Sabrva by Nirmana Visual is designed to work as perfect companions or simply as strong standalone typefaces. Give your typography design with a touch of Classic style with Sabrva. You can pick the alternate for substitution up to 7 variant per-letter. We really hope you enjoy it! Thank You!

Charles Beeler Jr. designed this in 1895 for Mackellar, Smiths and Jordan, which was part of the American Type Founders combine. The font had a short life because five years later ATF began an "off with the old, on with the new" program, and this font was an early victim.

Benang Merah is designed by Zainul Faozi, the idea concept is from a thread, each letter is connected that is the uniqueness of this font. You can use this font for your poster design, heading, social media, lettering design, and more. This font can be paired well with serif fonts.

La Obrige is serif font that inspired from the beauty, aesthetic, elegant and Paris. It is really good for water mark, logotype, advertisement, social media posts, product packaging, and more. complete with ligatures regular italic icon kerning multilingual support Shampoo mock up from https://www.graphicsfuel.com/2018/09/dispenser-bottle-psd-mockup/

Circus Poster Shadow was created by Tom Rickner as a tribute to the classic Tuscan Egyptian forms used in many wood types of the 1890s. It captures the spirit of the wild west, amusement parks and ciruses. The details of Circus Poster Shadow are best reproduced at larger, display sizes.

This casually elegant script, similar to the logotype lettering found on Mason jars (hence the name), is patterned after an offering from the 1930s chapbook 60 Alphabets by The Hunt Brothers. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Kulacino is a modern-retro display typeface inspired by the oldtimes factory signages/ plat licenses. Its seemingly rigid form is tempered by the soft, rounded corners, and fine notched details present at acute angles in the glyphs. You can use Kulacinos into anything as far as your creativity carry you!

El Camio is a throwback display font paying homage to the classic automotive typography of the 50's and 60's. It is an extremely versatile display font that can be used for anything from branding, logo design, beer labels, shirt graphics, playful editorial spreads and much much more. BUY ME!

The 1938 sheet music for "(The Dwarves Marching Song) Heigh-Ho" from Walt Disney's "Snow White" had the part of the title in parenthesis hand lettered with a round nib ink pen. This lettering became the inspiration for Pen Work JNL, and is available in both regular and oblique versions.

The opening title from the 1943 Abbott and Costello comedy ”It Ain't Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style. This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.

Sheet music for the song "My Ideal" (from the 1930 Paramount picture "Playboy of Paris" starring Maurice Chevalier) had the name of the movie hand lettered in an Art Deco, Broadway-influenced type design. This became the inspiration for Parisian Playboy JNL, which is available in both regular and oblique versions.

Farmstand is a fresh and joyful font with the same kind-hearted feeling and naiveté of your local farmstand. Paired with Farmstand Goodies, 52 hand-drawn images of funky farmers' fare, you can celebrate and have some pickles, savor sweet strawberries, or get creative with Cosmos. Sometimes life can be simple.

Ghiberti is a contemporary interpretation of the bold Florentine lettering style used with marble inlaid and bronze cast inscriptions of the fourteenth and fifteenth centuries. The font, consisting of caps and small caps, was designed by Paul Shaw and Garrett Boge in 1997. Ghiberti is part of the LetterPerfect Florentine Set.

Lindisfarne Nova is an uncial-like design based on the script found in the Lindisfarne Gospels. Created by Harry Pears and Margaret Layson, it is available in two weights, regular and bold. Lindisfarne Nova is Harry’s first completed font. There are also two companion styles, Lindisfarne Nova Incised and Lindisfarne Runes.

Originally, this 1870s wood type font was called Armenian. We came across a showing of alphabet at the South Street Seaport in New York, bought it and immediately drew the additional characters needed to make the font. We used it for some circus program work that was part of our livelihood.

Hand lettering from the title credits for the 1950 film “All about Eve” were the inspiration for Evening Event JNL, which is available in both regular and oblique versions. The font’s name is an (unintended) double-homage to the film’s title, for the first part of both words include “Eve”.

Syondola is Greater Albion's venture into the Wild-West. Need something to evoke saloon bars, or the OK Corral, or river Paddleboats? Syondola is it! Two styles are offered, Regular with clean and precise outlines, and Rustic, which has a deliberately slightly eroded look, for that old and timeworn feel.

Rusty Nail is a carefully hand-made uppercase only typeface with a full Central European character set which comes in two styles, Regular & Bold. It was created for a liquor company where hand-made letters were part of the corporate design. It’s perfect for labels or lettering with a "used look".

Bo Berndal, the master Swedish typographer, is the eponymous designer of Berndal, a contemporary text family with five different styles. This family represents a new achievement for Bo Berndal, who has spent many years working to optimize text legibility in the printed media. Several small tricks make the Berndal family an interesting milestone in legibility. Berndal's letterforms contain large x-heights. Large x-heights open up the counterforms of letters, making text appear lighter on a page, but their correspondingly shorter ascenders and descenders can hinder legibility. This does not occur in Berndal at all! Coupled with this experiment, Berndal's various font weights display a certain softness and roundness. The letterforms themselves are relatively wide, with an overall consistency in width. The calligraphic nature of the strokes has been minimized, yet a contrast stroke-thickness is still to be noticed within the alphabet. Berndal's five styles offer almost everything that one could want from a good text family. The Regular weight may be paired with Small Caps, Italic, Bold, and Bold Italic. All styles ship in the OpenType format, and include tabular and old style figures. The two italic weights are made up of true italics, not obliques. The Berndal family is a part of the Take Type 5 collection from Linotype GmbH."

Sister Pamella font duo Cyrillic is a pair of script and sans serif fonts, which perfectly complement one another. With a handwritten script font and a modern sans serif Sister Pamella font duo Cyrillic will be perfect for use in all your design projects be it logos, signatures, labels, packaging design, blog headlines. Also, it will look great on mugs, cards, gorgeous typographic designs, wedding stationery and much more. The Cyrillic part of the font contains the uppercase letters and lowercase letters and 17 ligatures, giving a realistic hand-lettered style. Sister Pamella script Cyrillic includes a full set of uppercase 2 sets of lowercase letters, numerals, a large range of punctuation and 38 ligatures, giving a realistic hand-lettered style. Sister Pamella sans serif containing uppercase only characters, numerals and a large range of punctuation. Creates a perfect contrast with the Sister Pamella script font. Multilingual Support for 32 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian and Kazakh languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended.

Aukim is an exceptional, unique and ligature-rich font that gives a new look to your texts. It is a more text-oriented font and thanks to its OpenType features, it becomes versatile. It is available in 3 sub-families (condensed, normal and extended) for a total of 54 fonts. There are 9 weights with their real italics. It has 886 glyphs, 107 uppercase and 65 lowercase ligatures per font. It also offers a wide range of languages, from Latin to Cyrillic, as well as powerful OpenType features such as meticulously and professionally maintained kerning, stylistic variations, swashes, highly distinctive ligatures, old-fashioned tabular figures, fractions, denominators, superscripts, unlimited subscripts, arrows and much more to satisfy the most demanding professionals. On the one hand, it has rounded curves with very open endings that make this font family noble, friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suitable for graphic design and any display use. It could easily work for web, signage, corporate design as well as editorial design. Aukim is a cool, wonderful, elegant, bold and fun display font. It can easily be paired with an incredibly wide range of projects, so add it to your creative ideas and notice how it makes them stand out!

The reason for Nicolien van der Keur to design the Rougon font was the translation of twenty novels written by Emile Zola, a French writer, and translated by Martine Delfos. It follows the lives of the members of the two titular branches of a fictional family living during the Second French Empire (1852–1870) and is one of the most prominent works of the French naturalism literary movement. This series deserved a font with French roots and corresponded to the period in which Zola’s books were written and published, the period between 1870 and 1893, the end of the nineteenth century. Extensive research into French historical typefaces has led to a type specimen from the French type foundry Deberny et Cie in Paris around 1907. It turned out to be good and helpful source as it contained a sample of a typeface that reflected the content and style of the novels, but also represented the period in which the books were written in France. A large part of the novels are about the generations of Rougon, so it seemed a natural choice to give the font that name. It is available in one weight and contains stylized portraits of Emile Zola and the French Marianne. This font also contains various ornaments.

ITC Tabula is meant to be read. The design grew out of a study to create a font to set film subtitles. According to Julien Janiszewski, the face's Paris-based designer, “I set parameters for the design whereby the letters had to be able to hold up at very small sizes when set on film and yet must be able to be enlarged 2000 times to be read on a theatre screen.” The subtitle font was not completed, but several months later Janiszewski revisited the design and made a discovery. “I realized that the constraints I had established for the subtitling font was not that far from those people could have in creating typographic signage. Many time this calls for a font that can be used easily in very large sizes for headlines on highway billboards and quite small for text copy.” Work proceeded for two more years before Janiszewski was satisfied with the results. The final design is a somewhat squared sans serif family of four weighs with corresponding italics. Janiszewski also wanted to create what he calls a “sensitive sans-one that is not restricted to geometric shapes but has a subtle calligraphic, foundation.” ITC Tabula is not only easy to read, it is also a distinctive and handsome design.

Change Serif is a typeface family designed as a part of Mateusz Machalski's PhD project, carried out in 2015-2021. The main goal was to create a typeface allowing for the typesetting of complex humanistic texts, containing many historical letterforms. The starting point was the preparation of most of the glyphs provided in unicode for Latin, Cyrillic and Greek. From the formal point of view, the Change family is based on Renaissance proportions with contemporary details. Classic upright version is paired with expressive and calligraphic italics, inspired by the works of Robert Granjon. Each of the styles contains about 4,000 characters, allowing for a broad range of typesetting capabilities – multiscript publications, historical translations, and texts transcription. The crucial aspect was to treat all scripts equally. All OpenType features, such as swashes, final forms, decorative ligatures, can be found in Latin, Cyrillic and also Greek. The name of the typeface refers to the design process in which there are constant changes and corrections. On the other hand, it means to convey how this project influenced my perception of typography and allowed me to embrace it as a medium of artistic expression. Due to its similar proportions, Change works perfectly with the Gaultier typeface.

Really, there is nothing stupid about this font. In some strange and weird way, I just thought that the name sounded like something eye-catching - in the same way that the font is eye-catching! It may look like your average comic font, but it's not! I carefully put a lot of funk, twist, comic and a spoonful of pizzadude into each and every letter. The result is a bouncy crazy looking comic font. Oh, I almost forgot - I topped the letters with a spoonful of grafitti mixed with the sounds of a party...that's the recipe for this lovely multilingual font! :)

Take your message to the next level with this Ginuk font. With its versatile style, this font can be used in a variety of ways in your projects so you can demonstrate your ideas in a captivating way. This font is equipped with the Latin ISO standard so you don’t have to worry about the completeness of the character. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

A 1914 piece of sheet music for a song entitled "The Gypsies Are Coming" provided the design inspiration for Mulholland JNL. The title is hand lettered in a style which [while still in the Art Nouveau period] reflects the Art Deco era, despite the fact the "Streamline Movement" was still over a decade away.

Station is a bold headline typeface inspired by old Train Station type and graphics. It can be used in a modern and retro way, and its different patterns and styles give a unique look to any design.

Introducing “Haunted Brick” – The Spooky Halloween Decorative Font Dive into the eerie world of “Haunted Brick,” a spellbinding decorative Halloween font that will send shivers down your spine. Perfect for crafting captivating Halloween posters, invitations, and chilling social media posts, this font boasts a unique hand-drawn style adorned with intricate spider webs in every glyph. Key Features: Spine-Chilling Elegance: “Haunted Brick” strikes the perfect balance between elegance and the macabre, adding a spine-chilling touch to your Halloween designs. Creepy Creativity: Whether you’re conjuring up posters, eerie invitations, or haunting social media content, “Haunted Brick” lends an air of mystery and excitement to your projects. Intricate Spider Webs: Every character in “Haunted Brick” is intricately adorned with spider webs, ensuring that your text is truly one-of-a-kind and perfect for all things Halloween. Why Choose “Haunted Brick”: – Elevate your Halloween designs with a font that’s both spooky and stylish. – Craft invitations that send shivers down the spines of your guests. – Create captivating posters that will haunt the memories of those who see them. – Perfect for adding a dose of horror to your social media posts. Embrace the Spookiness – Download “Haunted Brick” Now!

Elevate your design game with the Bueno Font Family, a stunning creation by the talented team at FolkCraft Studio. From extra light to extra bold, each style boasts a unique, detailed, and handmade look that sets it apart. Dive into the world of possibilities with Bueno Font. Experience its captivating allure in all caps with wide spacing for a classy aesthetic, or let it shine in a mix of capital and lowercase letters for a timeless appeal that transcends trends. Envision the Bueno Font Family as the centerpiece of your creative projects. Its versatility makes it perfect for gorgeous logos, captivating displays, elegant headers, enchanting invitations, memorable save-the-dates, and timeless wedding designs. Imagine the impact it can have on titles, web layouts, and comprehensive branding strategies. Don't miss out on the opportunity to enhance your designs with the Bueno Font Family! Ideal for online uses and printing, this font collection is your ticket to creating sophisticated and stylish visuals that leave a lasting impression. Perfect for a wide range of applications, from logos to web layouts, this font family is a must-have for designers seeking to make a statement.

Introducing “Khakoy Font” – Unleash Playful Creativity! Dive into a world of limitless imagination with Khakoy Font, your ultimate tool for injecting a playful spirit into your designs. Khakoy Font is the embodiment of joy and whimsy in typography. Crafted to spark delight, it’s your go-to choice for projects that demand a dash of fun and a pinch of mischief. With its lively and distinct characters, Khakoy Font invites you to explore the playful side of design. It’s a font that ensures your message is conveyed with a contagious sense of playfulness, captivating your audience instantly. Designed to ignite creativity, Khakoy Font adds a touch of amusement to your projects. From cheerful posters to charming children’s books, this font is your partner in crafting designs that leave a lasting, joyful impression. Let your designs break free from the ordinary and embrace the vibrant spirit of Khakoy Font. Elevate your creative game, infuse humor and light-heartedness into your work, and watch your designs come alive with this delightful typeface. Discover the magic of Khakoy Font today! – PUA Encoded Characters – Fully accessible without additional design software.

Berryfield started as an experiment: making a font entirely out of geometric shapes. It started with a couple of circles and a couple of rectangles, and was constructed entirely from those parts, and parts made from those parts! For the uppercase, I took style inspiration from the heavy serif classics. But when it came time to create the lowercase set, I took a sharp turn and looked to fun unicase fonts, creating uppercase-height lowercase letters, in addition to uppercase alternates. When I finished Berryfield Regular, I liked it so much I made a lighter version (almost like a typewriter font), and a heavier version, to give you even more variety! Each font in the family contains over 520 characters, including over 300 extended Latin characters for language support. There are also a number of alternate letters to choose from, as well as superscript ordinals (ST, ND, RD, and TH), all of which are PUA-encoded for easy access no matter what design program you're using. Berryfield was a ton of fun to make, and I hope you have a ton of fun using it! It's smooth and easy for both print and crafting; the uppercase alone is straightforward enough for a magazine headline, but combining in the lowercase makes it quirky and fun.

Pocketknife is a simple grid-based titling font on it’s surface, but it has a surprisingly prolific set of features under the surface. The most notable of these features is an abundant set of ligatures that give Pocketknife it’s unique look. There are very few kerning pairs contained within Pocketwatch, and these ligatures fill in most gaps that could be created by letters with more empty space, such as L and T, and also give a more playful look to an otherwise sharp-edged typeface. Pocketknife also contains with 2 full sets of alternate characters, one pairing with the uppercase set and one pairing with the lowercase—available as OpenType stylistic alternates or individually in the Glyphs panel. Pocketknife Regular is designed to be used on it’s own, while the Inline and Base fonts are designed to be used as a simple layered combination. The Base font is nearly identical to Regular, but contains a few specially adjusted characters that better accommodate the Inline style. Pocketknife Outline is a combination of the Inline/Base styles, to be used individually. Pocketknife is sharp, but playful. Simple, but sophisticated. Sporty, technical, and aggressive, yet elegant and fun. Pocketknife, while simple at first glance, is a deceivingly versatile typeface.

Use this font to make lines, borders, patterns, backgrounds, unique bullets, or use it inline within text. Let your imagination explore the possibilities to combine these geometric shapes. Use letter spacing to connect the shapes in a continuous pattern, or space them apart horizontally. Stack them vertically and control their distance with leading (line spacing). Make fields of pattern and explore layering and opacity for color mixing. FormPattern Color Six takes inspiration from mosaic patterns seen in the south of Italy. It is easier to use this font to make patterns than to use drawings because you can control the size, color, and spacing from the type menu. It is also an effective way to make web graphics that are responsive with text. Using it is simple. As you type, forms will appear instead of letters. Each font in this collection is a colored set. The sets are primary, secondary, tertiary, analogous, dark, old world, vintage, greyscale, cool grey, and warm grey. There is a solid font that can be colored in the same way as regular fonts. The color fonts are accessed in the type menu where you would normally find the different weights or italics Most design software, such as Illustrator, InDesign, and Photoshop provide a glyphs palette where you can choose the precise form you want. It can work with the simplest text editors too. However, these may not support the color options. FormPattern Color Six is a vector-based and fully scalable SVG OpenType format. Color fonts are supported by Photoshop 2017, Illustrator 2018, and QuarkXPress 2018 (and later versions). This version of FormPattern Color Six is compatible with all FormPattern fonts by Tarallo Design. The display artwork shows it paired with the typeface Scanno.