Based on the 60-point Amati designed by Georg Trump and issued by C. E. Weber (Stuttgart) in 1953.

Pictora JNL is a collection of over 30 assorted dingbats - all kinds of spot embellishments for your print projects.

Chiland is a bold fun display typeface with unique style. Excellent for branding, packaging, advertising, logo, poster, print, etc.

Bolchray is a script font useful for flashy headlines, ads, logos, printed quotes, invitations, cards, product packaging and headers.

Public Works JNL emulates the hand-made lettering found on older signs printed by silk screen for local governments.

A nice, balanced, elegant Hebrew font highly versatile, as headline in print and also as a web font. Bilingual.

Introducing Echo Soul; a free-flowing and carefree brush font duo, hand painted with love. Echo Soul speaks from the heart and doesn't hold back. With elongated brush strokes and a natural flow, it's the perfect choice for handwritten quotes, product packaging, and logo designs with a personal and affectionate touch. The Echo Soul family consists of; 1. Echo Soul • A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Echo Soul Alt • This is a second version of Echo Soul, with a completely new set of lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. 3. Echo Soul Sans • An all-caps font containing uppercase-only characters, perfect for supporting text to compliment the Echo Soul Script font. Also includes numerals and a large range of punctuation. Stylistic Alternates • Are also available for several lowercase characters - these have elongated tails and look great when placed at the end of a word. These can be used by turning on 'Stylistic Alternates' in OpenType capable software, or accessing via a Glyphs panel.

Wild Title Sans is ideal for projects that are intended to be leisurely and relaxed. The font deliberately destroys the principles of restrained fonts, emphasizing unbridled individuality. The distinct notches in the font are enlarged ink traps, which are used for typesetting in small sizes and usually copy the structure of the character. In this case, the ink trap becomes part of the structure of the character, giving the font a strong and original feature. The weight of individual styles is also distinct: the emphasis on the vertical breaks with traditional approaches to posture. This font literally draws attention to itself. Individual styles are suited to a variety of uses, from small-point texts to bold, distinctive headings. Specimen: http://carontwice.com/files/specimen_Wild_Title_Sans.pdf

Linotype Party Time is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The typeface is the work of Bulgarian designer Christo Velikov and is composed exclusively of capital letters. Different components make up this cheeful, frolicking font: stripes, dots, triangles, arrows, a trumpet, a ribbon, and others. The characters of Linotype Party Time stand straight on the base line while those of Linotype Party Time Drunk take on the stance typical of this state. Linotype Party Time is perfect for anything which has to do with fun and should be used exclusively in larger point sizes to emphasize the details which make the figures so unique.

As a font designer for films Henning Brehm delivers fonts with a whip-sharp eye for precision. His latest Vette Letters release, VLNL Agitka is a Cyrillic-inspired (and including) alphabet with both feet rooted in Soviet Union-era propaganda posters. Its design is constructivist (look Mom, no curves!) geometric and strong. Like Russian vodka. Aside from the Regular, Light, Bold and Black weights, Agitka comes in four Neon styles as well. For a dazzling design effect, layer those neons over a regular weight for a star struck embossed-letter effect. We would also like to point out the usage of VLNL Agitka in the Bourne Ultimatum movie, for which Brehm designed neon signage for a scene at a Russian supermarket. За здоровье – Za Zdarovje!

created in 2023, Tyneside is corporate and not too eccentric, but still has a strong character that makes it a the perfect starting point for the new Tyneside text font family. Clarity is very important when displaying a lot of information on the screen. The ranking table is full of names and times and while the display typeface should stand out, the text pieces should be eye-catching and very legitimate. We sharpened the corners, made some shapes easier to read and more modular, clean and sporty overall. We are very satisfied that Tyneside managed to capture the “spirit of sporting enthusiasm” in the personality of the typeface. We hope to create a growing family of typefaces in the future and maintain our partnership

Gudrun Zapf von Hesse designed the first sketches of Alcuin in 1986. The namesake of this typeface was an advisor of Charlemagne and was responsible for the writing reform of the Carolingian era. Alcuin was born in 735 in England, became an abbot in Tours and died there in 804. It was the idea of Zapf von Hesse to develop a modern text type based on the forms of the Carolingian minuscule. To create a text type that is excellent for a wide variety of applications, typical handwritten elements had to be discarded while still retaining the flow and character of handwriting. Alcuin with its strong calligraphic expression may be used in books, magazines, and also in the area of printed office communication.

Linotype Bix Plain, from Argentinian designer Victor Luis Garcia, is part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest for inclusion on the Take Type 3 CD. The font is composed exclusively of capital letters. The figures have constructed basic forms and show the influence of the advertisement types of the 1920s, with all their well-mannered details. The lower sections of the graceful letters are white and set against a black background, the upper sections are black on white. This makes the overall picture look as though written on stripes and gives the delicate letter stability. The nostalgic-modern Linotype Bix Pleain is best for headlines in point sizes of 18 or larger.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text.

Lina sans is an Arabic typeface from Lina type family, it expresses modern vigor based on simplicity and clarity. It's Strong, Bold, legible, clear, simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina sans was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina sans consists of 7-weight versions from thin to bold.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text.

Equip, a new versatile geometric sans face in 16 styles, designed on a geometric base, forms together with EquipCondensed and EquipExtended a superfamily of 48 styles. Low contrasted lines and a sturdy ductus give it a strong appearance. It looks open, generous and unsentimental. A large selection of weights and many useful OpenType features allow an easy adjustment for a wide range of applications, in print and on the web. Equip is very well suited for ambitious typography. The Equip family comes in OpenType format with extended language support. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

Makozin is a humanist typeface with a stylish appearance. Designed with a more fluid approach, makozin has more movement and curvature within stems, an angled stress and visible modulation. Together these features give a strong presence of the hand providing a comfortable read. Makozin's aesthetic dimensions both serve and enhance the design, making it the perfect tool for communicating in magazines; both in their print and online form, with attention grabbing headlines and easy to read body copy that follows. The true italics of this typeface are a real show stealer, they instantly create a sense of atmosphere, style and authority, complementing the uprights perfectly. Full details include 10 weights including italics, manually edited kerning and a range of OpenType features.

Siruca is a font created specifically for the Al Hamra Complex, in Kuwait City, which includes the extraordinary Al Hamra Tower, one of the tallest skyscrapers in the world. Siruca is a stencil font designed to be used both by the classical forms, both for possible use with neon tubes. Indeed, the rounded ends and the total absence of sharp corners to prevent abrasion during the use of masks and, simultaneously, provide a realistic neon circuit designer. The typeface is accompanied by a series of pictograms (designed following the same guidelines described above) to be used on signs inside the building. The originality and versatility of the font Siruca™ makes it particularly suitable for the characterization of tainted brands from the strong recognizable.

Here comes a New font, Ricebox Allcaps is Unique Display Font this is strong Font and cool, that is written casually and quickly amazing. Then crafted carefully drawn into vector format. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc.It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, special events or anything that need handwritting taste. That is Font Ricebox Allcaps has Stylish,Cool and Unique characteristic more natural look to your text with a more modern look to your text.

Sina is a strong, sturdy and self-confident serif accented face. Distinct ascenders and descenders in classical proportions ensure pleasant reading. Robust but assertively warm, it recalls and references the virtues of early classical printing types but presents a distinctly contemporary look. With its even text flow it works very well for long texts. It is also great for headlines and in larger styles. An extended, fine-tuned range of weights renders it suitable for almost every application. Sina comes in 12 styles and in OpenType format. All styles contain standard and discretionary ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fractions, and scientific numerals. Sina supports West European, Central and East European languages.

Salma is a modern typeface inspired by the Naskh Mastry style. It stands out from traditional fonts with its high contrast and new connections between letters, creating an eye-catching aesthetic that will make any text stand out. Its bold lines and timeless appeal make Salma perfect for headlines and display typography, as well as other design projects. It comes in 5 weights ranging from light to black, allowing users to customize their designs with OpenType features. The unique look of Salma makes it ideal for logos or branding materials that require a distinctive touch. With its strong presence across different media platforms such as print publications or digital displays, this versatile typeface can be used to create impactful visuals.

TBS GARTEK CONDENSED is a latin based condensed type of font that has a different characters from the previous TBS GARTEK BLACK font, TBS GARTEK CONDENSED has a strong yet sharp looks character, with a post modernism and semi 90's nostalgic, supported by more than 60± accent languages ranging from West, South East, Central Europe and a bit of Vietnamese. TBS GARTEK CONDENSED is able to complete your current needs who are designing something great. the single DemiBold weight is stunning in Magazine, Posters, Social Media Content, headlines, clothing, large print formats and wherever you want to see it. Inspired by the design styles of post modernism and popular style's nowadays, let's get your project elevate works with TBS GARTEK CONDENSED.

Breakers is a sans serif originally conceived to be a display typeface. Works great in text also, but the diversity in weights is its strong point. It is easy to achieve that high contrast using thin against the ultra weight, but setting tall and lean capitals against the compact and heavy small caps can make really diverse compositions for all kinds of display design. With small caps included, and over 600 glyphs in each weight, it should prove itself useful in finding the right combination for any typographic setting. Breakers has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

Vaccine Sans is a humanist sans-serif font family with soft terminals, but stem junctions on the contrary use hard constructions. Such combination of basic design features makes the font distinct and strong in setting and delicate and soft in appearance. This design peculiarity, together with very low contrast, produces a range of qualities needed for small sizes, low quality print and bad reading conditions. Vaccine Sans has a modern stylish design and takes its rightful place among popular faces. The family consists of 10 members — five weights with the corresponding italics. It can be used in a wide range of applications — magazines, advertising, corporate identity, urban navigation, packaging, children books, etc. Designed by Manvel Shmavonyan with the participation of Alexandra Korolkova and Gayaneh Bagdasaryan.

Megahunt is a Script Font with Modern Brush Style. The Megahunt font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy. This Font contains Classy, Elegant, Creative, Cool and has a Unique Concept.

"Beast Sketch" is an extraordinary handwritten font created with bold, untamed strokes using ink and a bamboo pen. It boasts a masculine aesthetic, an organic, natural feel, and extensive Latin character support. Perfect for book titles, magazine covers, logos, and more, it adds a raw, authentic, and compelling vibe to your projects.

Curly Millie is modern & fresh signature style script font. This font looks natural, classy and perfect for any awesome projects that needs a handwriting taste. With exaggerated strokes and a bouncy baseline, Curly Millie has an unmistakable charm; perfect for logos, wedding stationery, cards, gift designs, photography, watermark, product packaging and handwritten quotes.

AriergardRondo is supplemental to Ariergard by the same author. It differs with sharp geometrical letterforms and with circular shapes of round letters. The face includes antique Cyrillic letter shapes: N has diagonal stroke, uppercase Y and Ч are equilateral. Both lc г and т have ascenders. For use in advertising and display typography.

Rodista Brush is a super casual hand brushed script with detailed brush stroke texture, and a quirky, Can be used for various purposes. such as the title, signature, letterhead, signage, labels, newsletters, posters, logos, correspondence, wedding invitations, badges, etc. Rodista Brush Font international Support for a review of most Western languages ​​included.

Pacifista takes advantage of the well-tested structure of our constructed typefaces, the directness and simplicity of which are by far the best suited to stencils. Straight lines, regular arcs and purity of drawing facilitate maintaining the maximum possible legibility even in a typeface that is practically devoid of any joining of strokes.

Figaro is a very condensed slab serif design of the kind associated with nineteenth century advertising. The Figaro font has considerable weight contrast in the strokes, with a marked weight emphasis on the horizontal elements, including the serifs. Use the Figaro font for display and advertising and for 'Wild West' style posters.

Murisa Rania is our next very attractive font. Have you ever imagined a font that is formed from brush strokes whose ink is almost dry? That's what this font is made of. Murisa Rania combines elements of art and high technique in its creation to create a unique, attractive and beautiful font.

The bigger the better! M8T Mamma Mia is a broken Bodoni inspired serif font whose each character has been handdrawn. Hundreds of strokes build this rough, yet soft font. It is perfect for titles, especially in large scales. Using it on chalkboard backgrounds you will realize the inspiration of chalk-board-writing.

Crab Labs exudes a refined and modern aesthetic, characterized by its sleek and minimalistic design. This typeface features slender, unembellished letterforms that convey a sense of elegance and simplicity. The absence of serifs, or decorative strokes, imparts a clean and contemporary appearance, making it well-suited for a variety of design applications.

Chortle is the typeface with strict lines and rounded end strokes, making it perfect for logotypes, editorial design, corporate design, and media. This versatile typeface is also great for creating a set of inspirational phrases. It comes in an amazing range of widths, and there's even a specially prepared variable version available.

Courtney is a display font, unicase, with thick and irregular strokes. It contains a varied set of ligatures that makes Courtney a very dynamic font, ideal for short texts, magazines, logos, etc. It also possesses a large amount of connectors like for example: and, the, by, among other, designed to complement the font.

Jesitta Signature Font is a modern and elegant signature style script font with magical ink strokes. Jesitta Signature is a great choice for watermarks on photography, advertising, logos & branding, watermarks, weddings, invitations, product design, labels and other design projects. Please contact us if you have any questions, we are happy to help you!

Youthfully energetic, this unique typeface looks like it came straight from the hand of a skateboarding teenager. The quirky strokes and unrestrained characters convey the essence of early adolescence like no other font you will find. Perfect for children's books or publications appealing to an adolescent audience or for texts portraying unbridled youth.

There are many fonts inspired by Toulouse-Lautrec. I felt this one was needed and tried to get that loose brush-stroke appearance typical of Toulouse’s style of his famous French Cabaret posters. Aristide Bruant a dancer and comedian made famous by Lautrec’s posters can now be further immortalized with this font.