You may recognize the shapes of this font - it's because it's my Universitet font, but this time it took some beating, and turned into a grunge font! The output was Zero Output! It has 5 different versions of each letter and of course multilingual support! Go ahead and grunge up your next project!

Zellige is a modular typeface inspired by the tiles that can be found in Southern Europe and North Africa. Made of ornamental geometric shapes, with two layers for improved legibility, Zellige reflects the luxurious and sophisticated flare of the mediterranean spirit of architectonical composition, employing the latin script into very baroque shapes.

Allabbad typeface was inspired by one of the hand letterings that belong to the godfather of Arab graphic design, Mohieddine Allabbad. The typeface is part of the Arsheef Alkhatt Project, a platform that revives and tributes classical Arabic lettering from different resources and presents them as affordable, digital fonts for independent designers.

Adagio is a spontaneous, casual kind of font but don’t be fooled into thinking just because it’s all uneven and painted that it’s a pushover. There’s a bold brush pen at the heart of the design as well as a full set of alternate lowercase characters if you’re looking for something extra.

Five years later, DSType proudly introduces Estilo Pro: the Ultimate version of Estilo. Now with sharp edges and five weights from Hairline to Bold, Estilo Pro includes an extraordinary set of features like alternate characters, initial swashes, ending swashes, ligatures, ornaments and drop caps in a total of 1000 glyphs per weight.

Kurtzberg was created after the bold type on the splash pages of many of the classic comics of the 'fifties and 'sixties. Thick and chunky and filled with all those symbols basic comic book fonts rarely come with. Kurtzberg is always ready to swing into action when injustice rears its ugly face.

A remaster of Neo Grotesk family - Arbeit. It employs improved letterform balance and contrast throughout. All weights feature a set of new alternates under the style 'Contrast'.

Birds is a collection of 174 raptors, woodland birds, farm birds, designs. Birds Two is a collection of 174 wetland birds, tropical birds, and arctic bird designs.

It's the old Turkish runic script, which I adapted the written language of the three-legged aliens, the characters of a fantastic science fiction movie called Arrival.

From cartoons to ad helpers to embellishments and ornaments, Letterpress Pieces JNL is another collection of vintage imagery from the pre-computer era of printing and advertising.

Paint Kicks is a family of handmade typeface, with a rugged paint style. The font carries the spirit of street culture, with its rough and attractive forms

This set reproduces over 350 of the signs contained in German typographer Rudolf Koch's "The Book of Signs," the symbols include Astrological, Christian, Medieval and Runic iconography.

AstroBats is a fun set of ornaments with a 'Retro Sci-Fi' theme. Think of those 1950s Japanese tinplate robots, think ray guns, think spaceships! Have fun!

Fun, illustrations of guy stuff. This font is another of the many doodle fonts from Outside the Line. Goes well with Diva Doodles and Diva Doodles Too.

Picadilly family was made after my short visit in London and huge impression of Edward Johnston works. I've designed family of 20 modern typefaces with strong personality.

This is a condensed version of an old classic, Thorne Shaded. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

The font DXOldStandardGroteskNo2 was developed on the basis of the Grotesk Condensed font, which was issued by Russian type foundry from the beginning of the 20th century.

Scriptofino is a very fine and elegant script with lots of contrast. It is based on traditional American letterforms of Jefferson's day. Your fine typedesigner, Gert Wiescher

Martel is a variation on Carolingian Uncial calligraphy, with some elements of classic Celtic calligraphy and some characteristics peculiar to continental lettering of the early middle ages.

Recycled was created by creating letters from bits of recycled materials such as cardboard, newspapers etc. and then taking parts of those letters to create new letters.

Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions.

It is a redesign of "Loyola". This family contains Light, Regular, Bold, ExtraBold, Black, also a set of shadows and dingbats, special for short titles and children.

Thunderblack is a type of display letter that is made with firm lines and angles. This font is very suitable when combined with various types of typography.

Pia is a new typeface named in honor of one of the most fun people we know, Sophia Williams aka Pia. Extended Character set for multilanguage support.

Baldwins was inspired by the beauty lettering of ephemera prints. Ideal for product names, packages, labels, old fashioned signs and everything with specific characteristics of past times.

Pepper was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a greater spotted version of Salt.

Amonx, contemporary of Sans Serif Display font, Amonx offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

The version of the script belonging to the languages of the fantastic Predator aliens, adapted to the old Turkish runic script. Looks great with the red color.

SPENGLER is a new inline font with over 180 GLYPHS, lots of Foreign Characters brand new and ready to be abused for a stupid price of $10.

Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions.

Based on the 36-point design of the Amsterdam Nobel Inline capitals (1931), Sans Serif Inline™ is designed specially to meet the requirements of today's technology.

Kartago was inspired by the inscriptions in the Roman ruins in the city of Cartago in Tunisia. Designed with plenty of uppercase ligatures for better design possibilities.

Amio is fun geometrical connected script font family. Consist of 6 styles from light to extrabold. Perfect for branding and suitable for a variety of fun projects.

Borders, embellishments, spot illustrations and a miscellany of other dingbats are gathered in Print Art JNL as another collective of nostalgic imagery for print and web projects.

Sunbursts JNL is a simple little collection of sun dingbats for all types of creative embellishment. Make sure to use them with the recommended SPF-rated sunblock!

Salt was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a lesser spotted version of Pepper.

The Ahmisya font will give your designs a genuine Middle Eastern feel. Use this font in your super projects to get everyone’s attention. Don’t put off adding an elegant Arabic touch to your design any longer.

The general idea: Can You imagine to yourself, what the hydroelectric power station is? The building of this electricity production foundry is half hidden under the water, but the visible above-water part astonishes your sense. It is a construction almost 1,5 km length dammed out the powerful river stream. Besides thousand of electricity conduction lines supports it bears also the highway and the railroad. From a faraway distance the train seems like a caterpillar that has climbed up the stout tree. There are also the navigable sluices, the flood channels and other erections. The idea of this typeface outlines arrived to the authors exactly on the viewing platform, under the impression of the waterfalls, which are escaping from the dam womb, falling from almost 50 meters altitude and becoming white-haired during this flight. Release: in the form of "gorod.Volgograd" font with the one style. We work with other styles now and sometime we will be very glad to introduce the Bold and Italic styles to You. We should explain the font name meaning. "Gorod" is "city of" in Russian and Volgograd is the old, big and famous Russian city. The Volga hydroelectric power station of a name of XXII congress of the CPSU caused the Volgograd sea formation. It expands of 14 km width and more than 600 km along the Volga river-bed. But HEPS isn't the sole Volgograd sight. There are many interesting places here. The most known tourist sight, the visit card of Volgograd is the Mamaev Hill. Being here You can see almost all 100 kilometers of city length. Due to its geographical position, Mamaev Hill has got a great importance during the Great Patriotic War (1941-1945). It became and still is the Main Height of Russia. Soviet people have built the huge stately memorial ensemble here. There are many other witnesses of the heroic past of Volgograd: the Alley of Heroes, the Perished Fighters Square, the Soldiers Field and others. The line of tank turrets is stretched out along all town not far from Volga bank. It marks the line, where fascist troops was stopped in 1943. It is very amazingly when You dive under the ground on a usual tram. Volgograders have built a few underground station for the high-speed tramway. The river tram need a quarter of an hour to get an island in the Volga. And You need the same time to walk across the river station. The Volga-Don navigable channel starts from Volgograd. There are planetarium, circus, some theatres, many museums in Volgograd. One of football matches of Euro-2004 qualifying round took a place in the "Rotor" stadium in Volgograd. Volgograd holds the longest - above 50 km - park in the world. Its avenues, squares, embankments are beautiful, Volgograd central districts are built in unique architecture style called the Stalin Empire. You can enjoy fountains, parks, attractions, water-pools and other Volgograd sights. If You visit Volgograd once You'll never forget it. You can read about the ancient history of Volgograd city on the Tsaritsyn font page. Also we plan to create the Stalingrad font and give You a short story about another period in Tsaritsyn-Stalingrad-Volgograd history.

Impressed by the quality of the Aachen typeface that was originally designed for Letraset in 1969 and extended to include Aachen Medium in 1977, Jim Wasco of Monotype Imaging has extended this robust display design to create an entire family. Derived from the serif-accented Egyptienne fonts dating to the early 20th century, Aachen has serifs that are very solid but considerably shorter than those of its precursor. The incorporated geometrical elements, such as right angles and straight lines, provide the slender letters of Aachen with a slightly technological, stencil-like quality. Despite this, the effect of Aachen is by no means static; its dynamism means that this typeface, originally designed for use in headlines, has come to be used with particular frequency in sport- and fitness-related contexts. Jim Wasco, for many years a type designer at Monotype Imaging, recognized the potential of Aachen and decided to extend the typeface to create an entire typeface family. He appropriated the existing Aachen Bold in unchanged form and first created the less heavy cuts, Thin and Regular. Wasco admits that he found designing the forms for Thin a particular challenge. It took him several attempts before he was able to achieve consistency within the glyphs for Thin and, at the same time, retain sufficient affinity with the original Aachen Bold. But he finally managed to adapt the short serifs and the condensed and slightly geometrical quality of the letters to the needs of Thin. The weights Light, Book, Medium and Semibold were generated by means of interpolation. Supplemented by Extralight and Extrabold, the new Neue Aachen can now boast a total of nine different weights. Wasco initially relied on his predilection for genuine cursives in his designs for the Italic cuts. But it became apparent with these first trial runs that the soft curves of cursives did not suit Aachen and led to the loss of too much of its original character. Wasco thus decided to compromise by using both inclined and cursive letters. Neue Aachen Italic is somewhat narrower than its upright counterparts; the lower case 'a' has a closed form while the 'f' has been given a descender, but the letters have otherwise not been given additional adornments. The range of glyphs available for Neue Aachen has been significantly extended, so that the typeface can now be used to set texts not only in Western but also Central European languages. Wasco has also added a double-counter lowercase 'g' while relying on the availability of alternative letters in the format sets for the enhancement of the legibility of Neue Aachen when used to set texts. The seven new weights and completely new Italic variants have enormously increased the potential applications of Aachen and the range of creative options for the designer. While the Bold weights have proved their worth as display fonts, the new Book and Regular cuts are ideal for setting text. And the subtlety of Ultra Light will provide your projects with a quite unique flair. The new possibilities and opportunities in terms of design and applications that Neue Aachen offers you are not restricted to print production; you can also create internet pages thanks to its availability as a web font.