Seventeen Winter is a cute and fashionable font duo with signature and regular touch it was created to help you designing makes gorgeous logos, posters, wedding invitations, blog posts, social media, apparel and more!

Lambency is a modern script font with an elegant and natural touch. Every character comes with an initial tail and an ending tail. This font is perfect for wedding invitations, quotes, branding, logos, etc.

"Christmas Delina" is a beautiful and elegant handwritten font. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. Very suitable for Christmas, winter, Valentine's, wedding, photography, spring, engagement, invitations, and others.

Regiola Font Duo is an elegant serif typeface paired with natural handwritten script. By presenting a luxurious and chic look, for websites, modern logos, social media quotes, brand identities, wedding stationery and much more.

With Monas Grotesk, you can write bold banner writings and bring your slogans to life. Monas supports many language options and will not let you down. Also includes many alternative glyphs, ligatures and more.

This is a modern font with a new interpretation of the classic font. It has sharp serifs, delicate hairlines, and beautiful curves that will make your typographic work look vinegar-lidded, stylish, and sexy.

Kampsite is a sophisticated and modern script font. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

Balika is a bold, trendy, and thick lettered serif font. This font is suitable for many projects, for modern or even retro vintage design, branding, logos, crafting, stickers, sublimation, wedding invitations, and many more.

Slab Compact JNL was based on the printed title found on the box cover of a 1950s-era word games set called “Lex-O-Grams” and is available in both regular and oblique versions.

Pretty Berelly is a beautiful and cursive script font. It has a lively, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!

"Christmas Celebration" is a beautiful and unique handwritten font. This font features uppercase, lowercase, lowercase alternative, swashes, titling, multilingual support, binders, numbers, and punctuation. great for Christmas, weddings, invitations, promotions, social media, and more.

Introducing Butter Carney, Butter Carney is handwritten font with a modern calligraphy feel, Looks amazing on wedding invitations, thank you cards, quotes, greeting cards,tshirt design, mugs, logos, business cards and any other design.

Gietta is a sweet, soft hand-lettered font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and sweet logos.

"Meilesha" is a unique and beautiful handwritten font. This font is equipped with uppercase, lowercase, numerals, punctuations, and multilingual support. It is suitable for invitations, weddings, ornaments, logos, banners, posters, prints, branding, and others.

Butter Luchy is Handwritten script font with handlettering Brush Style, so much opentype feature include of the font. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc...

Sunday Mood is a beautiful new modern monoline script font that suits for watermark, branding, logo, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, special events, and more.

Introducing Aahill Typeface - a font that is very fresh and unique style handmade. Aahill Signature Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

Prêt-à-porter is a project developed as part of a series of type experiments appearing on the blog ‘Letritas’. Prêt-à-porter is a very expressive friendly font with a handwritten look, smooth curves and strong identity. Its counterforms make it a carefree, wild, cheerful, light and highly readable typeface. This type system consists of two Script families—Contrast and Linear—and a Slab family. The Contrast set works as a complement, providing more elegance and formal refinement. Both Linear and Contrast come in 5 weights plus Ornaments, which can be used as initial and terminal forms since they have been designed for connecting with each letter. Linear and Contrast families include ligatures and the whole font family supports 208 different languages.

Say hello to Hello Radio font, the perfect font to add a touch of vintage charm to your designs! With its monoline stroke script style, this font brings back the good old days with a fun and quirky twist. The best part? It supports multilingual characters, so you can spread the retro vibes in any language you desire. Every character in Hello Radio font has a delightful imperfect shape, giving your designs a natural and handcrafted feel. It's like having your vintage radio station right at your fingertips! This font is a true team player, cooperating effortlessly with other elements in your design. Whether you're creating traditional-style logos, labels, package designs, or awesome lettering for t-shirts, Hello Radio Font has got you covered.

Wild Title Sans is ideal for projects that are intended to be leisurely and relaxed. The font deliberately destroys the principles of restrained fonts, emphasizing unbridled individuality. The distinct notches in the font are enlarged ink traps, which are used for typesetting in small sizes and usually copy the structure of the character. In this case, the ink trap becomes part of the structure of the character, giving the font a strong and original feature. The weight of individual styles is also distinct: the emphasis on the vertical breaks with traditional approaches to posture. This font literally draws attention to itself. Individual styles are suited to a variety of uses, from small-point texts to bold, distinctive headings. Specimen: http://carontwice.com/files/specimen_Wild_Title_Sans.pdf

British designer Thomas Oldfield, who brought you Hombre BT and Reaper, has scratched out another typeface, this one called Jerk Chicken BT. I guess, if you can imagine a quill tip pen somehow wedged 'tween a scrawny chicken's toes, you'd end up with the scrawl, blobs, blotches and bleeds that would make most type designers run for the hen house. Not Thomas; he saw only commercial potential. So lay down some scratch and order up some Jerk Chicken BT. Hey, while you're at it, why not extend the license to a dozen users? Available as an OpenType font, Jerk Chicken BT includes of a couple of ornaments, well parts, namely a drumstick and a whole fryer, and its extended character set supports Baltic and Central European languages.

Cahuenga embodies clarity in text and distinction in display. Throughout the development process, references were sought out only as moments for consideration presented themselves. Thus, the development was long and complex with Cahuenga not prescribing to a single distinctive model as a foundation. Exploration around formal traits was influenced as much by aesthetics as they were by desired functional outcomes. Cahuenga organically holds a tone and pitch that is sincere. The name is emblematic of many who drive through the Hollywood area of Los Angeles. As in many parts, the driving route is convoluted from point A to point B. However, it seems more often than not, that when in the Hollywood area, one usually ends up on Cahuenga Boulevard at some point.

Toleis is a san serif font that we designed for you. Much attention is paid to the correct position of the accent. All overhead has its own height, which creates an additional level of readability. As well as numbers and punctuation, which are an integral part of any text. This pack includes alternative options for many glyphs — old-style figures, straps, style sets, and more. So you can customize the font to your liking and keep your look consistent.” of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Mondo News is a typeface designed to fulfill digital and paper publication editorial needs, its cared equilibrium between slightly condensed proportions and generous «x» height, offers optimum performance without compromising legibility. The modulation of thick and thin strokes in the middle weights is balanced for extensive text reading, while on the heavy weights becomes more dramatic making them ideal for strong headlines. Equipped with 760+ glyphs, support for more than 200 languages, smallcaps, alternates, ligatures, dingbats and plenty of OpenType features, Mondo News modern interpretation of tradition performs excellent both on screen and on paper, satisfy the most demanding editorial needs and will nourish your pages with a convincing and reliable atmosphere. Mondo News is part of the Untype Mondo family typographic system.

Robust, towering, and geometrically refined, Skyward is a surefire classic cocktail of equal parts utility and elegance. This typeface carries a set of over 300 glyphs across 8 distinct faces. With Deco-era sensibilities and a touch of modern refinement + an all new alternative set of characters, Skyward is exceedingly effective in a diverse spectrum of situations. Skyward is the perfect selection for modern, chic, luxury products and packaging as well as bold ad campaigns, window signage, magazine headlines or the classic branding project. Skyward works best as display text. 12 styles Sans-Serif, Serif, and Rounded styles Select Stylistic alternates Upper & lowercase Numerals & punctuation   330+ glyphs per style Supports 75+ Latin based languages OTF files Designed by Jason Carne

A hand lettered emulation of a Roman stencil type face on the cover of the folio for the Stenso School Set was the basis for Eutaw Stencil JNL, which is available in both regular and oblique versions. The Stenso School Set (circa 1940-41) was comprised of three stencils – two lettering guides and a map of the [then] 48 United States. Developed and patented by Baltimore school teacher Ruth Libauer Hormats, her stencils were the first to offer a system for accurate letter spacing and ease of use. “Eutaw” (as part of the font’s name) is taken from Eutaw Place, the street where Ruth and her husband lived at the time of Stenso’s inception. To the Cherokee, the name means “Creek Indian”.

During the period of the Great American Depression, “hobos” created a system of symbols to communicate and assist fellow travelers. These symbols would mark a home, farm, fence or other structure to indicate what to expect in the area. They would tip off travelers on how to find food, stay safe and what to avoid and more. In some areas of the USA, these symbols are still visible and have also become part of the American popular culture. These 96 symbols are accompanied by the what the symbol was used to indicate. The meanings and symbols are by no means the complete list andther may be additional or alternative meanings. These are for casual use and not historical or anthropologically completely accurate

Linotype Flamingo, from German designer Michael Leonhard, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. The figures of this font have pieces missing, the curve of an a, the stroke of an n. The eye fills in the gaps, allowing the designer to present a unique font with reductionist forms which can still communicate written ideas to the reader. A small number of forms come together to create the alphabet and the 'missing pieces' make a light and airy overall impression. Linotype Flamingo should be used in point sizes of 18 and larger and because of reduced legibility should be used only for very short texts.

Rosvard is our new old fashioned typeface. Inspired by vintage signages and brewery emblems. You could feel the vintage vibe on our preview images. Although you could use it to modern design as well. Since our last font just single font. We decide to make another layered font like we did in the past. This one in particular contains Stripe, Outline, Regular, Extrude and Shadow. You could combined all of them of just use two or three of them as you like. We also give you the separate ornaments we used for the preview image as an icon/dingbat font. You could mix and match each part to make your own badge / emblem. Because we believe you could do it.

This family was created inspired from the first font carved and cast in France, for the Sorbonne University’s printing workshop (Paris). The characters were drawn by Jean Heynlin, rector of the university - inspired from Pannartz’s - and in all probability was carved by Adolf Rusch. It has only one style, in one size (about 14 Didots points). We have added the U, J, W and Y, some accented characters and others not in use in the original, but the standard and historical ligatures and the numerous Latins abbreviations are these of the original font. The font is proposed in two choices : Basic Latin, MacTT & TTF, free for a private use, and “Pro”, TTF/OTF, available for standard basic Latin plus Central Europe, Baltic, Turkish, Croatian, Romanian, Celtic.

Quite unusual, Musenberg started his Raldo design with the italic. However, he managed to preserve the temperament and vividness of the italic in the roman without questioning the stability of the individual characters. Raldo is a modern Sans Serif family already quite popular in Germany. The German IGEPA group chose Raldo as corporate typeface family. Now, Marc Musenberg redesigned and extended his Raldo typeface family. The new Raldo RE Pro comprises 10 styles, 5 roman and 5 corresponding italics. All fonts now include the complete Latin character set plus fractions, different sets of figures and fractions as well as small caps and small caps figures for Raldo RE Pro Text, Regular, Semibold and Bold. Raldo RE Pro has been chosen to be part of the URW++ SelecType.

Royalbrick is a contemporary display unicase typeface. It is a part of upcoming type family — light and condensed style. The font was inspired by factory stamps’ typography on bricks made in 19-20 century on Russian manufactures — this kind of bricks was also called “royal bricks”. It has a unique image with “squashed” stems and dynamic expanding strokes, and there are also some kind of ancient Cyrillic’s vibes in it’s letterforms. It is an excellent example of combining national character with modern trends and expressive graphics. Royalbrick consist of extended Latin and Cyrillic, figures, two sets of punctuation (normal and "thin" with ss01), few ligatures and stylistic alternatives and a special set for letters with accents — ss02 named "Downstairs Accents". The font has 292 glyphs.

About Cita Pro Hi there please say hello to "Cita Pro" the latest collection from @faldykudo, Cita Pro is a serif typeface with a taste of old style, its very beautiful with a timeless aesthetic and has a very wide range for various design situations. Cita Pro is perfect for both display and body text because it has a very good readability. Cita Pro has 14 style and 7 weights, - from Thin to Bold and Matching calligraphic italic. Cita Pro also has special alternate characters in complete uppercase from A-Z . it is to give a different look for your display design. thanks, hope you would like and accept "Cita Pro" as part of your family. thank you in advance­

African fonts are characterised by design considerations that differ from those of Europe and the Americas. At one extreme we have a relaxed and casual approach to life that values the quality of each moment in life far more than people do in the west. In this approach each element of the font, while being part of a community, nevertheless stands on its own and has its own "character". An African font that characterises this approach is Ubuvila (the word means relaxedness or relaxation in Zulu). There is no strict adherence to a design format in Ubuvila nor are the characters constrained by resting on the same baseline. They wander up and down in the sentence and find a comfortable resting place.

Quilt Patterns Three was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns Three is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns Three can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Royal Glamor is a modern serif font with a luxurious and elegant feel. With its thin, bold serif lines, this font can convey a professional and profound impression, while still looking friendly and inviting. The “Royal Glamor” font has a clean, regular Typeform, with symmetrical and proportionate parts. This makes them easy to read and suitable for use with a variety of media types, such as brochures, magazines and logo designs. With the right color, this font can provide a strong contrast effect, giving a design an exclusive and luxurious impression. Perfect for projects that require a serious feel, but are still modern and elegant. Features: Multilingual Support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Quilt Patterns One was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns One is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns One can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

This antique-aged version of Monkton can be used to imitate old letterpress printed documents such as old English text. The rough edges resemble ink spread on paper to give an old look. The inspiration for this typeface family came from my childhood experiences at Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

A no-nonsense modern sans serif design, the ITC Conduit type family embodies an earnest vernacular spirit. Its designer, Mark Van Bronkhorst, explains: “It’s the kind of lettering you might find on boilers, assembly diagrams, and desiccant packets,” he explains. “It’s plain, grid-based, visually incompetent, yet legible and direct.” Brilliantly assembled from a typographic kit of parts, ITC Conduit's letterforms project a coolness, without feeling austere or unapproachable. It's an excellent choice for publication, packaging, or even wayfinding design systems. The ITC Conduit collection is available in 14 styles, with weights from extra light to black—all with matching italic designs. An easy, efficient way to bolster your go-to typographic arsenal, add it to your type library today!

Linotype Bix Plain, from Argentinian designer Victor Luis Garcia, is part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest for inclusion on the Take Type 3 CD. The font is composed exclusively of capital letters. The figures have constructed basic forms and show the influence of the advertisement types of the 1920s, with all their well-mannered details. The lower sections of the graceful letters are white and set against a black background, the upper sections are black on white. This makes the overall picture look as though written on stripes and gives the delicate letter stability. The nostalgic-modern Linotype Bix Pleain is best for headlines in point sizes of 18 or larger.