Ruutu is a square but queer font presenting odd faces. Supports multiple tongues.

A great headline face very bold and graphic. Not recommended for small sizes!

The Chic font is a headline face ideal for packaging, posters and signs.

A Rough Face Updated in 2022 to include an expanded range of typefaces

A Bold Powerful Geometric design. Great headline face; works well in many applications.

A powerful yet happy look. A great headline face with a distinct look.

Banyan utilizes dramatic brush strokes to create a paradoxically strong yet delicate face.

Gerry Powell’s revival of the condensed and elongated Fat Face, cut for ATF.

Pine Nuts-United is the little sister of the popular "Pine Nuts" and "Pony Tale" family fonts. It's a connected (United) version with some new ligatures, stylistic alternates and alternate glyphs, small-caps are also included. See the 'Pine Nuts', 'Pony Tale' and 'Pony Tale Pro' versions.

Hagenbeck is an old style font face with the intention to get really bold. It's a design from 2019, drawn during a rainy stay in the eponymous district in Hamburg, the designers ‘hood for a long time. There is the bold weight and a decorative stamped version of this font face.

Addison is a typeface that brings together modern western styles with a rustic texture. Between Addison West, with thick block serifs, and Circus, a more decorative face, the two would bring an authentic and unique style to any artwork. The bold faces make a stand and standout for any design concept.

FA Mobie is a contemporary decorative fat face. For use on posters, leaflets, ads.

Lawyerbait was designed to be a clean, light and easy to read display face.

Yngreena is a serifed typeface with calligraphic origins. In updating it in 2011, I began to add alternative letters and reached the point where it made sense to create an alternative family of faces rather than include all the alternatives as part of an OpenType font. The letters K, R, V, W, Y, f, g, k, t, v, and w are tamer in Yngreena Alt. As a result, though it is still a decorative text face, Yngreena Alt is better suited for lengthier blocks of text than is the original Yngreena face.

Heavy techno music, a personal computer, a font creation program and some inspiration had been the sources to the Face 2 Face font series. Thomas Nagel and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine Frontpage" Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages. WhaleTree is a hommage to Walbaum. The word is a gemanized translation where Wal means Whale and Baum means Tree. :-)"

The inspiration for AlbertBetenbuch came from a typeface drawn by Albert Dürer and an interpretation of that face in Arthur Baker’s Historic Calligraphic Alphabets (Dover, 1980). It is not a recreation of either. The characteristic common to AlbertBetenbuch and the faces inspiring it is the decorative zig-zag with the upper-case letters. In late 2018 the inside of the shadowed style was separated out. It looks very much like the plain face but its spacing matches the shadowed version. It can be layered with the shadowed version to easily create two-colored letters.

KampIngriana was originally constructed in 1995-6. It was not constructed to meet any specific purpose but out of curiosity, to see what the result would be if two quite different faces were blended. KampIngriana is the offspring of Ingriana, a friendly, soft face, and KampFriendship, which mimics a serifed face drawn by hand. The original blending had many oddities that I did not clean up until 2020. It originally had five styles: regular, italic, bold, bolditalic, and extrabold. Medium, mediumitalic, semibold, semibolditalic, and extraboldItalic were added in 2022.

Doncaster is a bold display face which emphasises legibility and clarity. The seven typefaces have a timeless quality, making them equally at home today or even in Victorian inspired design work. All of the faces are ideal for poster work, signage or for really eye-catching but not ostentatious headings and titles.

Satellite PT started out as an experiment. Wanting to explore the geometry of using angles instead of curves, I started sketching out the face using grid paper. I had seen similar fonts that tended to be completely symmetrical. My exploration tended to include what I humorously call 'faux humanist' elements, such as asymmetrical bowls, tapers and 'flare-serifs' (for lack of a better word) for select terminals. The result was a quirky and interesting face at display sizes. However, at small sizes, as ink bleed starts to take over, the angles disappear in favor of the overall forms (rounded bowls, etc.) and the 'faux-humanist' effects start to mimic modulation found in more traditional, modulated text faces. While it is hardly a true text face, the result is surprising legibility at text sizes.

Carousel is a fat faces display type designed by Gary Gillot in 1966. Fat faces were offshoots of the modern, or Didone, typefaces that were de rigueur during the early 1800s. These fat faces were among the first typefaces to be used solely for advertising purposes. Naturally, they were always used in larger point sizes, in display functions. Carousel could be called an optimization of these old advertising typefaces. With high x-heights, ultra contrast between thick and thin strokes, and perfectly engineered drawing techniques, Carousel is a highly crafted typeface. Give it a spin in your next advertising campaign! Carousel's fine thin strokes are very graceful in their appearance, and lend a strong, yet soft, feminine feeling to anything they touch.If you like Carousel check out wearing Annlie, another fat face from 1966."

EXCLUSIVE! Read all about it! The latest scoop from Comicraft is sure to be in all the newspapers today! The Times are a changin' -- comic book letterers everywhere can say a font farewell to typesetting the front pages of Planets and Bugles in Helvetica, Verdana or Gill Sans! Superhero's Pal, Johnny "Roshell" Olsen, was up all night writing copy for the late-night edition, making sure that your newspaper headlines and copy have a warm, pen lettered look... some might say a Rosen-glow! Put a little Extra Extra in your bylines and maybe there's a Pulitzer and an Eisner in your future! Not ready to purchase? Get ExtraExtra Engraved free with any purchase, or by subscribing to our newsletter at the bottom of this page. Features Seven fonts (Regular, Italic, Bold, Bold Italic, Heavy, Heavy Italic & Engraved) with upper and lower case alphabets.

A lovely script face remastered from found drawings, great for antique, vintage and romantic designs.

A bold new look great for magazines and paperbacks a strong yet beautiful headline face.

An open, evenly spaced book face designed for quality headlines and enhanced readability in text.

Cute emoticons showing a variety of smiles, frowns, and faces and words reflecting those emotions.

A unique serif face with a happy look; great for kids books or fun ads.

Jasper is a script face drawn with a broad nib suitable for a handwriting impression.

A beautiful very bold serfi face, formal legible design, with matching Italic, Powerful yet elegant.

A heavy blackletter; Rudolf Koch’s first type from 1909. On an old page full of type specimen from the 1930s, the type is described as ”Schwabacher (used by the Deutsche Reichsbahn [German Imperial Railway]).“ As a matter of fact, it is the first print of the Offenbach script master Rudolf Koch, who came out with this typeface in 1909. At that time, it was given the name ”Neudeutsch“ (New German). Later, it became very popular under the name Koch-Schrift, and was at times the official typeface of the Deutsche Reichsbahn (German Imperial Railway).

The Clog font family is represented by four different outlines - Normal, Open Face, Shadowed and Engraved. Each of them could be your best choice when designing a wine label, package or magazine headline. By using Open Face and Shadowed outlines you will discover how easy it is to produce unique design of its own style.

Darling, you don’t just look GOOD, you look FANTASTIC! IRRESISTIBLE! IMMACULATE! Those soft curves, those sharp lines, those INLINES... that MAGNIFICENT symmetry. This is a face that could launch a thousand spaceships, a face that doesn’t care if you feel good, because Heavens to Betsy, you LOOK good. Just utter those magic words: Simply Marvelous.

Yefimov Serif is a contemporary serif face, with low contrast, squarish shapes of round glyphs and emphasized businesslike nature. It is one of the last original faces by Vladimir Yefimov. Yefimov Serif will suit perfectly for business texts, periodicals and corporate identity. The typeface was completed by Maria Selezeneva and released by ParaType in 2014.

Fun Signs JNL comprises twenty-six humorous signs from a 1930s-era sales list of products manufactured by the Koehler Sign Company of St. Louis, Missouri. Koehler manufactured a large line of stock cardboard "Blue Signs" (presumably blue backgrounds with white lettering) and alongside the many standard phrases used by various businesses was a list of funny sayings. Such placards were bought by merchants to either evoke interest in their services (such as in a bar or restaurant, or jokingly comment on their business policies (as in credit billing). These novelty signs are a fun addition to a flier, ad, web page or announcement and will leave your readers smiling.

Madre Script is a typeface that experiences adopting two building models: the typographic (with repetition of shapes) and the script (with the freedom of writing). The models are presented in a subtle, unobtrusive way and mainly without conflicts. The essence of each personality is present, coexisting harmoniously and enjoying the same stylistic space. After careful evaluation of the connections between characters, intelligent standards have been established for use of the ‘Contextual Alternates - calt’ OpenType feature, that used together with the ‘Ligatures - liga’ feature, offers a gentle and friendly pace. Madre, is therefore, a discreet, near silent ‘scriptypography'. It is the ideal choice for editorial, packaging and branding.

LD Charlie Clown is an enjoyable scrapbooking font that can put a smile on anyone's face.

A face designed specifically to complement celtic decorated capitals and based on text from the book.