Jacob Riley is based on antique 18th century printers’ specimens and has been hand-illustrated with calligraphy nibs dipped in walnut ink. A goodly fellow, Jacob delights in uses varied and sundry including personal correspondence, rustic decor, graphic display and even amongst the pages of children’s books.

Street Tag vol 2 is the second version of Street Tag fonts. Inspired from realistic caligraphy tagging style in many big cities. This style is more bold and readable, perfect for your “street art” designs style. I combined the real graffiti experiences into computer fonts, I think it will be different with other fonts if you can feel it, cause I draw graffiti, tagging and throw ups since I was high school. The real tagging style is never be tidy, but don’t worry, I already adjust the kerning and spacing in the best possible way. You’ll find the better result when you adjust the kerning, and edit baseline manually, especially for the alternates font, if you unfamiliar with these one, you can find many tutorials in youtube, for the example https://www.youtube.com/watch?v=251cTL029M4. what will you get You’ll get some alternates in several alphabet, see that in the font preview, some sample fonts I change the dot in “I” to stars, and I add ‘ into “O”, sometimes we do that in the real walls! You can explore more with this font!

Bauziet is a modern grotesk available in 12 styles with variable support. The weight range of Bauziet is significant due to its most distinctive design element: the prominent ink traps. As the Bauziet weight increases, these ink traps become more pronounced. This aspect makes Bauziet an excellent resource for designers to explore, as its substantial ink traps can swiftly evolve into an iconic feature within a branding system.

Preto Semi is an experiment. It is an attempt to create a readable type for text point sizes (other than sans-serif and serif). Preto Semi is not a Sans with added serifs or Serif with serifs removed. The use of the serifs is redefined and used for other purpose(s). The serifs became the extension of the stroke, they help to solve the spacing problem of sans-serif types and they use the primary function of serifs – keeping the eye on the baseline and emphasize the horizontal rhythm of the lines of text. Preto Semi is intended for magazines and editorial design, as other members of Preto family. Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well.

Preto Semi is an experiment. It is an attempt to create a readable type for text point sizes (other than sans-serif and serif). Preto Semi is not a Sans with added serifs or Serif with serifs removed. The use of the serifs is redefined and used for other purpose(s). The serifs became the extension of the stroke, they help to solve the spacing problem of sans-serif types and they use the primary function of serifs – keeping the eye on the baseline and emphasize the horizontal rhythm of the lines of text. Preto Semi is intended for magazines and editorial design, as other members of Preto family. Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well.

Black Wizard is a bold and funky sans-serif font that is perfect for adding a touch of playfulness to your designs. With its wobbly and uneven letters, Black Wizard exudes a playful and cartoonish quality that is sure to make your project stand out. This font is ideal for Halloween-themed designs, as its bold and scary appearance can add an extra element of spookiness to your work. But it's not all frights and scares - the funny and lighthearted nature of Black Wizard also bring a touch of humor. Black Wizard comes in four styles: Regular, Italic, Straight, and Straight Italic, giving you plenty of options to choose from for your design needs. Additionally, a Symbols font is included with various Halloween-themed symbols that can be added to your text to enhance the spooky vibe. Use the character ¤ anywhere in a word to make a Halloween symbol. Example: Scare¤Crow. To add different symbols like ghosts and bats, use multiple ¤ characters. Example: Dark¤¤¤Night. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

DUPLICITER is an experimental display sans serif font which has two typefaces for comfortable and experimental use. DUPLICITER is a (latest) part of new school in type design that could be called like mind-free and geometric direction in the world. Sans serif, condensed, sharp edges, geometric, experimental, these are the main attributes of DUPLICITER.

Presenting Sikat Rusak! A Dry Brush Font with a stylish alternate and extra 9 swashes. This font made with the perfect combining of each character. You can type by Mix & Match with alternate version to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project.

Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ Averta (Greek: ‘αβέρτα’ – to act or speak openly, bluntly or without moderation, without hiding) is a new geometric sans serif family with a simple, yet appealing, personality. The purely geometric rounds, open apertures, and its low contrast strokes manage to express an unmoderated, straightforward tone resulting in a modernist, neutral and friendly typeface. Averta is intended for use in a variety of media. The central styles (Light through Bold) are drawn to perform at text sizes, while the extremes are spaced tighter to form more coherent headlines. The dynamism of the true italics adds a complementary touch to the whole family and provides extra versatility, making Averta an EXCELLENT tool for a range of uses, from signage to branding and editorial design. Take advantage of Averta’s extended OpenType features including alternate glyphs, small caps, fractions, case sensitive forms, contextual alternates, oldstyle and lining (proportional and tabular) numerals, small cap numerals, numerators/denominators, superiors/inferiors, and a variety of symbols. Averta comes in eight weights with matching italics and supports over two hundred languages with an extended Latin, Cyrillic (Russian, Bulgarian, and Serbian/Macedonian alternates), Greek and Vietnamese character set. It ships in three different packages offering different script coverage according to your needs: Averta PE (Pan-European: Latin, Cyrillic, Greek), Averta CY (Latin and Cyrillic), and Averta (Latin and Greek). Averta's Cyrillic have received the 3rd Prize in the 2017 Granshan Awards in the Cyrillic Category.

It’s jaunty and flaunty and up to no good! It’s a child born of fairly odd parents and always looking for the good kind of trouble. It'll get you out of the red and into the pink like a panther pawning diamonds! Comicraft’s John Roshell has slipped his hands into the gloves of the Phantom Font Finagler and there’s HighJinks ahead to be sure!

Polar is a sans-serif grotesk with characteristic ink traps and rounded vertexes. Polar is a variable font. It is versatile, modern, elegant and neutral. It can be displayed in a range from 200 to 900 in its weight axe to play many different roles. The font has 5 predefined instances, Thin Display, Light, Regular, Bold and Heavy Display, in two styles, regular & italic, with 716 glyphs each of them. Polar has 25 OpenType features such as ligatures, fractions, stylistic alternates, localized forms, old-style figures, etc. It can be suitable for long texts. It also works great as a perfect display font for all caps headings, especially with its thin and heavy weight variants. Polar covers Latin, Central European characters & supports 101 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Igbo, Inari, Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Koyraboro Senni, Koyra Chiini, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Tasawaq, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zarma, Zulu.

**Simpline** a beautifully crafted handwritten font that exudes simplicity and elegance. With its smooth flow and clean lines, this font is perfect for a wide range of design projects. Its simple and minimalistic style makes it ideal for use in various applications, from logos to social media graphics, invitations, and more. The effortless flow of each character adds a individual touch to your design, making it stand out from the rest. Whether you need a font for individual or commercial use, Simpline is a versatile and timeless choice that you can rely on for any project. Try it out today and see how it can elevate your design! Thank you for let us be your design partner, If you have any questions please don't hesitate to drop me a message

Say hello to Golden Clouds :) A charming and cute font duo with handwritten letters and doodles!! Bring some irresistible fun to your design with Golden Clouds Font Duo! This playful font duo consists of a fast-flowing signature font and a charming font with small capital letters as the perfect companion. But that's not all - the set also includes a bonus Doodle font containing hand-drawn drawings designed to give your "Golden Clouds" fonts the appeal of handmade. Golden Clouds Script • A clean, smooth handwritten signature font containing uppercase and lowercase characters, numbers and a wide range of punctuation marks. Golden Clouds SmallCaps • Clean, charming handwritten font with capital letters. Golden Clouds Doodles • A set of hand-drawn drawings designed in combination with Script and Small Caps fonts. Just set it as your own font and enter any character to create each drawing. "Golden Clouds" is ideal for everyday use in greeting cards, illustrations, quotes, original branding, book covers, children's books, packaging and much more :) Font Features: A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia

SMOUCHY FONT DUO Smouchy in two different style, hand letter sans and hand brush with rugged stroke bring more expressive look. Combine this two typeface make it more fun to use. Features: Smouchy: All Caps, numeral, punctuation & ligatures Smouchy Book: Uppercase, lowercase, punctuation, multi languages Add some extras to make your design more smouchy :) Thank you for your visit. Hope you enjoy :)

TT Fellows useful links: Specimen | Graphic presentation | Customization options There can't be too many universal fonts! Meet TT Fellows, a new workhorse whose functionality allows you to comfortably use the font in a variety of projects. Calm and neutral at first glance, the mood of TT Fellows can change. Working with the typeface, you can reveal its soft and friendly nature, or even the brutal one, for example, by typing the text exclusively in capital letters in the bold style. TT Fellows is easy to use and perfect for setting large text arrays. Thanks to the font's uniwidth and versatility, the font is ideal for use on websites or in periodicals. Bold styles will work harmoniously in headlines or as accents in print or on packaging. TT Fellows is a humanist sans serif with a mechanical touch. With its open shapes, the friendly neutral character of thin weights and an even softer character in bold weights, the new typeface differs in character from the classic TT Norms® and TT Commons sans serifs, while still offering the same functionality. Calm regular styles differ from bold, deliberately display and more expressive ones. By the way, TT Fellows is a unwidth typeface. It was important for us that the user could change the styles, knowing that the layout will not suffer. The typeface features equal width proportions, open apertures, and slightly squared ovals, which associatively brings it closer to other popular modern fonts. Since the idea of the typeface was focused on it being a uniwidth typeface, we needed to fit the bold styles into the regular em squares, which led to interesting graphic solutions that are noticeable, for example, in the k and ж characters, in which the branches are cut directly into the stems. TT Fellows consists of 19 styles: 9 upright, 9 italic and 1 variable, each with over 700 glyphs. The font has 26 useful OpenType features. For example, there is a switch to single-part versions of letters a and y, fractions, tabular characters, case versions of punctuation, and localized versions of characters for different languages. There is a ligature for a combination of two characters of a complex design fl. TT Fellows font field guide including best practices, font pairings and alternatives.

Blackness is a strong original handwritten font with a unique feel. Natural and elegant, cursive, legible script font which can be used on a wide variety of designs such as headlines, titles, headings, logos, branding, posters, books, and any other creative design. It will add a unique spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Dancing Brush is a strong original handwritten font with a unique feel. Natural and elegant, cursive, legible script font which can be used on a wide variety of designs such as headlines, titles, headings, logos, branding, posters, books, and any other creative design. It will add a unique spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Asutenan is a strong original handwritten font with a unique feel. Natural and elegant, cursive, legible script font which can be used on a wide variety of designs such as headlines, titles, headings, logos, branding, posters, invitations, books, and any other creative design. It will add a unique spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Australia Handwritten is a strong original handwritten font with a unique feel. Natural and elegant, cursive, legible script font which can be used on a wide variety of designs such as headlines, titles, headings, logos, branding, posters, invitations, books, and any other creative design. It will add a unique spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Presenting 🕌Kabyah Ramadhan Typeface🕌 by alitdesign. Kabyah Ramadhan Typeface is a beautifully crafted font that combines traditional Arabic calligraphy with modern design elements. The font has a contemporary look and feel, with elegant swashes and alternate characters that add a unique touch to any design project. The font draws inspiration from the rich cultural heritage of the Arabic language, with its intricate shapes and ornate embellishments. The strokes and curves of Kabyah Ramadhan Typeface are carefully crafted to create a harmonious balance between legibility and aesthetic appeal. With its clean lines and precise detailing, Kabyah Ramadhan Typeface is perfect for a variety of design applications, including branding, packaging, logos, and headlines. It is also an ideal choice for print and digital media, such as posters, brochures, and social media graphics. The Kabyah Ramadhan Typeface has 820 characters, supports multilingual characters, and includes PUA Unicode encoding, makes it a very versatile font. Designers can use it to create designs in a variety of languages and scripts, making it a great choice for global projects. In addition to its extensive character set, the font also includes Kabyah Dingbats with 304 characters, which can be used to add decorative elements to designs. These dingbats can be used to create unique and eye-catching designs, adding an extra layer of creativity to any project. Overall, Kabyah Ramadhan Typeface seems like a fantastic font with a lot of potential for designers who are looking for an Arabic-inspired modern font with lots of characters and flexibility. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Mistafelga is an elegant Silky italic font designed for editorial use and inspired by calligraphy in the middle century. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Kinn is an industrial san-serif typeface with an essence of squared structure inspired by a futuristic look. Kinn is robust but portray a friendly touch with a little roundness to its shape, it can also be very formal when it needs to but it is flexible and fun to use at the same time. Its wide proportion makes it ideally suited a wide range of modern applications and variety of usage from heavy display, headlines or even text. Kinn comes in 9 consecutive weights, each weight accompany with italics. Equipped with Alternates, Ligatures and 10 Cryptocurrency signs.

Narfest is a classic vintage serif font with an art nouveau style, in feminine and unique characteristics. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script, sans, or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing the modern-style serif font Elanrose with an elegant and luxurious feel in every shape. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Naga is Hans van Maanen's original creation of art deco shapes interected with intricate mazes of what could be Celtic or Mesoamerican knotwork art. The totality of the typeface borders on the mysterious, exotic and yet clearly discernible as far as readability is concerned. Naga comes with a companion outline style that emphasizes its intricacy. Both fonts hold up quite strongly when combined with photo/illustration masks. The Naga family comes in both OTF and TTF formats, and includes an extended range of characters covering most Latin-based languages. A few unicase forms are also included.

Introducing **Dafilea** font, a lightweight elegance in romantic curves with a glitchy and fluid aesthetic. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with the script, sans, or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Got a favourite pair of jeans? I do, and I wear them every Friday when it's time to PAAAARTYYYY! Well, that was 30-something years ago, but the memory of those jeans lives happily in my mind :) The font, Friday Jeans is a happy-go-lucky sans font with inky edges and lively lines. Playful as a Friday night out!

Pial fonts Family includes: Pial Regular that is totally hand-designed, casual and youthful, with lines that sometimes swell extremely, contain 546 glyphs with many stylistic variations, swashes and ligatures. Pial Sans Regular and Expanded, also hand-designed, and Pial Serif Regular and Condensed to add a little seriousness. We have added also, a font of ornaments, extras and catchwords in the family. Using this font you will achieve a very elegant and warm work. Pial Family is very versatile and ideal for logotype design, magazines and book covers, children's material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

Humanistic sanserif in 4 fonts The Parisine Office typeface family can be considered as the text version of the Parisine. When Parisine xheight fit Helvetica large xheight, Parisine Office is more close to Gill Sans in term of proportion, as it was developed for Ratp, the public transport in Paris to allow compatibility with documents set in Gill Sans without changing the length of text. Parisine Office by default is a humanistic sanserif available in 4 fonts perfect for text setting. The design of the italic lowercases is more cursive than in Parisine. About Parisine Parisine helps Parisians catch the right bus Observateur du design star of 2007

Javiera is a geometric sans-serif typeface with humanist attributes. One of its main features is its small x-height, which makes ascenders and descenders look longer. The contrast gives the font a more stylised look, typical of humanist fonts. Curves and rounded terminals make Javiera a smooth, friendly and versatile typeface, well-suited for branding, magazines and publishing projects. User can take more advantage of the versatility of the font by enabling alternative characters included in the set. Javiera comes in 6 styles—from Thin to Black—plus matching italics, giving a total of 12 fonts. The font’s extreme weights are perfect for display use. Javiera family contains a set of more than 400 characters and supports over 200 different languages.

Halesbridge is a soft sans serif font family consisting of 7 weights (from hairline to black), 4 widths (regular to super wide) and all styles are in italic. Many languages are supported (see the picture showing the international glyphs). It’s simple letterforms make it easy on the eyes for reading large amounts of body text and looks very modern, especially in the lighter weights. This family is perfect for editorial design, website design and general informative media. However, I can see endless possibilities for typographic logo designs because of the different widths and weights. Overall, this font family will be a great addition to your design assets, commanding the attention your creative projects deserve. For regular updates and freebies please follow me on Instagram at joannemarie_cm

Sheet music for the 1910 composition "Good-By Betty Brown" has its title hand lettered in a thick and thin, condensed sans serif design reminiscent of lettering found in later comic strips and books of the 1930s and 1940s. Transcending both the Art Nouveau and Art Deco styles, Funny Papers JNL gets its name from the slang reference Americans of the early 20th Century gave the Sunday comics pages in their local newspapers, and is available in both regular and oblique versions.

Introducing the Siempre Font. The Siempre font is a distinctive typeface created with the bold strokes of an ink pen. Its rough and raw aesthetics give it a unique and memorable character. This font exudes a powerful impression that makes it the perfect choice for brands, logos, and promotions, ensuring that people will always remember your message.

Flip Spatters is a very detailed font. It looks like blotches/ink spatters or graffity. It has a lot of characters (~215) and the spatters are different and detailed. But unlike some other 'crazy' fonts, Flip Spatters even looks brilliant using a font size starting from 9pt. So you can use it for text and graphic utilization.

Prior to the advent of digital type, many architectural layouts, amateur print projects and a myriad of other lettering jobs were created by the use of routed plastic templates and ink pens. Plastic Template JNL was designed from just one strip of a multi-part template set and replicates the clean lines of the original design.

Entendre is a stately, commanding and handsome sans serif typeface family that pulls reference from Trajan capitals, the history of English calligraphy, and a variety of other sources to summon a sense of warmth, consideration, trust and authority. Entendre spans 22 weights and styles including Regular and Condensed versions. The large x-height and refined characteristics of the family lend the family a sober and sophisticated appearance that is suitable for both print design and on-screen use. Entendre includes Central and Eastern European language support as well as Western European language support, including Greek and Cyrillic. Entendre’s generous x-height and medium-length ascenders and descenders offer pronounced readability, making the family useful for text typesetting both in print and on screen. Within, humanist elements are tempered with monumental construction, making the heavier weights go-tos for display design work. All of the Entendre family of typefaces feature Western, Eastern and Central European language support alongside nuanced Greek and Cyrillic. Entendre pairs well with our rounded sans serif family Elpy, sharing similar proportions and spacing.

Clydesdale is a five-weight compressed sans serif font family. It was designed by Steve Jackaman over a several-year period, and was released in 2017. Clydesdale, much like its sister typefaces Coliseum and Torpedo, was inspired by authoritative Roman display typefaces. The font family excels in displays, but is a great performer in all text sizes. It is perfect for users who enjoy the impressiveness of Coliseum Pro and Torpedo, and need a complementary sans serif typeface.

Coppint is a font formed with serenity and imagery in patterns that refer to warmth and harmony. Even so, this font also gives each letter an elegant and semi-modern impression. When this font was created, Ridwan Fadilah, the designer, said that this font must race in a contextual and basic fundamental hierarchy. Thus, this font also provides stylistic weight, from smallest to largest. So that it can become a unit that can be used in optical text.

Rock Star is a original sans serif family with a distinct personality. The family has 36 font styles, ranging from ExtraLight to UltraBlack in normal and narrow styles (including italics). A wide range of weights and widths offering tremendous typographic flexibility. Rock Star is a contemporary typeface with roots in the past. It based on the sans-serifs of the late 19th and early 20th century. It would look great for corporate branding, in books and magazines.

The common Slavic word Osnova means basis in English. This universal but still distinctive typeface can make a good foundation for any design project. There is the main Osnova version and separated faces Osnova Alt, Osnova Fancy and Osnova Small Caps for Western Latin, Greek and Cyrillic languages.