the new sans serif from insigne design. While it pays homage to the enduring DIN series of the early-20th century, the new Ranelte is far from outdated. The classic style happily connects with its more modern side, incorporating a more pronounced curve than many of its contemporaries do. This accentuated curve helps pad the type against being cold or overly technical, especially with its inherent semi-modular form and geographic feel. In short, you end up with a good vibe at the intersection of high-tech and friendly. A versatile typeface, Ranelte is designed for headline use as well as print and web copy. Within this family’s three widths and eight weights (along with italics), the letter proportions remain easily readable through their tendency toward equalisation, while still avoiding strict monospacing. The typeface also features sophisticated typographical help in the form of OpenType features. Included in the set are case-sensitive types, fractions, super- and subscript characters, and stylistic alternates. It comes using a comprehensive array of old style and lining figures. All features comprehensively cover the Latin-based languages. Thinking about it again, a classic may never go out of style, but that doesn’t mean you can’t improve on it. A little adjustment can have a beauty all its own. So discover the tuning of Ranelte, and enjoy all the new things you can do with a classic.

During a visit to London in 2008 I fell in love with the square font used on the British car number plates. I was immediately inspired to start working on this font and have been developing it intermittently ever since. Several more trips to London and the project evolved before it finally took off and became Shentox. Despite the starting point being inspired by simple, everyday car plates, the font soon evolved into something fine and very rich in detail. Even though the square genre is very restrictive, Shentox is a highly legible contemporary font with a full range of weights, useable not only as a display family for headlines and posters, but as a distinct, clean font family for branding and general editorial use (Especially magazines). It has been carefully drawn paying extra attention to the details, high end finishes that makes Shentox a safe font for use in large scale work. For example, the curves of every individual corner have been adjusted character by character to avoid the common problems encountered with square fonts (Eg. darker corners between weights or a visually inconsistent radius between the Upper and Lowercases as a result of copy/paste). Shentox italic, which has a 12 degree slant, has been corrected to avoid distortion when slanted. The radius of the upper-right and lower-left corners are more pronounced, giving it a more fluid Italic feel. Shentox is available in Open Type format and includes ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors. It supports Central and Eastern European languages. This type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics. Shentox PDF

Preta, portuguese for a very pure kind of black, has its name very related to its concept: I wanted to make the fattest/darkest script ever. People who follow my work may notice its forms are very related to works of my past (1) but this time the challenge was to be very cautious with the white spaces between letters. Not only I followed some rules and ductus of the copperplate style of calligraphy but also I took a lot of inspiration in posters of the early Art Nouveau (specially in Alfred Roller of the Vienna Secession) where letters forms looked like black squares if not looked from a close distance. With Preta, I wanted to achieve that same idea of “darkness” and thanks to the always welcomed question -what if?- the font grew a lot. The result is a very fat font, that looks delicious. Due to possible customer needs, I designed Preta Small, so it can be used in smaller sizes. Preta Ao Sol (which literally means under the sun!) is a style with those lovely tiny details to give the sensation of bright. Preta Ao Sol Solo was made to be used as a layered font with Preta. Finally, Preta Capitals serves as a company for Preta. Hope you enjoy the font as much as I did when designing it: The fact that it’s full of alternates, swashes, ligatures and swirls makes it really pleasurable at the moment of using it. Give it a try and dance with Preta! TIPS For better results, use Preta with the ‘standard ligatures’ feature activated. NOTES (1) Beatle in 2014. Seventies in 2015.

Novelty Script is a bold dynamic script, sharply delineated, yet fluid. Most of the lower case letters and many of the upper case letters have joins. The typeface was designed by Nicholas J. Werner and Gustave F. Schroeder and patented in March 1893. The original release was by the Central Type Foundry of St. Louis, Missouri. Although a part of ATF from 1892, the Central Type Foundry continued to operate under its own name until 1895. Novelty Script uses our new encoding, as noted in the All_customer_readme.txt. The Euro symbol has been moved to position 128 and the Zcaron/zcaron have been added at positions 142/158 respectively. Otherwise, Novelty Script has our usual idiosyncratic glyph selection, with the German ch/ck instead of braces, Western European accented letters, lower case “o” and “u” with Hungarian umlaut and our usual Hand-in-Hand symbol. But that is not all. With the takeover of the Central Type Foundry by ATF, a group of special characters appeared. All are included in this font, except the “&Co” and the "'s", for a total of nine in all. The “Ch” and “nd” ligatures are especially interesting because of the impact they have on the color and overall appearance of the page. Download the PDF Type Specimen for locations. This is a fun font to use. Its strength is print, where it gives a page a refreshing look. The joins sometimes have difficulty on the screen, in spite of extensive hinting. Playing around with small changes on the point size can pay dividends. Not for the faint-of-heart. Are you up to the challenge?

Homelessfonts is an initiative by the Arrels foundation to support, raise awareness and bring some dignity to the life of homeless people in Barcelona Spain. Each of the fonts was carefully digitized from the handwriting of different homeless people who agreed to participate in this initiative. Please Note: these fonts include only the latin alphabet; no accented characters, no numbers or punctuation. MyFonts is pleased to donate all revenue from the sales of Homelessfonts to the Arrels foundation in support of their mission to provide the homeless people in Barcelona with a path to independence with accommodations, food, social and health care. Luis Serra was born in Alicante. There he grew up and even started a family His life was there. But at the age of 35 he split up with his wife and decided to go to Barcelona in search of a new life. And it wasn’t easy for him. He had to turn his hand to all kinds of jobs and didn’t manage to find the stability he needed. Luis is a shy, retiring person who takes great pleasure in the little things in life such as walking in the mountains or celebrating the victories of his football team, Barça. After four years living in Barcelona, Luis found himself in a position he’d never imagined. “The street’s much worse now, there’s more trouble, there’s more tension,” says Luís. In the street he had to learn, as he always had, to move fast, to find a place to sleep and something to eat. Luís is one of those people who don’t let circumstances mould him, but adapts to them and always tries to do his best.

Hai Folks! The Auratype is retro and classic typeface who inspired by the 60s - 80s designs with more unique explored style like swosh and alternate character. This font made from manual sketch with many many scratch then finished to font. Make your designs project with this font and extras illustration to give more superb. This font also suitable to design like logo, sticker, tees design, banner, poster, sign, display design, packaging and more superb designs! Enyoy with our product and feel free contact us for support! Features : Full set of Upper & Lowercase Character Number & Punctuation Swosh Alternate Extras Illustration Multilingual Language PUA encoded Opentype Features _________ ▼To using the feature OpenType Stylistic alternate (including swosh), you must use program that supports OpenType such as Adobe Illustrator CS, Adobe Indesign, Corel Draw X6-X7 and Microsoft Office 2010 or later versions. Additional way to access alternate/swoshes are using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or more program which has Pop Character. ▼For more information about accessing alternative, you can see on this link : http://adobe.ly/1m1fn4Y ✌ Get in touch with author https://www.instagram.com/wahyudwi.cc/ https://www.instagram.com/auratype/ https://www.behance.net/fontsfighters ❤ Thank you for purchasing our product and supporting us! We hope this font can be part of your designs project. If you have other queries, questions or issues, just feel free and have fun to contact us directly. We are glad if we can help you more! If you are happy with our product, please put your star into our design reviews, it was so fantastic moment for us. Thanks! :)

Mundial translates as “Worldwide”, this name is a statement: the idea of synthesizing characteristics from different traditions in a single typographic style. Here and there you can see gestures that are clearly associated with different eras and cultures, but not to be confused: the main characteristic of Mundial is the summary, the cohesion and the sum that results in more than each individual part. Mundial is a typeface for this time in which individual identity marks, are the best aid to build a world together.

Linotype Facsimile is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest. Designed by J. Luigs and S. Wicker, the forms were constructed for electronic readers, just as the OCR fonts were. The increasing use of computers accompanied the growing number of fonts suitable for electronic reading. The standard has long been set, but designers are always creating new interpretations and new symbols. Typefaces like Facsimile are here to stay and personify the Zeitgeist of the late 20th century.

Introducing Quinn Display new generation Typeface created for building brand identity. Quinn Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Quinn is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.