Carefree makes it so simple to elevate a logo or headline text, whether you're wanting something bold or delicate. Introducing the Carefree Serif family – a gorgeous condensed serif typeface that includes 16 fonts, regular and italic, from Hairline weight to Bold. This typeface looks best in larger settings as a display text (think big headers, pretty quotes, calls to action, etc.), but can also be really stunning for longer text like quotes. I would probably avoid using this as a body text because of the high contrast. I've also been loving combining the regular and italic and mixing up the weights, especially for beautiful logos.

French designer Christophe Badani developed the Linotype Rough family in 1999. The family contains nine different typeface styles, each with a slightly different voice. The forms appear to have found a unique middle ground between hand-drawn letters and pure geometry, especially Linotype Rough Outline. Make sure to pay special notice to the true-italic forms in the three italic weights! Badani's attention to typographic detail is not to be missed. Linotype Rough is perfect for headlines and display work. The medium and bold weights can also function splendidly in text. The entire family is included in the TakeType 4 collection, available through Linotype."

Fernolester is a classic themed font with a unique edge and above all; packed with different styles and ligatures - making it easy to create unique characteristics for your project. This typeface has a classic taste, very suitable as a design choice for books, magazines, packaging, branding, signage and many other creative projects. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop, Adobe Indesign & CorelDraw X6-X7. and much more This package includes 4 files; Fernolester Regular, Fernolester Italic, Fernolester Regular In Style & Fernolester Italic Instyle as OTF & TTF. Mail support : maculinc@gmail.com Thank you! Maculinc

The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known as Bookman. Monotype Bookman Old Style roman is based on earlier Lanston Monotype and ATF models. The italic has been re drawn following the style of the Oldstyle Antique italics of Miller and Richard. Although called “Old Style,” the near vertical stress of the face puts it into the transitional category. The Bookman Old Style font family is a legible and robust text face.

Get to know Norman, elegant and fashion forward. This new condensed and high contrast serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display. Norman Family contains 2 styles, Regular and Italic, both fonts have another version a bit heavier called Regular 2 and Italic 2.

Wellingborough is a family of six late-Victorian inspired faces, principally for display work and headings but also including a text form suitable for use in ‘feature’ paragraphs and short documents. The regular, small capitals and italic forms provides good clear headings, with a modicum of individualism and flair about them, while the Flourish and capital faces carry the family to rather more elaborate-yet still readily legible- heights. The italic form also works well alone to suggest a sense of flow and movement. The whole family is ideally suited for poster and advertising work, as well as book and record covers and period themed signage.

Released in 1993, Ocean Sans is a sans serif design created for Monotype by the talented Malaysian designer, Ong Chong Wah. The Ocean Sans font family has a distinct contrast between thick and thin strokes which sets it apart from the rather austere Grotesques with their more monotone appearance. Ocean Sans italic is an unusual design for a sans face, a strong cursive influence gives it a flowing rhythm not generally associated with sans serif italics. Ideal for text and display setting, the freshness of the Ocean Sans font family will give the user further scope in the design of catalogues, brochures, advertisements and flyers.

Neuramatica is a low contrast sans serif font. Simple letter form makes that this font has a high level of legibility. Thus making Neuramatica look very modern. Neuramatica has five different weights, ranging from Light, Regular, SemiBold, Bold and Black. This font is highly recommended for use as a bodytext or headline, because it has good legibility. Design with a swiss style is perfect to use this font because it gives the impression of a modern and simple but still able to read well.

SCALTER was designed in the early April and published in July 2020. Scalter Serif is inspired by the characteristics American vintage sign then the sans serif it’s combination retro typeface. All shape of this typeface is make strong and more contrast, giving a more dynamic and retro feel. Scalter are available in 5 Widths (Condensed – SemiCondensed – Normal – SemiExpanded – Expanded) with matches 4 style (Serif – Semi Serif – Sans Bold- Sans Black - Script) with a total 42 Styles. Also includes support for 26+ Latin (Extended) Languages.

Like the name suggests, the pi font Afroculture from typeface designer Boule Yvan depicts symbols and figures from African folk art. Stylized masks with different expressions and a number of sculptures lend variety to this font. The figures are consciously simple but shown from different perspectives. The black and white surfaces contrast with another and suggest the interplay between shadow and light. The figures of Afroculture are perfect for illustrating texts in a related context and their details come through best in larger point sizes.

Goldbarre is a finely engraved slab serif face in the spirit of ‘between the wars’ commercial confidence. It’s a solid and dependable face of distinction for use on certificates and posters which need to convey an emphatic yet refined message. The letterforms of Goldbarre combine finely hatched shading with and embossed, three-dimensional, quality. The utility of the family is further enhanced with Goldbarre No 2 - a solid shaded face, Goldebarre No 3 - an open embossed face, and Goldbarre No 4 - a basic black slab-serif face.

Bonaventure is a Roman display family full of the spirit of the Art Nouveau era, and joins our popular related group of families which also includes Bonning, Bonnington and BonaVia. Three weights are offered, including a shadowed black form, in a choice of three widths: regular, condensed and Expanded. It's the ideal family for signage with a period feel, as well as for posters, headings and certificates. A combination of Bonaventure with Bonning and its other related faces will bring a harmonious design ethos to any project.

German type designer Hans Reichel created this sans FontFont in 1996. The family has 6 weights, ranging from Light to Black and is ideally suited for advertising and packaging, book text, film and tv, editorial and publishing as well as small text. FF Schmalhans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Amonos Display Font Family aims for a modern and simple lifestyle. Sleek and stylish skeletons boast a unique style from thin to black weights. Regardless of weights, 18 styles have special talents related to headings, subtitles and logos. The understated metaphor and sense of stability is the best alternatives for creative typography. Therefore, it supports stable dynamics beyond the biased simplicity of geometric fonts. And some different Glyphs of oblique typefaces add to the delightful fun. Enclosed Glyphs and Symbols will be so useful for editorial design.

Brolian is playful and stylish designed font for any display use with 9 weights from Thin to Black. Brolian also includes with more than 200+ alternates characters (PUA Encoded) and 50+ ligatures to give you a wide range for create a beautiful typographic design results. Brolian is versatile font for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: OpenType support Playfull to use (with ligatures and alternates options) Multilingual support PUA Encoded

Genova is a sans serif type family with 4 variables namely Thin, Regular, Medium and Black. This font has a harmonious and beautiful shape that makes it perfect for all your needs for long text, branding, logotypes, print designs and more. This font is made in detail and measured by using geometric details to make this font look balanced and minimalist. This font is dedicated to the use of all needs in 2023, and will be the most popular and best selling font of the year.

These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a fanciful geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Berlinette is the medieval Gutenbergian version of the four. It’s like a weird black letter font from the 1930s. It would work well advertising an obscure brand of German beer on the side of a Zeppelin as it circles the soccer stadium during the last match. In a William Burroughs novel.

Following the great success of Swissra, the condensed cut was designed on the same principles of Swiss graphic design. Originally Swissra was designed to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Now it creates even more possibilities to help designers in applications such as signage and editorial design where the condensed cut is needed. The typeface is one of very few Arabic condensed typefaces. Swissra Condensed comes in eight weights which range from Ultralight to Black.

Modern Sans this is a font family that includes 9 weights from thin to black and two styles basic and oblique. In this font you will find a classic and universal grotesque that will perfectly cope with a variety of tasks and will always look stylish and modern, as well as many alternates for Upper and Lowercase, with which you can play and find the most incredible and stunning option. This universal font covers a huge range of possibilities for the design and creation of your project.

Frans Masereel wrote or should I rather say cut some "novels in pictures" around 1927. They are written in powerful black and white woodcuts and were apparently printed from the original cuttings, at least that what it looks like. On the cover he cut the titles in rough wooden letters. Those letters inspired me to produce Woody. Maybe some day I will add a second weight, wich will be an extended cut. But for the time being this is enough woodwork. Your woodcutter Gert Wiescher

Hupaisa is a geometric sans serif with a casual hand-drawn feeling. It has six weights: thin, light, regular, medium, bold and black. Although Hupaisa is a display font, it is very legible also in small sizes. That makes Hupaisa very useful in design projects. You can use it on titles and body texts. Create interesting typography with a proper hierarchy. Hupaisa also includes many alternate characters, ligatures and swashes to give you options to play with. Use them to create interesting titles, wordmarks, quotes or logos.

Virtue Script is a font that is meant to make your designs attractive and striking, having a serif foundation makes this script font different from the usual scripts. all the letters can connect nicely and also the fonts are designed with simple nodes so that they can be easily stretched and changed as you wish. Virtue Script has 9 weights from Thin to Black and each letter has 4 beautiful stylistic Alternates, combining this Font with other font types will really give your design a distinctive look.

German type designer Achaz Reuss created this display and sans FontFont in 2004. The family has 26 weights, ranging from Extra Light to Black in Compressed, Condensed, Normal, Semi Extended, and Extended and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF QType provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures.

Chipping is a brand new face inspired by Edwardian and 1920s letterforms. It's good for clear and legible headings which need a gentle and unobtrusive period touch, and is the latest is Greater Albion's line of faces to explore the 'small capitals' idea. You will see a broad similarity with our Chipperly family, and the two work well together in combined projects. Four faces are offered: regular and bold, as well as Black with a heavy drop shadow and white which explores the idea of 'whitespace' design.

Introducing Automata, the typeface that combines futuristic appearance and easy readability. Great for titles but also for logos and text at medium/small sizes, making Automata suitable for a wide range of applications. In addition to its smooth, clean lines and geometric aesthetic, Automata offers a variety of customizable options such as stylistic alternates, logo discretionary ligatures and multiple weights including extra-light and black. The support for many languages makes Automata a global typeface. Add a touch of the future to your design work.

«Brozas» is a contemporary font for modern design. Created for digital art, Web-design, magazine layout. Brozas font is an unusual experience and an experiment on the edge of decorativeness. Drawing letters has a sharp, contrasting character and combined with smooth arcs. Different weights change not only the thickness of the strokes but also their shape. Brozas supports Basic Latin and Extended Latin, Cyrillic — in total about 200 languages are supported. The font has three weights: Thin, Regular and Black. Brozas font was designed by Viktor Pesotsky.

Meet Tilson, a versatile workhorse family for both texts and headlines based on a geometric and straight-lined design. It will give your apps, websites, logos, posters and so much more a techy and masculine look and feel. However, some friendly rounded details, such as the i-dot, add a rather pleasant personality to this family. With more than 200 languages covered, many opentype features on board, obliques, and weights ranging from Thin to Black, Tilson is a truly versatile companion for your next design project.

Nevolasty is a geometric sans serif (uppercase) family. It comes in 9 weights - from Thin to Black. Perfect for graphic design, branding, packaging design but very versatile. With over 1000 alternate glyphs, this font has extensive Latin language support for Western, Central, and Eastern European and gives text a unique, elegant and modern feel. Try magical Stylistic Set01 with more extreme automatic contextual alternates. Technical info: To be able to use Nevolasty fonts you need to have installed program with Opentype features (Contextual Alternates) support.

Aktifo is designed with two Flavour which carries a modern and contemporary style, based on elementary geometric shapes and constructed of monolinear lines, it was invented to be functional, leaving behind anything that can be regarded as superfluous. Aktifo comes in 28 styles: there are two types of families Actifo A and Aktifo B from Light to Black, which both have differences in characters and spaces. Developed with powerful opentype features, equipped with extended language support: Cyrillic, Greek (BETA) and fractions, tabular figures, arrows, ligatures and more.

First partnership between Firmorama.com & dooType studios, Très Très Chic is a display font, developed to be versatile and illustrative, with strong features that provide personality to the drawing. The characters were built based in primary geometric forms and the gentle delicate lines, in their main purpose, make this font very appropriate to the feminine universe. On the other hand, this font has its form filled with black, that could be applied evenly for a composition more dynamic and amazing, with variation of shapes and weight.

Compacta is the work of Fred Lambert and is reminiscent of the extremely narrow, sans serif stencilled fonts of the 1920s, then intended as titles or headlines for magazines and posters. The characters of all cuts are narrow and the space between letters is very small. The white spaces between strokes are perceived almost as only small white stripes and dots which stand out from the black bands of the lines of text. Compacta is not meant for longer texts but is impressive in titles and headlines.

LOLO Dingcats are here! Need some cats? Find just about any kind of cat you can imagine here. Not just a A-Z & 0-9 font, LOLO Dingcats has many extra characters. Check it out! There's a mother cat nursing kittens, a cat curled up sleeping, running cats and sleeping cats.There are black cats, white cats and striped cats. Even cats you might not expect: a pirate cat, a cat with an afro, even a robot cat -- and MORE! A must-have for any serious cat lover!

High-quality ornamental initials superimposed on nursery rhyme backgrounds such as Humpty Dumpty, Ride a Cock Horse, Baa Baa Black Sheep, Tom Tom the Piper's Son, Rub-A-Dub-Dub, the Queen of Hearts, Old King Cole, and many others. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Ornate and accurate renderings that can be used for the beginning of paragraphs in any children's publication or texts relating to nursery rhymes and fairy tales.

Compacta is the work of Fred Lambert and is reminiscent of the extremely narrow, sans serif stencilled fonts of the 1920s, then intended as titles or headlines for magazines and posters. The characters of all cuts are narrow and the space between letters is very small. The white spaces between strokes are perceived almost as only small white stripes and dots which stand out from the black bands of the lines of text. Compacta is not meant for longer texts but is impressive in titles and headlines.

Canciller is an elegant typeface designed by Manuel Corradine and Sergio RamÌrez that will give your projects a very exclusive and fresh appearance. Its style is a mix between the grace of calligraphy and the legibility of typography so Canciller can be used in a wide range of purposes. It’s available in six weights that go from light and delicate to black and powerful to give the designer the possibility of creating hierarchies and great contrasts. Its character set supports Western and Central European languages.

Introducing Kavo Sans Serif typeface - 4 weights Kavo is clean, modern typeface with 4 weight, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes. Kavo is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Light Regular Bold Black Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Hachura is a sketchy typeface designed by Ricardo Esteves. Its general proportions are based on the garalde models, with traditional roman serifs. It was initially made by hand using a drawing technique to create a font that simulates the unfinished aspect of a work in constant progress. This textured face is useful for display sizes, making a very visible presence. Because of its basic dimensions and careful distribution of black and white, it still also very readable in text sizes like 10 or 8 points.

Hi! I am Black Square! Probably the most famous square in the world. Thanks to my godfather Kazimir Malevich, who created me in 1915, this year I am celebrating 100th anniversary. Let me tell you what a great gift I just got! It`s a family of almost 300 letters and symbols suprematic as suprematic can be - shapes, form attacks, booms and even hashtags! All under the name of Malevich Font. Isn`t it a great present for my anniversary? Thank You BBDO Ukraine

Every Weight of font can create relevance for any purpose and feel, RELEVANCE is a geometric grotesque sans serif typeface that was created to connect that. done with modern appeal to blend with modern needs. Ranging from extra light to black weights, Relevance offers many possibilities to be applied in many graphic or editorial projects. The lighter weights are suitable for short paragraphs, and the heavier weights are perfect for headlines, perfectly suitable for display purposes such as book covers, web headlines, branding, or editorial.

Realtime Text Rounded is the proportional alternative to the monospaced Realtime type family. Nevertheless Realtime Text Rounded includes a monospaced design already built into the font. It is employable through OpenType by activating alternate characters. Realtime Text Rounded is a technical yet friendly design with details that serve function and visual impact alike and lends itself to tabular designs, sturdy columns and tidy layouts. It comes in five weights, from light to black, and with a character set that covers over 200 latin languages.