Introducing, Qidango is a serif typeface created with elegance and luxury, exuding femininity and glamour, but also a side of beauty with many alternatives to help you create endless variations for your creative needs. Featuring an italic style with striking contrasts and subtle details, as well as luxurious strokes and voluptuous curves, it creates a beautiful and powerful statement for any typographic composition, combining glamor with a contemporary aesthetic.

Vintage Varsity was inspired by that classic iron-on letterman jacket your "cool" uncle wore in high school (and lets be real, probably still wears today)... Pair with some fuzzy felt textures and you got yourself a killer duo! Strike the fill, throw a stroke on it, and design a retro-slogan t-shirt. Is this starting to sound like a cheesy infomercial? Good, I'm rolling with it. Have fun!

M Young is a humanistic script design characterised by its modern, lively and youngster-like style. M Young incorporates features of the writings of felt-tip writing pen, its entry and finial points of strokes are rounded, parallel without flare. Contrast is low and the text is visible and eye-catching. It is best suited for casual and lively text, illustrations, set upright (non-slanted), non-condensed.

It is a handwriting-style font for body text that emphasizes gentleness and solidity by using less curvature and making use of a straight feel. The handwriting feeling is emphasized through the style that makes use of the natural bending and stroke order. Softness was added in the shape of a gentle curve, and perspective was applied by setting a vanishing point in the lower left corner.

M Young is a humanistic script design characterised by its modern, lively and youngster-like style. M Young incorporates features of the writings of felt-tip writing pen, its entry and finial points of strokes are rounded, parallel without flare. Contrast is low and the text is visible and eye-catching. It is best suited for casual and lively text, illustrations, set upright (non-slanted), non-condensed.

Mariné STD is a geometric sans but with the softness of humanistic strokes. It’s mild contrast and multiple different styles allow Mariné to work well as both a text and display font. Mariné STD is a selected version of Mariné Family. - Ideal for print and identity works. - Works well for text or display uses. - Designed for web and apps. - Look serious or look casual.

Seymour Chwast designed the fun font Chwast Buffalo in 1981 and gave it his name. Its extremely robust figures are rendered in regular, even strokes, significantly reducing the inner white spaces. The typeface should therefore only be used in large and very large point sizes. A distinguishing characteristic of Chwast Buffalo is its half-circle serifs, which give the forms a technical, constructed appearance.

From the technical hand of Alejandro Paul and the creative jungle in the mind of Angel Koziupa, comes a wild-natured script. Alma may appear slightly weathered, but still maintains a sharp and determined face. The casual strokes are at times pointed, yet ultimately playful. Released in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as AdobeCS.

ITC Samuel is a delicate and lively calligraphy font designed by Phill Grimshaw. Every detail has been worked to create harmony. The stroke contrast, the light brush character, the graceful forms all give ITC Samuel the spontaneity and individuality typical of handwriting. The font includes several ligatures and is legible even in smaller point sizes. ITC Samuel is perfect for invitations, greeting cards and other personal correspondence.

Linotype Konflikt is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designer Stefan Pott was inspired by the conflict between the appearance of a typeface in print and on a computer screen. Out of this conflict came a font in which every character has aspects of both flowing handwriting and angular pixel-like strokes.

A geometric sans serif typeface, the square horizontal structure is evenly balanced with smooth curves and arcs producing a clean, distinct font ideal for both print and on screen uses. Further enhancements to improve legibility with the use of consistent stroke contrast and tapered diagonal angles. Details include eight weights and italics, 600 characters, Cyrillic, five variations of numerals, manually edited kerning and Opentype features.

Inked Balterm is a hand-inked typeface with a humanist touch. It provides visual interest through the contrasting elements of the thin strokes mixed with the solid ball terminals. The placement of each ball terminal is varied and placed at the most defining point of interest and distinction in each letterform; creating an appealing visual rhythm. Great for display and works in smaller text settings.

Inspired by the classic German Antiqua style, Gilhaus is a totally original modern serif rooted in iconic history and built for modern projects including branding, web and digital apps, large format printing, and more. While subtle serifs and soft edges bring in an element of warmth and approachability, Gilhaus is balanced out by the bold angular strokes and high contrast letterforms typically found in classic Antiqua typography.

This elegant family of fonts, suitable for both text and display, is narrow in fit and characterized by a unique feature: in the capital B, P, and R, the stroke of the bowl does not quite meet with the stem. The design is noticeably calligraphic with a dynamic and delicate character, especially in the italics. Its subtleties can best be appreciated when set in large point sizes.

It is a handwriting-style font for body text that emphasizes gentleness and solidity by using less curvature and making use of a straight feel. The handwriting feeling is emphasized through the style that makes use of the natural bending and stroke order. Softness was added in the shape of a gentle curve, and perspective was applied by setting a vanishing point in the lower left corner.

Introducing Brothership. A freestyle brush font created by expanding my brush lettering artwork. This font visualizes flexible letterforms and natural strokes which gives it an energetic impression. Brothership is a display font equipped with some alternates characters and custom swashes to help you creating a beautiful custom lettering. Brothership is perfect for apparel, merchandising, labels, logotype, posters, quotes, book covers, sports, prints, and advertising needs.

Modern sans serif font that is out of this world. A strong balance between strong pointed corners and smooth curves, Perfect for all purposes but especially for headlines. With 8 Variant to choose : Light, Light Italic, Regular, Italic, Rounded, Shadow, Bold and Bold Italic. This font also includes alternative glyphs, ligatures and multilingual support.

Magenos Soft is the rounded version of Magenos typeface family. It is a modern geometric sans serif family characterized by its simplicity and extensive functionality. With its open apertures, geometric architecture and low contrast strokes, it expresses a sincere tone with a modernistic, neutral, yet friendly personality. It has been designed to work well for a wide range of applications and is a reliable workhorse. Equally suitable for print and screen usage, it works well for both text and display at a wide range of point sizes. The addition of true italics gives the whole family a dynamic edge and flexibility. Magenos Soft comes with many OpenType features including stylistic alternates, standard ligatures, oldstyle and lining (proportional and tabular) numerals, slashed zero and a variety of symbols, making it a perfect choice for contemporary and professional typography.

Diamond Jim JNL was inspired [in part] by an image of a 1970s Letraset® dry transfer typeface made entirely of small stars. By creating his own layout using tiny diamond shapes, Jeff Levine has produced a font that takes on multiple appearances. At 24 point it resembles dot matrix printing; at 48 point the diamonds are clearly visible; and overall, the design has a distinctive 70s retro feel. Limited character set.

Speener is a handwritten font designed by Tom Nikosey, an American Graphic Designer specializing in Typographic Design and Illustration. Speener is based on his son Spencer’s printing style. “I love the way Spence prints. There’s a loose control in a vertical stroke that has his personality built into it. I wanted to create a font to see how it would look & feel and it looks and feels right to me”. Speener is a nickname. CozyFonts Foundry is Tom's intro into the world of font design. Speener is a casual, handwritten font and the seventh font for CozyFonts Foundry.

Milky is a brisk Brush Script with smooth and bold characters. Milky is both legible and characteristic. It's strong and friendly, perfect for logotypes, packaging and other branding use. In addition to Milky Brush Milky family contains Milky Casuals which is an all caps sign painting style casuals drawn with the same proportions as Milky Brush. On top of that there's Milky Ornaments which contains ending swashes designed to be used with the Brush, and a selection of bold brush strokes with the Milky signature style to complete your designs. Milky Brush is equipped with Contextual Alternates that add variation to the text and help to maintain the smooth flow. Contextual Alternates are automatically on. For extra flair try Stylistic, Titling or Swash Alternates or seek for even more alternates from the glyph palette. Milky Brush is PUA encoded so you can access the alternates in any graphic design software.

Mandoul Black is a cool, active calligraphy typeface bursting with energy. With extra attention to quick letterforms and sharp details, this brush typeface turns any graphic project into a strong and confident work. Its handwritten paintbrush strokes are created with real brush and paint, ensuring a genuine and truly artistic typographic design. It is provided as Regular and Italic. Use underscore _ anywhere in a word to create a swash. Example: Hand_script Use multiple underscores for different swashes. Example: Bea__utiful (Download required.) Mandoul is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Fastbrag was inspired by the vintage sign painting culture in the early 1900s. We talk about visuals from the building-sized messages, billboards, storefronts, windows, doors, and menus. A shot to deliver the heritage and historical vibes of storytelling, and branding. To give a strong persona and character to your graphic design projects.

Kammerlander is a sans typeface with a distinctively strong thick/thin contrast. It’s based on Messner- a hairline font with a constant stroke weight, so their combination looks very natural. They look great in fashion magazines, in the expensive world of beauty and glory. Kammerlander is an all caps face, especially suitable for larger sizes.

Linotype Fluxus is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by German artist Andreas Karl. Its wavy contours give the font a restless, choppy feel. Its relatively strong strokes make Linotype Fluxus particularly good for headlines.

'HU Thegame KR' was created with a game as a motif, and is a characteristic font with sharp and strong elements. The finishing of the same strokes gives the font a sense of unity and makes it look sharper and colder. This font is suitable for use as a headline. It contains Hangul, Korean.

Jessie's Letter is based on an old typed letter by Kerrie's great step grandmother. This letter was undated, but we think it must have been from the 1920s or so. Jessie wasn't much for punctuation, so there aren't any of those pesky question marks and exclamation points. But, she did make mistakes in her typing, so we've included cross outs and strange resulting characters to make up for the lack of everyday punctuation. Maybe Jessie wanted to visit Paris, or maybe she secretly made paintings in her back yard, or maybe she dreamed of painting her house bright pink. Well, maybe not, but it's fun to dream...

Features: Chella Lyfe Print: Uppercase letters, numbers, & extended punctuation We Offer Non-English support for the international designer as well Same stroke thickness with each font, so you don't need to make any time-consuming adjustments to get it looking right! This is such a fun new display font, perfect for creating quotes, logos, or just adding a hand-written touch to any project! While other fonts usually take some size adjusting to look just right, The ChellaLyfe variations in stroke thickness for upper and lower case fonts, so you can so it can display creativity and life in every stroke! Each font also has alternates for each letter, so when you type uppercase or lowercase for each font, the letters will change slightly. For example, tying in all caps with the Script font will connect each letter, whereas typing all lowercase will disconnect each letter.

Kontrast Grotesk represents a contrast in type design based on a different principle. It was inspired by W. A. Dwiggins and his experiments with the stroke variations. Contrast in this typeface is created not only with the influence of the writing tool (the thickness of horizontal strokes in relation to vertical), but by setting the primary and secondary construction strokes of the characters (e.g. glyph “E”). The grotesque types are usually with no or minimal contrast. Having the contrast has created a new and original look of this typeface without compromising the legibility. The fonts are designed for fluent reading on the screen. A little wider proportions are specially welcome with no need for saving a space as it is in printed media. Kontrast Grotesk family consists of five weights, with italics, small caps and italic small caps. Fonts contains a range of opentype features.

Black beer, strong Gothic. It is designed for logos, prints, headlines and more. The font has 4 styles, base, blurred, outlined, and aged. Contains basic characters and punctuation marks as well as extended multilingual characters.

Press Grotesk is a handmade sans serif, condensed font that takes inspiration from old letterpress printing processes & handcrafting. The font's slightly imperfect, uneven appearance works perfectly for surfing, skating, motorcycling, coffee shops, health, wellness, adventure brands, and much more. Press Grotesk features 2 weights (fat and skinny), upper- and lowercase, many advanced characters and illustrations in order to achieve a truly hand painted look.

Inspired by the old style serifs of 19th century print labels that have a classic touch in this modern era Carefully crafted with lowercase and uppercase to complement this font as well as using variable bold and thin shapes to give a sense of beauty and strength to the letterforms Carterwood is great for designing posters, labels, sign paintings and other media to enhance your visual appearance

Gelateria is characterized by its dots and tails. This font is as a whole smooth and elegant. But because its dots and end of the tails are little points, Gelateria impressed you very much. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Hispania Script is a distinctive and distinctly nineteenth century script. It was released by Schelter & Giesecke of Leipzig, Germany around 1890. Particularly noteworthy are the sharply-pointed legs of the upper case ‘K’ & ‘R’ that seem to be characteristic of the period. Similar strokes, often with a slight curve, may be seen in typefaces like Alt-Romanish and Tinteretto by Schelter & Giesecke, Artistic and Lateinsch by Bauer and Berthold and the poster lettering of Edward Penfield. The angle of this script (approximately 24 degrees) and the sharp delicate points must have made the manufacture of this face in metal type a challenge. The resulting type was probably quite fragile and subject to accidental damage. Additionally, the sharp points would be subject to wear. With digital type, these concerns are eliminated. As far as I know, no one has ever dropped a digital letter on the floor. Nonetheless, creating a digital outline for a typeface like Hispania Script, with many crossing strokes, can be quite time-consuming. Even with an accurate scan of a good quality original, it is usually necessary to construct each crossing stroke separately and then remove the overlap in order to obtain a sharp and convincing intersection. Steep internal angles are often defined with two points, rather than one, to minimize ink or toner fill that can muddy the rendering in smaller sizes. Like all formal scripts, Hispania Script is always useful for announcements and invitations. However, the distinctiveness of of this design strongly suggests that there are other applications that may benefit from its use. Step outside the box and try it in some unexpected places. It is the unexpected that often draws a person’s eye.

Grit Sans is a font balanced enough to stand strong on the tippy-toes of its pointed "t" ascenders. Even all caps communicates calm. Dashes of whimsy in the proportionately plump X-Heights tell of the accountant drinking too much sherry at the office Christmas party, but thick, consistent strokes never lets you forget his job title. Ascenders and descenders consistently reach the same heights and depths, further attesting to the reliability of this typeface, at even very small sizes. Available in both regular and bold face, Grit Sans is a faithful complement to thin fonts with a pinch of frivolity such as Heirloom Artcraft. It is ideal in use for titles, subheadings, menus, playbills, custom stamps, logos - anywhere a solid font can speak at a volume just above all others.

Das Riese, a type specimen by the most productive Brazilian type foundry, Intellecta Design, is a mix of victorian and art deco influences. A beautiful display type for tiling with uppercases only. It's shadows and volumes refer to pre-modern age whereas its surface to last century 20's. This heavy sans serif strokes characters have a particular appearance, a parallel line texture that reminds Bifur, typeface created in 1929 by A. M. Cassandre. The sideways absence of volume at some leaning letters right side in addition to the patchy darkness of shadows support its handmade design. A type full of historical references designed to small titles printed in big sizes. It's impossible not to think about posters when you look at Das Riese strong face. - (source Slanted Magazine #8)

ขอแนะนำ "Tawilack Slab" ฟอนต์ serif แบบ slab ที่แสดงถึงความแข็งแกร่งและความมั่นคง ทวีลักษณ์ สลับ มีรูปทรงกว้าง แข็งแรงและมั่นคง คอนทราสต์ต่ำทำให้เกิดความกลมกลืนระหว่างเส้นหนาและเส้นบาง ทำให้ได้แบบอักษรที่สวยงามและอ่านง่าย ด้วยรูปลักษณ์ที่โดดเด่น ทวีลักษณ์ สลับ จึงสมบูรณ์แบบสำหรับโปรเจ็คที่ต้องการความชัดเจนและมั่นใจ ไม่ว่าจะใช้พาดหัว หรือสร้างแบรนด์ Thawilack Slab ก็สร้างความประทับใจได้ไม่รู้ลืมด้วยรูปลักษณ์ที่แข็งแกร่งและมั่นคงดึงดูดความสนใจ แบบอักษรนี้เป็นตัวเลือกอเนกประสงค์ที่สามารถปรับเข้ากับบริบทการออกแบบต่างๆ ได้อย่างลงตัว ทำให้เป็นคู่หูที่ยอดเยี่ยมสำหรับทั้งสิ่งพิมพ์และสื่อดิจิทัล - Introducing "Thawilack Slab," a captivating slab serif font that exudes strength and stability. Thawilack Slab boasts a wide and sturdy shape, radiating strength and stability. Its low contrast creates a harmonious flow between the thick and thin strokes, resulting in a visually pleasing and easily readable typeface. With its commanding presence, Thawilack Slab is perfect for projects that require a bold and confident touch. Whether used for headlines, or branding materials, Thawilack Slab leaves a lasting impression. Its strong and stable appearance captures attention. This font is a versatile choice that adapts seamlessly to various design contexts, making it an excellent companion for both print and digital media.

Hello good people. introducing our new font 'Piedmond' This time we wanted to create a gallant signature font. Inspired by men's hand strokes, with a decisive pattern, each glyph is formed through the pressing of the pen, the orientation of the shape is almost constant with the direction of the pattern that continues to point forward and ends with a strong pressing of the pen. We call it the masculine signature type, reflecting a confident attitude, a definite decision and full confidence. We design this font for modern product branding, not only for men, but women also love this masculine side. This font is equipped with swashes, alternates and additional ligatures for the lowercase. By using this font, it will give your brand more confidence to appear wider. Thanks