EquipCondensed is the matching complement for Equip and EquipExtended . With its 16 fonts it extends the Equip family to 48 styles. It not only works superbly as a contrasting face for the ‘normal’ Equip but due to its moderate width, it also performs brilliantly as a space saving typeface. EquipCondensed is very well suited for ambitious typography. The EquipCondensed family comes in OpenType format with extended language support. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

Gliker was designer in the early 2019 and published in June 2020. Gliker is inspired by the characteristics of Hobo Typefaces. All corners of this typeface is founded, giving a more dynamic and vintage feel. Gliker is available in 4 Weights (Regular, Semi Bold, Bold, Black) and 7 Widths (Extra Condensed, Condensed, Semi Condensed, Normal, Semi Expanded, Expanded, Extra Expanded) with a total 28 Styles. Also includes support for 75+ Latin (Extended) Languages.

Pask is a retro inspired variable font family. Pask has a high-contrast and a thin hairline, this gives the typeface a bold and retro look. Pask comes with standalone fonts and a variable version, the variable version allows you to adjust the width and slant. Pask can cover a wide range of project such as: branding, mastheads, magazines, logos, blog posts, quotes, product packaging, advertisements and much more. WHAT YOU GET: Pask - Condensed Pask - Condensed Oblique Pask - Semi Condensed Pask - Semi Condensed Oblique Pask - Regular Pask - Oblique Pask - Semi Expanded Pask - Semi Expanded Oblique Pask - Expanded Pask - Expanded Oblique I hope you enjoy using the Pask typeface.

Coppint is a font formed with serenity and imagery in patterns that refer to warmth and harmony. Even so, this font also gives each letter an elegant and semi-modern impression. When this font was created, Ridwan Fadilah, the designer, said that this font must race in a contextual and basic fundamental hierarchy. Thus, this font also provides stylistic weight, from smallest to largest. So that it can become a unit that can be used in optical text.

Varstate Slab font family is a collection of fonts inspired by the varsity sports team name's lettering seen on apparel such as Letterman jackets, t-shirts and hoodies. The fonts can be used in combination to provide a variety of design options and different looks in genres such as sports, leisure and industry. The font family consists of fonts in 4 weights; Normal, Semi Light, Light and Extra Light. Each font includes Latin basic characters which includes uppercase, lowercase, numbers, punctuation and much more.

Varstate Rounded font family is a collection of fonts inspired by the varsity sports team name's lettering seen on apparel such as Letterman jackets, t-shirts and hoodies. The fonts can be used in combination to provide a variety of design options and different looks in genres such as sports, leisure and industry. The font family consists of fonts in 4 weights; Normal, Semi Light, Light and Extra Light. Each font includes Latin basic characters which includes uppercase, lowercase, numbers, punctuation and much more.

Plenty of swashes, ligatures, beginning and ending shapes, Wishes is a wit option for invitations, cards, stationery, fashion and apparel, among a wide range of uses. The curves of the cursive style are neither too solemn or pompous, its grace and playfulness are more 1950s than 1750s. This family offers the designer an additional decorative toolkit full of frames, ribbons, hearts, flowers and ornaments, plus a collection of caps and small caps. Wishes Script Pro includes the complete set of Script characters plus Ornaments and Caps. The family offers optically optimized Display and Text styles for each of the weights: Light, Regular and Bold. Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. For further information about features and alternates, see the User Guide Use Wishes to express your greetings!

Montesori is inspired by the economic forms and large x-height with a condensed style and a humanistic-grotesque typeface forms. It is a perfect option for editorial projects, branding, logos and packaging. Montesori comes in a variety of nine weights (Fine, Extra Light, Ultra Light, Light, Regular, Semi Bold, Bold, Ultra Bold and Black) with its two styles (round and italic) classified in two forms, Basic and Alternative. In addition, its case-sensitive shapes, ordinals, scientific inferiors, denominators, superscripts, subscripts, numerators, fractions... make it ideal for posters or infographics.

Dress Code is a modern sans-serif font family that includes 12 fonts: 2 styles - regular and round, each with 6 weights - extra light, light, regular, medium, semi bold and bold. Also included in this font are many alternatives that give you more options for creating your project. with them, you can be unique and experiment with your design. This font is easy to read and versatile, suitable for editorial tasks, creating logos, book and magazine covers, cosmetics, advertising, branding, wedding invitations, posters, postcards, labels, business cards, packaging and much more.

A semi text type with thin stresses, in Granite Semi Stencil the overall weight of the Granite Regular has been decreased by a set unit which has obliterated the stress to leave white space. This gives the typeface an idiosyncratic almost arbitrary take on the utility Stencil aesthetic.

Rashi script or Sephardic script based on 15th-century Sephardic semi cursive handwriting.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans OT Std The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

Publio is small unusual and unique font family, characterized with sharp, triangular semi-serifs.

Thin strokes, an Art Deco feel and useful in both text and display work... that's Stylor JNL by Jeff Levine. Inspired by various designs of the past, this is Jeff's personal take on a classy form of Deco lettering. Stylor Demi JNL is a bolder weight version of this popular monoline font.

Wide font family is a geometric sans serif font, which features 9 styles. It’s based on the Futura developed by Paul Renner and neo sans-serif fonts. At the same time, it has significant stylistic differences. Massive lengthy letters are among the unique features of this font. They will help you come up with the perfect composition. The letters have optical compensation, while a circle is the main figure of the fonts. Due to wide fonts, your project will have modern and fresh design. The composition will keep its contrast regardless of a background you’ve chosen. The Widy family includes 9 styles: Thin, Extra Light, Light, Semi Light, Regular, Medium, Semi Bold, Bold and Extra Bold. Each of them also has Italic variation. The fonts are perfect for both graphic design projects (posters, brand identities, logotypes) and simple interface design, which needs the necessary style.

Geometris Round Semi-Condensed is a modern versatile sans-serif typeface. What differentiates Geometris Round Semi-Condensed from the other fonts is an exceptionally distinctive design. It is brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though; in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultralight to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though; in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultralight to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic.

The Scriptuale family, which contains eight styles, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua). A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family. Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair , from British designer

Radiac is a semi-monospaced unicase design inspired by lettering constructed from pieces of tile.

Marcher is a modern display type family in 10 weights plus matching true italics. Designed for an impactful and stylish visual impression especially on logos and posters. Marcher has semi-humanist and semi-geometric details and extensive language support. Marcher has OpenType features like fractions, numerators, denominators, tabular numbers, stylistic alternates and 12 stylistic sets.

Introducing "Khonsong Rounded" a rounded semi-condensed sans serif font that embodies a harmonious blend of modernity, futurism and softness. With its sleek and contemporary appearance, Its semi-condensed proportions strike a perfect balance between space-saving efficiency and legibility, making it an ideal choice for various applications, from online media to print media.

Frygia is inspired by the astonishing mythology along with a new method and approach of type design. As an example, the construction of the lowercase g; the line structure which is slightly curved helps to aid the optical illusion and the integration of Industrial San Serif style making Frygia extremely compatible and ready for every usage on the layout. Frygia Family consisted of 20 styles and 10 weights, ranging from the thinnest Hairline to the boldest Black and a Semi Rounded corner to suit the concept of the typeface.

Airy and delicate, Cerulya CF is a striking display typeface brimming with movement and grace. A unique semi-serif design with rounded teardrop terminals, Cerulya CF shines brightest at large sizes – perfect for logos, posters, headlines, and more. Includes five weights, roman and italic sets, and a selection of optional ligatures, swashes, and alternates. Cerulya CF pairs well with a contrasting, simple geometric sans-serif like Greycliff CF; for maximum effect, try a large difference in typeface size between the two. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Nipok is a single weight display typeface, inspired by the aesthetics of different decades. Rounded terminals and playful intersections from the 60’s and 70’s, joined with straight and compact lines from the 80’s and 90’s. The particular style is given by the alternation of upper and lower case letters, chosen to fill the empty spaces greatly and create harmony. In addition, alternates are included to give you more stylistic options. While by default this font is a semi unicase, the alternative glyphs extend the Ascent and Descent metrics. Multilingual support is available.

Here is a revolution in typewriter fonts.......typrighter.......yes! typrighter V1 and typrighter V2.....We applied Contextual Substitutions feature in Fontlab with 6 different alternative of each letter (standard English alphabets). No more repeating same contours of letters which a typical typewriter fonts does......a next same letter replaces itself automatically to 6 variations to give you real typewriter text flowing out of your computer keyboard...... Please watch a short demo and enjoy the open type features in word, illustrator and Photoshop.... https://www.youtube.com/watch?v=HMM98Wmb_sg The basic version is bold version but does not have Contextual Substitutions option.

In Fehlian I blended features of my earlier Arthur and Lindau releases. Fehlian is a sturdy yet sophisticated Art Deco style Roman semi-serif. It is an excellent choice for titlings, headlines, labels, shopfronts and any other display usage which needs to be typographically furnished with something special. Moreover, besides the plain Fehlian font you have the option of yet another two wonderfully decorated versions which lend even more beauty to your designs. Note that Fehlian is a capitals-only product. It has no lowercase but the uppercase is completed for multilingual usage and supports every Euro-Latin language.

Halifax represents a new interpretation of classic English Sans types such as Gill and Johnston. The main focus in this approach is on a more open appearance and balanced proportions, which results in an even line flow. Although Halifax adds some of the rationality of the central-European sans tradition, it still preserves a distinctly English flavor. The Halifax family consists of 16 styles and comes in OpenType format with extended language support. Halifax is very well suited for ambitious typography. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

ITC Orbon font is the work of New York designer James Montalbano, inspired in part by a demo of black letter calligraphy in which letters were created out of only four or five basic strokes. I combined that idea with the notion of taking historical forms like German gothic blackletter and progressively paring them down to achieve a futuristic version, as if this old form naturally evolved over several hundred years to arrive at its post-modern incarnation." Text should be set in point sizes of 20 and higher for optimal legibility. ITC Orbon is a highly condensed font with unique, oblong shapes which are ideal for a number of display applications."

Cagile is a family font that comes with 4 styles like regular, italic, semi-bold, and semi-bold font. Cagile presents a minimalist but classy look, all characters are can represent what a project purpose that you want. The font is also nice and standout working for wedding invitations, logo, pull quotes & monograms, headlines, title, and more.