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  1. Valuxe by Gholib Tammami, $14.00
    Valuxe — modern and minimalist sans serif. This font pairs well with a basic font like Arial and any script with an elegant style.
  2. Shadowy by Kavoon, $15.00
    Shadowy Script is modern calligraphy font. It is perfect for branding, cards, gorgeous logos, posters, wedding invitations, blog posts, social media, and more!
  3. Concinnitas by Corien’s Handwritingfonts, $24.00
    Concinnitas (Latin for 'neatness') is a very neat print handwriting script. It's a light weight very easy to read, yet elegant handwritten font.
  4. Bea by Autographis, $39.50
    Bea is my Racetrack-Script. I call it that, because it gives the impression of speed. No lingering around with this font. Zaaanggggg!!!
  5. Mondaine by StereoType Fonts, $39.00
    Mondaine is a clean script font with a touch of lettering style. Have fun with a ton of special endings and contextual ligatures!
  6. Ultimate Victory by Epiclinez, $18.00
    Ultimate Victory is an authentic handwritten brush typeface. This textured script font is suitable for posters, magazines, apparels, movie headlines, packaging and more.
  7. Brownies by DawnCreative.Id, $9.99
    Brownies script will be a good thing for your design and matches well for uses ranging from wedding invitation, bakeries, and much more.
  8. Ivy Ivy by Daylight Fonts, $150.00
    This is a groundbreaking font that combines Caslon Italic and script. You can achieve an advanced typography that is elegant, delicate and powerful.
  9. Something Beautiful by IRF Lab Studio, $11.00
    Galista is a modern and casual script font. It has beautiful swashes and it’s perfect for logos, wedding invitations, branding and much more.
  10. Gathenbury by Viswell, $14.00
    Gathenbury is a playful and fancy script font with a serious vibe. Use it to add an authentic charm to any design project!
  11. Xesy by Dharma Type, $19.99
    Odd and funny script for happy, fun time. There are two other fonts designed by in the same concept. -Ekistra -Deluta Black -Xesy
  12. Laudiea by Nissa Nana, $19.00
    Laudiea is a beautiful script font with a classy, elegant, and modern look. It will add a handwritten touch to any design project!
  13. joeHand 1 by JOEBOB graphics, $-
    JoeHand was one of the first scripts by JOEBOB graphics. A complete character set with numbers and most (but not all) special signs.
  14. Sunfort by Maulana Creative, $14.00
    Give your designs an authentic handcrafted feel. Sunfort Signature Script Font is perfectly suited to stationery, logos and much more. Many Thanks! MaulanaCreative
  15. Buttersoy by Maulana Creative, $15.00
    Give your designs an authentic handcrafted feel. Buttersoy Beautiful Handwritten Script Font is perfectly suited to stationery, logos and much more. Maulana Creative
  16. Schoko by Hubert Jocham Type, $29.90
    Schoko is a brush script headline typeface. It is elegant and still clear and self-confident. Ideal for food packaging and product branding.
  17. Thefrost by Maulana Creative, $11.00
    Give your designs an authentic handcrafted feel. Thefrost Modern Script Font is perfectly suited to stationery, logos and much more. Many Thanks! MaulanaCreative
  18. Ongunkan Greek Athen by Runic World Tamgacı, $45.00
    It is the athenian version of the ancient Greek script. Ancient Greek numerals are included. It's not Unicode, it's a Latin based font.
  19. Julio by Authentic, $39.50
    Julio is designed in the best tradition of English scripts. It comes in very handy if you want to have an elegant touch.
  20. Vacation Monogram by Selvia Design, $15.00
    “Vacation Monogram” is a script font combined with a monogram. This monogram is decorated with forms of tourism and traveling around the world.
  21. Jess by Epiclinez, $18.00
    Jess is an authentic stylish script font. This handwritten beauty is suitable for high-end, sophisticated branding or for simple, memorable Instagram quotes.
  22. Skeleton Slab by Studio K, $45.00
    Skeleton Slab brings a new elegance to a classic form. I was thinking of calling it Ozymanidias, after Shelley’s poem, because it evokes memories of ancient runic inscriptions, but then I thought that was maybe a bit pretentious, and I decided I'd keep it simple and descriptive. Besides, I wasn't sure how to spell Ozymandias! Skeleton Slab has small caps in place of lower case.
  23. Sign Letters JNL by Jeff Levine, $29.00
    A few scant examples of some condensed Roman style water-applied decals inspired Sign Letters JNL. The decals were once part of the gold and black "Signmaker" letters and numbers once manufactured by the Duro Decal Company of Chicago and were sold through hardware and variety stores across the country. The condensed letters (which were eight inches in height) did not sell as well as Duro's mainstay sizes of 1/2 inch to 3-1/2 inches and were discontinued long before the rest of the line was supplanted by self-adhesive lettering.
  24. Vincenza Display by The Rare Form, $35.00
    Vincenza Display is a modern high-contrast semi-sans with sharp edges and sleek curves. A distinctive typeface for exquisite headlines. Winner, Gold Award, Graphis 2018 Typography 4. http://www.graphis.com/entry/f6b469fe-c5d3-4bea-87e3-796c1d727b3c/ We felt there was a missing in the world of fashion-forward high-contrast typefaces, so we created Vincenza Display. Based loosely on the proportions of Bodoni, Vincenza features stylized curved descenders and unique semi-serifs, bringing a bold and distinct look to your headlines. The typeface has several alternates and ligatures, and is spaced for all caps as well as sentence case executions. It also contains a robust number of special characters. Vincenza Display is the debut typeface from the team at The Rare Form.
  25. Tavern by FontMesa, $25.00
    Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.
  26. Chalky Letters by DimitriAna, $22.00
    Chalky Letters is a multilayered font collection, created for the chalk-lettering lovers. Letters and ornaments are carefully hand-drawn to resemble the authentic chalk effect. 4 different vintage typographic styles along with a variety of decorations and shadow effects make endless combinations. The collection gives the designer the freedom to use it in any typographic project he can imagine: greeting cards, labels, large scale prints, branding, packaging, signage, editorial design. Typographic styles: Chalky Letters Heading: All caps, old fashioned, serif, with 2 styles of decoration and shadow effects Chalky Letters Label: All caps, heavy, serif, vintage, solid and outline, with 4 styles of decoration and a shadow effect Chalky Letters Script: Simple modern calligraphic with terminal forms and 2 alternate styles of descenders. Combined with a shadow effect. Chalky Letters Note: All caps, simple, thin, old fashioned, with a shadow effect Chalky Letters Extras: 2 styles of ribbons, frames and ornaments. The font collection supports Central, Eastern, Western European, Baltic, Turkish and Greek languages.
  27. San Remo Casual SG by Spiece Graphics, $39.00
    Now is a great time to dust off your old motor scooter and take a ride along the Italian Riviera. Let’s head to the flower city of San Remo, Italy - the namesake for this versatile, 1950s style script. Try San Remo on your next brochure or flyer project. You may want to consider using it to create a special logo or icon for your personal stationery. It’s perfect for any job that requires linked or connected letters. And for your convenience, this dashing design sports a variety of alternate characters plus lining and old style figures. San Remo Casual is also available as an OpenType font. It contains lining and oldstyle figures, prebuilt fractions, stylistic alternates, and a wide assortment of f-ligatures, plus more. These advanced features currently work in Adobe Creative Suite InDesign and Illustrator. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades. Ciao!
  28. Newercastle by Chank, $49.00
    Newercastle is the new incarnation of a popular Chank font formerly known as "Newcastle". A consistent fan favorite since its initial release in 2005, the distressed blackletter font is new and improved. This sinister script is now bulked up with all-new capital letters, a bit of punctuation, and smattering of new crowns, griffins and other heraldic doodads. Designer Kevin Hayes opted for an assortment of gritty old icons instead of more traditional punctuation, because he felt that's just the way this type of font could perform best for you, the font enthusiast. "At-signs and percentile glyphs just aren't believable in fraktur-style fonts," says Kevin. You benefit by getting a bit of clip art with the new font instead of boring old punctuation. Use the new bats indiscriminately to add a regal air to even the most mundane newsletter. Or use layer upon layer to add a rustic richness to a poster project. Enjoy this wicked, textural type and use it with extreme force.
  29. Cougher by Context, $10.00
    A big fat quirky face for big bold weird uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.
  30. KG Always A Good Time by Kimberly Geswein, $5.00
    Happily-lettered handwriting full of optimism. This handwriting was drawn with a chunky round marker and is bold enough for drawing attention yet still completely legible.
  31. Safety Goggles by Ali Hamidi, $10.00
    Safety Goggles is a bold, strong, masculine display font. This font is perfect for SVG design, sticker, home decoration, quotes, headings, blogs, logos, invitations and more!
  32. Antique Shadow by Wooden Type Fonts, $15.00
    A modified remake of one of the popular wooden type fonts of the 19th century. This is an extra bold, shadowed, sans serif suitable for display.
  33. French Antique by Wooden Type Fonts, $20.00
    A revival of one of the popular wooden type fonts of the 19th century, extremely condensed, bold, flat thick serifs, a very useful design for display.
  34. Display Engraved JNL by Jeff Levine, $29.00
    Display Engraved JNL was inspired by the bold, engraved Sphinx Blanc from the Deberney & Peignot circa 1925, and is available in both regular and oblique versions.
  35. Pipo by bb-bureau, $65.00
    Pipo is a minimalist rounded tubular and stencil font in 5 weights (Thin, Light, Regular, Medium & Bold) — many symbols and cleverly ligatured! language: all latin glyphs
  36. Ugaritica by Mouhannad Alkousa, $14.00
    Ugaritica is an uppercase typeface. Blocky, sharp, and aggressive. Nice for headlines to catch the attention. Ugaritica is available in two styles - regular and bold. Enjoy!
  37. Greywall by Khurasan, $8.00
    Introducing Greywall, a bold stretch sans serif font. Greywall it perfect for posters, logos, magazines, covers, banners, t-shirts and headers, or even large-scale artwork.
  38. BB book A by bb-bureau, $65.00
    bb-book A — breaking rules typeface Expressive book serif (triangular and curved) kicking up weight, width and contrast — in 4 styles: light, regular, medium and bold.
  39. Fagies by Hitype, $15.00
    Fagies is a modern and bold sans serif typeface featuring characters that stand out from every background. Suitable for logos, posters, packaging, branding, invitations, notes, etc.
  40. Flute by Typotheticals, $5.00
    Flute was a font that was released in 2006 now, in 2022, it has been updated to increase the number of faces, including a bold version.d.
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