Old English Old English is related to Black Letter styles from early printed books and have a distinguished, historic look. The Old English font is used in advertising, invitations, greeting cards, and wherever a formal hand-lettered or engraved look is desired.

Remedia is a simple linear typeface with a wide range of font weights, from a hairline Ultra Light to Extra Black. Legible in body copy and a great starting point for a unique logo, Remedia is a creative typeface for everyday uses.

Nexa Script is a clean version of the famous multifaceted font system Nexa Rust . All fonts from the family was successfully designed to match perfect to the other two members of this huge font system - Nexa and Nexa Slab . You can be sure that Nexa Script is equipped with the most advanced typographic Open Type features such as extended sets of ligatures, fractions, alternate characters, superscripts and subscripts, etc. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Nexa Script font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters and logos.

Many current poster artists like to reference the graphic type styles that were popular in the ’60s and ’70s. Zaftig is a contemporary font that takes the geometric and blocky inspiration from that era but then steps off in a modern direction. At first glance, it may appear that the capitals of Zaftig all take up the same amount of space, but certain letters have been designed proportionally for a better flow. However, if the designer would prefer to stack the capital letters in even columns, like blocks, then one can use the Titling Alternates feature. In this feature the metrics of all the capital letters are the same, and certain letters have been designed narrower, allowing for seamless stacking. The space, bullet, asterisk have also been given the same monospaced metrics in this feature to make stacking easy. The Small Caps feature in Zaftig is designed so that the small cap glyphs are the same height as the lowercase. This allows the graphic designer not only the option of small caps, but also the ability to mix and match both kinds of letters to create a distinctive style. There are also alternate numerals in the Small Caps feature that match the height of the small caps. In Stylistic Alternates 1 you will find alternate designs for the Q, A, I, J, L, n, and u glyphs. Or you can find alternates in the Glyph Pallet of your favorite OpenType savvy application. Zaftig is more than it appears on the surface. This OpenType font contains over 1200 glyphs and language support. That makes it an international font which contains letters for most languages that use Latin, Central European, Cyrillic, and Greek scripts.

Amsi has been designed to equipped with three different widths; Normal, Narrow and Condensed, addition to expanding weights to support various usabilities ranging from Thin, XLight, Light, Regular, SemiBold, Bold, Black and Heavy. Which makes Amsi along with a numerous features support the creativities of the designer from the Font Menu.

Amsi has been designed to equipped with three different widths; Normal, Narrow and Condensed, addition to expanding weights to support various usabilities ranging from Thin, XLight, Light, Regular, SemiBold, Bold, Black and Heavy. Which makes Amsi along with a numerous features support the creativities of the designer from the Font Menu.

DF Maraschino Black - A sleek, sophisticated swash capital font with elegant thick and thin weight distribution. Bold yet poised, direct yet refined. The swash capitals are intended for use at the beginnings of words only - best not to set this in ALL CAPS. Use at larger sizes. Also includes stylistic decorative alternates for certain characters that can be toggled on and off in the Opentype panel.

Art Museum JNL is yet another take on the classic Art Deco "solid letter" fonts that emulate the style of Futura Black. This version comes to you through the courtesy of a vintage WPA (Works Progress Administration) poster promoting national parks and Winter sports. Take note of the unusual inverted middle crossbar on the 'E' and 'F' as inspired by the poster's hand lettering.

Cabarno is a sans-serif organic typeface that can be use in any typographic situation. It has his own unique style in expressed perfect condensed forms with a warm and humane feeling. This font can function as headings, subheadings and body text with a set of alternative characters for your design in any layout. The family has 4 weights ranging from Light to Black and their italic.

Adalbert von Chamisso wrote that wondrous story about the man who sold his shadow to the devil. Walter Thiemann recovered that shadow when he put a thin line and a shadow line around his Tiemann Fraktur. It is an embellished and delightful typeface, this Peter Schlemihl. It is probably one of the most beautiful typefaces among the outline, shadow and striped black letter fonts. (Albert Kapr)

This pale face -- a Byronic offering from the disaffected youth section of our library -- will provide that slightly sad, sunken eyed feeling most closely associated with Doc Martins, heavy crosses and clothes as black as the blaquest heart... so if you're looking for tragic tramp stamp typography, we think our tattoo parlor maid to wear font will provide just the right amount of Goth Chic.

Introducing Prosa GT is a condensed sans serif which has styles from thin to black to make your design more variative and unique. Good for bold branding, titling and headline who has come to be seriously and fun. This typeface can be so serious, fun, and bold it depends on for what purpose.

S.A.M (Super Active Matrix) combines the big, bright and bold with the microscopic and mathematically precise. Inspired by old science fiction films and new technologies, S.A.M merges the rigid constraints of display mechanics with the free-flowing curves of neon signs. This font is great for a classic sci-fi look – perfect for headlines/logotype. S.A.M also works for blocks of text, unlike some other display fonts. The matrix exists to bring order to an idea – it tames the free-flowing curves of neon signage into a repeatable structure while maintaining a retro aesthetic. Each character, glyph or symbol is drawn on a bitmap grid, merged with a dot matrix to round off the edges.

Wood Bonnet Antique No.7 is based on real vintage wood type blocks from Switzerland. The very distressed letters give a warm analogue vintage charm on printing. These kind of wood type letters were very common and often named by generic names like Roman, French or Antique followed by a catalog number. But these letters have some very quirky details hard to find else were. » pdf specimen « The font offers up to five glyph variations of all the Latin base letters, figures and some additional letters. An OpenType glyph-rotator is programmed to emulate the randomness of old school printing on live typing. All dingbats of the specimen file are included in the font data too.

Dikta Neue is a neo-grotesque sans serif typeface inspired by Swiss Design in The 1960s. With a solid and minimalist letterform make this typeface suitable for text and display. Dikta Neue is available in 18 different styles from thin to black including italics.

PunkRocker is a bold condensed sans-serif with three versions and plenty of attitude. PunkRocker is awesome for creating strong tight square text boxes that scream for attention: it’s ideal for movie posters, single covers, as a supertool for fast graphic design. PunkRocker has three versions: Regular which is “clean”, Rough which has the worn-out appearance of a punk-poster or a gig poster that has been outside too long, and Stamp which has rugged outlines and print texture inside characters. Textured versions of PunkRocker have double characters for every standard character: Contextual Alternates will automatically replace any double letter with alternate that has different texture to avoid repetition and keep the appearance more authentic. You can also access these alternates by turning on Stylistic Alternates or via glyph palette. PunkRocker is PUA encoded so you can access extra glyphs in most graphic design softwares.

Facebuster is a no-nonsense block serif display typeface with hard geometry and minimal negative space. It's ideal for making a strong yet playful statement. It comes equipped with OpenType Small Caps.

Chamferwood JNL is another interpretation of the block lettering style most popular during the late 1800s and the early 1900s. The design was modeled from examples from a set of wood type.

Catalog JNL is based on a set of vintage wood type. Its uniform, block-style appearance is perfect for projects where bold, readable titling will apply. Available in regular and oblique styles.

Printers Assistants JNL is a collection of vintage letterpress stock cuts and embellishments features monthly title blocks (for newsletters or calendars of events) in an Art Deco style, a cartoon character counting [with fingers] one through five to emphasize selling points and assorted cartoons and decorations sure to please any lover of nostalgic art.

Breda is a Geometric Sans-serif; it is constructed from simple geometric shapes such as the circle and rectangle. This family of fonts starts from a very thin single-line face to a strong heavyweight, called Black Face. The Breda font is austere style, functional and clear, emerged from straight lines, primary shapes, which is now jumping into the typographic and graphic design scene. They are presented in six wights with their corresponding italics.

Eurotypo Sans Family is a classic modern Sans Serif typeface. This family contains six weights of fonts starting from Light to black, with a matching italic face for each weight. Each font of the family contain 359 glyphs and advanced typographical support with OpenType features such as, ligatures, discretional ligatures and case- sensitive forms. It also contain diacritics for Central European languages. All aspect of readability and accurate kerning were carefully controlled.

Danger Gothic by Holyline is a casual black letter typeface. This font comes with modern and unique shape inspire by Old English style. It's very unique, playful, elegant and very easy to combine with your design style. Danger Gothic perfect for headline, Magazine ,custom logo, packaging, quote, merchandise, watermark, social media posts, label, anything for your creativity and Danger Gothic is perfect font if you want something new with your project. Happy creating!

Amarela Stencil is a contemporary typeface, specially designed for titles, packaging and branding. Sharp serifs and an extreme stroke contrast give the font a classy look and a strong personality. Amarela Stencil comes in 5 weights, ranging from Ultralight to Black, plus two decorative styles- One and Two. As you would expect from Latinotype, this font comes with a standard character set that supports over 200 languages. Alternates and OpenType features are also included.

Croissant Lover is a stylish and delicate brush script font. It has a clean, bold and smooth vibe and it will be a hit for any design that you want to add it to. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to develop. Croissant Lover Font comes in two variants - Reguler Brush and Block. The file you will get is: • Works on PC & Mac • Simple installation • Encoded PUA Character - Can be accessed completely without additional design software. Enjoy!

Ballpoint font family was designed by David Fox in 2021 for the FontJuice™ foundry. A rounded sans serif style, Ballpoint has a simplicity which does not reject traditional forms . It is non ornamental and non emotional, just clearly presentable. This font is suitable for logotype, brand, packaging, quotes, music poster, t-shirt, cover book and more custom design. More specifically, whilst the heavier weights are best used for display in advertising, the lighter weights remain readable in text. Ballpoint features uppercase, lowercase, numeral, punctuation & symbol, multilingual support.

Bessington is a quirky rough uppercase display font, each character hand drawn using rich black ink on a soft paper giving it a beautifully ragged look.

Carnero™ is a feisty hybrid of precise geometry and calligraphic flair; a design that walks that fine line between being sensible and a standout. In an increasingly monotone typographic landscape – Carnero has a unique pulse that moves the reader along with a new energy. Carnero gives life to simple utility with kinetic letter shapes, open apertures, and generous counters Drawn by Steve Matteson for the Monotype Studio, Carnero’s versatility is its strength. From digital ads and applications to packaging and branding, Carnero is comfortable and contemporary. The lightest and boldest weights create inviting headlines, while the middle weights read well for body copy. Used together, they build a lively brand and a clear hierarchy. Matteson infused Carnero with a modernist exterior resting on a 10th century calligraphic foundation. Delightful flourishes on the capital R and K, and lowercase a, k and l, give the design a distinctive demeanor; while the alternate italic swash caps are a saucy nod to the scribes. The result is a design that is warm, approachable – and a bit lighthearted. Matteson describes Carnero as, “transcending the static posture of the geometric sans genre.” The Carnero family is a compact collection of six distinct weights, ranging from an engaging light to an authoritative black, each with an italic counterpart. Its extended Latin character set ensures worry-free localization for eastern/western European languages. This is a design that will prove its value many times over. Matteson has drawn over 80 distinctive typeface families for major corporations, branding firms and retail sales. His passions for the outdoors and performing music balances an intense focus on work – and subtly finds its way into typefaces like Carnero. Matteson has designed custom fonts for three generations of the Microsoft Xbox® game console, the original core fonts for the Android® mobile-phone platform, in addition to branding typefaces for Toyota®, Rocket Mortgage®, and Google®. He also drew the Kootenay™ family, Monotype’s proprietary branding typeface. Matteson’s retail designs range from the elegant and utilitarian Open Serif™ (a companion to Google’s Open Sans), to a growing series of Frederic Goudy revivals. Carnero Variables are font files which are featuring one axis and have a preset instance from Light to Black.

Carnero™ is a feisty hybrid of precise geometry and calligraphic flair; a design that walks that fine line between being sensible and a standout. In an increasingly monotone typographic landscape – Carnero has a unique pulse that moves the reader along with a new energy. Carnero gives life to simple utility with kinetic letter shapes, open apertures, and generous counters. Drawn by Steve Matteson for the Monotype Studio, Carnero’s versatility is its strength. From digital ads and applications to packaging and branding, Carnero is comfortable and contemporary. The lightest and boldest weights create inviting headlines, while the middle weights read well for body copy. Used together, they build a lively brand and a clear hierarchy. Matteson infused Carnero with a modernist exterior resting on a 10th century calligraphic foundation. Delightful flourishes on the capital R and K, and lowercase a, k and l, give the design a distinctive demeanor; while the alternate italic swash caps are a saucy nod to the scribes. The result is a design that is warm, approachable – and a bit lighthearted. Matteson describes Carnero as, “transcending the static posture of the geometric sans genre.” The Carnero family is a compact collection of six distinct weights, ranging from an engaging light to an authoritative black, each with an italic counterpart. Its extended Latin character set ensures worry-free localization for eastern/western European languages. This is a design that will prove its value many times over. Matteson has drawn over 80 distinctive typeface families for major corporations, branding firms and retail sales. His passions for the outdoors and performing music balances an intense focus on work – and subtly finds its way into typefaces like Carnero. Matteson has designed custom fonts for three generations of the Microsoft Xbox® game console, the original core fonts for the Android® mobile-phone platform, in addition to branding typefaces for Toyota®, Rocket Mortgage®, and Google®. He also drew the Kootenay™ family, Monotype’s proprietary branding typeface. Matteson’s retail designs range from the elegant and utilitarian Open Serif™ (a companion to Google’s Open Sans), to a growing series of Frederic Goudy revivals. Carnero Variables are font files which are featuring one axis and have a preset instance from Light to Black.

Since you like to look, Angel Koziupa and Alejandro Paul bring you Voyeur, an entirely different direction from their usual collaborations. This typeface attracts two opposite design theories by mixing bold and blocky modernism with delicate ornamentals. The unlikely mix is not haphazard, however. It is calculated with an alchemist's (or voyeur's) attention to detail. This font includes many, many different ornamental treatments, each adjusted specifically for its letter form counterpart. Open your glyph palette to find plenty more variation and alternative combinations. For everyone's eyes only.

This is a modern icon set with geometric shapes. A tasty set for the creation of the visual identity of shops, restaurants or bars. Thanks to its simplicity it will be perfect for printed and online materials. Baobaby Studio prepared an entire delicious set specially for you. Apart from “Meat and Seafood”, our offer also includes Dairy, Bread and Confectionery, Vegetables and Fruits. Everything in one style. Mix and match as you see fit. Bon appetit!

This is a modern icon set with geometric shapes. A tasty set for the creation of the visual identity of shops, restaurants or bars. Thanks to its simplicity it will be perfect for printed and online materials. Baobaby Studio prepared an entire delicious set specially for you. Apart from “Vegetables”, our offer also includes Dairy, Bread and Confectionery, Meat and Seafood and Fruits. Everything in one style. Mix and match as you see fit. Bon appetit!

This is a modern icon set with geometric shapes. A tasty set for the creation of the visual identity of shops, restaurants or bars. Thanks to its simplicity it will be perfect for printed and online materials. Baobaby Studio prepared an entire delicious set specially for you. Apart from “Fruits”, our offer also includes Dairy, Bread and Confectionery, Vegetables and Meat and Seafood. Everything in one style. Mix and match as you see fit. Bon appetit!

This is a modern icon set with geometric shapes. A tasty set for the creation of the visual identity of shops, restaurants or bars. Thanks to its simplicity it will be perfect for printed and online materials. Baobaby Studio prepared an entire delicious set specially for you. Apart from “Dairy”, our offer also includes Bread and Confectionery, Vegetables, Meat and Seafood and Fruits. Everything in one style. Mix and match as you see fit. Bon appetit!

ITC Mithras was designed by Bob Anderton and finds its foundation in the worn yet elegant letters carved into stones of a Mithraic temple in Scotland. The capitals are narrow and complemented by a wide, full bodied lowercase. The proportions of the curves vary slightly between characters and this subtle contrast gives the face a mellow appearance while still attracting attention. ITC Mithras is a very legible typeface and hence applicable to a wide range of display uses.

This is a modern icon set with geometric shapes. A tasty set for the creation of the visual identity of shops, restaurants or bars. Thanks to its simplicity it will be perfect for printed and online materials. Baobaby Studio prepared an entire delicious set specially for you. Apart from “Bread and Confectionery”, our offer also includes Dairy, Vegetables, Meat and Seafood and Fruits. Everything in one style. Mix and match as you see fit. Bon appetit!

KT Nirma Sans Nirma is a typeface with 9 Weight Sans Serif from thin to Black, inspired by Founders Grotesk, This project start from April 2022 and start from the stretch until shaped the solid character to represent the Dynamic Sans Serif. Nirma has total 462 glyph and 218 Support language. Nirma support Latin Basic, Latin-1 Supplement, Latin Extended A-B, Spacing Modifier Letters, and Combining Diacritical Marks. The Solid Character has multi function Display Sans & Body text based on Display Grotesk. Especially in te Thin to Regular is more legible for body text and the black one good for Display Sans, with dinamyc shape and more wide.

A piece of hand lettered sheet music from the era of the "Roaring Twenties" served as a model for Raccoon Coat JNL. It was a time of Prohibition, bathtub gin, flappers and college boys decked out in beanies and raccoon coats. College pennants, ukuleles and "23 Skidoo" were all part of the youth culture during this period; which gave us such dances at the Charleston, the Black Bottom and the Lindy Hop.