Mercadillo is a casual script typeface based on the hand painted signs you can see in markets, shops and bars. Comes in 4 different weights (Black, Bold, Regular and Light) and it has OpenType features.

Arkana is a new bold, retro script. It is very suitable for advertisement products, branding materials, business designs brand, quotes, posters, t-shirt and more! This font are perfect for all brands. Happy Designing, Haksen

Transylvanian punchcutter Nicholas Kis cut a leading figure in 18th century Amsterdam. Series of his matrices survived at the Ehrhardt typefoundry. From these Chauncey Griffith at Mergenthaler cut the Janson series in 1936. Morison at Monotype followed with Ehrhardt. David Berlow takes full advantage of current techniques to produce these splendid and adventurous display series to complement one of the great oldstyle texts; FB 2007

The Bauer Typefoundry first released the Beton family of types in 1936. Created by the German type designer Heinrich Jost, the present digital version of the Beton family consists of six slab serif typefaces. First developed during the early 1800s, by the 1930s slab serif faces had become one of many stock styles of type developed by foundries all over the world. Because of their distance from pen-drawn forms and their industrial appearance, they were seen as “modern” typefaces. (Their serifs kept them from being too modern.) The first slab serif typefaces were outgrowths of didone style text faces (e.g., Walbaum). As newspapers and advertising grew in importance in the western world (especially in “Wild West” America), type founders and printers began to create bigger, bolder typefaces, which would set large headlines apart from text, and each other. Through display tactics, businesses and industry could begin to visually differentiate their products from one another. This craze eventually led to the development of monster sized wood type, among other things. By the 20th Century, the typographic establishment had begun to tame, categorize, and codify 19th Century type styles. It was in the wake of this environment that Jost developed Beton. The Beton family is a type “family” in a pre-1950s sense of the word. Although six styles of type are available, only four of them fit in logical progression with each other (Beton Light, Beton Demi Bold, Beton Bold, and Beton Extra Bold). The other two members of the family, Beton Bold Condensed and Beton Bold Compressed, are more like distant cousins. They function better as single headlines to text set in Beton Light or Beton Demi Bold, of as companions to totally separate typefaces.

Product Description Beauty Retro Font is a Retro Script Font with a Bold style. It's perfect for branding, wedding invitations, photography, Neon Sign, bloggers, logos, greeting cards, Logo, Quotes,Poster and more. Font Features : - Uppercase - Lowercase - numeric & Multilingual support - Stylistic Alternates with (Ss01, SWASH and Ligatures) All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign).

handwritten decorative variable font A few fonts already exist which have been drawn in accordance with the exact same principles. But these are just drawn - only drawn. The ANATOLE FRANCE retains the hand script character in spite of its stringent composition. An old portfolio of script patterns from the 1920s or 1930s, which appeared in the Georg D. W. Callwey Publishing House in Munich, includes among its pages one with a handwritten poster script, as was very typical for the 1920s. To begin with, there is the emphasized decorative character, which stands out due to stressing the stems. Next, the attempt to portray the character forms with the help of a few but always recurring basic elements is driven to the limits. Theoretically speaking, that which should have led to a contrived, geometrically determined type, obtains a likeable and pleasant look through the ductus of the manually guided brush. The classic version of ANATOLE FRANCE includes 5 fonts: Light, SemiLight, Normal, SemiBold, Bold. The variable font allows seamless font weights from 300 (Light) to 700 (Bold). Alternate letterforms are available through the appropriate OpenType features: style set 1 (O Q V) style set 2 (v w)

Alderney is a friendly font family in three weights, Light, Regular and Bold, designed by Stephen E Rowe for the foundry Fontelan. It is a gentle script crafted for more relaxed display needs, but, being oblique in character, it gives an air of excitement to many projects, especially in all caps situations. Unlike many scripts, the capitals can be successfully used as a great display option. All glyphs have a smooth curve and a broad, flowing, low aspect. The light version lends itself to airy design possibilities, again, especially when the caps are used for display purposes. The regular version is a well balanced script that remains spacey and elegant, and the bold version is excellent for a display that suggests excitement.

Heading Now is the new incarnation of Heading Pro, developing the original typeface family designed by Francesco Canovaro for Zetafonts into a superfamily with 160 variant combinations. Built around 10 different widths, ranging from ultra-compressed to ultra-wide, and eight weights from thin to heavy, Heading Now provides a full spectrum of sans serif type solutions to your design problems. Born as a space-optimizing typeface for headers and titles, Heading Now can be used in its compressed widths to manage space on the printed page and on the screen. In these widths Heading Now excels in titles and subheadings, timetables, infographics and in situations of exuberant and excessive copywriting. On the other side of the width spectrum, you can find extended width variants, ready to be used for titling where style and energy matter more than pixel or paper economy. Heading family is not only made of extreme widths: you can use the medium width range to design body text. Matching italics provide versatility in text use, as well as a dynamic display alternate to the bolder weights. Heading Now keeps the original design of Heading, but extends the width and weight range while keeping its (post) modernist attention to readability and details. Each Heading Now font includes over 1100 characters with coverage for 200+ languages using Latin, Cyrillic and Greek alphabets. A full array of open-type features is included in each weight featuring also stylistic alternates, small caps, old-style and tabular numerals and positional figures. • Suggested uses: born as a space-optimizing typeface for headers and titles, Heading Now can be used in its compressed widths to manage space on the printed page and on the screen. Perfect for contemporary branding, web design, packaging and countless other projects; • 162 styles: 8 weights + 8 italics x 10 different widths + 2 variable fonts; • 1100 glyphs in each weight; • Useful OpenType features: Access All Alternates, Small Capitals From Capitals, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Standard Ligatures, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Small Capitals, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Subscript, Superscript, Tabular Figures, Slashed Zero; • 220 languages supported (extended Latin, Cyrillic, Greek alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Irish, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük;

Sonora is a brandnew profonts script typeface family supplied in the new OpenType Pro font format. Sonora contains six styles as light, medium, bold and the corresponding italics. The character set covers about 1.500 glyphs for the complete Latin character set (West, East, Baltic, Turkish, Romanian), and a huge number of handmade ligatures and alternates to make it a perfect OpenType Pro connecting script. Sonora is a very distinguished, elegant and versatile, intentionally non-slanted script font.

Santa Fe is a profonts script typeface family supplied in the new OpenType Pro font format. Santa Fe contains six styles as light, medium, bold and the corresponding italics. The character set covers about 500 glyphs for the complete Latin character set (West, East, Baltic, Turkish, Romanian), and a large number of handmade ligatures and alternates to make it a perfect OpenType Pro connecting script. Santa Fe is a very distinguished, elegant and versatile, intentionally non-slanted script font.

Steclo is a semi-closed narrowed display sans-serif typeface with pronounced technical character. It comes in 9 weights from Thin to Black accompanied by corresponding oblique italics. Steclo features rich language support including pan-European Latin and basic Cyrillic glyph sets.

Matrice is a sans serif (Semi Extended) display font family in 8 weights plus matching natural italics. support 75+ Languanges (Latin Based) influenced by the grotesk typefaces developed in the early 20th century, perfect for branding (Identity), logotype, headline text, and caption.

Evening Sans is a slightly more formal, upright version of sibling font Morning Sans, most effectively used in small-to-medium sizes for print material. Its semi-condensed width and large x-height add to its legibility, particularly in long blocks of text.

Introducing a new retro bold script called Rockadelic. Bring back to the 70's era Rockadelic inspired by posters and album covers of funk, disco and rockabilly music with bold and fun style. Rockadelic comes with OpenType features such stylistic alternates, stylistic sets, swash & ligatures and is good for logotype, poster, badge, book cover, t-shirt design, packaging and any more.

Merijola is a fresh and bold script font with a lot of personalities. It’s cute and bold, This will give a beautiful impression that stands out for your designs. Merijola makes a friendly feel to any design project! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures.

The font Kyiv is an attempt to unite old-style antiqua with the Ukrainian tradition and modern requirements. Besides having usual italics the Renaissance tradition of "semi-italics" renewed, compact weights are also provided. Special charm is added by decorative motives of chestnut leaves and flowers. The weights are included in a way to promote the solution of various tasks both text, and an accidental set in various combinations. The font Kyiv was awarded the 2nd prize in category of text fonts in the first Ukrainian typeface competition Ruthenia in 2010.

The Anthelope is a retro bold script with groovy style. The Anthelope is perfect for retro lovers and it is perfect for branding and logos such as, barbershop, motorcycle club, clothing, coffee shops and much more!

Marborn Bold Script Typeface modern suitable for your design needs. This font is suitable for designs such as logo designs, t-shirts, branding, social media posts, thumbnails, mugs, tupperware, tote bags, and various other design purposes.

Medinah is a stunning and bold script, completely suitable for a large number of designs. This font will leave you breathless, and give all your designs the impact they need to stand out from the crowd.

Bunaken looks bold, yet sophisticated and features chunky and extended characters that will look particularly adept when used in logos, branding, packaging design, and much more. This masterfully designed brush script is a true must-have.

Mentari a brush script typeface, bold and elegant, with several alternate characters in each letter to give you ease in accomplishing the work of typographic such as logotype, poster, headline, T-shirt and other creative projects.

Pendragon is one of our favorite font we have made. It’s sweet and bold script font that will useful for any typography project. Pendragon supports multilingual characters and easy to use in any device or program.

Glaster is a beautiful calligraphy typeface with a distinctive style of its own. It is a bold and elegant script font. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Under Weak is an amazing and bold script, suitable for a large number of designs. This font has two styles, clean and rough. With two styles, you can choose according to the project you're working on.

Designer Notes Pro solves a design problem. When you are looking for that ‘handwritten’ look? Now you can typeset your handwritten notes using Designer Notes Pro. This font matches the look of a handwritten note, a diary entry, post-it note or sketchbook comment. The letter shapes are based on handwriting created using a Pilot Precise V5RTpen. There’s something special about how it puts ink on paper. This font falls in the script/handwriting font style. Designer Notes Pro Includes 4 versions: regular, italic, bold and bold italic. 4 font family includes Designer Notes Pro regular, italic, bold and bold italic -Mac & Win TrueType (.ttf) -Classification - script/handwriting -Each member of the this font family is a full Latin set of 228 characters/glyphs -Letters A-Z and a-z -Numerals 0-9 -Complete punctuation -Latin language glyphs -Mathematical symbols -Careful spacing and kerning

Introducing, Briberra - Realistic Rough Bold Script! Briberra is hand lettering script font that contain stylistic alternate, swash, etc to create your own customized design. You can using this font for quotes, t-shirt design, or whatever you want. This font is support multi language. Support PUA. PS: Type underscore + number (from 1 to 5). Or copy Brib_3erra in preview bellow.. Thank You!

exotex is a script font created in a bold style at the bottom defined by smooth curves, clean lines, and the finest smooth strokes. Graceful and subtle in its most basic scripted form allows users to elevate their designs to higher levels of aesthetic beauty and elegance. This font is perfect for branding, writing headlines, magazines, and all kinds of your creative work.

This family consist of two fonts, the main script font and complementary sans font which is perfectly matched with the script font. This font is suitable to use as a logotype / wordmark / label, etc with its unique and bold characters makes it stand out from the crowd. This font is comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, and swashes.

The Adhellia Script is a hand lettered script font. It has a bold and smooth style and is perfect for making any design stand out. Best suitable for branding, packaging, print titles, tshirt design, food design, and similar projects. I created more than 70 stylistic alternates and some natural ligatures to make this font very classy and look so beauty.

Are you ready to travel back in time? To a world of neon lights, high-tech logos, and a retro-futuristic style that defined an era? Then you’re ready for Forgotten Futurist. This industrial typeface is the perfect blend of old and new, with a vintage feel that still looks cutting-edge. Its letterforms are inspired by the 1960s and 1970s, when technology was just starting to take off and the world was full of possibilities. But Forgotten Futurist is more than just a tribute to the past. Its rounded technical corners and sleek lines are timeless classics, just as relevant today as they were decades ago. And with ten different styles to choose from, including Ultra-Light, Extra-Light, Light, Book, Regular, Semi-Bold, Bold, Heavy, Black, and italics, you’ll have all the flexibility you need to create a truly unique design. So if you want to add some retro-futuristic flair to your next project, look no further than Forgotten Futurist. It’s the typeface of the future, inspired by the past. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The Millea Leonee is a fashionable and quirky new handwriting font with some sexy and stylish extras. It was created to look as close to a natural handwritten script as possible by including lots of ligatures, and a full set of lowercase alternates. Millea Leonee is a stylish script font that features a varying baseline, smooth line, modern, and with a depth love. For those of you who need a touch of love and modernity for your designs or branding, it can be used for various purposes such as headings, wedding, invitation, signature, logos, branding, t-shirt, letterhead, signage, labels, news, posters, badges, and more. We designed this font with OpenType features to give an artistic touch on it. Millea Leonee includes: -Stylish modern handwritten script -Special Ligatures -Multilingual Support

Bakey is a modern and bold script typeface inspired from 60's and 70's script lettering. With bold high contrast stroke, fun character with a bit of ligatures and alternate stylistic. To give you an extra creative work. This font is perfect for to create logos, branding, stickers, shirts, signs, posters, quotes, instagram posts, procreate designs and more! Note This font is not included with "Shadow/ Extrude", it was created manually for display purposes only. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Hope you enjoy with our font!

Toms Finger Family fonts is a hand drawn sans serif series containing Regular weight (Toms Finger), Bold weight (Toms Thumb), and Light weight (Toms Pinky). Drawn entirely using his finger tip on a tablet Tom created this font to be user-friendly for Notes, Signs, Posters, Ads, Captions or anything where the writer wants to convey a casual, non invasive voice in the copy. Toms Finger Family is legible in a wide range of sizes in all weights.

In 1938, Frederic W. Goudy designed California Oldstyle, his most distinguished type, for the University of California Press. In 1958, Lanston Monotype issued it as Californian. Carol Twombly digitized the roman 30 years later for the University of California; David Berlow revised it for Font Bureau with italic and small caps; Jane Patterson designed the bold. In 1999, assisted by Richard Lipton and Jill Pichotta, Berlow designed the black and the text and display series; FB 1994–99

ATF Agency Gothic was designed by Morris Fuller Benton in 1932 as a lone titling typeface. In 1990, David Berlow saw potential in the squared forms of the narrow, monotone capitals. He designed a lowercase and added a bold to produce Font Bureau Agency, an immediately popular hit. Sensing its potential to be than just a useful condensed face, Font Bureau developed Agency into a major series offering five weights in five widths; FB 1990-95