Agoxes Game is an awesome display font. It features an authentic style that makes it perfect for games, posters, movies, magazines and any design that requires a great look!

Give your designs an authentic handcrafted feel. "Balleys" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.

Inscriptional capital titling face drawn for a magazine. Suitable for a variety of media if used at 30 point and above. New Horizon requires subjective display kerning and compensation.

Give your designs an authentic handcrafted feel. "Torches" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.

Anderson is a stylish and unique handwritten font that is easy to remember. It’s great for branding, photo overlays, book covers, magazines, watermarks, business cards, invitations, and much more!

Ufaira is an original handwritten font that can be used in various needs of the network such as screen printing of clothes, posters, films, magazines, banners, books, and more!

Stay Kind is Modern Retro with Fun and Groovy Style is perfect for branding, logos, shirts, invitation, stickers, master heads, Cricut projects, social media, posters, magazine, prints and more.

Serene Textured Script is informal, good for logos, headlines in magazines or titles in food recipes with a slight retro feel and textured that add value to your designs.

Give your designs an authentic handcrafted feel. "Bestro" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.

Give your designs an authentic handcrafted feel. "Astrolove" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.

Satero was designed by Prof. Werner Schneider in 2007. Never before have we had so much written material to consume; this is the age of mass-communication. Unfortunately, the decision of which typeface to use is too often made lightly. The typeface is one of the most elementary means of language, and it can play a major role in a text's legibility and the amount of time the reader needs for it. The Satero Type System offers a high degree of legibility due to its dynamic and forms. The individual characters have been based on classical concepts. They are clearly made, and leave all unnecessary elements behind. The type works to create an environment of extreme legibility. Essential parts of the a, c, e, s, and r are to be found at the x-height line, which is the most important area of a line of text in determining legibility. The Satero Type System includes two members whose basic forms are the same. The Sans Serif members are more horizontally differentiated than common grotesques, which aides their legibility. The Serif design employs asymmetrical serifs, avoiding elephant feet" altogether. Their dynamic is progressive. The condensed nature of the seriffed counterparts is optimal for newspaper and magazine applications, where space is at a premium and paper must be saved. All fonts in the Satero Type System include a number of alternate glyphs, as well as ligatures and proportional lining figures; all weights except the Heavy and Heavy Italic fonts are also equipped with small caps, small cap figures, and oldstyle figures as OpenType features. "

Satero was designed by Prof. Werner Schneider in 2007. Never before have we had so much written material to consume; this is the age of mass-communication. Unfortunately, the decision of which typeface to use is too often made lightly. The typeface is one of the most elementary means of language, and it can play a major role in a text's legibility and the amount of time the reader needs for it. The Satero Type System offers a high degree of legibility due to its dynamic and forms. The individual characters have been based on classical concepts. They are clearly made, and leave all unnecessary elements behind. The type works to create an environment of extreme legibility. Essential parts of the a, c, e, s, and r are to be found at the x-height line, which is the most important area of a line of text in determining legibility. The Satero Type System includes two members whose basic forms are the same. The Sans Serif members are more horizontally differentiated than common grotesques, which aides their legibility. The Serif design employs asymmetrical serifs, avoiding elephant feet" altogether. Their dynamic is progressive. The condensed nature of the seriffed counterparts is optimal for newspaper and magazine applications, where space is at a premium and paper must be saved. All fonts in the Satero Type System include a number of alternate glyphs, as well as ligatures and proportional lining figures; all weights except the Heavy and Heavy Italic fonts are also equipped with small caps, small cap figures, and oldstyle figures as OpenType features. "

MGN Goddess is a serif typeface released in 2022. The liquified lines in several characters of Goddes create an exquisite, unworldly touch. To magnify its beauty, the typeface has a dissolving lobe and tapering spurs that stand out among the others. The overall feminine and exclusive impressions of the font delivers are closely related to Parisian nuances. Therefore, this magical typeface is suitable for use for posters, logos, and headlines, especially for fashion and beauty products.

Oille Moon is a sophisticated and elegant typeface that blends classic serifs with modern refinement. With its timeless beauty and versatile design. Oille Moon is perfect for adding a touch of distinction to your typography projects, from editorial design to branding and more. Its carefully crafted letterforms, tapered serifs, and balanced spacing make it a refined choice for those seeking a touch of elegance in their designs. Elevate your typography with Oille Moon and let its timeless appeal shine.

The Hobo font is a dynamically tapering face in which all strokes are accentuated curves, achieving a superb decorative effect. Hobo almost suggests a freely drawn alphabet with its unusual robust roundness. The Hobo font was designed to be used at large sizes. It has no descenders: the lower case g, p, q and y are incorporated into the x-height. The Hobo font imparts a friendly personality to display work such as invitations, menus, signage and packaging.

A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These refined rectangular features make it ideally suited to a wide range of modern applications. Details include 550 characters with alternative lowercase a, e, g and y. 5 variations of numerals, manually edited kerning and Opentype features.

Protest is inspired by protest posters and the power of the people! Each glyph is written by hand with a Sharpie® Magnum marker on big sheets of paper. It is designed to fit more into the poster and still be legible for the media from a block away. It's bold, slightly condensed, and neatly drawn with love and conviction, with the warm imperfection that comes from being hand drawn. Protest consists of over 1,430 glyphs. This includes 300 alphanumeric glyphs with 3 contextual alternates each, 20 stylistic alternate glyphs, and 20 protest themed dingbats. Contextual alternates will rotate through automatically when OpenType features are enabled, giving it more human irregularity. Protest supports 219 latin-based languages, using Underware’s Latin Plus glyph set.

Between 1958 and 1961, Herbert Thannhaeuser developed the typeface Liberta for Typoart as a broadly conceived newspaper type which established itself quickly. Its positive adaptation by publishing houses and printing companies was based, next to its agreeable and reader-friendly general impression, also on a relatively robust typeface character which does not sacrifice its power of impression and elegance even when confronted with poor paper and printing qualities. In the 1970s, a bullish and robust design style took over the area of consumer goods which then required a corresponding advertising face. Harald Brödel re-worked the Liberta Ultra for phototypesetting, and, with great sensitivity, designed a matching cursive variation. Both types work especially well as an attention getter for advertising and for emphasis purposes.

Proudly present new our font Satnight Brush. Satnight Brush is a Handwritten Font with less texture. I made Neutral Autumn on smooth paper, so that the texture that is produced is not too much. This is perfect if you don't really like texturing fonts too much. Satnight Brush suitable for various projects such as stationery invitations, social media, logos, weddings, branding, graphic design with the addition of several binders and swashes. and can be combined with various types of serif fonts to perfect the project you want to work on. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me. Thanks for purchasing and have fun!

This is the kind of letters I drew in school back in the 1980ies. I would never have guessed that I would do the same thing like 40 years later! I remember making a simple space game for my VIC-20 computer, and I needed some "data letters" (as I called it) - as far as I can remember, this is close to what I made 40-like years ago. Also, I was inspired by the well known series "Stranger Things" - you know, all that 80ies theme stuff took me down memory lane! :) Anyway, all the letters are handdrawn, using a squared paper as guide - at it may look simple, but it took me quite some time to finish this font (hence the name!)

One look at the font Wanted brings to mind swinging saloon doors, double shots of whiskey and sheriff's badges. It belongs to the so-called Italienne typefaces which began to appear at the beginning of the 19th century. The distinguishing characteristic of such typefaces is the robustness of its serifs, which exceeds that of the base strokes. Wanted looks almost as though it were stamped on paper. Small white flecks appear in some of the strongest black strokes just as they would in a stamp which did not get quite enough ink...or are they perhaps the work of a sharp shooter? Wanted is best for short headlines and perfect for anything which should have the look and feel of the Wild West.

Boxed, the best seller of the Tipo Pèpel foundry has been expanded with variable font technology to multiply its creative possibilities, from now on and with a single file, it is possible to control its appearance thanks to three axes with which to modify the weight, the rounding and the the width of the characters. Offering more options to customize the appearance of the text and personalize the headlines. Boxed typography is brightly conceived and designed to look good on small screen devices, but offering also enlightened looks on paper. The semi-modular geometric font shapes seek to be fully responsive to the grid of screen«s pixels to deliver a crisp, fluid reading rate. It offers an extensive set of Latin characters, even the Cyrillic.

Rabbits is a super emotional hand-written font family that unites 10 different fonts. We’ve united these fonts with one common theme - childhood. Use these fonts to create any products for kids — children’s books layouts, mobile applications for children, as well as nursery interior design. We’ve given each rabbit a unique name. The names are arranged as the first 10 letters of the Latin alphabet: A — April, B — Bro, C — Chili, D — Dummy, E — Elf, F — Fatso, G— Goody, H — Hyper, I — Idol, J — Junior. Each rabbit has its own character, and you’ll definitely like Rabbits because of that. We’ve used an individual writing tool for every font. All the fonts were created on paper first and then digitized. Now, what’s your favorite rabbit?

I’m here for you with my new colored font Curled Corner! Alphabet made of letters with curled corner. It’s looks like negative space style icons. Colorful gradient note paper. Modern clean vector origami font for your stickers, crypto app, nft identity, and tags. All the letters in this font are colored brightly and vividly with corner overlay. --- *You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, QuarkXPress since 2018, Pixelmator, Sketch, Affinity Designer Since macOS 10.14 Mojave, Paint.NET Windows only.* *Please note that the Canva doesn't support color fonts!* --- What's included? * Colored and B&W styles * A-Z & Numbers * BONUS icon (ligature) set If you have any questions or issues, please contact me: kaer.pro@gmail.com Best, Roman.

This antique-aged version of Monkton can be used to imitate old letterpress printed documents such as old English text. The rough edges resemble ink spread on paper to give an old look. The inspiration for this typeface family came from my childhood experiences at Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

This font is based on the popular and timeless Caslon design and was carefully digitized from the pages of an early 19th century book. I was excited to see some unique design treatments of characters such as the lower case italic 'p', the question mark, and various swash caps that I had never seen before. During the conversion process, I made sure to preserve the worn look of faded ink on old paper by maintaining a subtle level of decay and opacity with each character. For missing characters not found in the book, I created new characters that were faithful to the style of the rest of the family. Used as a text font, The Letterpress Text Family successfully reproduces the appearance of old letterpress lithography.

Duluth, Minnesota's Horace P. Brouillet Syndicate (later known as Syndicuts, Inc.) was one of a number of stock cuts providers to the letterpress trade in the decades preceding paper, then electronic clip art. Brouillet's "Typeps" catalogs offered a wide range of images covering numerous subjects, as well as cartoons, catch words and automotive logos. Many of these images have been reproduced in a number of royalty-free clip art publications over the years. Twenty-Six of these newly-redrawn catch words are found within Business Helpers JNL in two styles. On the capital keys are the original white-on-black designs, modeled from the vintage source material. The lower case keys have the phrases separated from the decorative ovals and are in black type.

Papercute Inline is a cute layered hand-drawn font designed by Fanny Coulez & Julien Saurin in Paris. Inspired by paper cutting, this font is easy to read, and easy to play with 8 different styles, including 3D, outline, full or dotted line, that you can use alone or together. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique. This font, finely designed for cards, book titles, headlines or any artworks is the Inline version of Papercute . Just click on our foundry name to see it! You could follow us on our Instagram: instagram.com/sc.type We hope you will enjoy our work. Merci beaucoup!

After inventing a new metal typecasting procedure that allowed for the production of more detailed typefaces, the famous German typefoundry D. Stempel AG developed Kuenstler Script in 1902 - 1903. Originally called Kunstlerschreibschrift (artistic handwriting), this design was based on English copperplate script styles from the late 1800s. In 1957, Hans Bohn added the heavy Kuenstler Script Black weight to the family. Like intricate handwriting put to paper with a feather and an inkwell, Kuenstler Script makes almost any text look distinguished and elegant. Kuenstler Script is a joining script; and because of its fine hairlines and small x-height, it is best used at sizes above 12 pt. The typeface works well in advertising work and on invitations, greetings cards, business cards, and certificates.

Esca is a display typeface designed by Jim Ford with highly compressed proportions yet with a subtle calligraphic touch. This Lite version of the typeface was designed as part of a font marathon over the course of 3.5 days in Monotype’s NY office. The design started with the aim of fitting 4 letters onto one sheet of paper and the resulting typeface keeps that tight proportion. The Esca design is mixed case and is ideally suited for logos, short headlines, and album covers. It has a great architectural feel to it that makes it suitable in signage applications and large scale settings. Monotype is proud to support Room to Read’s work in literacy and girls’ education through our font marathon initiative.

Grange Rough is an inky, distressed version of Grange that mimics the effects of vintage hot-metal type on rougher paper. Grange is the Device interpretation of the classic “Grot” thick/thin sans style. Unlike the traditional models on which it is based, Grange takes a rational, consistent approach across wide range of weights and widths for contemporary use. The font includes alternative curved and straighter versions of key characters, most obviously the lower-case ‘g' and capital ‘R', allowing the font to take on either a sharper or warmer, more playful appearance. These can be toggled on or off using the ‘Alts' feature in Illustrator, or ‘Stylistc Sets’ in Indesign. Contains proportional, lining and tabular numerals. Perfect for both headline and text.

Once upon a time, in the days BC (that's Before Computers) there lived a very talented group of men and women whose job it was to render ads by hand. So skillful were these people that some say it was possible to actually identify the typefaces that the layout artists were emulating. Their renderings were swift and slick, no time for detail as it was necessary to do a whole bunch of variations, usually within ridiculous deadlines. Their only tools: bullet-tip markers and bond paper - often mistakes resulted but no time to re-do and white paint was totally unacceptable - just let the slipups be. Here's a simulation of their craft, we don't really know what typeface this was supposed to represent… any ideas?

Grungy Old Typewriter is based on two typed letters, each on two pages and dated 1901. The results are eroded, rough, irregular and grungy. The final results are a vintage look. As a designer, I wanted as much flexibility as possible, so there are six versions that are designed to work together. Additionally, I decided to keep the grunge and irregularities within the shape and not include surrounding typewriter or paper marks. I leave it to the design to add those elements as desired. One note, the letter spacing is much tighter than an old typewriter. I felt that readability for modern readers suffered from the added space. Of course, you can get that same look by increasing the letter spacing in your favorite design program.

A calligraphic script font Millettre is the last member of the trilogy of types designed by Lyudmila Mikhailova. First two fonts Milanette and Milafleur were released earlier. The font is based on author's lettering artworks which she did for many years for companies who produced greeting cards. The characters of the font have rough contours simulating lettering by a pointed pen on a rough paper. The character set covers standard Western, Central European and Cyrillic code pages. The default version of the font is presented by disconnected script, but connected variant is also included and organized as an alternative stylistic set. The font also contains some initial, finial and alternative forms of letters. Recommended for use in advertising and display typography. Released by ParaType in 2011.

Hokagata is a casually and quickly written brush script. Letters are made with brush pen on a paper. Then scanned and carefully drawn into vector format. There is just a right amount of texture left so it looks good in small and big sizes. These elements gives Hokagata its organic, authentic and laid-back characteristics. The Hokagata Family includes 2 font files: 1. Hokagata • A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Hokagata Swashes • A set of 64 hand-drawn swashes, the perfect finishing touch to underline your Hokagata text. Simply install this as a separate font, select it from your font menu and type any A-U character to create a swash.

Hypercreepos is a sweet and creepy hyper-bold font inspired by the horror comic books of the 60s. Handmade in La Chaux-de-Fonds (Switzerland) on lined A4 papers, the letter's shape is conscientiously designed to give a punchos impact on the reader. The unique and vibrant contours are drawn on an improvised backlit table inherited from Bisou's mother. Definitely contemporary, the overall feeling given off by Hypercreepos is profound and human, evoking the graphite smell of the comic's workshops. Exclusively made for titles, this impactos font will suite with delight the text of posters, signs of comics bookstore, gaming bar, horror movie theater or film festival. That said, the designer is not responsible for the use of Hypercreepos and wish it will serve beyond all expectation.

Hijabella, a natural handwriting font, weaves an organic elegance into the realm of digital typography. With fluid strokes and a graceful rhythm, this font emulates the authenticity of hand-scripted messages. Each letter carries a unique charm, reflecting the imperfections and nuances found in real handwriting. The subtle variations in line thickness and the gentle slant of characters create an inviting and personal touch, reminiscent of pen meeting paper. Whether used for invitations, heartfelt notes, or creative projects, Hijabella’s natural flow captures the essence of a handwritten message, adding warmth and sincerity to the digital medium. Its versatile and effortless aesthetic makes it a perfect choice for those seeking a font that seamlessly blends the convenience of technology with the personal touch of genuine penmanship.

BECHAMEL ROMAN was born interpreting unicase letterings of the movie "Willy Wonka and the chocolate factory". Later these ideas matured with flexible tip nib and paper mixing their naive proportions with some classic ingredients of Baskerville, Bodoni, Didot, Round Hand Script, Graffiti and labels found in Venezuela and Colombia. BECHAMEL ROMAN designed to be combined with Bechamel. BECHAMEL Script, Vein, Words & Ornaments were hand drawn to design words and phrases in logos, packaging, posters, envelopes and greeting cards. BECHAMEL ROMAN 1,2,3 & 4 is an experimental font family designed by #carlosfabiancg. It includes an irregular look to communicate craftsmanship. Its multiple upper cases with condensed width and naive lines are notable for their expressive drawing with a high amount of contrast between thick and thin strokes.

ITC Vino Bianco was created by German designer Jochen Schuss. He drew his inspiration from the handwriting of the waiter in his favorite local pub, especially the form of the capital Q. Based on this one character Schuss developed the entire alphabet. The figures are sketchy and generous and look as though they were written on paper with a ball point pen. Vino Bianco is an alphabet of capital letters, each of which also has an alternative form, making it very flexible and true to the tendency of true handwriting. In spite of its fine strokes, the overall look is open and light due to the large amount of space each character occupies. The cheerful, carefree ITC Vino Bianco is best used for headlines and short texts.

Conspired Lovers is based on five years of love-letter writing. A font to capture the intentions of love letters more than any other font. How did the Project start? In the last five years I wrote love letters with two persons. I became used to the joy of handwriting with ink and nib on fine paper. Through practice a experimentation my style continuously refined. As life moves on, suddenly I found myself with no one to write love letters to. It's a luxury to have someone to write letters to. Missing the joy of writing and listening to Gregory Porter’s “Be Good”, the decision was made to take this 5 years of writing and make this dance on paper a font. A handwritten typeface for everyone to use. This font was created in July, 2012 and named Conspired Lovers. A font to capture and convey your message in a special way to the beloved one close to your heart. With a long practice of writing crafted into the unique design I hope that you and the recipient of your writing will soon enjoy this design. The Open-type version features 350+ glyphs including alternates and ligatures. All lowercase and most uppercase letters are connected, to create a realistic hand-writing-calligraphy on your creations. Conspired Lovers is international and supports a wide range of eastern european languages with accented letters to reach everyone in Sweden, France, Hungary and almost everywhere around the globe. A trailer for Conspired Lovers can be seen here: http://vimeo.com/haraldgeisler/conspired-lovers If you're looking for more heart related fonts also check out my other fonts.