Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

German type designer Jürgen Brinckmann created this script FontFont in 2001. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, festive occasions, editorial and publishing as well as poster and billboards. FF Ropsen Script provides advanced typographical support with features such as ligatures, small capitals, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Agis is a modern geometric sans-serif family by Cloud9 Type Dept's Jani Paavola. The whole family consists of 5 weights from ExtraLight to Bold. The range of styles provides legit options for title, headline and body text. Suitable for branding of any form. Agis fonts have an extended character set to support Central and Eastern European as well as Western European languages, as well as OpenType features such as small caps, fractions, oldstyle numerals and ligatures.

Oildale is a single weight, connecting script that explores the idea of using crossed strokes as the main body of the typeface. Designed as a display font, it’s bold form and unique appearance lend it a distinctive charm that can be used in branding, headlines or other titling. Featuring an extended Latin support covering a wide range of langages, it also includes a range of Opentype options, from a choice of numerals, ligatures or decorative, swash letters.

Canadian type designer Nick Shinn created this display FontFont in 1997. The family contains 3 weights: Regular, Italic, and Bold and is ideally suited for advertising and packaging, festive occasions as well as poster and billboards. FF Merlin provides advanced typographical support with features such as ligatures, small capitals, titling alternates, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Honey Geladen is a beautiful, versatile serif font. This font is characterized by a serif style with a luxurious style in a modern form, but also a friendly and playful style in bold, Best Swashed has glyphs to give crafters more options in designing. This modern style will make a design appear more classy, elegant, unique and edgy. -Uppercase and lowercase letters, Numbers and punctuation, Multilingual support, PUA encoded fonts, Alternative styles and ligatures Thank You

French type designer Xavier Dupré created this serif FontFont in 2001. The family contains 3 weights: Regular, Italic, and Bold and is ideally suited for advertising and packaging, book text, film and tv as well as small text. FF Parango provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Ribuah Sans is a sans serif font with high contrast, inspired by the font "Bodoni" and the architecture of brutalism. Ribuah Sans consists of three styles (light, regular, bold) and includes several writing systems such as Latin (supporting all European languages and Turkish), Cyrillic (supporting all Cyrillic-based alphabets), Greek and Hebrew. By it's modern, geometric and strict nature this font will immediately draw attention to your design, thereby becoming a perfect option for heading and advertising.

Bakewell is the 4th typeface of the Winslow Type System. It's a low contrast sans-serif with ball terminals and a sweet disposition. The typeface includes a wide range of styles, widths and weights that make it a great addition to any type collection. From Narrow to Wide and Hairline to Bold, the font family offers extended optionality. Packed with Opentype Features, users can create one-of-a-kind designs perfectly tailored to their specific needs!

Muray House is a bold serif font with a rough, balanced look, with beautiful curves and alternate characters. A style that we choose was the natural look hand made, Muray House ha a unique identity. Muray House also comes with alternative characters that are carefully created for adding a minimalist decor of the letters. Stylistic alternates allows versatile design options and works perfectly for Headlines, Posters, Logos Packaging, Branding, T-shirts, Greetings, Presentations and much more.

Creolia is a bold rounded serif typeface in modern and classy style. OpenType features include old style figures and ligatures. Creolia is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc. Features: Basic latin alphabet A-Z 56 Ligatures & Alternates 112 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Enjoy Creolia!

Cholens is a bold, rounded script typeface in a modern and classy style. OpenType features include old style figures and ligatures. Cholens is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, and more. Features: Basic latin alphabet A-Z Ligatures & Alternates Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures

Subikto One is the first of a series of pictograms from Subtitude foundry. We've create a multitude of hand positions and combinations. Each hand express a unique gesture.

Duffle Bag JNL continues Jeff Levine's series of stencil fonts. Most are from authentic, vintage sources; this one is an original... and with a sports theme to boot!