Brillo Typeface stems from the effort of combining the modern look of a grotesque sans serif font with the elegance of the calligraphic copperplate's swashes. The result is a typeface that is perfectly suitable for modern graphic applications, such as publishing, branding and web, but which has some ornamental features that differentiate it from all the other grotesque families. Brillo doesn't want to be a neutral typeface. It's a font with a strong personality, which can give outstanding aesthetic and conceptual relevance to the graphic projects which will be used in. Brillo is a typeface thought for titling rather than for texts. For this reason it works better with character sizes bigger than 16 points.

Gross Kunst is a humanist sans-serif with an open aperture, sharp outlines, and eye-catching details that make this full of character typeface very recognizable. The type family has three fonts based on wide pen strokes. Depending on its purpose the styles differ in expressiveness and the level of ornamentation. Regular style—low-contrast and neutral—is the most natural choice for body-text. The display face is more dynamic and gets higher contrast. It's very legible from a distance and would do its best on navigational and warning signage, plates, and such. Eloquent straight italics will adorn titles, announcements, and pages with ads. This typeface was acknowledged at the international type design competition Modern Cyrillic '99.

Michigan Script is a calligraphy script font that comes with beautiful alternative characters. a mixture of copper calligraphy with handleting style. Designed to bring style elegance. Michigan Script attracts such a subtle, clean, feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Michigan Script has 600 glyphs. including multiple language support. With OpenType features with stylish alternatives, ligatures and characters, allowing you to mix and match pairs of letters to fit your design, as well as a touch of ornament to make this font look elegant.

Linotype Sicula, from German designer Roberto Manella, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. It is available in two weights, regular and oblique. Linotype Sicula will quickly win over any nostalgic spirits. Ornamental and sweeping, the figures line up on the paper, their contrasting strokes and playfully irregular forms giving them an exuberant, decorative character. The careful details of each figure come to light best when used in larger point sizes. Linotype Sicula is therefore best for headlines and can easily inspire typographic experiments and its capitals can serve as initials combined with other typefaces, especially sans serif.

Kyra Vaglo is a Unique font with floral ornament, inspired from Asian Skunk Cabbage, this beautiful font also perfect for your project, It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and so much more. can be easily accessed in full through any program by using your Operating System’s utilities (Character Map for Windows and Font Book for Mac.), as well as Illustrator, Photoshop CC, Cricut Design Space and Silhouette Studio and several other applications. Multilingual Support To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, CorelDraw and Microsoft word.

Fresh Press is a pack of handmade goodness - a visual delight in the form of a beautiful and strong script family. Fress Press consists of Regular, Bold, Caps and Ornaments that all play smoothly together. If Fresh Press feels too clean, there’s a Printed version of the whole family with a rough outline and texture. Fresh Press is equipped with Standard Ligatures and Contextual Alternates that maintain a smooth text flow. If that isn’t enough, try Swash, Stylistic or Titling Alternates in any OpenType-savvy program, or manually look for alternates from character map. Fresh Press is a clear and strong choice for any display use from branding to packaging and online to print.

Gerolinda has almost 1900 glyphs per weight; with its OpenType features it recreates the feeling of a mid-19th century Italian gentlewoman's handwriting. There are more than 1900 glyphs each weight with 250 variants covering all European accents and a broad choice of numbers: lined, tabular, ordinal, old style, etc. Also ligatures, discretional ligatures, contextual and stylistic alternates, smashes, contestual swashes, stylistic sets and ornaments. (la terminologia la do per buona!) This is a complete font for both editorial and graphic design. Gerolinda font is complemented by Gerolinda Design, dedicated exclusively to upper case letters: around 1,600 glyphs with all the accents. For best results, use of OpenType features is strongly recommend.

Proudly present Balkind is a playfull and beauty serif family that consists of 7 weights from Thin to ExtraBold. All the alternates and ligatures characters of Balkind are specially designed to make your typography design result looks more unique and attractive. Balkind also comes with ornaments that will support your creativity in creating many design projects such as logo design, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising and so much more! FEATURES: OpenType support Playful to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item, please kindly contact me: ekahermawanputu@gmail.com Thank you so much...I really hope you enjoy when using it!

Everleigh Script including alternative characters, ligatures and various language support. With the OpenType feature with an alternative style and elegant binder. The OpenType feature does not function automatically, but you can access it manually and for the best results needed for your creativity in combining these Glyph variations. and also a touch of ornament makes this font look elegant. Files include: To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). If you need help or advice, please contact me Thank you for watching!

Inkston is a hand drawn font collection of six different types and several versions and a set of extras. All the fonts are drawn using the same grid and scale so that they play together well. Inkston Extras is a set of pictograms, swashes, ornaments and catchwords designed to support the font. Inkston fonts work nice as they are yet they’re equipped with OpenType features to give you even more tools to customise your design. Try combining any two or more of the fonts for impressive results. Purchase the whole collection for the best price and go crazy with the possibilities! Inkston collection will go for anything from cute to artisanal to streetwise hand lettering style.

I wanted to design my own sans-serif typeface for my web site to complement the rest of my type library; I designed Congenial as an understated, highly legible complement to my more decorative display faces. Of course, I’m never far from my calligraphic roots, so Congenial retains some hand-drawn elements, visible particularly in the heavier weights of this generous 10-face family. As befits its name, Congenial is a friendly and inviting face with a generous x-height and highly differentiated characters. See what’s included! http://bit.ly/1Agnkio These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Pontina is the name of a multilingual didone typeface. Its elegant character is built up of playful and lively strokes combined with high ascenders and high capital letters, that gives the classical forms a modern individual touch. It combines both: legibility and an ornamental curvy look for display purposes. The typeface provides true italic fonts for each weight, which fit harmoniously to the regular fonts. Pontina can be used for headlines and also works well in smaller text sizes. The text styles have slightly lower capitals and ascenders for better legibility. Also the font comes along with a set of different ligatures as well as swash letters and all necessary open-type features.

Get ready to transcend to a world of magic, laughter, and butterflies. Your projects will spark delight and engage everyone who sees it! Wait no more, we will give you the best choice. Vintage Bridge-A Monoline Script Font Vintage Bridge is a handcrafted font, made to bring out a slice of retro vibes. Every hand-drawn stroke and curve will delight and add brightness and fun to wherever it’s placed. Ideal to create amazing headings, logos, menus, and social media graphics. Vintage Bridges includes Multilingual Support to make your branding reach a global audience. Features: Alternates Ligatures Stylistic Set Bonus Ornament PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Acústica is a display font family designed by Carlos Fabian Camargo G. Its styles were designed to form words and phrases related to delicate and feminine contexts. Acústica Caps, Italic, Swashes and Ornaments are drawn investigations with flexible tip pen inspired by Didot capitals. All ideal for mixing with Acústica Script whose idea represents the volatile sound of a fine tip brush against rapid tracing paper. Its script path in width condensed lowercase and uppercase letters in loose horizontal proportions are generous between letters laced with long, agile and thin connecting strokes. Its script sensitivity is in Italian calligraphy with uninterrupted lines of cursive English. Acústica was selected at the Bienal Tipos Latinos 2014. Photos by http://www.desdeesteladodemimundo.blogspot.com

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. Villa is the abbreviation for Carrer Villarroel (Villarroel Street), where the Villarroel Pharmacy has been displaying this sign since the first quarter of the twentieth century. The Eixample Villa typeface system consists of sturdy letters free of ornaments with an industrial aspect. Only the treatment of the curves borrows modernist features. Like the rest of the families in the Eixample series, Villa shows its origin as a display font, but it has been engineered to give good results at small sizes as well.

Elisabetta is a calligraphy script font that comes with lovely alternates character. a mixture of from copperplate calligraphy with handlettering style. Designed to convey style elegance. Elisabetta is attractive like a smooth, clean, feminine, sensual, glamorous, simple and highly legible typeface. Its classic style is perfect to be applied in any type of formal pieces such invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. OpenType features with stylistic alternates, ligatures and swash characters, including multiple language support. that allows you to mix and match pairs of letters to fit your design, and also a touch of ornament makes this font look elegant.

Introducing "Morvifun" - a captivating font that combines the elegance of Victorian aesthetics with ornamental details. This classic serif typeface showcases the timeless charm of Gothic styles, resulting in a visually stunning and versatile product. With a total of 717 meticulously crafted glyphs, Morvifun offers an extensive character set that enables you to express your creativity and bring your designs to life. From uppercase and lowercase letters to numerals, punctuation marks, and special symbols, this font provides a comprehensive range of options to suit your design needs. The Morvifun font's classic serif style adds a touch of sophistication and refinement to any project. The carefully designed letterforms exude an air of elegance, making it ideal for invitations, formal correspondence, branding materials, book covers, signage, and more. Whether you're aiming for a vintage-inspired design or a contemporary piece with a hint of nostalgia, Morvifun is a reliable choice. Unlock the enchanting world of Victorian aesthetics with Morvifun. Its fusion of ornamental intricacy, extensive glyph set, PUA Unicode support, and classic serif style make it a versatile font that captures the essence of Gothic beauty. Let Morvifun elevate your designs and transport viewers to a bygone era of grace and allure. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Introducing the stunning "Soft Mouth Victorian Typeface," a font that encapsulates the essence of Victorian elegance. This font style exudes an air of refinement and opulence, perfect for adding a touch of grandeur to your design projects. The "Soft Mouth Victorian Typeface" offers a versatile range of options with its four font families: Regular, Hole, Ornament, and Serif. The "Regular" font family serves as a reliable choice for everyday text, providing legibility and clarity. The "Hole" font family adds a unique twist, featuring intricate designs with hollowed-out letterforms, creating an intriguing visual effect. The "Ornament" font family boasts exquisite decorative elements, allowing you to embellish your designs with ornate flourishes. Lastly, the "Serif" font family offers a classic and refined aesthetic, perfect for evoking a sense of tradition and sophistication. This typeface includes a comprehensive set of ligatures and alternates, enabling seamless connections between letters and enhancing the overall flow and visual harmony of your text. With an impressive collection of 666 glyphs, you'll have an extensive range of characters and symbols at your disposal, allowing you to unleash your creativity and experiment with various typographic compositions. Whether you're working on elegant invitations, branding projects that require a touch of vintage sophistication, or creating elaborate typographic artworks, the "Soft Mouth Victorian Typeface" is a must-have resource. Its Victorian elegance, extensive features such as ligatures and alternates, a rich collection of 666 glyphs, and the added bonus of frames and floral embellishments, make it an invaluable asset for bringing a sense of timeless charm to your creative endeavors.

Green Fairy is a chromatic font family highly ornamented for display purposes. Green Fairy’s characters have been specifically designed to accommodate its loops and ornaments following a modern typeface structure. Green Fairy has four chromatic weights: 1. Green Fairy Outline 2. Green Fairy Dots 3. Green Fairy Stencil 4. Green Fairy Full The outline weight has been created as the base or structure for the other weights. You can combine these weights as well as add colours to obtain multiple effects and type styles. Green Fairy has also three combined weights (combos) to simplify your work flow, for these occasions when you only want to use one single colour in your font: 5. Green Fairy Dots Combo 6. Green Fairy Stencil Combo 7. Green Fairy Full Combo GREEN FAIRY ORIGINS The origin of this typeface is the lettering I designed in October 2015 as part of my illustrated cocktail artwork called “Absinthe. La Fée Verte (The Green Fairy)”. Originally, this lettering only featured eight letters “AB·SINTHE” vector drawn in Illustrator. Right after creating the full-colour artwork, I designed a fountain-letterpress print version of it, in collaboration with Ladies of Letters, A.K.A. Carla Hackett and Amy Constable from Saint Gertrude Fine Printing. At the beginning of 2016 –and thanks to the project @36daysoftype– I found the motivation, and most importantly the deadline, to draw the rest of the twenty-six letters of the uppercase alphabet using Illustrator. I started 2017 having my first two calligraphy courses sold out, so I took this amazing opportunity to devote myself to Green Fairy for a few months. In February 2017, I purchased the font software Glyphs and I started to re-draw all twenty-six letters of the uppercase alphabet again. PRODUCTION PROCESS Green Fairy started being one weight, but quickly turned into a layered/chromatic font. Things were going more or less fine till I arrived to the Dots weight: 1) I started drawing squares following a grid; 2) Then, the squares turned into diamonds following the same grid; 3) Then, the grid wasn’t working so well on the round letters so I tried randomising the position of the diamonds but it didn’t work; 4) So I went back to the grid, and this time scaled down the size of the diamonds creating a visual half-tone effect. I spent over four weeks working on the Dots weight and I felt like I was in the middle of a very long tunnel and I couldn’t see the light at the end. I encountered many other problems along the way but by June 2017, I felt I was back on track again. I kept working, tweaking, re-drawing and re-adjusting, and then the diacritics came on board… And then more re-drawing, re-tweaking, re-adjusting and then numbers… And then spacing, symbols, and currencies… And then more spacing, kerning, contextual kerning for triplets… In September 2017 I told myself “that’s it, I’m going to finish it now!” But guess what? More re-tweaking, testing, hinting, testing, rendering, testing… For those of you not familiarized with typeface design, it is extremely time consuming and it requires a lot of hard work, focus and determination. This project could not have been possible without the help of these generous professionals: Jose Manuel Urós, typeface designer based in Barcelona and my teacher twice in the past; Jamie Clarke, freelance letterer and typeface designer who has released a couple of chromatic fonts recently; Troy Leinster, Australian full-time typeface designer living and working in New York City; Noe Blanco, full-time typeface designer and hinting specialist based in Catalonia; And Nicole Phillips, typographer currently relocating from Australia to New Zealand. To all of you: THANK YOU VERY MUCH!

Iza W and Intellecta Design are proud to announce Invitation Script, a modern and clean revival of the classic work of the Portuguese master penman Manuel de Andrade de Figueiredo, whose work can be seen in “Nova Escola para aprender a ler, escrever, e contar (...)'' (1722). Invitation Script is the third script superfamily published by Intellecta Design, after Penabico and Van den Velde Script. Invitation Script has original letters designed by Iza W. Creative direction and core programming were provided by Paulo W. Chyrllene K assisted with some work on unusual and archaic styles, resulting in a special font - Invitation Script Archaic (soon available). Invitation started out from Andrade’s script style and evolved into a voluptuous script font family. The result is a typeface ideal for beautiful headings, signatures, art work typography, titles and short pieces of hand-lettered text. Invitation family includes two multi-table Opentype fonts, three supplementary fonts for ornaments and fleurons, and the Archaic font with some of the Andrade’s original characters. Embedded in the regular fonts are additional sets of letters. Over 40 variations are available for certain letters via the Special Sets Opentype table. The two regular versions of Invitation Script contains the following: (i) An extensive set of ligatures providing letterform variations that make eye-popping designs or simulate real handwriting. These are accessible via contextual alternates and other open-type features. (ii) Many stylistic alternates for each letter (upper and lowercase, accessed via the glyph palette, encoded in the ranges of the Special Set Opentype feature). Since there are over 1100 glyphs in each font, we suggest using the glyph palette. (iii) A set of ornaments and fleurons accessed with the glyph palette or using the Ornaments feature. Additional ornaments can be found in the two Invitation Script Ornaments fonts. (iv) Initial and final letters with artistic variations accessible using the initial and final form open-type features. (v) Major kerning work: over 6000 kerning pairs, hand-set to avoid collisions and to create intricate combinations of letters, using swashes and other resources. These powerful features are all accessible in InDesign, Illustrator, QuarkXpress and similar software. We recommend exploring the magic of this font using the glyph palette. Our sample illustrations and PDF brochures showcase the power and pizzazz of this calligraphic script. Let your imagination go wild and use Invitation Script in ways that Andrade could not have foreseen. In non-OpenType-savvy applications, Invitation Script is still an exceptionally beautiful calligraphic typeface that stands up to the competition. The regular fonts contains the complete Latin alphabet, including Central European, Vietnamese, Baltic and Turkish, with a full set of diacritics and punctuation marks. --- 1 FIGUEIREDO, Manuel de Andrade de, 1670-1735 Nova Escola para aprender a ler, escrever, e contar. Offerecida á Augusta Magestade do Senhor Dom Joaõ V. Rey de Portugal. Primeira parte / por Manoel de Andrade de Figueiredo, Mestre desta Arte nas cidades de Lisboa Occidental, e Oriental. - Lisboa Occidental: na Officina de Bernardo da Costa de Carvalho, Impressor do Serenissimo Senhor Infante, 1722. - [18], 156 p., 44 f. grav. a buril : il., ; 2º (31 cm)Engraved royal coat of arms supported by angels over the city of Lisbon, engraved portrait of the author (both of the foregoing by Bernard Picart), (12)ff., 156pp., engraved calligraphic section title, 44 engraved plates. Wood-engraved culs-de-lampe and lettrines. Sm. folio. “Andrade de Figueiredo was born in Espirito Santo, where his father was Governor of the ‘Capitania.’ The fine portrait is dated 1721 and is showing Figueiredo at the age of 48. He was an eminent calligrapher and a creator of the Portuguese handwriting until the reign of Don José I (ca. 1755). His work follows the style of the great Italian masters in its use of clubbed ascenders and descenders, and of Diaz Morante, the famous Spanish writing master, in its very elaborate show of command of hand. By his contemporaries, he was known as the ‘Morante portugues’” (Ekström). “Ce livre est un manuel, composé de quatre parties, destiné à apprendre à lire, à écrire, à conter ainsi que l’orthographe. Les planches comportent des examples d’écritures, d’alphabets et de textes ornés de remarquables traits de plume exécutés d’une main sûre et enjouée” (Jammes).

David Berlow undertook the revival of Frederic W. Goudy’s Village family in the early ’90s as the first real step in the successful redesign of Esquire magazine. Goudy originally cut Village No. 2 in 1932 to bring early ideas up to date, adding the italic a year or two later for his own satisfaction. Font Bureau expanded Village, the model for Goudy’s mature style, into a ten-part series designed for Esquire’s use in text and display; FB 1994

German type designer Jürgen Brinckmann created this script FontFont in 2001. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, festive occasions, editorial and publishing as well as poster and billboards. FF Ropsen Script provides advanced typographical support with features such as ligatures, small capitals, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Font Contender with a stamp effect gives a vintage feel and is suitable for adding a vintage feel to your design. There are 2 regular and oblique styles, complete with multilingual characters and stalistic alternatives. It is suitable for quotes, clothing designs, vintage logos, labels, posters, packaging designs and other designs. File Include (Font Family) : - Contender - Contender Slant Features : - Uppercase. - Lowercase. - Multilingual. - Punctuation & Symbol. - Stylistic Set. Thank you for buying. I hope you enjoy and thank you.

Astrone - Classic Retro Font, with very soft curves and lines making this font look beautiful and realistic. With 301 Characters, Astrone is perfect for all your design projects, such as invitation cards, product logos, food brands, logos and more. Astrone is also supported by Ligatures, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 6, Stylistic Alternate, and Swash which will help you get a beautiful style with your own creations.

Moret is a serif display type family inspired by 20th century European sign painting. It blends several calligraphic concepts to create a unique, dynamic and emphatic typeface. Available in 5 weights and 2 styles (upright and oblique), Moret is well equipped to provide clear solutions for a variety of situations and settings such as editorials and headlines. With 466 glyphs per font, Moret supports 94 different languages. Opentype features include inferiors, superiors, fractions, tabular figures, and ligatures.

Introducing Dreambeach Signature! It's a modern script font with a signature style. very recommended for you who want to make some designs with natural and authentic signature designs. This font will work for invitation design, wedding design, poster, packaging, book cover title, quote, social media post, etc. Just open your Opentype features while using the script font to use the ligatures and stylistic alternate 1 & 2. As you type, your text will look like a natural signature or handwriting.

Kutaraja is a hand-drawn script font that gives a natural-looking impression that is perfect for those of you who want to use script-style fonts, very suitable for writing product labels, printing t-shirts, greeting cards, invitation cards, etc. Kutaraja family has 2 choice models, namely regular and italic. both have several ligatures, alternate, swash at the beginning and end of lowercase letters to give a sweet touch to the written word or sentence.

Aremic is a bold display font created to be used for bold headings coming in 2 shapes Regular and Rounded including Oblique. This font is inspired by the shape of the letters on sports posters. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Haltto is a geometric based sans serif font. 2 weights stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Haltto font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Haltto font. Cheers, Maulana Creative

Hello World, Introducing, Clintone! a display font with 2 style (textured & solid) suitable for your design project needs, such as; logotype, branding, packaging, social media posts, quotes, overlays on images, tagline logos, posters, print needs, website banners, and more. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Alternates Thank you a million times for downloading and using this font for your projects. Enjoy this font and happy creating! Jinan Studio

A new series of eclectic decorative initials, Capital Ideas 1 NF features numbers and uppercase letters rendered in nixietube displays, along with a whimsical walk through the alphabet patterned after Milton Glaser's Hologram. Capital Ideas 2 NF features K. H. Schaefer's eponynmous Versalien for Schriftguss AG in 1927, and Walter Haettenschweiler's Breitfette Unziale from 1958, along with a fancy nine-element box border. Dressing up your next projects with these snappy caps is, indeed, a capital idea.

Prof. G. Pott’s Ruling Script first appeared in 1992 with Linotype-Hell. The font is a part of the package Calligraphie for Print, which also contains Sho and Wiesbaden Swing. Calligraphie for Print 2 completes the set. These packages offer modern calligraphy fonts particularly well-suited to use in posters, magazines and advertisements. Ruling Script looks like the zestful handwriting of a calligrapher but its legibility even in longer sentences set it apart from others of its type.

Lithuanian type designer Mindaugas Strockis created this display FontFont in 2002. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, film and tv as well as software and gaming. FF Elementa Rough provides advanced typographical support with features such as alternate characters, case-sensitive forms, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Elementa super family, which also includes FF Elementa.

Boundary This is a vintage display font inspired by signage, logos in the style of the old time. This is a great find for creating logos, various kinds of designs in vintage style. This font includes 2 font styles: regular and rough style, also it includes alternates for uppercase and lowercase. Try changing them and see how diverse it can be. Font includes: Full alphabet A-z Numbers, fractions Punctuation and symbols Alternates for Uppercase Alternates for Lowercase

Gelly Script is a modern calligraphy script . Inspired by the modern calligraphy lettering and watercolor brush. This fonts have 2 version Regular and Stipple also dancing baseline to ensure that is modern calligraphy lettering style. The basic principle of creation is striping of thick and thin lines. This fonts is also have alternative characters, contextual alternates, when meets the same letter. Those all will make you work easily to create : Posters, Logos, Print, Quotes, Headers, Clothing, etc.

Rossanova is a complete semi-serif font family. Its consist of 36 fonts; 2 optical sizes, 8 weight from thin to black with each matching italics. Rossanova is enriched with beautiful personality, it's shaped in high contrast strokes for the normal optical style and moderate contrast strokes for the text styles which fit for reading. Contains more than 470 glyphs with some OpenType features e.g, stylistic alternates, ligature, discretionary ligature, old number, variation of figures etc.

Sometimes is a fancy signature font with 2 styles: regular and slant. It is inspired by luxury and branded items. It is perfect for logos, branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events or anything that need hand-writting taste. Thanks for checking it out, and feel free to drop me a message if you had any queries! Oh, and come and say hello over at email : almarkhatype@gmail.com ~ Almarkha Type

Introducing a retro condensed font called "Marxis". Best font to use as a headline to bring back the propaganda era inspired by Soviet posters, movie titles and book covers. The letterforms are straight and condensed and come in 2 styles: uppercase and small caps with the ligatures. This font will suited well for titles, poster design, web design, branding and packaging works, illustrations, badges and other typography works. Thank you, I hope you like it as I do!

Riky is a heavy sans typeface carefully hand-drawn made, with different letter shapes, full of ligatures, and stylistic alternates that will provide great flexibility for your designs. Ricky's typeface is lively, dynamic and energetic. This font has an informal and decorative style. Riky fonts come in 2 versions: Shadow and solid. These fonts are quite perfect for packaging design, posters, children books and many other purposes. Play with them, be creative with them and enjoy them.

Voguer Sans is an elegant high-contrast sans-serif font inspired by the fashion glossy magazines typography. It perfectly represents modern and vintage esthetics. The font have 2 weights: regular and bold and includes uppercase and smallcase letters, alternate characters and multilingual support. The font is perfect for wedding elegant invitation cards, beauty and fashion package design, glossy posters. It have supporting for many european languages and perfect cyrillic! Thank you and have a great day!