To the sound of smooth jazz 50's and incendiary Rock'n'Roll dance of 60's Im glad to Introduce you the new product in my Vintage Voyage — The Big Tickle Font Family! Absolute useful collection! Firstly is playful serif. The range of weights can be used to maintain an even colour across different sizes. Use it normally or all caps and play with baseline, give more bounce to composition. Or try to use Caps alternates and get really bouncing letters. Alternates has every uppercase letter. Also, for more variety I add a few versions for decoration: Inner hatched and Offset with Shadow. Okay, folks! The second one is Script. I really love them, they look like was signed with true brush. It can be perfectly used both independently and in tandem with the serifs. And the last one is Retro Graphic! Authentic collection of typical design elements of 50's and 60's style of Poster, Books or Ads. You can create awesome retro patterns or use them individually. 124 graphic elements total. A-Z; a-z; 0-9. Multilingual. Grab this stuff and have a good time with Mid Century Modern Adventure!

The unusual, thin line hand lettering on the cover of the sheet music for 1936's "If You Love Me" was the basis for Light Line Deco JNL, which is available in both regular and oblique versions.

Dreamy Sakura is a lovely script font. Whether you are using it for designs, quotes, titles, brand names, book covers, posters, or just any creation that requires a touch of beauty, this font is a great choice.

Treppenwitz (literally: ‘Staircase Wit’) is a German word describing a conversational remark that only occurs to someone after the opportunity to make it has passed. I love words like this: they can sum up a whole sentence or a complex train of thought. Treppenwitz font is hand brushed. It’s a little uneven, a little shaky, but will look good on product packaging and book covers. Comes with loads of diacritics and double letter ligatures as well.

Australove is a modern handwritten font with magical radiance. I believe this font is perfect for creating signature logos and watermarks for a photography studio or wedding invitation, best for initial or branding logo signatures. Made fully with love and uniqueness!! Australove includes a full set of beautiful hand-lettered uppercase and lowercase letters, numerals, a large range of punctuation and ligatures, and contains alternates in every special glyphs for an optional letter! This is so sick!

Wittingau is the original German expression for “Třeboň”, which is a beautiful town near my studio in South Bohemia. I love it for its calm and inspiring atmosphere and rich cultural past dating from the 12th century. The present typeface family is released as homage to Třeboň in the style of its greatest glory – Gothic Revival with classicistic decorativeness. Wittingau is excellent for music covers, book and catalogue jackets, invitations and posters. Contains many ornaments for creating decorative wallpapers.

Black Forest is a beautiful high fashion font duo that makes for gorgeous logos, posters, wedding invitations, blog posts, social media, and more!I love using them together with layer masks in Photoshop, so it looks like the script is running through the lines of the sans. The sans looks stunning. Black Forest Script includes ligatures to make everything look totally hand-done, and alternates for each letter. What Includes: Black Forest Script OTF Black Forest Sans OTF Thanks

TA Regresso PRO graphic presentation at Behance TA Regresso PRO font is inspired by Didon and Bodoni fonts. A combination of a little Bodoni and a little Didon elements and a unique style and Text, Display, Subhead and about 80 styles, it is a font that gives the user a choice. TA Regresso font supports Greek, Hebrew, Cyrillic and Latin alphabets. After starting work on the font since February of last year, the font is ready today with constant revisions. Being open to learning, I sought help from experienced designers. I must mention that Yulia Gonina, the founder of Schrifteria Foundry, also helped me a lot to make Regresso good. With her knowledge and advice, the flaws in the font were eliminated. By the way, Viktor Baltus also helped me with his valuable advices. I did some research about the alphabets of the supported languages so that Regresso is good. I paid a lot of attention to the correct design of the letters. I will fix the problems I missed in the next updates of the font. I would be happy if you send me your work when you use my font. I'm very interested in where you use my font. TA Regresso PRO contains 200+ Latin and Cyrillic, Greek, Hebrew languages. TAFT produce retail typefaces, create custom fonts and even do Greek, Hebrew and Cyrillization. Our mission is to create and distribute only carefully drawn, thoroughly tested, and perfectly optimized typefaces which are available to a wide range of customers. If you're looking for a type or logo → t@taft.work

The glyphs of AndrijScript typeface are based on usual calligrapher's handwriting, my own native Cyrillic. This strange mix of freedom and professionalism looks vivid but a bit elegant. In three very different weights it has some ligatures and contextual alternatives for more natural look. All you need is love, you know ;)

Febriella is a lovely script font featuring charming, playful characters that seem to dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

My Sweet Farmhouse is a sweet and quirky handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. Use this font for any crafting project that requires a personalized look! It is PUA encoded which means you can access all of the glyphs and swashes with ease! This font is ideal for crafting, branding, and decorates your any project. This font is perfect for wedding invitations or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use it for your business, book covers, stationery, marketing, magazines, and more. Fall in love with its incredibly versatile style and use it to create spectacular designs! The only limit is your imagination! Thank you for purchasing this font. Please appreciate, if you like this. ENJOY it :)

Madibone is my new elegant serif font that will give your projects a touch of luxury and style. It's perfect for logotypes, branding, monograms and wedding invitations, blog headlines, and more. Browse through all the previews and get as inspired as I was when creating this font. Please contact us if you have any questions, we are happy to help you!

Onion Mill is based on my own handwriting, when I want to mimic the classic letters from comics. This type of texting can be super useful when you have a massive amount of text that needs to be good looking, as well as legible! You have 4 different versions of each letter to choose from - enough to randomise the appearance of your text!

Mallaba is an amazing bouncy handwritten brush font. Made in naturally handwriting, this font will make your design more beautiful and powerful. Mallaba is suitable for any design like branding, quotes and more. I hope you enjoy it !! Thanks for visiting and downloading my font! Mallaba offers you: Accents (Multilingual Characters) PUA encoded Numerals and Punctuations (OpenType Standard) Many of alternates

Introducing our new font that we named Chattelyne Script. It gives a beautiful and natural impression. This font is very suitable for clothing, logos, Wedding Invitations, Branding, Posters, Quotes, magazines, banners, etc. all with a natural touch. This font is the best choice for your business. What you get? Standart Ligature, Stylistic Alternate and multilingual accents. I hope you enjoy my creation.

The New Lanzelott is a brand new Version of an old Font of me called Lanzelott. The new Version get more curves and round Glyphes, it get more Soul. The Serif - Versions are shorter but more exactly. Every Font comes with many Open-type-features and Handmade Kerning. I like the old Version but this much better, much beautyfuller. All Fonts come with the German new big sharp S and a smaler sharp S and the normal sharp S. I you Write SS and want the big sharp S, you have only to make it with the Ligatur-Feature I hope you ll like it...

Willona is a subtle and elegant font. This font has a lovely touch of character, perfect for a variety of designs. The Willona features varied baselines, unique smooth lines, and stunning alternatives. Add to your most creative ideas and see how to make art! Alternative Glyph Styles (including Uppercase, Lowercase, Numbers & Punctuation) Works on PC & Mac Simple installation. Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works in Microsoft Word. Multilingual Support Thank you ! Hope you enjoy our fonts!

Brigker is a bold, distinct and elegant blackletter font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch. Use it for product packaging, branding, or other projects that need bold and daring typography! It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your projects, and you will love the results.

Browking is a bold, distinct and elegant blackletter font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch. Use it for product packaging, branding, or other projects that need bold and daring typography! It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your projects, and you will love the results.

Lavinia is the new hand lettered script font, full of fun calligraphy with 962 characters and a host of specials features that will allow you to add more personality and originality to your work. Lavinia is a seamlessly connecting alphabet. Using OpenType contextual, stylistics alternatives, swatches each lowercase has the minimum ten versions and each capital letter two variants. Also, Lavinia comes with a custom set of standard and discretionary ligatures, lots of goodies ornaments and flourishes, catchwords, tails, words with stylistics alternates, special double letters ligatures. This lovely font has an extended character set to support Central and Eastern as well as Western European languages. Mix and match them for a custom look! You can quickly change the appearance of your design. It’s like getting a lot of fonts for one! Lavinia is perfect for logos, advertising, announcement, invites, thank you’s and correspondence, for packaging, and to create all yours fun and moderns designs you want. There are plenty of options to allow you to create something unique and special. Test it, you will not regret! Have fun with it!

The font superfamily Vianova contains each 12 weights of Sans and Slab and 8 weights of the Serif style. The design from Jürgen Adolph dates back into the 1990s, when he studied Communication Design with Werner Schneider as a professor at the Fachhochschule Stuttgart. Adolph started his carrier 1995 at Michael Conrad & Leo Burnett. He was responsible for trade marks as Adidas, BMW, Germanwings and Merz. He has been honored as a member of the Art Directors Club (ADC) with more than 100 awards. On February 26, 2014, Jürgen Adolph wrote the following: “I was already interested in typography, even when I could not yet read. Letterforms, for instance, above storefronts downtown, had an irresistible appeal for me. Therefore, it is probably not a coincidence that, after finishing high school, I began an apprenticeship with a provider of signage and neon-advertising in Saarbrücken, and – in the late 1980s – I placed highest in my field in my state. When I continued my studies in communications design in Wiesbaden, I was introduced to the highest standards in calligraphy and type design. “Typography begins with writing” my revered teacher, Professor Werner Schneider, taught me. Indefatigably, he supported me during the development of my typeface “Vianova” – which began as part of a studies program – and accompanied me on my journey even when its more austere letterforms did not necessarily conform to his own aesthetic ideals. The completely analogue development of the types – designed entirely with ink and opaque white on cardboard – covered several academic semesters. In order to find its appropriate form, writing with a flat nib was used. Once, when I showed some intermediate designs to Günter Gerhard Lange, who occasionally honored our school with a visit, he commented in his own inimitable manner: “Not bad what you are doing there. But if you want to make a living with this, you might as well order your coffin now.” At that time, I was concentrating mainly on the serif version. But things reached a different level of complexity when, during a meeting with Günther Flake which had been arranged by Professor Schneider, he suggested that I enlarge the offering with a sans and slab version of the typeface. So – a few more months went by, but at the same time, Elsner+Flake already began with the digitilization process. In order to avoid the fate predicted by Günter Gerhard Lange, I went into “servitude” in the advertising industry (Michael Conrad & Leo Burnett) and design field (Rempen& Partner, SchömanCorporate, Claus Koch) and worked for several years as the Creative Director at KW43 in Düsseldorf concerned with corporate design development and expansion (among others for A. Lange & Söhne, Deichmann, Germanwings, Langenscheidt, Montblanc.”

The font superfamily Vianova contains each 12 weights of Sans and Slab and 8 weights of the Serif style. The design from Jürgen Adolph dates back into the 1990s, when he studied Communication Design with Werner Schneider as a professor at the Fachhochschule Stuttgart. Adolph started his carrier 1995 at Michael Conrad & Leo Burnett. He was responsible for trade marks as Adidas, BMW, Germanwings and Merz. He has been honored as a member of the Art Directors Club (ADC) with more than 100 awards. On February 26, 2014, Jürgen Adolph wrote the following: “I was already interested in typography, even when I could not yet read. Letterforms, for instance, above storefronts downtown, had an irresistible appeal for me. Therefore, it is probably not a coincidence that, after finishing high school, I began an apprenticeship with a provider of signage and neon-advertising in Saarbrücken, and – in the late 1980s – I placed highest in my field in my state. When I continued my studies in communications design in Wiesbaden, I was introduced to the highest standards in calligraphy and type design. “Typography begins with writing” my revered teacher, Professor Werner Schneider, taught me. Indefatigably, he supported me during the development of my typeface “Vianova” – which began as part of a studies program – and accompanied me on my journey even when its more austere letterforms did not necessarily conform to his own aesthetic ideals. The completely analogue development of the types – designed entirely with ink and opaque white on cardboard – covered several academic semesters. In order to find its appropriate form, writing with a flat nib was used. Once, when I showed some intermediate designs to Günter Gerhard Lange, who occasionally honored our school with a visit, he commented in his own inimitable manner: “Not bad what you are doing there. But if you want to make a living with this, you might as well order your coffin now.” At that time, I was concentrating mainly on the serif version. But things reached a different level of complexity when, during a meeting with Günther Flake which had been arranged by Professor Schneider, he suggested that I enlarge the offering with a sans and slab version of the typeface. So – a few more months went by, but at the same time, Elsner+Flake already began with the digitilization process. In order to avoid the fate predicted by Günter Gerhard Lange, I went into “servitude” in the advertising industry (Michael Conrad & Leo Burnett) and design field (Rempen& Partner, SchömanCorporate, Claus Koch) and worked for several years as the Creative Director at KW43 in Düsseldorf concerned with corporate design development and expansion (among others for A. Lange & Söhne, Deichmann, Germanwings, Langenscheidt, Montblanc.”

The font superfamily Vianova contains each 12 weights of Sans and Slab and 8 weights of the Serif style. The design from Jürgen Adolph dates back into the 90th, when he studied Communication Design with Werner Schneider as a professor at the Fachhochschule Stuttgart. Adolph started his carrier 1995 at Michael Conrad & Leo Burnett. He was responsible for trade marks as Adidas, BMW, Germanwings and Merz. He has been honoured as a member of the Art Director Club (ADC) with more than 100 awards. On February 26, 2014, Jürgen Adolph wrote the following: “I was already interested in typography, even when I could not yet read. Letterforms, for instance, above storefronts downtown, had an irresistible appeal for me. Therefore, it is probably not a coincidence that, after finishing high school, I began an apprenticeship with a provider of signage and neon-advertising in Saarbrücken, and – in the late 1980s – I placed highest in my field in my state. When I continued my studies in communications design in Wiesbaden, I was introduced to the highest standards in calligraphy and type design. “Typography begins with writing” my revered teacher, Professor Werner Schneider, taught me. Indefatigably, he supported me during the development of my typeface “Vianova” – which began as part of a studies program – and accompanied me on my journey even when its more austere letterforms did not necessarily conform to his own aesthetic ideals. The completely analogue development of the types – designed entirely with ink and opaque white on cardboard – covered several academic semesters. In order to find its appropriate form, writing with a flat nib was used. Once, when I showed some intermediate designs to Günter Gerhard Lange, who occasionally honored our school with a visit, he commented in his own inimitable manner: “Not bad what you are doing there. But if you want to make a living with this, you might as well order your coffin now.” At that time, I was concentrating mainly on the serif version. But things reached a different level of complexity when, during a meeting with Günther Flake which had been arranged by Professor Schneider, he suggested that I enlarge the offering with a sans and slab version of the typeface. So – a few more months went by, but at the same time, Elsner+Flake already began with the digitilization process. In order to avoid the fate predicted by Günter Gerhard Lange, I went into “servitude” in the advertising industry (Michael Conrad & Leo Burnett) and design field (Rempen& Partner, SchömanCorporate, Claus Koch) and worked for several years as the Creative Director at KW43 in Düsseldorf concerned with corporate design development and expansion (among others for A. Lange & Söhne, Deichmann, Germanwings, Langenscheidt, Montblanc.”

Introducing "Matcha // Unique Ligature Serif Font" Matcha is modern serif font that come with more than 20 ligature. This font has unique ligature which you can create in your project designs such as branding, logo design, magazines and many more. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Buree Chalk is a unique handwritten font with a chalk texture. Fall in love with it and bring your projects to the highest levels!

This font is perfect for adding a little love and warmth to your designs--in a way that feels authentic and personal. Whether you're designing a t-shirt or logo, this cute hand-drawn font will add a friendly touch to any project. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Simple Installations works on PC & Mac Thank You.

Sharland is a beautiful and refined script font. It has a classy, elegant, and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease! Fall in love with this font and bring your projects to the highest levels!

Phanthomim is a Beautiful Script font. It is inspired by lovely and beautiful things in life and looks modern and awesome in many way to your latest project. Phanthomim is perfect for logos & branding, photography, invitation, product designs, stationery, wedding designs, labels, product packaging, special events or anything that need special taste. If you have any queries, questions or issues please don't hesitate to contact us direct.

Confidente is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! What's Included : Web Font PUA Encoded Multilingual Support

Silver Midnight is a Modern Handwritten Font. Silver Midnight is a lovely and timeless handwritten font. It is the best choice for creating eye catching logos, branding and quotes. Every letter has a unique and beautiful touch, which will make your design come alive! Silver Midnight also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Phoenix Island is a Handwritten Font. Phoenix Island is a lovely and timeless handwritten font. It is the best choice for creating eye catching logos, branding and quotes. Every letter has a unique and beautiful touch, which will make your design come alive! Phoenix Island also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

introducing WINTER END - quirky craft font - It is great for quotes, lettering, t-shirt design, mug, card, cutting, embroidery, banner, and anything for your craft project. Uppercase and lowercase characters match each other. The Winter Doodles make this font complete. What's included? - Winter End - Winter End Doodles Features - Uppercase - Lowercase - Numeral & Punctuation - Multilingual - Ligatures - Doodles - PUA encoded Hope you love it. regards, Abo Daniel Studio

Blondie Rainbow is a Modern Calligraphy Font. Blondie Rainbow is a lovely and timeless handwritten font. It is the best choice for creating eye catching logos, branding and quotes. Every letter has a unique and beautiful touch, which will make your design come alive! Blondie Rainbow also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Stylish Garden is a Modern Handwritten Font. Stylish Garden is an exquisite handwritten font, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling contemporary and fresh. Fall in love with it and bring your projects to the highest levels! Stylish Garden also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

If you're looking for cuteness, something whimsical and unpredictable madness - then Nothing So Childish is something for you. The font is 100% handmade with a slightly dry pen. With a closer look, the font reveals several scribbles and scratches - only to make the font look more authentic! Your next birthday- or greeting card will love this font! :) Comes with ligatures which substitutes double letters!

English Script is the classic Spencerian English script. I always wanted to do one of these; now finally I did. Your classical designer Gert Wiescher

Spice up your designs with Radiant Days an elegant retro bold serif with its lovely rounded curves that will give a modern retro touch to your designs. Radiant Days with its alternates will provide your project. Whether you are a logo designer, or looking for a great bold header to your designs, retro quotes, Radiant Days will definitely make your work stand-out. To access the ligatures and the stylistic alternates make sure they are ON in the OpenType Feature option. Supported languages: Western European Central European South Eastern European South American Oceanian

Introducing the latest styles Allysa Daguise Script with the kind of modern calligraphy font, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic Sets for those of you who have software that is able to work OpenType (Photoshop / Illustrator / InDesign). Allysa Daguise Script is suitable use for market design developed at this time, this font has a model Trendy, natural and gentle, with this font you can take advantage of the opportunity in every moment of one wonderful way to highlight the celebration of the feast of your best, because this font will be advocates for purposes such as wedding invitations, party, graduation, birthday, gathering, etc. If you need help or have questions, please let me know. I am happy to help :) Thank you & Congratulations on Designing! Thank you,

Usually fonts that are related to computers, space, future are not handmade, but rather digital made. Autoray is 100% handmade, and I am not sure which category it fits in. It has this futuristic and intergalactic look, but at the same time the handmade details are pointing in a more grafitti and comic way. I will let you decide where to go with Autoray! I have added 5 different versions of each letter, and they automatically changes as you type - and of course, there's multilingual support - and even intergalactic gravity! :)

Hyggemand is not a real word: it is a combination of Hygge (meaning ‘fun’ or ‘coziness’ in Danish) and Mand (which means man in Danish). Combined it means something like ‘Nice Man’. I just like the sound and look of this name, so if I offend Danish languages purists, then I apologise for this monstrosity! ;-) Hyggemand is a happy kids font that comes with extensive language support and a set of alternates for the lower case glyphs. If you want the cute Huggeman face, you will find it as a stylistic alternate for the asterisk.