Here’s another font family for your hand lettering projects. Hop Serif Hand Lettering is a font family consisting of 3 styles: 1.) Hop Serif Hand Lettering Regular 2.) Hop Serif Hand Lettering Lines 3.) Hop Serif Hand Lettering Shadow This font family is all authentically hand drawn from pencil and paper to the digital screen and is perfect to include on designs for apparel such as mugs, t-shirts, bags, notebooks, inspirational quotes for the home and office, and more. Each font is multi-lingual too! I love using this font in my hand lettering designs and I hope you will too!

The concept of a bold connected script with a hand lettered feel has been on my bucket list for decades. I imagined a pretentious, ornate, swashy look, a variety of word-end embellishments, heaps of ligatures and underscores. It took a weekend workshop on Python Scripting at Type@Cooper in San Francisco reinforcing the smarts of Opentype to make it happen. Hand drawn on paper using broad pen strokes for reference, the design was the easy part. The real work was in the back-end and self-imposed rigorous testing. Download a comprehensive pdf User Guide at this link.

Orbita is a new playful display font. Based on our popular ‘Stencil Creek’ skeleton and keeping its freshness and grace. The aim was to create a new version, dynamic and full of movement, so we came along with this idea of adding a pop up effect which creates a visual illusion of strokes moving in different directions. The family includes 4 versions of this font. It’s perfect to create headlines, posters, book covers, cards, wrapping paper, invitations, T-shirts, labels, packaging and an endless array of options for your projects. In these flags is also featured one of our popular font, ‘Nautica’

Be Bright is a sweet elegant handbrushed calligraphy font. It has a varying baseline with separate swashes that can be applied to the beginning and ends of all lowercase letters. Painted on paper, then scanned, vectorized and carefully made into a font. Be Bright includes several ligatures and international support for most western languages. For the separate swashes font, type lowercase a-z for the beginning swashes and end swashes (access to the glyphs panel is not available, just add swashes manually). The font is perfect for branding, logos, greeting cards, wedding stationery, quotes and more.

Lavenda font is a result of my two year classic calligraphy studies, and is based on my own handwriting. The overall look is classic, which makes it a match for invitations, place cards or other paper goods where old time elegance is required. With the glyph count just under 1500 the font has many alternates and options which makes it flexible to use. Apart from swashes, alternates and ligatures - number of fancy dingbats is also included. Again, with vast number of glyphs contained should you write in other language than English - Lavenda comes as a natural choice.

HOLD THE FRONT PAGE! STOP THE PRESSES! We have a new Headline for our Cover Story! DAVE GIBBONS is all over the tabloids, the trades AND the quality papers today. Yes, it's the opening of the WATCHMEN movie, but we have a much BIGGER story; the REAL scoop -- and we're announcing it in 72 point type... yes, there's a new addition to the Dave Gibbons family, and our editorial staff have the baby's name and our paparazzi have the pictures! Dave's new little sprog is called... GAZETTE. Man, that kid is gonna get teased at school, Dave.

Riga is a space-saving and legible typeface designed to work equally well on paper and on the computer screen. Its personality is clear and practical, yet warm and polite. Riga is suitable for a wide range of typography such as editorial, websites, packaging and corporate design. Economical proportions, high x-height and open letter forms guarantee good performance in narrow columns and tight headlines. Riga is exceptionally readable at small point sizes and elegant at larger ones. Riga comes in 18 styles and weights and contains a large number of OpenType features. For small sizes on screen Riga Screen is also available.

Hand-hewn along the banks of the mighty River Raisin in Southeast Michigan, this heavy block typeface is the perfect addition to any design project in need of a stout, yet fun typographical treatment. Before this font made its journey into the outside world, it began its life as a 4B pencil sketch on cheap inkjet printer paper, as many of my projects do. This typeface, not unlike me, doesn't waste its time with finesse, or convention, and truly doesn't mind being a little bit on the thick side. There is a time for refinement and propriety, but this ain't it.

Pinch Remix is a recreated version of a typeface I made in 2007. The form hasn’t changed at all, but I composed the family by increasing the number of weights and revising the spacing and kerning. At first it was created from randomly drawing an alphabet offhand on paper with a drawing pen. Then I figured that perhaps it had the framework for a typeface. Originally because it was just a memo, I had already thrown in the trash once. Yet something about it caught me, and when I turned to look down at it, I couldn’t throw it away.

Grimmig draws inspiration from solid and angular blackletter shapes and the idea of cutting letters out of paper. The interaction between curves, sharp edges, and partially unconventional serif placement makes it an excellent typeface for impactful headlines. The vivid details fade into the background in smaller sizes and provide an enjoyable reading experience for continuous text. Open counters and a large x-height contribute to Grimmig’s legibility in text sizes. It was developed as part of the MA Typeface Design in the University of Reading but had started before as a graduation project for Tamara Pilz.

Please note: Sindelar webfonts are exclusively available at willerstorfer.com Sindelar is a capable, contemporary text face addressing today’s news design requirements. Its large x-height, low contrast and robust serifs grant a high legibility in small sizes. The balanced, well chosen proportions make the typeface economic (i.e. space saving) without giving it a too narrow appearance. These characteristics make it the ideal choice for extensive text setting in newspapers and magazines – on paper and on screen. Named after famous Austrian football (soccer) player Matthias Sindelar (1903–1939), one of the best players of his time, the typeface shares two major qualities with its namesake: their technical brilliance and their way of performing aesthetically to the last detail. The football player’s nickname »Der Papierene« (the Paper-man) elegantly refers to the media too. Although optimised for small sizes, Sindelar’s low contrast and robust serifs give the typeface a strong impact and an unmistakable personality in larger sizes. Sindelar’s calligraphic influences can be noticed in the Italics best. The italic letters are inclined by slightly different angles, respecting the letters’ shapes and proportions and resulting in a balanced, yet vivid appearance. Sindelar comes in 18 styles – nine weights in Roman and Italic each. Each font is equipped with a huge character set of about 980 glyphs and various OpenType features.

Since many years I live in Munich and read the daily newspaper Abendzeitung. One morning they had redesigned the paper, using Eric Gill's Joanna for the body copy and a tweaked version of Franklin Gothic for the headlines. Since both typefaces are my all-time favorites, I was very pleased. The old hand-lettered title lettering designed by in-house designer Ernst Friedrich Adler around 1947 or 48 was untouched as it always was. Adler had worked for the newspaper an incredible 47 years! Ernst Friedrich Adler celebrated his 100th birthday in the summer of 2007 looking very healthy. But someone had adapted his title lettering for use in the chapter headings, and I did not like the way that was done. Every morning I saw those letters and thought "one day I have to clean that up". About 15 years later I finally did it! Being at it, I designed the whole typeface and added a second fancy cut. And, what do you know, the people at the Abendzeitung called me up and said they liked what I did and started using it. So since that day in 2005 I can read my morning paper without having to wonder about the chapter headings. Well maybe one day they will do another redesign and maybe they will use another one of my fonts. Your editorial typeface designer, Gert

Ciseaux Matisse was inspired by the exhibition Drawing With Scissors, which I visited at the Kunsthalle Schirn in my hometown of Frankfurt am Main in 2003 and the book Jazz published in 1947 by Henri Matisse. Admittedly, before that time I wasn’t a fan of Matisse’s work, neither his late nor the early work. That definitely changed after the exhibition. While his motifs have been overused on postcards and mouspads, in front of the originals you forget those tiny pictures. Some of the works were massive—larger than 24ft. By cutting directly into the color Matisse created shapes with strong dynamics. Years later, in 2007, I used that inspiration to cut an exclusive font for a newspaper that I designed at that time (see Gallery Pictures). Later I developed that font into the four styles featured here. The cut-out style is a paper cutout; boxed is the paper background. Both linear and boxed linear have no curved outlines, so they are more aggressive. As drawing with scissors implies, all characters are cut by hand. With only uppercase letters, this font is designed for editorial use: headlines, slogans in ads, or musical usage in posters and flyers that need the little touch of the jazz scissors. In special cases the lowercase letters contain alternate shapes to the uppercase forms.

There are a few professions in which being left-handed confers an advantage-think of the great southpaw pitchers in major league baseball, like Sandy Koufax. Now, think of all the great left-handed calligraphers. Not so easy, right? Here's a hint: Luis Siquot. Far from being an advantage, Siquot's lefty orientation proved a hurdle to overcome. When I was young, I had serious problems writing," he recalls. "If there was a lot of text, I almost always soiled the paper with wet ink as my hand followed the pen." Then, a friend told Siquot about a special store in London that catered to left-handed people. It was there that he found an Osmiroid pen specially designed for left-handed calligraphers. ITC Cali is based on Siquot's use of this pen. "Electronic scans of my calligraphy were the foundation of the design," he says. "I was careful to leave in some imperfections to avoid an excessively mechanical look, and added the little notches in the strokes to imitate the texture of writing on a rough cotton paper." ITC Cali works equally well in text and display sizes, but it is a calligraphic script, Siquot warns, "and shouldn't be set in all capitals." That said, ITC Cali is a remarkably versatile design, well-suited to a variety of communication projects."

Milibus, the refined and expertly crafted scientific sans-serif typeface, is a design marvel that stands out from the crowd with its unparalleled mechanistic aesthetic. Drawing inspiration from utilitarian alphabets like DIN and plotter fonts from the 1980s, Milibus is a testament to the fusion of technical and artistic excellence. Crafted with an eye for detail, Milibus boasts robotic angles that lend it a distinctive character that is both modern and vintage. The angle cut stroke endings are typical of industrial typefaces such as Expressway, making Milibus the go-to choice for designs that require a bold and commanding presence. In addition to its exquisite visual appeal, Milibus is also highly functional. Available in three weights and italics, it is a versatile typeface that can be used for a wide range of design projects. From scientific papers to technical manuals, Milibus is the perfect choice for those who demand precision and clarity in their typography. In short, Milibus is an exceptional scientific sans-serif typeface that is a testament to the beauty of mechanistic design. With its technical look, robotic angles, and angle cut stroke endings, Milibus is a design marvel that will elevate your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing DreamGood, a captivating natural handwriting font that adds a touch of artistic charm to your creative projects. With its authentic style and versatile nature, this font is perfect for various craft endeavors. DreamGood's natural handwriting style brings a unique and personalized feel to your designs. Whether you're working on shirt designs, websites, SVG creations, home decor, branding materials, blogs, logos, or invitations, this font will elevate your projects with its organic appeal. With both uppercase and lowercase letters, DreamGood offers flexibility in crafting engaging compositions. It also includes numbers and punctuation, ensuring seamless integration within your text. The font's multilingual support enables you to communicate your message effectively across different languages, expanding your reach to a wider audience. DreamGood features ligatures that enhance the flow and aesthetics of your typography, allowing for captivating and cohesive designs. The font's PUA Encoding provides easy access to special characters and glyphs, opening up endless creative possibilities. Embrace the natural beauty of DreamGood in your craft projects and watch your creations come to life with an artistic flair. From handmade goods to digital designs, this font adds a touch of elegance and authenticity.

Andyou is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Andyou is PUA encoded which means you can access all of the glyphs and swashes with ease!

South Paradise is a beautiful script font perfect for crafting, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. South Paradise with a full set of uppercase and lowercase letters, ligatures, multilingual symbols, numerals, and punctuation.

Introducing of our new product the name is Rough Letterline Authentic Brush Font. Rough Letterline inspired by brush calligraphy style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Happy Kids embodies fun, quirkiness and authenticity. It features gorgeous and fun characters that will brighten up your crafting projects. It will elevate a wide range of design projects to the highest level, be it branding, comic design, children's books, headings, invitations, labels, and much more

Introducing of our new product the name is Romantic Heart Script Font. Romantic Heart inspired by bouncy script style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Chriselda is a beautiful calligraphy font perfect for crafting, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. Chriselda comes with full set of uppercase and lowercase letters, swash alternates, ligatures,multilingual symbols, numerals and punctuation.

Amartha is a natural script font perfect for crafting, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. Amartha comes with full set of uppercase and lowercase letters, swash alternates, ligatures,multilingual symbols, numerals and punctuation.

A robust slab serif typeface that combines classic proportions with contemporary styling. These carefully crafted letterforms are best suited for use on book jackets, news headlines, packaging, posters and t-shirts. Details include four distinct styles, a full character set, manually edited kerning and Euro symbol.

Milky Line is a modern and elegant display font! Each letter is thoughtfully crafted with clean lines and stylish details, resulting in a sophisticated and refined look. Perfect for creating eye-catching headlines, titles, and branding materials that exude an air of professionalism and high-end quality.

Mistyca Brush is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Mistyca Brush is PUA encoded which means you can access all glyphs and swashes with ease!

Hubby Bunny is a quirky and fun sans full of charm . It will take any DIY-project to the next level! Hubby Bunny is perfect for Craft , product packaging, product designs, label, branding projects, logo, wedding designs, social media posts, advertisements, watermark, invitation, stationery and any projects

Introducing of our new product the name is Bondy Quirky Playful Font. Bondy Quirky inspired by Quirky Handwritten style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Farwell is a stylish and light script font, that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Included uppercase, lowercase, numerals, punctuations, ligature, alternate, works on PC & mac, simple installations, multilingual support, PUA encoded.

Bretanis a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Bretanis is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Wander Miles, our handcrafted sans serif font that perfectly captures the essence of adventure. Inspired by the wild and the spirit of exploration, our font exudes an organic sense of authenticity. Its carefully crafted design reflects the ruggedness of nature, while maintaining a subtle and versatile appeal.

Choco Crunch is a handwritten font perfect for crafting, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. Choco Crunch comes with the full set of uppercase and lowercase letters, multilingual symbols, numerals, and punctuation.

A new take on the classic typeface used at Oxford University Press. Carefully crafted from original sources and updated for the modern times. Size specific weights and meant to act as a work horse for longer texts. A joint venture between Stefan Hattenbach and Johan Ström.

Pashmina is a beautiful handwritten font perfect for crafting, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. Pashmina comes with full set of uppercase and lowercase letters, swash alternates, ligatures,multilingual symbols, numerals and punctuation.

Introducing a new unique and cute font. You can apply this font in projects such as packaging products, crafts, video previews, food products, logos, and much more to explore. For a view see some of the preview examples above. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual Thanks.

Crazy Rooster is a Strong and rounded display font with a graffiti-like appearance. Use this font for any crafting project, apparel design, logotype, advertising, wall decoration, and pretty much anything that requires a personalized look. Take your designs to the next level with this stunning font!

Sans Autumn is a cute and friendly display font. This enchanting display font will turn any creative ideas into a true standout. Get creative with its unique playfulness, and use it to brighten up any crafting project such as quotes, product promotion, website, logotype, merchandise and more.

Gerakona is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Gerakona is PUA encoded which means you can access all of the glyphs and swashes with ease!

Seacoast is a hand brush font perfect for crafting, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. Seacoast comes with a full set of uppercase and lowercase letters, ligatures, multilingual symbols, numerals, and punctuation.

Foolish Hand is a handwritten font written in original handwriting, this font is good for various graphic designs, such as making children's drawings, coloring book covers, packaging, advertising, movie covers, posters and for any crafting. I hope this font is useful for you, have a nice day.