Press Run JNL is a reinterpretation of the classic typeface Cheltenham Condensed taken from actual screen captures of vintage newspaper headlines.

Introducing all caps handwritten typeface named Plonker after Derek Trotter's famous "You plonker!" statement to Rodney at "Only Fools and Horses".

Matra is a modernistic all-capitals headline typeface. The Matra font is a popular choice for Modern Art posters and brochures.

Here's another gem from Blandford Press' Pen & Brush Lettering and Practical Alphabets. Pleasant, playful and packed with personality, this typeface rocks.

This art nouveau style typeface is the one that had been used for the signage of the historic Paris metro stations.

The Squab typeface was designed to be simple, big and bubbly for projects from poster to t-shirt design or animation.

PyeMan is a rounded block typeface influenced by home computer games from the 1980s. Examples include Asteroids, Defender and Pac-Man.

Skippie - a typeface specially designed for children's titles - contains different weights from Thin to DemiBold, with extras, dingbats and many alternates.

ItzKarl is a unique hybrid typeface with serif and sans serif features that is suitable for headline, logo and poster use.

Classical nineteenth century french engravers typeface, traditional with corners sharpened, a flick of the burin and a touch of Art Deco.

Excess Baggage JNL is a clean sans serif typeface, and one of a number of stencil fonts offered by Jeff Levine.

Passo Borgo is a blackletter typeface inspired on classic vampire filmes from 50"s and in Dracula's Bram Stoker novel... creepy...

A bold sans serif typeface influenced by Ed Benguiat 's work for the 1968 movie poster for Planet of the Apes .

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983.

Crazer is a strange and irregular display typeface. Bringing tense, scary, powerful, and chaotic artwork. Create your creativity with Other Dangers!

Knoo is a bold typeface with some pretty futuristic characters. This version has new additional characters compared to the previous version.

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Another typeface from Les Usherwood that was released after his 1983 death.

Saddle Hitch JNL is a Western font inspired by a few words set in a decorative typeface from an 1887 publication.

Cykor is a display typeface with reversed contrast inspired by typography of the late 70s designed in 2020 by Kacper Janusiak.

Modeled after an old sign on a building in New York City, Chinese Menu JNL is a modular style Oriental typeface.

High legibility at small sizes. An extended sans serif typeface with rounded endings that provides unique softness appearance without losing legibility.

Pingo is a nice, happy serif typeface. It is uncomplicated, playful and fun to use. Pingo comes with extensive language support.

JH Rawan is a modern geometric typeface; it is derived from JH Dima black ; typical for corporate identity, headlines, branding & signage...

Vinegar Pro is a modern, legible serif typeface. It contains a wide range of characters, sexy ligatures, lining & old style numerals.

BAUHANS is a upper case typeface family which comes in 2 styles. The geometrical design gives it a distinct architectural style.

Filature is a fully connected typeface with open type features. Use Filature any time you want fancy, legible, and original text.

Based on designer's own handwriting, Mia Mano is a decorative display typeface ideal for headlines, logos, magazines, posters and short text.

An original design, loosely based on a typeface from an old wood type specimen book from the turn-of-the-century.

SketchCaslon Italic is a hand-rendered display typeface with its formal base in the structure of the types of William Caslon.

It is a modern, slightly extended serif typeface with sharp endings that provide a unique aesthetic touch without losing its legibility.

Rough Marker is an uppercase handwritten typefaces. It comes with 2 letter-variations, swashes & lines and a variety of bonus symbols.

Madeline is a beautiful Handwritten Typeface, which is carefully designed to meet the beauty of feel and touch of the craft.

Konga is a typeface that was designed in 2012. Konga Pro version is a redesign and now includes Cyrillic And alternatives.

Bulgatin Script is a new fresh and modern script typeface. It includes Uppercase, Lowercase, Multilingual Support, Numbers, Punctuation, Ligatures and Alternatives.

Tabloid Press JNL is one of a number of classic typefaces re-drawn from screen captures of actual vintage newspaper headlines.

Introducing “Avilusia”, a captivating semi-gothic typeface that seamlessly blends tradition with a modern twist. With its unique character and versatile design, “Avilusia” is poised to make a bold statement in a variety of design projects. The design concept behind “Avilusia” revolves around merging the timeless charm of semi-gothic typography with contemporary design sensibilities. The goal was to create a typeface that reflects the rich historical roots of gothic letterforms while infusing it with a fresh and modern edge. “Avilusia” aims to be a versatile tool that empowers designers to explore new creative territories while honoring the legacy of classic typography. While “Avilusia” draws inspiration from the semi-gothic tradition, it is not based on any specific historical design. Instead, it pays homage to the stylistic traits of semi-gothic typefaces while embracing the demands of contemporary aesthetics. This approach results in a typeface that is both captivating and adaptable, suitable for a wide range of design applications. “Avilusia” is a captivating semi-gothic typeface that seamlessly blends tradition with a modern twist. Its distinctive design, versatile nature, and extensive character set make it an excellent choice for creating visually engaging designs. Whether you're working on branding, editorial layouts, or display graphics, “Avilusia”'s unconventional elegance will leave a lasting impression on your projects.

About Molhim: I first designed Molhim in 2016 as a personal project to digitalize my handwriting. Molhim 2016 was a static typeface, including two weights, and supported basic Arabic only. Since it was my first typeface to design, it had several issues regarding letterform design and aesthetics, good curve drawing, proportions, font programming, and correct OpenType features. So, in 2019 I started redesigning my handwriting font from the beginning to produce a neat Multi-lingual typeface suitable for diverse purposes. Arabic letterforms are redrawn with a focus on proportions and unity. Molhim Variable characteristics: Supports basic Arabic, and Arabic script-based languages, such as Persian and Urdu. Supports Basic and extended Latin characters. Includes 200+ ligatures and alternate styles for a natural flow of letters. Latin small letters have both separated and connected script forms. The variable font comes in two axes, Weight (wght) and Softness (SOFT): The Weight axis ranges from thin to bold, while Softness changes the stroke's cap from a round cap to a sharp projecting cap. Although I see the new Molhim Variable as a different typeface, I decided to keep the name 'Molhim' for the new typeface with the addition of 'Variable'. Molhim is an Arabic word that means 'inspiring'; this is how I hope people would perceive my handwriting.

Sament is a Japanese Style typeface that is ideal for projects that require a distinctly Japanese and Asian touch. This typeface will add uniqueness and creativity to your work with its exquisite style and eye-catching appearance. With appealing characters and inspiration from Japan’s rich culture, the Sament typeface combines a traditional touch with a modern vibe. Each figure is designed with care and refinement, creating an alluring environment and highlighting the richness of Japan’s cultural history. You may add an authentic and appealing vibe to your promotional materials, poster designs, websites, and many other projects by utilizing the Sament font. This font will leave a lasting impact and quickly capture the attention of potential customers. Make your project stand out by using Sament as the main typeface. With its rich richness and distinct style, this typeface provides a visually pleasing experience. With Sament, your designs will create an exceptional experience, instantly engaging potential buyers. What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

FF Signa is a typically Danish typeface, rooted in architectural lettering rather than book typography. Originally designed for signage—hence the name—FF Signa is now a typographic family with three widths. All weights include italics, small caps, and several styles of figures. Because of the quality of this “vernacular-lettering-into-typeface” conversion, FF Signa received a Danish Design Prize in 2002. FF Signa is radically different from most sans serif text typefaces that were published during the 1990s. It neither belongs in the “humanist sans” category, nor is it on the list of typefaces based on 19th-century grotesques. Its concise letterforms and a minimum of detail produce clear and harmonious word images. Yet its proportions are classical, and the underlying geometry has been subtly adjusted in order to create letterforms which are at once interesting, harmonious, and contemporary. These features make FF Signa pleasant for reading, even at very small sizes. The typeface has developed into a versatile family, with Condensed, Extended, and Correspondence versions. Later on Signa Serif, Stencil variants and a Signa Slab family added even more versatility. The resulting FF Signa type system may be used for corporate identities, brochures, magazines, communication, books, and on-screen publications.

Discover TOMO Prisma Grotesk, a contemporary typeface that beautifully blends elegance and functionality, making it perfect for a wide range of applications. This typeface is a polyglot of design, speaking the language of both modernity and classic taste, ideal for corporate branding and advertising. Its geometric construction and modest design lend a sense of understated sophistication. With its sans serif styling, Prisma Grotesk is incredibly legible, suitable for everything from body text to headlines. Whether you're crafting an editorial piece or designing a magazine layout, its neutral yet striking appearance adapts seamlessly. Designed for the digital age, Prisma Grotesk is a neo-grotesque typeface, providing flexibility and adaptability across various media. It's perfect for identity and package design, where a distinctive and memorable appearance is key. In the realm of branding, Prisma Grotesk stands out with its neo-grotesque style, offering a contemporary twist on the grotesk tradition. A casual, approachable feel, suitable for both corporate and creative environments. Prisma Grotesk is not just a font but a comprehensive tool for designers seeking a reliable, elegant, and functional typeface. Elevate your design work with Prisma Grotesk – where contemporary style meets classic elegance, and versatility meets functionality. This typeface is not just a choice; it's a statement in design excellence. www.tomofonts.com