A small x-height typeface, originating with engravers near the start of the twentieth century, appearing in type in the 1923 ATF specimen.

Golos is a sleek and authentic font face with two styles: regular and italic. Golos is recommended for use as a display typeface.

Is it Halloween yet? Dead Inside Chilling Font is an adorable hand-made typeface with 13+1 chilling icons, for the upcoming Halloween.

Inspired by the typefaces used for company insignia on aircraft in the 1930's and 1940's, Streamliner is light, friendly and open.

Inspired by classic serif fonts such as (adobe) Garamond, this pencil drawn typeface give your designs a unique and elegant, yet distressed look.

Ultimate Victory is an authentic handwritten brush typeface. This textured script font is suitable for posters, magazines, apparels, movie headlines, packaging and more.

JH Lea cursive is a school kids typeface; it is designed based on cursive handwriting , typical for children books, first hand calligraphy experience.

Yet another experimental typeface. I love trying different things I’m very happy with the results here. See the whole presentation here: Behance,net

Scat Dingbats from Laurie McCanna is a set of eclectic icons originally offered with the Scat typeface but useful as general purpose symbols.

RiptCure is a futuristic, but usable typeface for everything from logotypes to magazine headlines. Several weights are included, including an interesting Ultra Light.

Fusion is a titling and short text typeface inspired by medieval decorative initials (versals) and bodoni letters. Each sign exists in two versions.

Melay Script is a monolined calligraphic typeface, with large and beautiful upper-case letters and a decorative style. It has elegance and confidence.

Rembord is a modern, inclined and slightly condensed typeface. This font contains a wide selection of swashes, stylistics alternates, stylistics sets and ligatures.

Anything Okay is a simple, yet classy signature typeface. It includes beautiful swashes, that will add an organic feel to any design project.

Thomas Maitland Cleland’s careful and scholarly creation of a typeface from 15th Century Florentine inscriptional capitals; designed for the Bruce division of ATF.

Damasquine works well for headlines and titles mostly, could be a sharp Art Deco reinterpreted typeface with a touch of archaic lettering inspiration.

Introducing my new font named "Droptune". Dark riffs, strong rhythm, low frequencies - it's all about heavy music, and, I hope, about this typeface :)

Aegion is a display typeface inspired by blackletter style. Aegion is perfect choice for people who looking for unique and powerful display heading.

This square and elegant typeface has unique round stems that makes the geometric look of Tmura MF work well in any point size.

Paramilitary JNL from Jeff Levine was modeled after a set of brass interlocking stencils and offers another choice in digital stencil typeface design.

Schoko is a brush script headline typeface. It is elegant and still clear and self-confident. Ideal for food packaging and product branding.

Merrant® is a lithe geometric display typeface designed by Max Prive. The Merrant® family has 3 weights – Lithe, Regular, and Bold.

Specially designed to improve legibility in long texts, Tascinorm is a unique, modern typeface which will meet the needs of a vast audience.

Sketchetik is a hand-drawn font in four styles: light, regular, bold and black. It is recommended for use as a display typeface.

Klenthing is a simple typeface. It's handwritten and is perfect for invitations, branding, blog posts, greeting cards, DIY projects, labels, quotes, and more!

Venture is an all caps typeface inspired by the great outdoors. Also comes in 2 extra styles, great for that vintage print look!

Basilica is a calligraphic typeface that will add style and grace to short copy. Use the Basilica font for poetry, menus and stationery.

One line, two lines, three lines. Inspired by the 1968 Mexican Olympics, Azote is a multiline typeface family that adds lines for weight.

A revival of the Ludwig & Mayer typeface Motor and Lichte Motor from 1930. Motorcross Pro includes over 800 glyphs and supports 131 languages.

Created with a fine brush, this font has a robust appearance with some elegant features to it. Use this typeface anyway you like!

Valimo RMX is a destroyed hard-to-read typeface. It's suitable for creating text "textures" where you don't necessarily need any actual content.

Rock Logo is an all caps, display typeface, inspired by old cool rock/metal band logos. It has many alternates, swashes and ligatures.

Forget everything about Times New Roman and all the other classic typefaces! Forget all that and take a bite of Peanut Butter Man!

An American Scotch remixed in 27 fonts Mencken has twenty seven styles, divided into three widths, three optical sizes, romans and italics. Generally, optical size typeface families belong to a same common construction. It falls into the same category of type classification, while presenting different x-heights or contrasts. Mencken is unique because it is designed according to different axis and optical sizes. Firstly, Mencken Text is a low-contrast transitional typeface, designed on an oblique axis, asserting horizontal with featuring open counters. Its capitals follow Didots to better harmonize the rest of the family. On the other side of the spectrum, Mencken Head (and narrow variations) is designed on a vertical axis, high contrast, in a contemporary Didot style. The Mencken is therefore a typeface answering to different sorts of uses, whose design is different according to its uses: from oblique axis in small size to vertical axis in large sizes. Vertical proportions (x-height, capitals height, etc.) were calibrated to be compatible with many Typofonderie typeface families. Lucie Lacava and I followed the idea launched by Matthew Carter few years ago for some of his typefaces intended for publications. From Baltimore Sun’s project to Typofonderie’s Mencken It is a bespoke typeface for American newspaper The Baltimore Sun started at the end of 2004 which marks the beginning of this project. The story started with a simple email exchange with Lucie Lacava then in charge of redesigning the American East Coast newspaper. As usual, she was looking for new typeface options in order to distinguish the redesign that she had started. At the time of its implementation, a survey of the newspaper’s readers has revealed that its previous typeface, drawn in the mid-1990s, was unsatisfactory. The Mencken was well received, some reader responses was particularly enjoyable: “It’s easier to read with the new type even though the type is designed by a French.” Why it is called Mencken? The name Mencken is a tribute to H. L. Mencken’s journalistic contributions to The Sun. According to the London Daily Mail, Mencken ventured beyond the typewriter into the world of typography. Because he felt Americans did not recognize irony when they read it, he proposed the creation of a special typeface to be called Ironics, with the text slanting in the opposite direction from italic types, to indicate the author’s humour. Affirming his irreverence, the Mencken typeface does not offer these typographic gadgets. Henry Louis Mencken (1880 — 1956) was an American journalist, satirist, cultural critic and scholar of American English. Known as the “Sage of Baltimore”, he is regarded as one of the most influential American writers and prose stylists of the first half of the twentieth century. He commented widely on the social scene, literature, music, prominent politicians and contemporary movements. Creative Review Type Annual 2006 Tokyo TDC 2018

Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper towards the baseline highlight--a feature that adds clear distinction to your design. Originally inspired by a WPA poster, this typeface has been expanded to include three equally elegant proportions. Sabler Titling includes more than 60 free alternative forms, including support for most Latin-based languages. Add a hint of seduction to your work with Sabler’s high-contrast letterforms--ideal for magazines, advertisements and books on fashion, fine arts, and luxury goods of all kinds.

The idea of Transport originates from text found on the large wooden boxes used for transport. Such text is still stencilled on them in the same way as the companies have done for decades, at least. That explains the typeface's name, too. If you find some similarities with Devin, you are right. Transport is nothing other than a special variant of Devin. But since the two are aimed for totally different uses, I decided to use two different names for them. Transport is a mecane and its use is primarily as a headline typeface. But in small quantities it can be used even for body setting, if special effects are desired. Transport was released in 1994.

Last Bastion is a strong, resolute serif typeface. The original inspiration came from the idea of an impenetrable medieval fortress that has stood the test of time and defended generations of hardened soldiers. Large stone towers and fortifications are reflected in the font's bold stems. The sans serif font offers a more modern and clean look, while the Gothic font shows the typeface's darker side. All three fonts include alternates for all letters and numbers in both caps and small caps. Last Bastion lends itself to branding, billboards, signage and industry to name a few. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.

The idea of Transport originates from text found on the large wooden boxes used for transport. Such text is still stencilled on them in the same way as the companies have done for decades, at least. That explains the typeface's name, too. If you find some similarities with Devin, you are right. Transport is nothing other than a special variant of Devin. But since the two are aimed for totally different uses, I decided to use two different names for them. Transport is a mecane and its use is primarily as a headline typeface. But in small quantities it can be used even for body setting, if special effects are desired. Transport was released in 1994.