Shout is a “Hey, Look at ME” font. It is an attention-getting font for posters, flyers and ads. Its lineage includes the Haas Type Foundry’s 19th century advertising font, Kompakte Grotesk, which Jan Tschichold (1902-1974) dryly described as “extended sans serif” and which graphic designer Roland Holst (1868-1938) would have disapprovingly referred to as a “shout,” as opposed to the quiet presentation of information that he believed was the proper function of advertising. In 1963 Letraset released what appears to be an updated variation in multiple weights designed by Frederick Lambert called Compacta. Shout draws heavily on Compacta, as well as other similar fonts of the 50s and 60s like Eurostile Bold Condensed and Permanent Headline. In weight, it falls about halfway between Compacta Bold and Compacta Black, but with a relatively heavier lower case that is not so easily pushed around by the upper case. After all, one can shout while sitting down. Shout is the first font released with our new encoding, as noted in the All_customer_readme.txt. The Euro symbol has been moved to position 128 and the Zcaron/zcaron have been added at positions 142/158 respectively. Otherwise, Shout has our usual idiosyncratic glyph selection, with the German ch/ck instead of braces, a long s instead of the Greek mu and our usual Hand-in-Hand symbol. There are also left and right glyphs of a big mouth ]ing (135/137) and left and right glyphs of an angry man shouting (172/177). Please use Shout with discretion. Folks get tired of being yelled out. After awhile, they stop listening. Shout ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Add glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 355 glyphs. 2. Added OpenType GSUB layout features: pnum, ornm, liga, hist & salt. 3. Added 266 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. Revised hyphen, dashes & math operators. 6. Minor refinements to various glyph outlines. 7. Inclusion of both tabular & proportional numbers. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Originally designed in 1996, Mrs Eaves was Zuzana Licko’s first attempt at the design of a traditional typeface. It was styled after Baskerville, the famous transitional serif typeface designed in 1757 by John Baskerville in Birmingham, England. Mrs Eaves was named after Baskerville’s live in housekeeper, Sarah Eaves, whom he later married. One of Baskerville’s intents was to develop typefaces that pushed the contrast between thick and thin strokes, partially to show off the new printing and paper making techniques of his time. As a result his types were often criticized for being too perfect, stark, and difficult to read. Licko noticed that subsequent interpretations and revivals of Baskerville had continued along the same path of perfection, using as a model the qualities of the lead type itself, not the printed specimens. Upon studying books printed by Baskerville at the Bancroft Library in Berkeley, Licko decided to base her design on the printed samples which were heavier and had more character due to the imprint of lead type into paper and the resulting ink spread. She reduced the contrast while retaining the overall openness and lightness of Baskerville by giving the lower case characters a wider proportion. She then reduced the x-height relative to the cap height to avoid increasing the set width. There is something unique about Mrs Eaves and it’s difficult to define. Its individual characters are at times awkward looking—the W being narrow, the L uncommonly wide, the flare of the strokes leading into the serifs unusually pronounced. Taken individually, at first sight some of the characters don’t seem to fit together. The spacing is generally too loose for large bodies of text, it sort of rambles along. Yet when used in the right circumstance it imparts a very particular feel that sets it clearly apart from many likeminded types. It has an undefined quality that resonates with people. This paradox (imperfect yet pleasing) is perhaps best illustrated by design critic and historian Robin Kinross who has pointed out the limitation of the “loose” spacing that Licko employed, among other things, yet simultaneously designated the Mrs Eaves type specimen with an honorable mention in the 1999 American Center for Design competition. Proof, perhaps, that type is best judged in the context of its usage. Even with all its shortcomings, Mrs Eaves has outsold all Emigre fonts by twofold. On MyFonts, one of the largest on-line type sellers, Mrs Eaves has been among the 20 best selling types for years, listed among such classics as Helvetica, Univers, Bodoni and Franklin Gothic. Due to its commercial and popular success it has come to define the Emigre type foundry. While Licko initially set out to design a traditional text face, we never specified how Mrs Eaves could be best used. Typefaces will find their own way. But if there’s one particular common usage that stands out, it must be literary—Mrs Eaves loves to adorn book covers and relishes short blurbs on the flaps and backs of dust covers. Trips to bookstores are always a treat for us as we find our Mrs Eaves staring out at us from dozens of book covers in the most elegant compositions, each time surprising us with her many talents. And Mrs Eaves feels just as comfortable in a wide variety of other locales such as CD covers (Radiohead’s Hail to the Thief being our favorite), restaurant menus, logos, and poetry books, where it gives elegant presence to short texts. One area where Mrs Eaves seems less comfortable is in the setting of long texts, particularly in environments such as the interiors of books, magazines, and newspapers. It seems to handle long texts well only if there is ample space. A good example is the book /CD/DVD release The Band: A Musical History published by Capitol Records. Here, Mrs Eaves was given appropriate set width and generous line spacing. In such cases its wide proportions provide a luxurious feel which invites reading. Economy of space was not one of the goals behind the original Mrs Eaves design. With the introduction of Mrs Eaves XL, Licko addresses this issue. Since Mrs Eaves is one of our most popular typefaces, it’s not surprising that over the years we've received many suggestions for additions to the family. The predominant top three wishes are: greater space economy; the addition of a bold italic style; and the desire to pair it with a sans design. The XL series answers these requests with a comprehensive set of new fonts including a narrow, and a companion series of Mrs Eaves Sans styles to be released soon. The main distinguishing features of Mrs Eaves XL are its larger x-height with shorter ascenders and descenders and overall tighter spacing. These additional fonts expand the Mrs Eaves family for a larger variety of uses, specifically those requiring space economy. The larger x-height also allows a smaller point size to be used while maintaining readability. Mrs Eaves XL also has a narrow counterpart to the regular, with a set width of about 92 percent which fulfills even more compact uses. At first, this may not seem particularly narrow, but the goal was to provide an alternative to the regular that would work well as a compact text face while maintaining the full characteristics of the regular, rather than an extreme narrow which would be more suitable for headline use. Four years in the making, we're excited to finally let Mrs Eaves XL find its way into the world and see where and how it will pop up next.

38 high quality illustrations portraying the first generation of kids growing up immersed in digital technologies.

Interceptor should be used on cherry-red jacked up Ferraris and brainless summer blockbuster action movies.

52 high quality illustrations portraying the first generation of kids growing up immersed in digital technologies.

36 high quality illustrations portraying the first generation of kids growing up immersed in digital technologies.

Wakame is a friendly, playful, all uppercase font for book cover, display, packaging, poster, or whatever you can imagine. Each letter has three variations, which are automatically changed, when repeated. Hey, not only when side-by-side, but also if there are up to ten characters in between. Spice up your font menu with Wakame and stabenfonts!

Have you ever wondered why sign painter scripts, even though they can sometimes be filled with unusual letterforms strike up such a personal connection of familiarity? Is it the weight of the brushstrokes, or is it the quick fluidity of the strokes? Whatever the reason, a sign painter script just has personality! Barnstormer Script taps into that association and brings a speedy sassiness reminiscent of retro travel brochures and appliance advertisements. But for whatever you might need this script for, you'll find it up for the task. Add a little flavor to your font collection and pick up Barnstormer Script today!

Angulatte is a sans serif font made up of characters that are drawn with only straight lines.

HK Blocker™ is a display typeface inspired by the paste-up typography back in the 50s.

Standard Request is 100% handmade, and was inspired by both grafitti and comic book lettering. When viewed at large sizes, the handmade look and feel really stands out - at the same time, Standard Request, is super legible even at really small sizes. I've added 5 slightly different versions of each letter, and they automatically cycle as you type!

Fox Christmas Doodle is a cute dingbat font specially designed for the Xmas season, Its versatility makes it great for a wide pool of craft projects, designs, planners, diaries, activity books, or anything that your heart desires. Add this beautiful doodle dingbat font to each of your creative ideas, and notice how it makes them stand out.

Baraquiel is based on an interesting style of calligraphic script we found in a turn-of-the-century magazine ad. It is much more acutely slanted than most scripts, and has pretty dramatic variations in weight. Nonetheless it has high readability and works well in combination with many of our text fonts, particularly Evadare and Albemarle.

Introducing by Timur type Proudly Present, Sophia Marilyn Sophia Marilyn A Handwritten Script Font Sophia Marilyn is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This Sophia Marilyn font includes: Sophia Marilyn multilingual support. Embelish your designs with our original fonts.Enjoy the font,Thank you!

This stunning display face is based on Hans Bohn’s 1929 opus for Gebr. Klingspor, originally named Orplid. One of the treasures discovered in the legendary green vinyl binder that launched Nick’s love of type, it’s a real crowd pleaser. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Alstoria is a Bold Serif Display font. Suitable for your projects like branding, packaging, printing, header, and many more. Contains 320+ glyphs and 10 ligatures. You could check the full glyph map at this link. This font also contains many swash alternates option to play. Works well for vintage and modern style like you see in our preview images.

Introducing vintage label font named Happy Trip. This font has a wide languages support with west european and cyrillic characters (check out all available characters on previews). The font familty has six styles: Regular, Aged, Texture, Outline and three colorful styles. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Hello, now I tell you. its time for "Kelphyn". Yes you heard right. Kelphyn is a serif font family that allows you to try out new, innovative designs that suit your taste. Created to support all forms of design, art and ideas. especially for modern magazine designs, website layouts and supporting branding layouts. Grab it fast here Free updates

Dex Gothic is another sort of stencil type. Instead of the "normal" routine of blocked-out horizontal or vertical areas, Dex Gothic creates its stencil appearance through the unique placement of diagonals. The result is a technical-like appearance, which bears some resemblance to 1980s technology products. Dex Gothic should be used large in headlines or logos.

Hello Everyone, introduce our new product Insans - Bold Handmade Carefully All Caps Display, inspired by the title of the sports poster and We make it very energetically. Insans font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

“Drawing letters is my passion,” says Erik Faulhaber, the designer of the Xenois typeface family. Pronounced “zeeno-is,” the design distills character shapes into what Faulhaber believes are their purest forms. “I studied many typefaces, carefully examining their structure, before I began drawing Xenois. Then I actually wrote out a detailed design brief establishing the goals for my design.”

Samantha is our unique font product . Continuing the unique writing style, Samantha is here as an answer for those of you who crave handwritten typefaces with a unique and attractive style. Samantha is the right choice for designers in creating stunning designs. Samantha is really appropriate to use in invitation cards and other happy moments. Get Samantha now..

Introduction of our new collection of playful doodle font styles. The Hypercrack Handwritten all-caps Font with scribbles styles font. Also, Hypercrack has a unique stylistic alternates character. So you can create a combination of whatever you want! This font is perfect for your display project for headlines, quotes, editorial design, print posters, and much more.

Deka was 10 years in the making. Intended as a clean and straightforward sans serif family, it has just enough personality to stand out. Helvetica this ain't! Deka has 8 weights, language support for all Latin plus cyrillic languages, and loads of Opentype features. It is a versatile workhorse suitable for both text and display usage.

Thx for checking out Tropicalia Type! This hand written display font gives a tropical feeling to any project. Perfect for logos, product packaging, posters, cards, printed quotes, t-shirt design and whatever your imagination holds. Tropicalia Type comes with a complete set of uppercase and lowercase alternates, which can easily be accessed through the glyphs panel. Enjoy!

Majer is a sans serif font with modern, luxury, elegant, unique and classy-look. This font crafted specials for logo design projects, ready to use on Logo, Branding, Magazine, Social Media, and Many more that needs modern touches. Majer is also included full set of: uppercase and lowercase letters multilingual characters numerals punctuation Wish you enjoy our font. :)

Introducing our new font "Hideas", a gorgeous hand brushed font and modern script that is made to create stunning logos, quotes, wedding invites, blog posts, Instagram, signatures, poster, postcard, and more! This font includes ligatures and swashes to make everything look perfectly natural, handwritten, smooth and dynamic. Hideas also contains Numbers and Punctuation and International language support.

20g Rosadelia + 200g Alcira + 2 tablespoons Heleodora + 1 cup ninja stock + 100g Lucrecia + 2 tablespoons lirrot. REDUCE to a medium heat and melt the grunge. Add the photo and color and sauté for 5 minutes or until softened. Add the design, stock and andinistas and simmer until slightly thickened. Serve immediately with Dingbats and handwriting South America.

Creepy Forest is a hand-written font with a spooky style. It comes with a large range of characters including uppercase, lower-case, numerals, punctuation, currency and accents. It will be a great choice for any display project, Halloween card, t-shirt, pillow, crafting, and much more! Thank you for your purchase! We hope you enjoy our font!

Sasparillo is an "extreme" Tuscan face, with reversed emphasis, by which we mean the horizontals are far heavier than the verticals. Saspirillo Fizz has been put through our (not quite) patented "fizzing" process, in order to give it that weathered look of heavily used type. Recreate the spirit of the "Wild West" with a sense of fun!

If you're searching for the perfect beat, let us guide your soul deep into the abyss. Reach higher ground with the ambient textures and boomboy shredder baseline of this funky dope font created by our digital chemist and cerebral craftsman, John "JG" Roshell. Rave un2 the joy fontastic. Rain or shine, you are covered, see you on the dancefloor.

Olivia Bloom is a Summer font monoline style, combine with alternates to make spectacular design Olivia Bloom is perfect for summer event, summer party, branding, logo, invitation, quotes, apparel design, product packaging, merchandise, game titles, cute style design, Book/Cover Title and more. What's Included : - Olivia Bloom.otf - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Introducing our new modern handwriting signature font Scarlett Mackenzie. A sophisticated signature-style handwriting script with an uppercase swash alternatives for each letter and 7 sets of alternate for each lowercase letter. Scarlett Mackenzie handwriting font was created to look as close to a natural handwritten script as possible by including over 35 natural-looking opentype ligatures

Fox Valentine Doodle is a cute dingbat font specially designed for the Valentine’s season and party., Its versatility makes it great for a wide pool of craft projects, designs, planners, diaries, activity books, or anything that your heart desires. Add this beautiful doodle dingbat font to each of your creative ideas, and notice how it makes them stand out.