Here's my new experiment, Second Song. This font breaks the boundaries even more. Now the inscription looks as authentic as possible. Includes: Regular Script Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures

Lakshmi is an elegant and friendly script font. Inspired by brushed typography, it adds elegance, tension and typographic rigour to traditional script fonts. It's identified by its dynamic curves and the softness of its design. Lakshmi is ideal for display use, logotype, headline, packaging and advertising. Lakshmi is designed with extended language support, alternative characters as well as various ligatures and old-style numbers.

The Core Sans G Family is a part of the Core Sans Series, such as Core Sans N SC, Core Sans N, Core Sans NR, and Core Sans M. Core Sans G is constructed of straight, circular or square shapes. These geometric shapes are inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). Every stem is a rectangle or a straight line and every letter, lowercase or uppercase, seems to be in perfect geometric form and even weighted. The small x-height makes readability clean and clear. Core Sans G can be used equally well in headings or in body copy. The Core Sans G Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black), 3 for rounded (Medium, Bold, Extra Bold) with matching Italics. It also includes 4 effects fonts (Outline, Neon, Shadow, Dimensional), Alternate Characters (a,g,t) and a bunch of ligatures. The Core Sans G provides a wide range of character sets to support (Cyrillic, Central and Eastern European characters) and advanced typographical support with features such as proportional Figures, tabular Figures, numerators, denominators, superscript, scientific Inferiors, subscript, fractions, standard ligatures, discretionary ligatures and stylistic alternates. Core Sans G is an ideal font family for use in magazines, web pages, screens, displays, and so on.

Introducing! New Elegant Script Font. Just Sunday! Just Sunday is modern feminine font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: logo, photography, watermark, quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. Just Sunday also includes Regular and Bold, full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation. The font has smooth wet ink texture, so would be perfect for all types of printing techniques+you can do embroidery, laser cut, gold foil etc. Just Sunday has beautiful ligature following : Ju Su St af ah ak al am an as at ay ch ck cl ct dd ef eh ek el em en es et ey ff if ih ik im in il is it iy ll nn oo sh sl ss st tt uf uh uk um un ul us ut uy Contact me if you have any questions: dharmasahestya@gmail.com Thanks! dharmas Std

American Copper Family is a vintage font inspired by an old American motorcycle logo. The logo looks very manly and strong, just like the motorbike. American Copper Script is the dominant one that turns the logo into a font. Whereas the Sans and Block family is a complement to the Script. But all three are a very good unit to be juxtaposed together. American Copper is a font made for you (designers) who love automotives: old cars and motorbikes. Anything related to automotive. Besides these two objects, this font is also very cool for music-themed design needs; rock n roll, metal, rockabilly, and others. Oh yes, Custom Culture is another very interesting thing to be depicted with this font. Workshop logo for example. It will look very unique with Interlock on American Copper Script. Pair it with American Copper Block. And, BOOM! The logo will look very manly. If you are curious, you can download the American Copper Script Demo version to try. Happy Designing. Cheers

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

A font inspired by regime propaganda inscriptions found in Italian institutional and civic architecture of the 20’s and 30’s. Bold, severe lettering, suggestive of pre-war Italian Art Deco and American Depression Modern aesthetics.

The Enagol Math family consists of 4 weight plus True italics. It is a typeface with rounded Slab-Serif of Semi-Condensed proportions. I have composed all the proportions of the character based on a study of mathematical proportions related to the golden sequences of Perrin, Lucas and Fibonacci. From an initial matrix of golden proportions applied in the letters 'H' for capital letters and 'n' for lowercase letters, calculated for the versions of the extremes of the Light and Bold type, below I do the whole calculation of proportions using my formula of three axes and by interpolation I generate the intermediate versions Regular and Medium. For the Italic versions I have drawn a complete set of lowercase letters that give these fonts an aspect close to the Italic writing. In these versions I have also applied many optical corrections to balance the deformations created in many curves by the mere inclination of the letters, which in the case of this type is 11°.

Garlic Salt is a flavorful, hand drawn, serif font family. Drawn with a single marker pen, it has a monoline appearance giving it a distinct mix of whimsical and modern qualities. The semi-condensed propositions are sturdy and space-saving for your layouts. Choose from either the regular weight or a slightly thicker line in the bold weight to suit your needs. It works great set large as a display font to show off the hand drawn texture, but it also is pleasantly readable set in smaller point sizes because of the carefully drawn letterforms. BONUS: Garlic Salt also comes with a free Extras font of matching ornaments and dingbats to complement your designs! Special features include stylistic alternates and swashes to enhance the type to your liking. Those glyphs are also PUA-encoded to make them accessible in software that is not OpenType-savvy. This font has extensive Latin language support.

Josef Týfa first published the Academia typeface in 1967-68. It was the winning design from competition aimed at new typeface for scientific texts, announced by Grafotechna. It was cut and cast in metal in 1968 in 8 and 10 point sizes of plain, italic and semi-bold designs. In 2003 Josef Týfa with František Štorm began to work on its digital version. During 2004 Týfa approved certain differences from the original drawings in order to bring more original and timeless feeling to this successful typeface. Vertical stem outlines are no more straight, but softly slendered in the middle, italics were quietened, uppercase proportions brought closer to antique principle. Light and Black designs served (as usual) as starting points for interpolation of remainig weights. The new name Academica distinguishes the present digital transcription from the original idea. It comprises Týfa’s rational concept for scientific application with versatility to other genres of literature.

Notte Alexia Serif & Script an old-fashioned font that has been rewritten in a modern style combined with unique ligatures and beautiful and attractive swirly, making this font even more energetic and paired with a very beautiful Script so that it looks more dynamic. Note Alexia Serif & Script,can be used for various purposes such as Magazine Title, Poster, Logo, T-Shirt, Sub Title, Business cards, Magazines, Book Covers, Wedding Invitations,Templates Instagram Story Post, Greeting Cards, Quotes, etc. Features: Stylistic Alternates Swashes Titling Alternates Stylistic Set Standard Ligatures Thank You Very Much.

Introducing Luckystrikes, a handwritten script-font inspired by a poor amount of characters in the 1950-style advertising of the well-known American cigarettes. Kustomtype redrew this font with a very clear and cool old-script style. This font is great for all your creative projects. Luckystrikes comes with uppercase, lowercase, numerals, punctuations in script so you can use it to customize all your designs. Perfect to use for Logos, Letterhead, Poster, Apparel Design, Package design, Label design etc. Luckystrikes is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry.

Inspired by circus billboards, old west posters and torn paper constructs, "Lonely Cowpoke" is an oddity of bold graphic forms and cheerful curving lines. Revelling in its own quirky nature, this playful font lightens up any mood.

Station is a bold headline typeface inspired by old Train Station type and graphics. It can be used in a modern and retro way, and its different patterns and styles give a unique look to any design.

Nockwell font - Psychedelic liquid decorative font, which works perfectly for bold titles, Festival posters, as a graphic element for bright T-shirt or hoodies, or even backgrounds! This weird and ugly font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas! Features : - Lowercase & Uppercase ( All Caps ) - numbers and punctuation - Ligature - multilingual - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Fox was originally designed by W. Rebhuhn for the former German Genzsch & Heyse foundry. In reminiscence of the good old times, Ralph M. Unger redrew and digitally remastered this font in 2007. His work is based on artwork taken from old font catalogues. Fox is a very lively script, quite typical for the 50s

Polias is an all-caps uniwidth typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great's inscription, only that this is its first datable appearance.” The letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias is one of the seven typeface designs in Esintype's ancient scripts of Anatolia project, Tituli Anatolian series.

Polias Varia is an all-caps uniwidth variable weight typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great’s inscription, only that this is its first datable appearance.” In Polias Varia, the letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias Varia is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias Varia is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias Varia can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias (family) is one of the seven typeface designs in Esintype’s ancient scripts of Anatolia project, Tituli Anatolian series.

Creolia is a bold rounded serif typeface in modern and classy style. OpenType features include old style figures and ligatures. Creolia is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc. Features: Basic latin alphabet A-Z 56 Ligatures & Alternates 112 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Enjoy Creolia!

Subikto One is the first of a series of pictograms from Subtitude foundry. We've create a multitude of hand positions and combinations. Each hand express a unique gesture.

Duffle Bag JNL continues Jeff Levine's series of stencil fonts. Most are from authentic, vintage sources; this one is an original... and with a sports theme to boot!

This is a series of elegant ormnaments created for Valentine's day. Each ornament is designed with care to ensure that it can be used at the largest sizes.

Guess is a versatile, connecting script, designed to convey elegance and style. It is slender, feminine and friendly, let alone sexy. Guess will work perfectly for fashion, e-commerce brands, trend blogs, or any business that wants to appear classy and chic. The font is ideal for high-end logotypes and magazine headlines, but let’s not forget greeting cards, invitations, posters, ads and the various web usages. When it comes to the glyph set, well, Guess Pro has quite a lot of that (2500+ glyphs) - think multiple languages and tons of swashes and stylistic alternates to unleash your creativity. For all pragmatists out there, there is also a basic version of the font with an extended latin glyph set (no swashes, contextual alternates or stylistic sets). Last, but not least, Guess comes with a neat geometric sans in capital letters, which makes a great addition to the script, and a set of beautiful ornaments and borders that complete the whole look with a bang.

XXII CoolScript - The vibrant typeface with a ton of alternates MAJOR UPDATE This is a big update of XXII CoolScript. First of all, from now it’s a whole family with 7 new weights from ExtraThin to Black. It comes with more than hundred additional glyphs, some more alternates, ligatures, numerals and fitting opentype features for fractions and two extra ampersands. This lovely script font by Lecter Johnson is another, more soft and round one in the series of Doubletwo Studios’ script fonts (XXII YeahScript, XXII AwesomeScript). Its wonderfully designed letters, ligatures and alternates may bring a charming and individual handwritten look to your creation. This fonts are designed to easily create logos, headlines and text phrases within a blink of an eye. Just open your glyphs-palette* and simply chose, from up to 27 different alternates and variations per glyph, the one that fits best for your needs. *For further information visit the Behance Project.

Meposa is more than just a typeface; it is a bold statement of individuality and creativity. It’s a unique, tough, and quirky design that defies convention. Meposa’s mixed-case letters with open apertures deviate from the traditional roots of wood-block typography, bringing a fresh and modern twist to an old-school classic. This hybrid typeface is an amalgamation of various design elements from different eras and cultures. The result is a unique and mesmerizing typeface that defies categorization. Meposa also draws inspiration from the 1970s custom van culture, where artists and designers would showcase their creativity by customizing their vehicles with bold and colorful graphics. This typeface channels that same spirit of creativity and individuality, inviting you to break the mold and think outside the box. With historical wood type influences, Meposa pays homage to the timeless and authentic craft of typography. Yet, it also features retro-tech and modern design elements, resulting in a truly one-of-a-kind typeface that bridges the past and the present. In summary, Meposa is a unique and tough display typeface that is both historical and modern, quirky and bold. Its mix of design influences makes it an ideal choice for anyone looking to break the mold and stand out from the crowd. Whether you’re a graphic designer or a creative professional, Meposa is sure to leave a lasting impression. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Mi negra is a funny and hilarious typography designed especially for children, thought and created by Isabel de Gregorio. It could be described as an original combination between a semi-handwright and semi sans-serif font. Thanks to its structure and nice endings "Mi Negra" is recommended for composing short texts (logotypes, packing, posters, etc.). It may similarly be used for illustrations and comics, as well as in printing press works for children from 6 to 13 years old for instance. Mi Negra has been conceived to be a useful support in all kinds of illustrations works (please note that Isabel, the type designer, considers herself primarily an illustrator). The font designer of Mi Negra tells that every time she needed to provide some text data (i.e. in children infographies) and needed to make them more understandable and suitable for children, she used this typography. The former idea was than to create a font who could be a second option to comic sans, but as the project started to reveal its forms, it was clear that it was revealing another connotation and its own character. In this way, Mi Negra went on modifying its forms and the more it developed, the more it was showing its new characteristics and concepts. The family is composed of three weighs: Light, regular and black. It provides also interesting functional ligatures. It also includes a dingbat with nice doggies. It has 434 characters and can work with 208 languages.

A bold and beautiful handwriting - perfect for setting personal and meaningful messages. Some glyph shapes and stroke thicknesses has been normalized (to make the text more even), and I have added some kerning - not too much though, I wanted to keep the liveliness of it. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

insigne returns to Aviano’s classically inspired forms with this sans serif variant. Wide and geometric, Aviano Sans is perfect for any job that calls for a chic and dignified sans serif as seen in this demonstration video. Aviano Sans has consistently topped insigne’s best-seller chart for more than seven years, earning its stripes as an expressive and versatile typeface that belongs in any designer’s tool chest. Aviano Sans' five weights of Regular, Thin, Light, Bold, and Black include 42 Art Deco-inspired alternate characters that can turn you and your project into a force to be reckoned with. The typeface family also includes 40 unique ligatures that add a bit of swagger to this serious sans. insigne released the first Aviano in early 2007. Its beautifully drawn extended letterforms were a hit with designers, and Aviano quickly became one of insigne’s most popular offerings. The simplified variant of Aviano Sans followed soon after, paring down the structure around the core concept. The Aviano series continues to develop further today with new variants on this classic form. Be sure to check out the rest of the Aviano series, including Aviano, Aviano Serif, Aviano Flare, and Aviano Contrast.

The most notable characteristic of this typeface is that it has a compact and regular shape that is slightly condensed but fluidly connected. Its glyphs emulate the look of handwritten, inked characters. Their exuberant graphic strokes and sharp edges maintain the influences of printed types produced by mechanical processes. Unlike most of the italic type of today, the capital letters are as high as the ascending lower-case letters. The brush script style (Originally designed in 1942 by Robert E. Smith for the ATF) inspired many contemporary and beautiful typefaces, such as Wisdom Script, Mission Script, Marketing Script, Motion Picture, Thirsty Script, Lauren Script, Deftone Stylus and many others. This font has more than 700 glyphs, Central European languages support, including Open Type features, swashes, and contextual stylistic alternates. It also includes old-style figures, discretional and standard ligatures, is case-sensitive and has a set of tails and ornaments.

Adela Script is modern calligraphy. Bold, elegant & fun vintage script font. Can be used for various purposes such as logos, wedding invitations, t-shirts, letterhead, signage, news, posters, badges etc. Adela Script features glyphs and alternate characters, ligatures, swashes, and multiple language support. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. How to get access to alternative glyphs from open type fonts: http://youtu.be/iptSFA7feQ0 There are additional ways to access alternatives/swashes, using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Multilingual, semi-connected​ display brush script, Nagamaki is perfect for logos, food packaging, menus, labels, apparel, advertising, cards, branding and more. Nagamaki comes with a set of lowercase swash alternates, ligatures and ending terminals. Inspired by my writing created with Pentel Touch Brush Pen and polished into clean forms, it’s stroke endings on letters like l or t reminded me of Japanese Katana swords. After researching the swords I named the font Nagamaki, which is a type of Katana sword with an extra long handle. It works well in smaller sizes and for more text but it shines in medium to large point sizes. You can access all the OpenType features through Adobe, Affinity and other similar software. With a couple of defining features like double story lowercase g and alternate lowercase r it makes a perfect choice for giving a little character to your designs while keeping everything nice and neat.

The Wall Street Journal commissioned the original version of Escrow. Cyrus Highsmith designed forty-four styles in this new Scotch series, which sets the tone of the front page of the Journal, envy of the newspaper industry. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

The pages of a vintage sign painter's manual yields many interesting typefaces that reflect on the design styles of years gone by. Eckhardt Display Serif JNL is a distinctive, hand-lettered serif face that has a hint of Art Noveau. Part of a series of sign painter's fonts named in honor of the late Albert Eckhardt, Jr. who owned Allied Signs in Miami, Florida, Jeff Levine continues this series of fonts in tribute to his friend and the art of sign lettering.

Estravaganza is an elegant, finely crafted script, with an uneven, drizzled paint line. It has the delicacy of gossamer while boasting the extravagance of bold swashes and loops. Think "ballet-like femininity offset by the distressed paint drizzle of a jackson Pollock canvas." Use Estravaganza to brand perfume, clothing, jewelry, and to enhance wedding invitations, greeting cards and book covers. Language support includes all European character sets.

Brookley is a hand-crafted, monoline script typeface designed to add a beautiful, modern touch to your designs. Available in 3 weights: light, regular and bold. Brookley comes with 372 glyphs including uppercase, lowercase, numerals, punctuation and includes OpenType alternates and ligatures for easy customization. It's perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, and invitations.

Introducing, Royalti Opulance - a standout bold script with simple sans in one typeface. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded