Wildly is a casual, modern and hand brushed font. I've designed Wildly carefully with the intention to preserve in its glyphs the original tell-tale dry brush imperfections and a bouncy baseline for a more personalized effect even more authentic. As an exclusively Open Type release, with 622 glyphs and 50 ornaments, it has several special alternatives for all letters with lots of possibility an an infinity of combinations. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, swashes and stylistics alternates for each letter. These lovely fonts have already an extended character set to support Central and Eastern as well as Western European languages. This will help your creativity and make it easier to make the impressive and elegant typographic work. This font is a perfect choice for greeting cards, posters, labels, t-shirt design, logos, and more. Wildly was designed to make your project more beautiful and attractive! To activate the optional glyphs you may click on buttons in any OpenType savvy program or manually choose the characters from Glyph Palette.

Corsica is an all-purpose geometric sans-serif typeface of visually uniform stroke thickness. The design seeks to be reminiscent of classic 20th Century grotesques with a crisp modern appearance and opentype features that are now expected. Coverage includes most Roman languages, Greek and basic Cyrillic. Each font contains a standard set of features including fractions, small capitals etc. The family contains six weights, two widths and three lowercase size options, together with an italic variant for each. The are three standard 4-font families for each size variant and a further three corresponding families for Condensed versions. The versatility provided by this extensive family has many useful applications. In particular, the choice of small, medium and large lowercase letter sizes (SX, MX, LX) allows designers to select an appropriate style for suitable impact and legibility in different situations such as headlines, captions, signage, web menus etc. Although each of the three size options will work equally well in most situations, the middle size (Corsica MX) would generally be the preferred choice for lengthy texts.

TT Norms® Std Condensed useful links: Specimen | Graphic presentation | Customization options TT Norms® Std Condensed is the logical development of our bestselling TT Norms®. Since the release of TT Norms®, we received a bunch of requests to create its narrow version and even managed to make several custom projects of the narrow TT Norms® before we decided to start creating a full-fledged commercial version of the typeface. At the very beginning of the project, we did some research and tested several options for the possible width of the typeface. Despite the fact that TT Norms® Std Condensed has narrower proportions than the original family, it inherited the classic proportions of characters, attention to detail and meticulous elaboration of each character in the typeface. The TT Norms® Std Condensed font family consists of 18 faces (9 upright and 9 italics). Each style includes a sufficient set of characters that allow you to solve most of the problems that arise in the field of graphic design, branding, packaging design or website design.

Onimusha - Serif font family - 6 Styles - Multilingual supports. Onimusha is an elegant serif font family with different alternative character designs. It has a unique emblem.The inspiration for the characters is based on ancient Japan, samurai philosophy and Far Eastern mysticism. Hard and pointed ends represent a Katana, and elegant soft turns represent the aesthetic understanding. This font provides flexibility in all your projects with the alternatives it offers you with its multiple language options, 6 styles and rich glyph options. You will have the opportunity to enrich the content of your projects with alternative characters. According to the purpose of use in typographic compositions that you will create with the aesthetic structure of alternative characters; You can enrich your titles in books or magazines, and your logos in branding. Especially for editorials, magazines, books, branding, packaging, logo design, web design, headlines, movie and game titles etc. If you're looking for a font with stylistic alternatives, Onimusha serif font might meet your needs. With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Dakota Magic Glowing is a new font duo with handwritten style. Dakota magic font using a hand brush style, this font will look artistic & modern as a brushed font, and Glowing Signature font is a monoline handwritten style, and this font looks like a very natural signature. This font pair that already matched up and ready to be used together for many of your projects. Here’s a run through everything included in this product: Dakota Magic! features 19 ligatures giving you the options to look totally custom and natural. Font also includes a full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation & swash. Glowing Signature features 37 ligatures giving you the options to look natural fast hand signature. Font also includes a full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation & swash. All fonts are available for Multi Languages Support. You can check your language by typing characters in the text box above. Dakota Magic Glowing Font Duo has a natural shape and texture, so would be perfect for all types of printing techniques. Enjoy it!

Risotto Script is a sexy font designed by Felipe Calderón, it represents the texture, sound, smell and flavor of food that come in those interesting packages with different concepts. This font makes you want to eat it because it is designed with a unique texture like a lot of vegetables, it has flourishes that suggest herbs and country roots. Calligraphy with folded pen and food packaging were two of the inspirations to develop this project that will work well wherever it is applied. Risotto Script Pro has 672 glyphs that have the purpose of covering a lot of writing options with different results, by applying OpenType programming as: - Standard ligatures - Stylistics alternatives - Contextual alternates - Discretionary ligatures - Swashes - Terminal forms - Stylistic Set 1, 2, 3 and 4 - Initials (it includes leaves in some endings) NOTE: The X height is generous, in order to design signs to 8 and low size. You`d better get the “extras” for a more complete experience. Most of the Standard ligatures include Stylistics alternatives with detailed endings Multiple language options.

Limon was entirely hand drawn and carefully digitised to get accurate curves but keeping the handmade look. The script fonts are smart scripts, plenty of alternates designed to preserve the calligraphic rhythm. Limon is a beautiful option for menus, magazine covers, wedding invitations, cards and all kind of stationery, packaging and labels. Default positional forms appear while you are writing when Standard Ligatures and Contextual Alternates features are on. Just keep them activated and let Limon Script do the rest. It warrants that all the connections will look good. Also, you can activate stylistic alternates, swash, titling and stylistic sets to have options for capitals, initials and terminals. Each Script Font reaches a total of more than 2900 glyphs (languages for every alternate included). Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. For further information about features and alternates, see the User Guide. Limon has extensive Western, Central and Eastern European language support. Limon Script matches very well with Dress and Chonky When life gives you Limon, make a beautiful design!

Gorgonzola Gothic is a geometrically-inspired gothic sans serif family that's robust and versatile. Inspired by the geometric quirkiness of IxD (also by The Ampersand Forest), Gorgonzola Gothic expands into a thirty-style family that works for everything from branding to text. It further mitigates IxD's quirkiness by offering two options in the round and shouldered lowercase glyphs. The standard letterforms, like IxD, have notched joins, giving them an assertive, almost futuristic look. The alternates of those letterforms (housed in Stylistic Set 01, and available as immediate hoverable glyph options in the Adobe Suite) are more conventional (as are the SS01 ampersand, Q, S, a, and s). In this way, Gorgonzola Gothic offers the best of both worlds: a flavorful, slightly futuristic family (in the same world as geometric classics like Eurostile) and a workhorse gothic sans (like the Benton classics Franklin Gothic, News Gothic, etc.). Its three widths: Skinny, Slim, and Standard, give it a wide range of applications, from display to body. Gorgonzola Gothic makes a statement with strength and sureness.

Magus - Serif font family - 6 Styles - Multilingual supports. Magus is a stylistic and powerful serif font family with different alternative character designs. You will have the opportunity to enrich the content of your projects with alternative characters.This font comes with Multilingual options, 6 styles and rich glyph options. It has a stylist structure that can be effective in the development of your projects. While you can easily use standard characters in plain texts, you can also create aesthetic styles with alternative characters. According to the purpose of use in the typographic compositions you will create; you can also create stylish looks for your titles in books or magazines in creating a brand identity. This font provides flexibility in all your projects with the alternatives it offers. Especially for editorials, magazines, books, branding, identity, packaging, logo design, web design, headlines, movie titles etc. If you're looking for a font with stylistic alternatives, Magus serif font might meet your needs. With this font you can create your unique designs. Have a good time.

Gretha is a modern display serif, font with a strong and charismatic style This font is a variable typeface for weight By using the variable sliders in your design software you have a range of weight options in compatible software like Adobe Illustrator. Play around with individual letters to give your type a unique look. Included in this family are alternate characters to add even more styling options. Features: - Multilinguale - Total 408 Glyphs - Ligatures - Alternates - PUA Encoded - Font Family totals 14 fonts - Variable font Language Support : Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch Embu English Esperanto Estonian Faroese Filipino Finnish French Friulian Galician German Gusii Hungarian Indonesian Irish Italian Kabuverdianu Kalaallisut Kalenjin Kamba Kikuyu Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Meru Morisyen North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Walser Zulu

For those of you who require a typeface with an attractive classic, retro, and vintage vibe, Ruihant Retro Condensed is the ideal option. This font was created with an original and striking look, making it ideal for all of your creative projects. Premium features like ligature, alternative, and multilingual support are included with the Ruihant, allowing you to customize the font’s design to suit your needs. This font’s straightforward and compact form will enable you to produce designs that are more well-structured and effective. Ruihant is the ideal option to boost your creative endeavors because of its distinctive style and flexibility to alter the font’s appearance. Purchase this font right away and benefit from its advantages to raise the caliber of your designs. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Yanyont แบบอักษรซานเซอริฟอเนกประสงค์และแห่งอนาคตที่สมบูรณ์แบบสำหรับอุตสาหกรรมยานยนต์ ด้วยฐานและ x-height ที่แบนราบ Yanyont มีรูปลักษณ์แห่งเทคโนโลยีอันโฉบเฉี่ยวที่ช่วยดึงดูดสายตาได้อย่างแน่นอน แบบอักษรได้รับการออกแบบด้วยรูปลักษณ์แห่งอนาคตแบบไซไฟที่เพิ่มความไฮเทคให้กับทุกโปรเจ็คของคุณ Yanyont มีน้ำหนักให้เลือกถึง 9 น้ำหนัก ทั้งแบบตัวตรงและแบบตัวเอียง รวมเป็น 18 ลักษณะให้ได้เลือกใช้ ซึ่งการมีตัวเลือกที่หลากหลายช่วยสร้างความเป็นอันหนึ่งอันเดียวกันในการสื่อทั้งหมดของคุณ ตั้งแต่โบรชัวร์และโปสเตอร์ไปจนถึงเว็บไซต์และแคมเปญโฆษณา นอกจากนี้ Yanyont ยังรองรับหลายภาษาและมาพร้อมกับคุณสมบัติ opentype เช่น Small cap หรือ tabular แบบอักษรนี้เหมาะสำหรับบริษัทที่มีการเข้าถึงระหว่างประเทศ ให้แบรนด์ยานยนต์ของคุณดูล้ำสมัยกับ Yanyont Introducing Yanyont, a versatile and futuristic sans-serif typeface that is perfect for the automotive industry. With its flat baseline and x-height, Yanyont has a sleek and technical look that is sure to catch the eye. The typeface is designed with a sci-fi futuristic look that adds a high-tech edge to any project. Yanyont offers 9 weight options in both upright and italic styles, for a total of 18 unique styles to choose from. This provides a wide range of options for creating a cohesive look across all your branding materials, from brochures and posters to websites and advertising campaigns. Additionally, Yanyont supports multiple languages and come with opentype features such as small cap or tabular. This typeface is perfect for companies with international reach. Give your automotive brand a cutting-edge look with Yanyont.

Quit trudging through the thick with encumbering fonts, and spring to the front of the pack with the cutting edge sans serif, Haboro Sans. With nothing to clutter up your work, your editorial designs, websites, and software will be sharp and clear. While this hyperfamily is simple in character, it (like Haboro Slab and Haboro as well) provides you with plenty of options. Haboro Sans features simple geometric shapes to help you achieve that perfect effect wherever you use it. Enjoy the comforting reassurance that this multi-tool of a typeface family can work on most anything, including packaging, branding, web copy, and more. Take the simplicity of Haboro Sans a step farther with OpenType features, too. Haboro Sans contains special glyphs like Titling, Small Caps and Oldstyle figures that give your work just enough of a distinct touch. For even more options, use the entire Haboro hyperfamily to expand your capabilities. Put some simple class into your projects with the traditional look of Haboro Sans. Your layouts, websites, iPhone apps, advertising, and newspapers (to name just a few) will thank you.

Action Hero - A grungy, textured brush font for action packed movie posters and titles. Action Hero is a hand-drawn brush font inspired by action movie posters of the 1980s and 90s. Does your movie feature a hostage situation on a speeding bus or train? Try Action Hero. How about a one man army tasked with rescuing stranded POWs? Try Action Hero! Maybe a post-apocalyptic race across the desert, or did they dare to kill your favourite second cousin? Big mistake - Get Action Hero!!! The Action Hero font family collects four all-cap variants featuring a complete set of uppercase and lowercase characters, along with numerals, punctuation, language support and underlines. With so many creative options you'll never have to repeat characters (a personal bugbear with hand-drawn fonts) and achieve authentic hand-drawn looking title designs. Check out the visuals for ideas and tips on how to use this font on posters, movie titles, product packaging, broadcast and advertising. With countless creative options and a design that explodes off the screen, this is the last action hero font you'll ever need!

I arrived this concept as a means to fulfil a need for a simple yet radical semi-sans with rounded terminals. My concept called for a modular approach so a single weight font family resulted, the monoline stroke weights being one-eighth of the cap height and the x-height five-eights, the descent two units. Within these constraints I found it was simple to devise an alphabet which met my need for quirkiness whilst retaining its legibility. As for the outline, shadow and contour variants - well they just seem to work. If you are wondering - and you don't hail from the "Land Downunder" - Canberra is our nation's capital; Bondi - "water breaking over rocks" a beautiful beach in Sydney; Uluru is the name given to the world's largest pebble, (formerly known as Ayers Rock); Kakadu is a national park in the "Top End" and Koomerang means "hill of clouds" - all place names in their respective Australian indigenous languages. Come on down - the natives are friendly.

A long lost Art Nouveau wood type from the Hamilton Museum Collection evokes the excesses of Victorian design and the equally quirky 1960s Psychedelic era revival of the Victorian type styles. Free flowing organic designs that flourished with Art Nouveau in the late 1800s were directly referenced and further distorted with with phototype in the late 1960s. This design, known as Arabesque, was produced by the Morgans & Wilcox Co. and the Wm. Page Co. as almost identical designs. Both manufacturers were acquired by Hamilton and offered briefly by Hamilton as design #618. This curious wood type defies most of the basic tenets of type design and what comes to mind when one thinks "wood type". Many characters have a lively eccentricity that were all left true to the original design. Additional characters were designed to fill out the standard range of characters found in digital fonts. This font includes over 280 characters for full unicode support of Western and Central European Latin characters.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Goldplay is based on Isidora Sans design yet features rounded shapes. Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style as well as its classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv. One of its key features is a large x-height which make it look elegant and classy. Goldplay comes in 2 versions—each in 7 weights, from Thin to Black, and matching italics, resulting in a total of 28 fonts. The standard sans serif version—fresh, clean and contemporary—is a perfect choice for editorial and corporate design, headlines, books, magazines or any other piece of graphic design. The Alt semi-serif display version—more expressive and modern—is ideal for logotypes, branding, packaging, and use on web and Tv. Goldplay contains a set of 540 characters that support over 200 Latin-based languages.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Sicret Mono is a monospaced and geometric typeface family. It was drawn by Måns Grebäck in 2020, and was created by following a strict mathematical pattern consisting of only two basic shapes, in four different combinations, set on a 2 by 3 grid. The resulting product is a font with a serious and solid character, with an official look while yet going towards sci-fi because of its digital nature. The family consists of nine weights: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black. The range of weights makes it very adaptable, and all the weights works very well together to give a sentence or graphic tone and emphasization. As Sicret Mono is a font with over 850 glyphs, it is guaranteed to contain all characters you'll ever need, including all punctuation and numbers. It has a very extensive lingual support, covering Greek, Cyrillic, Hebrew as well as European and American languages.

Garlic Salt is a flavorful, hand drawn, serif font family. Drawn with a single marker pen, it has a monoline appearance giving it a distinct mix of whimsical and modern qualities. The semi-condensed propositions are sturdy and space-saving for your layouts. Choose from either the regular weight or a slightly thicker line in the bold weight to suit your needs. It works great set large as a display font to show off the hand drawn texture, but it also is pleasantly readable set in smaller point sizes because of the carefully drawn letterforms. BONUS: Garlic Salt also comes with a free Extras font of matching ornaments and dingbats to complement your designs! Special features include stylistic alternates and swashes to enhance the type to your liking. Those glyphs are also PUA-encoded to make them accessible in software that is not OpenType-savvy. This font has extensive Latin language support.

Introducing "Locked Puzzle," a captivating and bold font designed to elevate your creative endeavors with a playful twist. This unique typeface defies the conventional sharp angles, opting instead for a smooth and curvaceous form that seamlessly interlocks, embodying the essence of a puzzle waiting to be solved. Locked Puzzle's characters are imbued with a sense of whimsy and charm, making it a perfect choice for titles, posters, murals, and various works of art that demand attention. The absence of corners in this font contributes to its fluidity and friendly demeanor, creating a visual experience that is both engaging and approachable. What sets Locked Puzzle apart is its ingenious interlocking ligatures. These ligatures provide a dynamic and cohesive flow between letters, adding an element of surprise and coherence to your text. Whether used in digital or print media, PuzzleLock transforms ordinary words into visual puzzles, sparking curiosity and leaving a lasting impression on your audience. **Uppercase

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Mozsár, named after Mozsár Street in the downtown of Budapest (pronounced ‘mo-zhar’, meaning mortar in Hungarian.) Mozsár is a unicase display typeface with constructivist characteristics from the early 20th Century. It uses pure geometric shapes and purposefully departs from strict typographical rules to give a more friendly look. With Mozsár you can create really unique and awesome looking displays, titles and even name plates for your business. It works very well in big size. The central idea behind the design was that two variants of the typeface would randomly alternate as the user types. The typeface uses Contextual Alternates (CALT) created with the OpenType’s semi-random feature to mix the variants. The width and height of the letter shapes are generally equal, but I made some exceptions to lend the type a character of unexpectedness. The curves are identical in both versions of each letter, and the intersections of the axes are always perpendicular (with some evident exceptions).

Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context--it has a certain nostalgia to it, yet it also has a slick, clean, futuristic look. It can even be used in a semi-grunge setting. This is a very versatile font! And if you like this font, check out the new boxy version of it, Neon Bugler Squared! Digitized by John Bomparte.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Aviano series returns with a flared semi-serif. Aviano Flare's subtly curved forms lend refinement and luxurious elegance to your designs. Aviano's foundational extended classical forms give the face strength and power. Aviano Flare is a versatile new addition to the Aviano titling series. Aviano Flare comes in six different weights and is packed with OpenType features. Want to get rid of the serifs for that logotype or headline? Need swash forms? Art Deco alternates? Aviano Flare includes 74 alternate characters. Two style sets are available, two sets of art deco inspired alternates, small forms, swash, titling and stylistic alternates. Aviano Flare also includes 40 discretionary ligatures for artistic typographic compositions. Please see the informative .pdf brochure to see these features in action. Be sure to check out the rest of the Aviano series which can be used as complementary faces, including Aviano, Aviano Serif, Aviano Sans, Aviano Didone and Aviano Slab.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Sicret is a perfectly geometric typeface family. It was drawn by Måns Grebäck in 2020, and each one of its glyphs was manually created by following a strict mathematical pattern consisting of only two basic shapes, in four different combinations, set on a three units tall grid. The resulting product is a true monoline font with a solid character, with an official look while yet going towards sci-fi because of its digital nature. The family consists of nine weights: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black. The range of weights makes it very adaptable, and all the weights works very well together to give a sentence or graphic tone and emphasization. As Sicret is a font with over 850 glyphs, it is guaranteed to contain all characters you'll ever need, including all punctuation and numbers. It has a very extensive lingual support, covering Greek, Cyrillic, Hebrew as well as European and American languages.

Normatica is a neutral typeface inspired by advertising letters used as letterings on shop windows during period of Normalization (the 60s–90s) in former Czechoslovakia. The complete font family consist of 24 styles in 6 weights (Thin–Black) with matching Italics where every style is followed by his Display counterpart. The difference between default and display styles is tighter spacing in Display fonts and different design of punctuation and diacritics accents. Beside the complete set of Latin, Normatica includes Cyrillic characters as well. Each font contains of alternative variation of some characters (j, t, y, Q) and includes a wide range of the Opentype features (for more details see pdf Specimen in Gallery section). Mixture of Normatica and Normatica Display can be effectively used for both text and display usage. It can be used in advertising, signage, corporate identities and various situations of editorial design. You can try two Demo styles in Medium weight fully for free.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Branczyk and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! The three fonts in the F2F Czykago family, F2F Czykago Light, F2F Czykago Semi Serif, and F2F Czykago Trans, were all inspired by the Apple system font Chicago. The F2F Czykago family, along with 38 other Face2Face fonts, is included in the TakeType 5 collection from Linotype. Branczyk designed 16 of these himself."

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.