Egon is a contemporary Slab-Serif typeface family built in ten styles—extra-light, light, regular, bold and black weights in roman and italic respectably. This is a refreshed (second) edition of Egon Serif, originally designed in 2008. The typeface has been updated—four new styles in ExtraLight and Black weights were added to the family and minor adjustments to glyph shapes (mostly italics) have been made.The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon is ideal as text and display font for publication use. Egon is released as OpenType single master with a Western CP1252 character set.

RAILHAM is a slab typeface with more than 330 glyphs including uppercase, lowercase, numbers, small caps, accents, punctuation, currencies, etc. Inspired by the tracks of a railroad, with stems that narrow at the top, Railham typeface, like a train looks to the future without forgetting the fundamentals of a long road, detaining in the detail of every element to form a strong, fast and versatile family. Retaking and uniting essential concepts of typography, rounded serifs with especially wide base, forms and counterblocks that complement together, RailHam typeface neatly adapts to any topic, besides being practical and readily legible in small and large formats, joining a select list of modern slab serif fonts.

This typeface was inspired strongly by one of Ernhardt Ratdolt’s (1442-1528?) many beautiful typefaces. Mr. Ratdolt was a printer from the city of Augsburg, who had also worked for several years as a printer in Venice. He made many advances in printing technique and technology, including the decorated title page. Early books have a mysterious rhythm to the appearance of the text, due to small variances in letters caused by casting irregularities and ink transfer from the press. This supposed defect, which is present in this typeface, gives a pleasing effect when compared to the sterile regularity of modern printing technology. This font has been released as version 2.0 with over two hundred additional characters and improved metrics.

This typeface follows the principles of the numerous and diverse architecture and graphic design works from the most famous Slovene architect Jože Plečnik, and so unfolds a piece of Slovene’s rich, yet still undiscovered typographic legacy. Typeface Plecnik is defined by classical elements and shapes. With classic proportion, humanist stroke endings and low contast, Plecnik comunicates a modern, elegant and sophisticated message. Due to Plecnik's recognisable shapes the typeface remaines memorable and irreplaceable. When used for book and editorial designs, branding, packaging or display, Plecnik will perform in its purpose. Designed in four weights and accompanied with italics, Plecnik also offers a Display style, which is even more distinctive and perhaps even more attributable to Plečnik.

Grimoire on the other hand combines two seemingly contradicting principles — calligraphic and constructive ideas — and makes them work together. The font is based on a modular system but simulates a handwritten typeface. Felix Braden about this concept: "I was so fascinated by this idea, that I have since designed a couple of typefaces following this principle, e.g. the psychedelic Bikini released by Volcanotype. Even my recent work, the multi awarded FF Scuba is inspired by this concept, however with increasing age I have become less interested in experimental typography and more so in designing typefaces which are more versatile in use." For a detailed type specimen have a look at: http://on.be.net/17WyhE6

MODAR means Modern and Artistic. A good font must be enduring and of high quality. This typeface is beautiful and noble, like an elegant sculpture, both historical and modern. This font is great for fashion, magazines, premium services, publishing, and also great for premium brands. MODAR is paired with a sans-serif typeface for a simple yet elegant visual effect. The font is very straight and has high-quality details, combining Eastern and Western aesthetics in one typeface. Designers borrowed classic fonts such as Didot and Canela in this font, combined with the elegant style of personal advocacy, to create 350 characters. I hope this font will help your brand be more visible.

Apollo is oddly one of the lesser known typefaces of Frutiger, perhaps due to the extreme fame of some of his other works, like the typefaces Frutiger® and Univers®. Stylistically, the very legible and harmonic Apollo is an old face. Frutiger designed it especially for the photosetting used at the time. The Apollo typeface family consists of the weights roman and semibold and their respective italics as well as expert sets. Frutiger optimized the relation between the two weights so that the roman is robust enough to present a legible text on soft paper but light enough to contrast with the semibold. The clear, elegant Apollo is perfect for headlines as well as long texts.

Minimal Nahidha is a minimalist sans serif typeface with a casual and trendy outlook. Minimal Nahidha was built to balance the geometric qualities of a san-serif typeface with all the benefits of traditional serif fonts, like readability and personality. Minimal Nahidha comes in Regular and Slant version, each with its own unique set of characters & it has ligatures and stylistic alternates that make it easy to customize your designs. The fonts works best as display typefaces or as beautiful headline fonts, but can also be used in other ways to create stunning designs. Features : - Minimal Nahidha Family Font - Ligatures - Stylistic Alternates - Multilingual, US Roman, Latin 1 Support Hope you enjoy with our font! Attype Studio

A typeface inspired by 1980's graphic design fused with a modern futuristic style. Aimed at the Fashion industry and style magazines.

Katsuji tai means typeface in Japanese. The font was created by taking Japanese letters and manipulated them to look like english letters.

Based on Burghal Design's popular typeface BabyDoll, Fauntleroy is a graceful, childish figure of a font, full of innocence and good-fellowship.

Boonville JNL is a slightly condensed version of Cloverdale JNL - a "Western" style typeface based on classic wood type from the 1800s.

This typeface is inspired by the lettering of Archibald Knox (1864 – 1933), a designer for Liberty & Co. from the Isle of Man.

Sunnydale really is a sweet little typeface, great for scrapbooking or any design where you're wishing to convey a friendly, casual message.

Geko is yet another experimental decorative display typeface. I just love experimenting with type I design it with logos, titles in mind.

Garden Party has a calligraphic feel without appearing formal. The ample x-height, short ascenders and descenders make this a distinctive typeface.

Romb is the display font based on feeling of the retro typefaces of the early 20th century. Good for posters, magazines, packaging.

Montio is a simple Humanist sans serif typeface with rounded corners. It’s a family of 4 fonts: 2 weights and their italics.

A calligraphic typeface for use in announcements, invitations, greetings, and more. Informal letterforms, but with many flourishes and swashes included as well.

A bold, playful typeface named after my late and much-missed grey cat, Freddie, who was my best buddy for 18 years.

Estilo is a very elegant headline typeface in a 30s style with plenty of ligatures for better design possibilities and includes Greek.

Meatblock it's modern typeface style. Can be use for modern logo, tees design, logotype, and many more about modern and clean style.

Inspired by a grocery store chain logo used up until 1975, this unusual Victorian-style typeface has a unique and interesting charm.

JH Amira is a display modern typeface; it is designed based on Art Deco style, typical for fashion magazines headlines, logos & titles.

A bold currency typeface that's perfect for replicating the style of money and old stock certificates. Includes drop caps on lowercase characters.

Gans Italiana is a comprehensive family of wood type inspired typeface based on the same font by the extinct spanish Gans Fundicion.

A handsome, square sanserif, the ultra extended Cavalero is strictly a display design. The typeface was inspired by the Chevy Cavalier logotype.

Balzac is one Script typeface, heavy, rough with alternate set of numbers and accompanied a set of ornaments, designed by Alejandro Leiva.

David Farewell is a decorative flare-serif typeface family with medium contrast. It has four styles: regular, bold, italic, and bold italic.

SuperBlack is a saucy counterless typeface, ideal for display purposes. Whenever you need impact with a playful feel, SuperBlack will pop out.

CircusKS is a new, original typeface based on carnival and circus posters from the late 1800s. Extended Character set for multilanguage support.

Lineatura is a simplistic sans serif caps only typeface with dynamic character width. All its styles are based around the same skeleton.

SG - BRISCY is a display typeface. It's bold, fun, and playful. Perfect for you who need a pop style in your design.

A black weight decorative typeface with an engraved flare. Merchant was designed for all media and requires subjective display kerning and compensation.

Tushi is a handmade fontface with twist in two styles: regular and italic. Tushi is recommended for use as a display typeface.

The Stroke typeface is based on a broad nib pen theory taken to its extreme, using idealization of computer-generated pen stroke.

Minado Rough is a display sans, stencil and dingbat font family. This typeface has sixteen styles and was published by Rodrigo Typo.