Bakery Goods is a cool, vintage styled and adaptable display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Originally designed in 2003, TitanText now becomes TitanTextOT and it's available in Regular, Italic, Bold and Bold Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.

Evor is an original handwritten font that can be used in various needs of the network such as screen printing of clothes, posters, films, magazines, banners, books, and more!

Pepino is loosely based on the classic font Hobo but Pepino is a completely new and original drawing. The font is bold, fun, casual, easy to set and read.

Vixar ASCI is a unique font that was originally developed for inclusion in a Microsoft product. The Vixar ASCI font is available in TrueType with a custom character set.

An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.

The Manus font family is extended with a new relative: Manus Smooth. Some major and minor adjustments were made, but it still has the look & feel of the original.

Here's a good old Victorian job printing font. Faithful to the original issued by Barnhart Bros. & Spindler about 1880. Nothing wildly decorative about it, yet it clearly looks old.

Revue is a display face originally designed for Letraset. The heavy sans serif letterforms of this font are ideal for use in signage, on posters and in advertising display.

This font was inspired by Claude Garamond antique. The original set of letters from 16th century is enlarged by several characters that were not in use in that time.

Gold Diggin is an authentic hand-drawn original. It harkens back to posters from the Gold Rush Era. Add some humor and moonshine to your designs with Gold Diggin.

Outline brush script originally designed for embroidery application. Everett was designed for all media and works best at 24 point and above. Everett requires subjective display kerning and compensation.

A mysterious 1930s Italian luggage tag inspired Bagaglio. Given its historical and geographical origin, this rough-hewn font could be considered a cousin to the P22 Il Futurismo font.

Ufaira is an original handwritten font that can be used in various needs of the network such as screen printing of clothes, posters, films, magazines, banners, books, and more!

Originally designed in 2003, Titan now becomes TitanOT and it's available in Regular, Italic, Bold and Bold Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.

Based on some 1930s-era ‘block chamfer’ gummed paper lettering, Chamfer Stencil Sans JNL is a stenciled treatment of the original design; available in both regular and oblique versions.

Live long and prosper. Barnhart Brothers and Spindler. 1884. Originally named Vulcan. Enough said. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Positively bold, Cachalote was drawn by subtracting negative space. The resulting glyphs show unexpected, original forms, packed in an unicase font. Suited for impact. For the coolest looks. Positively.

‘Skiart Serif Leaf’ has been on a long growing path getting to where it is now. Originally inspired by the san serif font ‘Skia’ by Mathew Carter for Apple. ‘Skiart’ was designed to feel more like a serifed font, but without any serifs. It took a step between sans serif and serif fonts. Next on the path towards a serif font came Skiart Serif Mini, with tiny serifs added. This was a true serif font, although they were subtle. This font ‘Skiart Serif Leaf’ is the next in the series. After many reiterations, ‘Skiart Serif Leaf’ was built and rebuilt many times until finally, this version deserved to be presented to the world. Style and flow had been added to this font. It remained fully readable and feels as clean and normal as any of the best body copy serifs, and yet has an original modern flair to it. The font feels strong and solid while having a subtle organic flow in its form. If compared to one of the more commonly used serifs like ‘Times New Roman’, the ‘Skiart Serif Leaf’ lowercase is more open with a taller x-height, increasing its readability and friendliness. The serifs are smaller and less distracting. They are not pretending to be ligatures. This font may be organic but is not in anyway script like. Where ‘Times’ makes its p q b d forms out of a barely touching oval and stem, the ‘Serif Leaf’ forms are much more firmly attached, appearing clearly as single letters. The standard setting for the a’s and g’s are round single story, feeling warmer and more inviting in the ‘Serif Leaf’ font. Much more friendly than the stuffy double storied versions in fonts like ‘Times’ etc. ‘Skiart Serif Font’ comes with a somewhat organic italic.

Strijkijzer is a funfont. It originated as a joke between friends. Do not take too seriously for it. But it is complete. Download it for free and swing your iron.

AZ Dramamine font has some inspiration from A&F tee-shirts, but mostly it is completely original script. This font was designed for use as a worn and antiqued headline.

Schneidler-Initialen (initials) was designed in 1936-37 by Friedrich Hermann Ernst Schneidler (1882-1956). Originally known as Schneidler Mediaeval, the font was revived and released by GroupType in 1994.

Maristella is a signature font that is unique, has an elegant style and is wrapped with an original hand stroke so it will be very suitable for your design project

Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.

Pen drawn in line, outline typeface originally designed for embroidery application. Boott was designed for print media in a wide point size range. Boott requires subjective display kerning and compensation.

Alleyway JNL is an original typeface by Jeff Levine drawing heavily on Art Deco influences. It's elegant, condensed design is perfect for anything from invitations to letterheads to ad copy.