Estragon is a vivid sans-serif text face with venetian influences, suitable especially for books. It is remarkable for: its light slant, to the right, for most of the verticals, its small sized uppercase letters making it suitable for languages where they are often used (for example German,) and its just lightly inclined true italics. For a wide language support, Estragon contains a lot of accented characters including the polish kreska. It is generously equipped with ligatures, special and alternate characters as well as various kinds of numbers: besides the standard old-style figures to be set as part of text copy there are small-cap and tabular numbers as well as a set of fraction figures. Estragon comes with two weights, uprights and true italics, each with small-caps.

Airium is a decorative serif typeface. Classy and clear, but with original display features, Airium assures any graphic project a characteristic appearance and unique personality. It is lightweight and bright, with cut-out parts and hollow vertical strokes. Use the parenthesis characters ( [ { } ] ) to make decorative swashes. Example: [Wonderful] The Airium family consists of four high-quality styles: Regular, Bold, Italic and Bold Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

These initials set I collected from “Tractatus sacerdotalis de sacramentis”, published in the city of Lugrun, printed by Arnaldum Guillermum de Brocario in 1503. Tractatus font family has Regular and Colored styles. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel & Affinity doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/1lr7fify0n520ms/Tractatus-Test.otf?dl=0 ) to check your app & system.* --- Best, Roman. Thank you!

Poster artist A.M. Cassandre designed one of the most evocative typefaces of the Art Deco era, Bifur. This type was unusual in many ways, but one of the most distinct features was that besides a regular one-color font, it was also available as a two-part font for a chromatic treatment which was highly unusual for metal typefaces. This "bifurcated" type is almost impossible to find in print shops or even in specimen form. It has however become recognizable as a true icon of the Art Deco genre. The IHOF version of P22 Bifur features the addition of a lower case alphabet as well as multiple options for the shading layer, allowing for a wide range of design applications from straight-forward Deco headlines, to abstracted and de-constructed experimental design.

Roadhouse is a layering typeface family that is part of the greater Evanston type collection, which is inspired by American typefaces commonly used at the turn of the century leading up to Prohibition. Roadhouse reflects the style of lettering used on tavern signage and printed ephemera during the early 20th century. The family comes with 31 layering fonts, from top layers like bevels, highlights, stripes, outlines, as well as extruding and drop layers. It also includes 2 script fonts, upright and oblique, as well as 9 complimentary text fonts for smaller text settings. Either get the entire family of extrusions, bevel angles or the basic family with ready to use fonts that don’t need to be layered. Roadhouse is a great display typeface for logos, branding, packaging, and advertising.

Get in touch with Tipogra Fio and get inspired by Guaruja Neue specimens. Guaruja Neue is a neo-grotesque typeface with additional industrial traits to it, such as open corners in diagonal glyphs and short curves. The semi-cursive italics shapes, more than an orthographic matter, give sea waves for the headlines and copies that Guaruja Neue will compose, since it is named after a city on the coast of São Paulo, Brazil. Stylistic alternates, ligatures, ordinals, arrows and emojis give extra personality for texts that cross millennial and modernist concepts, going from a comprehensive Latin script, including Vietnamese support, until a basic Cyrillic set. Brazilian music tells the graphic story of Guaruja Neue specimens, songs that speak about beaches and the city of Guarujá, as well as the inspiration of 50’s and 60’s modernist design and the music movement of Bossa Nova. This family is also an evolution of Guaruja Grotesk (2021), a typeface with four fonts —Regular, Italic, Bold and Bold Italic— developed as part of a design school project, that now in Neue gains professionalism, refinement and knowledge. Guaruja Grotesk took 18 months to make, and Neue took additional 12 months of redrawing and rethinking, as design as processes. Part of the project got feedback from the typeface designer Ulrike Raush, under the Alphabettes mentorship program. Overview and features: 8 weights and 8 italics; 2 free fonts: Guaruja Neue Regular and Guaruja Neue Italic; Extended Latin and basic Cyrillic; 800+ glyphs; Numbers: proportional, tabular, superscripts, subscripts, denominators, numerators and fractions; Greek for math; Case-Sensitive forms; Arrows; Standard and discretionary ligatures; SS01: one story a and SS02: two story g; Emojis and SS03: negative alternate emojis; Ligatures for English ordinals;

This typeface comes from a self initiated project called Sápmi, which aims to contribute to keep a group of minority languages alive through solving issues in the education environment. This re-thought edition takes the name of Aanaar and joins our library with a bigger character set and two new weights which complete the typeface providing a big typographic palette as well as adding stylistic two-story a and g for more advanced readers as well as to enable the typeface to be used in other environments. The typeface was originally designed for children’s text books. Analysing kid’s typeface design, we identified some important problems and solved them within the boundaries we had. The main concern in a typeface which will be used by children is letter recognition, as they have not yet fully develop their reading skills. For example, letters like “a” and “g” share a very similar structure in this particular kind of typefaces, where the only distinctive part is the descender of the “g”. It is known that the lower part of the letter is the less important feature when reading, therefore we decided to make a clear distinction between them by having an “a” with a spur on the top right. This also helped distinguishing “a” and “o”. Children typefaces usually have one story “a”, making “a” usually too close to “o”. Additionally we moved the joint in “a” upwards and narrowed very slightly the “a” to make sure they cannot be mistaken. More generally, the x-height is fairly tall and the typeface has a bit of movement which give it a good rhythm helping moving along nicely when reading. Aanaar consists of 5 weights (Light, Regular, Medium, Bold and Black) plus two Italics (Light Italic and Italic).

The sister fonts Andron 2 English and Andron 2 Deutsch provide a groundbreaking new possibility to render literature text bodies in a sophisticated traditional and yet modern way of type. In German typographic history there has once been a long-lasting struggle called the Frakturstreit (the blackletter quarrel). It was about wether German text ought to be composed in blackletter or rather in Roman type, a question upon which even Goethe, Schiller and other period celebrities got grey over time. However, blackletter type remained alive and has just recently seen an astonishing renaissance. This is not about a blackletter revisionism or some ‘mixture’ concept arguably bridging the gap between either worlds. Andron 2 English and Andron 2 Deutsch offer a new approach to circumvent that old antagonism. As for the lowercase letters I applied certain features of blackletter type onto the glyphs – but entirely abandoned the principle of the broken stroke as such. The result is a lowercase alphabet in the classical Andron style which may be considered an attractive alternative for text in English, German or even other languages. So it’s no longer entirely about choosing between ‘modern’ Roman or ‘ancient’ blackletter only. Andron 2 English Regular and Andron 2 Deutsch Regular feature the same lowercase glyphs but differ in the majuscules (Andron 2 English has normal Latin capitals). ++++ 2012 + NEW! +++ In response to its growing popularity we now present five new fonts as part of the Andron 2 series. Andron 2 English is completed by an Italic and a Bold font. Andron 2 Deutsch now contains three interesting alternative fonts: Italic, Scriptive and Laendlich. Last but not least – A new set of wonderful classical typographic ornaments is part of the Italic and Scriptive fonts. – You can also purchase these ornaments separately as “Andron Ornamente”.

The Elly Sandeo Cyrillic font is a handwritten calligraphic wedding script font with. It is the font pair with will be the best option for branding, logos, wedding invitations, social media, packaging, business cards, DIY projects, social media, and many others. Elly Sandeo Latin part contains a full set of uppercase and lowercase letters. Also, lowercase letters have 6 sets of variable flourishes with teils. To make a needed form type a letter with a number such as a1, a2, a3, a4... b1, b2, b3... c1, c2, c3...after that select the word and apply the Open Type Features in programs such as Adobe Illustrator, Photoshop, and others And 17 ligatures can be used to create a handwritten calligraphy look. The Cyrillic part of the font contains uppercase letters and 2 complete sets of lowercase letters, (standard, and final form. To make a needed form type a letter with a number such as a1, a2, a3, a4... б1, б2, б3... в1, в2, в3... After that select the word and apply the Open Type Features in programmes such as Adobe Illustrator, Photoshop, and others) The Elly Sandeo Symbols is a font with 26 hand-drawn elements and swashes that can help you to make your design unique and matchless. just use A-Z and a-z keys in the included Symbols font. A different symbol is assigned to each uppercase or lowercase standard character, so you do not need graphics software, just type the letter you need. Multilingual Support for 33 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support Russian, Belorussian, Bulgarian, Ukrainian, and Kazakh languages.

John Yoko with the kind of modern calligraphy font, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic Sets for those of you who have software that is able to work OpenType (Photoshop / Illustrator / InDesign). John Yoko is suitable use for market design developed at this time, this font has a model Trendy, natural and gentle, with this font you can take advantage of the opportunity in every moment of one wonderful way to highlight the celebration of the feast of your best, because this font will be advocates for purposes such as wedding invitations, party, graduation, birthday, gathering, etc.

Looking like happy frosting on a cupcake at a twiddle bug party, this bouncy food entry from Canadian designer Haley Fiege turns the original Jellybrush type into organic happiness you can spread on pancakes, ice-cream, sorbets, sauces and condements, oh peanut butter! Yeah, all kinds of sandwich fillings. Anything really. What else? People who own rubber factories. Anybody in the food business, like green grocers or your local bakery. Thrift stores. Falling somewhere between cushions and cat food, this flexible and inviting letter mixes simplicity with organic character and humor for a wide range of uses. Soft Serve’s compact cursive forms and bouncy friendliness draw on artbrush scripts and the typo-italic model of Renaissance Vatican scribe Ludovico Arrighi. A versatile workhorse ideal for: * Dairy & beverage * Sweets & soft drink * Five minute food & sauces * Pet food & accessories * Bathroom & kitchen * Cushions, pillows, rubber & swimming pool, etc.

Mind Explorer - Psychedelic Font. Mind Explorer is a psychedelic style font. This font is inspired by vintage albums and posters from 1960s music bands. The classic, fun and groovy impression is very visible. But in this font I combine several variations such as the ligature. It makes this font even more unique and different. Euphoria Party is also great for any kind of display purpose from album, cover,poster, label, tshirt, apparel, signage, quote, logo, greeting card,logotype and many more. This font is also support multi language. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Spongy is a rubbery sans-serif typeface. It has round, soft shapes but a stiff and funny character. A quirky, clowny font, Spongy's highlighted cartoon letters looks like levitating balloons. Drawn and created by Mans Greback in 2021, this comic lettering has a satirical style and a light-hearted personality. It is provided as Highlighted, Bold, Light, Solid and Outlined! The combination of these jolly jelly fonts makes for the perfect set of party and birthday types. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

It took the Italian designer Antonio Pace more than five years to create Linotype Gianotten™, a successful new interpretation of the classic Bodoni types. To re-draw the 200-year-old characters for the world of modern digital technology, Pace studied Giambattista Bodoni's original punches at the Bodoni Museum in Parma. He felt that previous Bodoni interpretations were not well suited for body texts, so he focused his study of Bodoni's "Manuale Typografico" on the types made specifically for text sizes. Consequently, his Bodoni has strong hairlines, rounded transitions and shorter, fluted serifs - elements that help to achieve readability by providing an overall tranquil effect. This contemporary, highly readable family is an excellent choice for text settings in books, newspapers, and magazines. Incidentally, the name Gianotten has nothing to do with Bodoni, but was chosen by Pace and Linotype to honor Dutch typographer, Henk W. J. Gianotten."

Meets Glaw, A new carefully crafted Fonts from Ilham Herry to bring a new heavy look of Psychedelic Theme. The Ideas of this fonts are from 70s, Psychedelic, Funk, Hippie, Party, Music and Etc. Even though it’s a specific theme for this fonts. It doesn’t ruled out the possibility of creating a new style or themes. Glaw Created with a 3 Weight on the traditional OTF, Condensed, Regular and Expanded. Not Just that, If your software are support for Variable Fonts like Adobe Illustrator or Photoshop, The Weight are going to 100 Weight!. Glaw Best used for a Large Text such as Headline, Poster, Branding, Logos, Concert, Branding and Any other use that needs a Heavy looks for the Title. Our creation on the display to give you a reference what it looks like on your project. It shows that how Glaw will look on your design style.

This is our Valentine's Day-themed font that weaves the romantic melodies of love songs into your designs. This unique typeface infuses the spirit of Valentine's Day with the heartfelt emotions of music. Valentine's Day Cards: Create heartfelt and visually stunning Valentine's Day cards that sing with romance, making your loved ones feel cherished and special. Love Letters: Craft beautiful love letters that showcase the beauty of Valentines Notes, making your declarations of love even more touching and memorable. Event Invitations: Design enchanting invitations for romantic dinners, engagement parties, or weddings, setting the tone for a truly memorable celebration of love. Digital Expressions: Elevate your digital expressions of love with Valentine's Day-themed social media posts, e-cards, and website elements that capture the essence of love in a unique and musical way. Functional As far as we know, this font includes everything you would need to write a music sheet.

Newcastle gives you great opportunities for spicy typography. If you find some similarities to one of our fonts, ‘Blitzplakat’, you are right. We took it to the next level and made it even better: We extended the range of letters, added optional catchwords, extra shapes, shadows, dust and arrows. Here is a lead to get the most out of Newcastle: Use ‘Discretionary Ligatures’ in the OpenType section of your layout program of choice to turn frequent short words like ‘and’, ‘of’ or ‘from’ into catchwords. Choose ‘Styleformat 01’ to make them vertical. Keep ‘Contextual Alternates’ activated to make consecutive letters look more realistic (the second letter will be replaced automatically by a slightly different looking version). Want to roughen the look of your design even more? Add the dust hidden in the ‘Extras’ style by typing underscore, emdash, endash or hyphen. This font is vintage fun - let’s party!

Childa Script with the kind of modern calligraphy font, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic Sets for those of you who have software that is able to work OpenType (Photoshop / Illustrator / InDesign). Childa Script is suitable use for market design developed at this time, this font has a model Trendy, natural and gentle, with this font you can take advantage of the opportunity in every moment of one wonderful way to highlight the celebration of the feast of your best, because this font will be advocates for purposes such as wedding invitations, party, graduation, birthday, gathering, etc.

It’s bold, brazen, and irresistibly fun – it’s Hot Mess! A super realistic hand brushed font just raring to get the party started. It’s guaranteed to leave a vibrant, long lasting impression on social media posts, advertisements, posters, products packaging & more. Ligatures • Hot Mess includes 17 ligatures built in to the font. These letter pairs help to create authentic, naturally flowing hand-lettering. Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Ligatures will automatically be switched on when using supported software. Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian. Swashes • Hot Mess includes 4 swashes; use these to underline your script text and add a stylish finishing touch. Simply type any of the square brackets to generate a swash [ ] { }

Introducing the Inflate PTx font family, a delightful and playful typeface collection that embodies the buoyant spirit of celebration and festivity. This font can be use in old and new apps that use/read fonts, because it's format (old school format :)), not OpenType SVG format. To install fast on the PC: right click in the OpenType file, then "Install". But if you want to open the file, please be pacient. It takes time to open and read the OpenType file depending of the capacity of your PC. The Inflate PTx font family is tailor-made for creative projects, from birthday party invitations and children's book illustrations to social media graphics for Instagram or themed event posters. Its rounded edges and bubbly forms infuse any design with an infectious sense of joy and lightheartedness, making it an ideal choice for those seeking a playful and festive typographic solution.

CONCEPT/ CHARACTERISTICS A display font that allows you to »Kleckern und Klotzen« (modified German proverb »to not take half-measures«) The fat and square character to the font, a bold and loud statement. The motto is square, practical, fat. The font styles ranging from high-contrast line difference "beanpole" over mediocrity "slim" to the fattest and blackest "okay" style. A font with humor ^^ APPLICATION AREA The modern, square lightweight »Fat Wear Shirt« would be happy as a display typeface in headline size on the following areas and would find this very real bold: Edi­to­rial Design (Maga­zine or Fan­zine) or Web­de­sign (Head­line Web­font for your web­site), party flyer, movie pos­ter, music pos­ter, clothing, fashion, t-shirts, music covers or web­ban­ner. And and and… TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Fat Techno Font »Wear Fat Shirt« Open­Type Font (Mac + Win) with 3 styles (okay, slim, beanpole) & 268 gly­phs. Alter­na­tive let­ters and liga­tures (with accents & €) Desk­top Font (.otf) + Web Font (.svg, .eot, .woff) KONZEPT/BESONDERHEITEN Eine Display-Schrift bei der Kleckern und Klotzen erlaubt ist! (Verändertes deutsches Sprichwort »nicht kleckern sondern klotzen«) Der fette und eckige Charakter verleihen der Schrift eine plakative und laute Aussage. Das Motto lautet quadratisch, praktisch, fett. Die Schriftschnitte reichen von kontrastreichen Linienunterschied »beanpole«, über mittelmaß »slim« bis zum fettesten und schwärzesten »okay« Style. Eine Schrift mit Humor ^^ EINSATZGEBIETE Das moderne, quadratische Leichtgewicht »Wear Fat Shirt«, würde sich als Aus­zeich­nungs­schrift in Head­line­größe über fol­gende Ein­satz­ge­biete sehr freuen und fände dies echt fett: Logos/Wortmarken aller Art, Flyer für fast jede Party, Plat­ten ­Co­ver, CD-Cover und Icon Design, Pla­kat­ De­sign, Kleidung, T-Shirts, Comics und Gra­phic­no­vels, Game– und Video­spiel Design aller Gen­res, als Head­line­schrift für print und digi­tale Maga­zine, Bücher und Web­sei­ten u.v.m. TECHNISCHE INFORMATIONEN Head­line Font | Dis­play Font | Fat Techno Font »Wear Fat Shirt« Open­Type Font (Mac + Win) mit 3 Schrift­schnit­ten (okay, slim, beanpole) & 268 Gly­phen. Inkl. dia­kri­ti­sches Zei­chen, alter­na­tive Buch­sta­ben, Liga­tu­ren & €. Desk­top Font (.otf) + Web Font (.svg, .eot, .woff)

Step right up, folks! Introducing Budmo, the font that’s always ready to party! This jubilant display typeface is inspired by classic light bulb marquee sign lettering and is perfect for all your festive needs. Whether you’re sending out dance invitations, announcing a gala, planning a parade, or just looking to add some pizzazz to your party, Budmo has got you covered. But that’s not all, folks! With Budmo Jiggler and Jigglish, you can really ramp up the carnival atmosphere. Layer the Bulbs, Honk, and Solid styles to create a truly carnivalesque effect. And don’t forget to try adding a glow effect to the Bulbs style for even more razzle-dazzle. But here’s the thing, friends. Even on its own, the Bulbs style is nothing short of snappy. Add your own special effects and watch it light up the night! So come on down and see Budmo for yourself. You won’t be disappointed! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Beat Fool is my latest layered font. I love making layered fonts, because the possibilities are almost endless! Play around with transparency and your favourite colorschemes and patterns to create awesome effects! Beat Fool comes in two layers that plays well together. One layer is solid and can be used for shadow, fill, texture or other creative parts of your design. The second layer is the "Regular" one - the outline that made the basis for the font. I wanted the handmade and handwritten brushstrokes visible, to keep the flaws which makes the look more authentic. Every letter has 4 different versions, again to make things more natural and kind of random! Both layers can be used alone or as described, together - and since it has multilingual support, you can be creative in all kinds of languages! :)

Description This is Networkand Family. World's best graffiti and non-graffiti marker-styled font ever. Networkand marker font family, carefully selected from hundreds of letters. Signature-styled Networkand Script perfectly fits next to the Networkand Font. Besides all this, the Networkand Swashes Font is designed to customize your designs to another level. You can read Medium article here. FEATURES: Original: Networkand Fonts and swashes created for your special designs. You can turn your dreams into reality and customize them. Unique Creation: An unprecedented experience a creation that no one has ever had before and will uncover your awareness. Create your Brand: Unlike a standard font to create a new brand concept. Be different. Be different in life. Your own. Create your own mark: That’s the most special part of this font. A brand new identity for your personal signatures.

Based on ten characters found on the cover of a 1960s Blue Note jazz album. The source characters were originally designed for film-based typesetting by Wayne Stettler as part of a single typeface published by Visual Graphics Corporation (VGC) under the name Neil Bold. Mobley Sans, along with its condensed and serifed counterparts, constitute a brand new typographic whole molded around the original inspirational source. The family embodies the independent creative spirit of that era - yet manages to remain contemporary with several modern design traits - creating its own unique visual theme through the use of odd counters, generous curves and sharp corners. Mobley delivers your message in a bold, yet friendly, and subtly discerning fashion. Perfect for music artwork, packaging and book covers. Available with both sans and serif versions, in regular and condensed widths.

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Signskript is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic. Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

'Youthink'. An energetic handwritten font, a reflection of the lifestyle of young people with an expression of what it is. Equipped with unique ligature makes this font appear with unpredicted surprises, worthy of a young soul that always accentuates freedom of work and thought. In short, this Font is an analogy from young people's creations. YOUTH - THINK - INK. from these words we put it together as Youthink. Pure handwriting makes this font more personal touch, complemented by multi-language support makes it free to appear in any part of the world, plus some alternate makes it more stand out. This font is very suitable for young and modern designs, very suitable for YouTube broadcasts, brand logos, prints for crafts and t-shirts, adrenaline sports hobbies, Journey Caption and certainly very instagramable. Stay safe and enjoy the font. Thanks

These initials set I collected from “Tristan of the Round Table”, published approximately in 1513, by Antoine Verard. Antoine drop caps font family has Regular, Light and Colored styles. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel & Affinity doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/lpzmdikw0ewxozx/AntoineDropCaps-Test.otf?dl=0 ) to check your app & system.* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

Prostir Sans is a powerful typeface of the humanistic sans serif. He strives to be a "workhorse" that does almost any job without unnecessary problems, while remaining expressive enough. Has large x-heights and small ink traps. The typeface looks emotional and feels free, combining smooth curves and contrasting connections. It consists of 2 conditional parts — Basic and Display, which differ in the thickness of diacritical symbols and additional elements. This contrast adds unusual rhythm and liveliness. It has 7 grades in weight and and supports variable, adjustable on two axes, which allows you to fine-tune the desired style with sliders. Features: – Total glyph set: 753 glyphs; – 14 styles (7 weights x 2 widths); – Support 210+ languages; – Latin Extended; – Cyrillic Basic + Bulgarian letters; OpenType features: – Proportional, oldstyle, circled, tabular numerals, superiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets; – Ligatures; – Case-sensitive forms.

HS Alhoson is based on the font HS Alnasma font that is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Latin fonts where horizontal parts are thinner than vertical ones for use in technical and engineering company. The font is based on some modern lines of Kufi calligraphy along with some derived ideas of Latin fonts, maintaining the beauty of the Arabic font and its fixed rates. This font supports Arabic, Persian, Urdu, Kurdish and Pashto and also includes Basic Latin and consisting of two weights (regular and bold) which can add to the library of Arabic and Latin fonts contemporary models that meet with the purposes of various designs for all tastes.

Valenteena is in the spirit of the 19th century, but there are no other typefaces quite like it. It is geometric, using distorted hearts to form the letters. The lower-case letters are smaller versions of the upper-case letters. The overlay variant is derived by breaking ValentinaContour into its parts: the inner letter, the white inner border, and the black outer border. To use them one must have a program that allows layers of letters. Type in and format the inside variant to get the message you want. Also select the color you want this layer to have. Copy this layer twice, formatting one to the medium and and the other to outside. Color each of them in the colors you want and them combine the three layers, placing them so the letters exactly align. You will get letters with three colors.

The Contribute font is one that takes you back to the days of the fountain pen. To those who are old enough to remember, fountain pens were tiresome to fill and use – but also a pleasure to own, something to cherish that became so much a part of your daily life, a symbol of etiquette and sometimes even a style statement! Our Contribute fonts will definitely remind you of that, and everything else to do with a touch of vintage class. This 30s-like font is sure to become one of your favorite cursive fonts, be it for use on a poster or a web page. This font is ideal for those situations where you need your viewer to connect on a more personal level than formal. Think ‘writing a letter rather than typing it out’, and you will know what we mean!

Introducing the 'Merchande' Font Trio Inspired by a variety of midcentury typefaces, the Merchande trio was designed to add pizzazz to your branding, packaging, advertising, and print projects. What's Inside? The serif is fantastic for headlines, logos, and anything that needs to grab attention. Its tall, condensed, and confident appearance is a great head-turner, made even better when combined with the two below. The script is perfect when a premium touch is needed for your work. Its use immediately adds a charming, personal quality. The best part, it's wonderfully legible in any size. While the sans works fantastic as a large display font, it truly shines when used for its intended purpose. Small text. Evidence of this is scattered throughout the presentation images. Tip: Increase the space between the letters (tracking), it looks awesome. Thanks for looking! Tom

Pronema a new fresh & modern serif with a strong style, a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more! Pronema Display Typeface is the part of a strong and modern Bold display. This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serif and the distinctive letter shapes show their strength in logo design and impressive editorial use. WHAT'S YOU GET ? Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word Fully accessible without additional design software. I really hope you'll get pleasure using Pagers font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating.

Since 1985, Cartoonists Across America & The World have been promoting literacy, creativity, the arts, and other positive issues using cartoons and humor. Founder Phil Yeh and his band of artists -- including Comicraft President and First (Flying) Tiger, Richard Starkings -- create books, paint murals, take part in school assemblies, conventions, conferences and other public events for all ages throughout the world! Cartoonists Across America & The World have worked in partnership with the Center for The Book in The Library of Congress and other organizations all over the world. They have painted more than 1000 murals in 49 of the United States as well as in Canada, Mexico, Italy, England, France, Germany, Hungary, The Netherlands, China, Taiwan, Singapore, and the Cayman Islands. So we made Phil a font 'cause he's a noble soul. Avoid Extinction -- Read, Reuse, Reduce and Recycle!

Geogrotesque Slab is the ideal companion of the popular Geogrotesque. The challenge was to achieve a fully recognizable font that works as part of the existing family, for that reason the Slab version conveys the same message in a different way. The new font remains clean and tech with a human touch yet provides a new security, confidence and firmness thanks to the serifs. This new addition, combined with Geogrotesque, Geogrotesque Stencil and Geogrotesque Condensed Series provides even more design options and now there’s a Geogrotesque for every need. The type family consist of 14 styles 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics. It is available for desktop and WebFont and includes ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors with support for Central and Eastern European languages. For more details see the PDF.

Kaneda Gothic is a whole new basic gothic. Philosophically, Kaneda Gothic is the one of the niche answers in the interspace between these antinomies. Image of near-future and giant metropolis in 80s, 90s vs our real life in the 2010s,20s. What we acquired by Industrial, scientific developments vs our emotional demands, imagination in our brain. Design transition in short period of time vs the consistency of real function which laid along the human history. Technically, Kaneda Gothic has a geometric letterform which called “gaspipe” or “Gothic” in woodtype era. But Kaneda has very sharp curves and lines for contemporary demands, that is to say, impact and clearness. Geometric and clear letterform is perfect for eye-catching part such like company logo, movie title and picture’s captions. Consists of seven weights and their matching italics. Supporting almost all latin languages.

Copenhagen has been in need of a typeface that unites the city’s many visual expressions. The three designers Morten Rostgaard Olsen, Henrik Birkvig and Ole Søndergaard have designed and developed the typeface FP København. Now available from MyFonts in 20 styles: Uprights & Italics, small caps, pictos-characters, stencils, sprayed style, OT-features, ligatures, contextual alternates etc. The shapes of the letters are inspired by the city’s culture and the visual environment and design in Denmark in the 20th century. It is relatively low and wide as the city itself and with rounded corners that give it a warm visual mood. “You can find examples of the use of a typeface with the same purpose in other parts of the world, for example, to identify local areas or urban tourism materials. FP København is our take on that kind of typeface” the designers add.

Naïve Inline is a layered serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed three weights to assure a good readability whatever the size. They can be enhanced with five different interior patterns and three shadows to improve your designs and bring a charming and unusual feeling. To do so, you can simply superimpose the layers with a compatible software like Photoshop, the weight above and the pattern(s) below, then choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

Fragment Pro is a part of a larger OpenType font family (see also Fragment Pro Inline). It is an elegant, soft and decorative typeface built on classical proportions. Its outlines have been carefuly crafted with a high attention to detail, so it could be used even at very large sizes. Fragment Pro is derived from the separately sold layered Fragment Pro Inline, however it has been significantly optimized for standalone use. Fragment has been conceived to be used as a display typeface in publications, titles, logotypes etc., but it is surprisingly legible even in smaller print sizes. Thanks to its strictly onefold oulines, Fragment can be also used as a stencil typeface. Fragment supports many OpenType features and offers great multilingual support for most of the Latin-based languages. Feel free to download the detailed PDF Specimen.