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  1. Digital2 - Unknown license
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  4. Capsule - Unknown license
  5. blob - Unknown license
  6. M06_QUADRA - Unknown license
  7. Double Strike - Unknown license
  8. 6809chargen - Unknown license
  9. SyntheticSyncronism - Unknown license
  10. Zado - Unknown license
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  12. Ventouse - Unknown license
  13. Delusion - Unknown license
  14. Ozone - 100% free
  15. 6809 Chargen - Unknown license
  16. Collective RS (BRK) - Unknown license
  17. Squarodynamic - Personal use only
  18. BubbleBath - Unknown license
  19. Bleak Segments BRK - Unknown license
  20. Balls on the rampage - Unknown license
  21. Subway Ticker - Unknown license
  22. Spice - Unknown license
  23. Digital Readout CondUpright - Unknown license
  24. KiddieGrinder - Unknown license
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  26. 7inch Rounded - Unknown license
  27. bubba - Unknown license
  28. DT 104 in outbreak - Unknown license
  29. Digital Readout ExpUpright - Unknown license
  30. Skeletor Stance - Unknown license
  31. DotMatrix - Unknown license
  32. Teknogrunge - Unknown license
  33. MyBlueRoom - Unknown license
  34. LIGHT EMITTING DIODES - Personal use only
  35. Le chant des Albatros - Personal use only
  36. Les oeufs de Cassowary - Personal use only
  37. Le Monde Courrier Std by Typofonderie, $59.00
    A rounded slab in 4 styles In our age, since the arrival of microcomputing, the majority of professional letters have been composed in quality typefaces. Typewriters & the typestyles they used have become antiques. A letter set in Times or Helvetica & printed with a laser printer at 600 dpi or more are of such quality that one can no longer distinguish it with a document produced by offset printing. But letters composed in this way appear overly institutional when a bit of informality is needed. Le Monde Courrier, designed by Jean François Porchez, attempts to re-establish a style halfway between writing and printing. Informal neo-tech style This rounded slab serif returns the informal character of “typewritten” fonts to letters and suit well all bad conditions, from inkjet printed memos to webfonts use. With a unique typographic colour, it integrate itself with the rest of the Le Monde family with effective contrast. The verticals metrics and proportions of Le Monde Courrier are calibrated to match perfectly others Typofonderie families. Bukva:raz 2001 Type Directors Club .44 1998 European Design Awards 1998
  38. Le Monde Journal Std by Typofonderie, $59.00
    A highly legible typeface in 4 series Le Monde Journal by definition is intended for newspaper use & at small sizes. It’s an economical and workshorse typeface adapted to any extrem condition of uses. Even though it has the same colour as Times, it appears more open. The reading flow has been made more fluent & less abrupt. The glyphs counters are bigger, as if they were “alluminating the interior.” The form, characterized by its serifs, remains embedded in our visual memory. Intermediate weights like Book can be considered as a grade supplement of the Regular. Italics accompany Le Monde Journal. With a more delicate design & a distinctive rhythm, they remain noticeable when used with the romans. Its companion, Le Monde Sans can extend your typographic palette. For beautiful page layout, use it in conjunction with Le Monde Livre for titling sizes. The verticals metrics and proportions of Le Monde Journal are calibrated to match perfectly others Typofonderie families. This family was designed in 1994 as bespoke typeface family for the French newspaper Le Monde. The family is not used any more by this newspaper from November 2005. Bukva:raz 2001 Type Directors Club .44 1998 European Design Awards 1998
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