The Ale symbol fonts designed by Alessio Leonardi supply a large range of different characters. The two "Ale Ornaments" fonts contain a large set of different spirals, which can be used on tapestries, or as placeholders in presentations. The four separate "Ale Signs" fonts contain a set of daily glyphs, like male and female, smoking and non-smoking, danger, ying and yang, arrows and mathematical signs. The "Ale Transport" font is a large collection of funny pictures for the various kinds of transportation available over air, land and water. Here you can see Alessio's Italian design joy, which he has presented in many ways. Have fun in discovering the various pictures such as the submarine on the railway, or the airplane with a "Do it again" banner.

Millwright is a display typeface family inspired by spunky DIY attitude and Industrial era hardware… an exercise in rendering glyphs with a rudimentary, hand-cut flavour. The type family’s built in Open Type features allow for easy substitution of glyphs… creating plenty of diversification for letter combinations, and multiple glyph variations. Millwright results in designs that are packed with bold character and Do-it-yourself pizzazz. Millwright’s quirky letterforms lend itself to a multitude of graphic applications; from serious branding applications, to light-hearted packaging, to children’s book publishing, to hand-crafted DIY projects. Millwright comprises a family of 4 styles; the utilitarian “Regular” weight, a brash “Black” weight, to the art-deco inspired "Inline" and the accompanying “Inside” for layering multiple colours.

Introducing Pretty Boy a decorative serif family. This font consists of five weights and an ornament and has many alternative options to arrange to get a very beautiful and charming typography art. Pretty Boy Ornament works great to pair with any fonts too! This decorative serif family is perfect for all sorts of designs like movie, poster, wedding invitations, and also work great for logo, branding, headers or labels. how to access alternate? Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs Others ( Canva, Cricut Design Space, etc ) , open font book (mac) / Character map (PC) - Set to view all Glyphs, copy the glyph that you want from Pretty Boy font and paste. Check out Losta Frida which is a great pair for Pretty Boy.

Meet Moreno – a semi serif typeface full of personality and flavor. A display typeface in its nature Moreno is free and informal yet stable and trustworthy. Moreno comes with extensive OpenType support - with its more than 15 OpenType features Moreno is giving you a great variety of stylistic alternatives as well as wide range of ligatures, tabular lining numerals, oldstyle numerals, fractions and many more. It comes in 8 carefully chosen weights from Extra Thin to Black plus their matching italics. Together with the 4 additional styles, Moreno becomes a diverse type family of 80 fonts suitable for a wide range of design needs like retail, package, food, branding etc. With its language support - over 200 languages, Cyrillic included - it is ready for world domination!

Silver Silk is the latest Modern Serif Font from Dothk Studio, made with strong and assertive characters, giving it a beautiful and easy-to-read impression. Silver Silk has over 371 Glyphs that can support a wide range of Latinos. And also contains some features OpenType, Ligature, Numbers, Accents and others. To use a variety of flying machines, you need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign, and Corel Draw and many more programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map Thanks and happy designing Thank You for your purchase! Arief.hk | Alivecreative

Pasquinade is a blackletter/roman hybrid. The general look, feel and graphical styling of Pasquinade is that of a blackletter font, however, the underlying letter construction is of a traditional serifed roman. This produces a font with that familiar 'gothic' feel but has the inherent legibility of a roman, due, in part, to the discrete openness of the characters. The presence of roman serifs also lends to this legibility without detracting from the blackletter appearence because of their particular construction. When used in a text setting the font produces an eminently readable, even texture. However, it is when used as a titling font, that the letters reveal themselves to have a contemporary, geometrically calligraphic, blackletter appearance that makes it suitable for any and all uses.

Midpoint Pro is a soft sans-serif typeface with a modern technical look. Its spurless design creates a perfect balance between static rigid verticals and softened endings. The interplay of open and closed forms suggests increased legibility in small sizes and results in a vivid texture. The typeface will serve for a number of purposes, including posters, corporate branding or screen design of any kind like web or UI layouts. Midpoint Pro comes in 9 weights + oblique styles, each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 4 sets of digits, 2 stylistic sets, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.

Random But Perfect is Nice Bold Script Font - A stylish and quirky new bold script. Random But Perfect font was created to look as close to a readable bold script as possible by including over a lot ligatures, titling, and swash. This font is for those who want to show something strong and modern. You may use this font if you want to attract modern buyers. The font design seems to show that you have a passion in the business and give your love to the products and services you are offered to customers. Because it is an eye-catching bold script font, you can use it for a variety of purposes including design, branding, signature, logo, poster, and many more.

“Feverish” was a font borne out of perceived need in the marketplace. Hallmark retired font designer and master letter designer Myron McVay first approached Bill LaFever to collaborate on a project to design a semiformal calligraphic script that could be set as text copy with a large variety of swash and alternative characters and small caps. Bill penned the initial forms and Myron did the digital conversions and initial technical work. After Myron passed away, Terry Lee, a protégé of Myron’s at Hallmark, also retired, took over and the project was completed. “Feverish” is a semi-formal italic which can be used in a wide variety of commercial and advertising applications. The font family is large which can accommodate a variety of unique applications.

Crepe Paper JNL is an alphabet-only novelty font that creates a wavy ribbon headline with a vintage wood type alphabet that somewhat resembles an unfurled stretch of crepe paper. The upper case A-Z keys will produce a white ribbon banner with black letters, while the lower case a-z keys are white letters on a black background. The end caps for the white banner are on the left and right parenthesis keys, while the end caps for the black banner are on the bracket keys. A blank space is located on the period key for the white banner and on the comma key for the black banner. This will allow for a continuous text banner without an open break due to using the space key.

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

Inspired by the elegance of Herman Zapf’s designs crossed with the readability of early 20th century Gothic fonts by Morris Fuller Benton, 19-PRA is a sans-serif with a visible stroke contrast and a humanist tone of voice. The large x-height seen in fonts like News Gothic and Palatino increases legibility and condensed proportions give excellent readability making it perfect for newspaper and magazine publishing. A typeface that can serve for both body text and titling the uppercase excels for headlines and renders beautiful brand names when tracked out. It sets well with both a serif or sans serif and has various open type features including: 12 standard ligatures, 3 discretionary ligatures, tabular figures, old stye figures as well as European accents.

Duluth, Minnesota's Horace P. Brouillet Syndicate (later known as Syndicuts, Inc.) was one of a number of stock cuts providers to the letterpress trade in the decades preceding paper, then electronic clip art. Brouillet's "Typeps" catalogs offered a wide range of images covering numerous subjects, as well as cartoons, catch words and automotive logos. Many of these images have been reproduced in a number of royalty-free clip art publications over the years. Twenty-Six of these newly-redrawn catch words are found within Business Helpers JNL in two styles. On the capital keys are the original white-on-black designs, modeled from the vintage source material. The lower case keys have the phrases separated from the decorative ovals and are in black type.

Cervo Neue Condensed is the new perfected and Condensed version of Cervo Neue, containing 18 variants. It differs from the previous version of Cervo with the higher accents over glyphs, enlarged punctuation, old-style numerals and the newly added varieties Semi Bold, Bold, Extra Bold and Black. Additionally, there is the variety of grotesque. Font Cervo is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW „Prasa” that appeared from Mai 1960 till December 1973 in Poland. Recently, Cervo Neue Condensed has started being used as a display text in „Przekrój Magazine” which was published in years 1945–2013 in Krakow (2002–2009 in Warsaw) as a weekly and again from 2016 as a quarterly journal in Warsaw.

Camber is the last in a personal series of squarish sans. It is a noiseless typeface with a geometric base, it has a synthetic and clean design, but with a human sensitivity where the geometry fails. It tries to be more versatile and simpler than its predecessors, with a pragmatic approach, having less visual noise and virtually removing the disturbing elements. The family is generous in width meeting a certain shortage of wider fonts. Camber works well in both display and text, it is a multipurpose font suited for magazine, branding and web. The type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics and it’s available in Open Type format. For more details please see the Camber PDF.

Venetic is an extinct Indo-European language, usually classified into the Italic subgroup, that was spoken by the Veneti people in ancient times in northeast Italy (Veneto and Friuli) and part of modern Slovenia, between the Po Delta and the southern fringe of the Alps, associated with the Este culture.[3][1][4] The language is attested by over 300 short inscriptions dating from the 6th to the 1st century BCE. Its speakers are identified with the ancient people called Veneti by the Romans and Enetoi by the Greeks. It became extinct around the 1st century when the local inhabitants assimilated into the Roman sphere. Inscriptions dedicating offerings to Reitia are one of the chief sources of knowledge of the Venetic language

Alexander Quill was originally designed in the early 1980s to be cut in 14 point for casting into foundry type for the setting and printing of limited edition books at Pie Tree Press, Jim Rimmer's private sanctum. This alphabet exhibits traditional calligraphic tension, which helps its simple, somewhat octagonal forms play well together for an easy read. Its setting expresses a dramatic sense of history or fantasy. Alexander Quill was updated and remastered for the latest technologies in 2012. It comes with plenty of built-in alternates, a glyphset of over 410 characters, and supports the majority of Latin-based languges. 20% of this font's revenues will be donated to the GDC Scholarship Fund, supporting higher typography education in Canada.

Crox™ Narrow is the second family of Crox™, designed for long texts and gaining paragraph spaces. It's available in 19 styles, including upright and italic, and the majority of glyphs are compressed to make a different spacing between characters. The basic English characters are provided as both numerator and denominator sets in the narrow version too; this feature may assist with the creation of fractions with letters and numbers, such as in advanced scientific fraction form scripting. Within each style, all weights support over 25 professional OpenType features, with significant coverage of western languages. and include multi-alternative characters in Styles 1, 2, 4, 10, and 11, which were initially intended for advanced usage. Specimen Crox™ is a trademark of Yassine Abdi.

Picture a tall, long-legged flamingo fishing casually for food in the Florida Everglades. The young pink bird teeters momentarily and then falls over. You have captured the essence of Birdlegs - leggy, colorful, and a bit awkward. Here is a design that works well in a number of situations including greeting cards, party favors, and casual correspondence. Use this energetic and slightly scatterbrained typeface where humor and playfulness are appropriate. Birdlegs is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Just imagine, You are searching for the font that should be modern and elegant at the same time, which is not possible with typical sans or serif fonts. So, Aurelux is what You need. This font in your library can be with you for decades, because it is useful and It's open border to create graphic designs that require "modern but elegant touch". : cafe, bar, theatre, spa, hotels, overall entertainment industry, travel, vintage, retro signs. Font is gender neutral. But, when You see Bold and black styles You understand that this font can be in the design of some industrial companies, factories, construction companies that want to show that they have history and heritage. You can contact me if You need questions: andfontscontact@gmail.com

The term Old West conjures up memories of vintage movies and TV shows featuring saloons and dancehall girls. Old wanted posters and cowboys. Rowdy prospectors in the Goldrush, mountains and lots of wide open space. Many of the lettering styles of those days are still in use, reflecting the past, present, and probably the future here. Western style fonts appear in the signage of bars, restaurants, casinos and ski areas. It's a style that speaks of the way it once was in a nostalgic way. This family of three fonts pays tribute to the Old West and its colorful history, with a semi-plain style, a decorated style, and a really lively rendition of our gaudy and raucous history from a century or more ago.

Esca is a display typeface designed by Jim Ford with highly compressed proportions yet with a subtle calligraphic touch. This Lite version of the typeface was designed as part of a font marathon over the course of 3.5 days in Monotype’s NY office. The design started with the aim of fitting 4 letters onto one sheet of paper and the resulting typeface keeps that tight proportion. The Esca design is mixed case and is ideally suited for logos, short headlines, and album covers. It has a great architectural feel to it that makes it suitable in signage applications and large scale settings. Monotype is proud to support Room to Read’s work in literacy and girls’ education through our font marathon initiative.

Lina sans is an Arabic typeface from Lina type family, it expresses modern vigor based on simplicity and clarity. It's Strong, Bold, legible, clear, simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina sans was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina sans consists of 7-weight versions from thin to bold.

Nexa Script is a clean version of the famous multifaceted font system Nexa Rust . All fonts from the family was successfully designed to match perfect to the other two members of this huge font system - Nexa and Nexa Slab . You can be sure that Nexa Script is equipped with the most advanced typographic Open Type features such as extended sets of ligatures, fractions, alternate characters, superscripts and subscripts, etc. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Nexa Script font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters and logos.

Caligraf is a classical calligraphy script. It was drawn and created by Måns Grebäck during 2019 and 2020. The character design blends traditional soft flowing handwriting with a modern, sharp look, and its angle and weight balance gives it a determined and progressive pace. Caligraf is a multistyle font family, composed of Thin, Light, Regular, Bold and Black. Its range ensures usability in any context, while also giving the ability to emphasize phrases or words. Use it in an invitation, a diploma, a logotype or in a decorative body text. Being a font with over 850 glyphs, it is guaranteed to contain all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering European and Asian Latin scripts.

Equip, a new versatile geometric sans face in 16 styles, designed on a geometric base, forms together with EquipCondensed and EquipExtended a superfamily of 48 styles. Low contrasted lines and a sturdy ductus give it a strong appearance. It looks open, generous and unsentimental. A large selection of weights and many useful OpenType features allow an easy adjustment for a wide range of applications, in print and on the web. Equip is very well suited for ambitious typography. The Equip family comes in OpenType format with extended language support. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

Magtis is a standout display font that is an ode to Contrast Serif typography in present day. It’s elaborate curves and unique shapes make it perfect for headings, logos & wedding invitations. Magtis is all class so if you want a stylish font that is guaranteed to draw the eye, then this is it! Magtis come with elegant style, strength and contrasts, with features an extended latin character set of 396 glyphs covering over 87 languages. Magtis is ready to be like a top model on the design catwalk, making your projects looking classic but contemporary, finely tuned but assertive, and elegant as the best luxury fashion. There Include : 7 Font Style 49 Ligature Extended Latin Opentype Feature Alternate Character Multilanguage

Jheronimus is a neo-humanistic grotesque. A font with an open aperture. It has straight terminals and a moderated height of the lowercase characters. Jheronimus is a font with a uniform ordered rhythm. Well readable on the screen in small size. Consistent letter proportions. The rounded elements are pill shaped and the font has pronounced connections strokes. Punctuation marks are well decorated. Jheronimus will satisfy the demanding typographer. There are oldstyle figures in the best traditions of humanism. The bright recognizable character is combined with a clear form. This creates a sharp, crystal impression. Jheronimus is suitable for the design of an ambitious, temperamental text. It is stylistically similar to the paintings of the Dutch artist Hieronymus Bosch. From this comes its name.

Tooting Sans is a well-crafted, contemporary humanist sans. Designed for the needs of editorial, advertising and signage, Tooting Sans is not only suitable for setting large amounts of text at small sizes, it also has a presence and robustness for powerful headlines. Tooting Sans has slightly condensed letters with clean lines, open forms and predominantly straight terminals, although some vertical strokes have angled terminals for variation. This helps to keep the flow of the copy alive whilst being economical with space and legible in both text and headline usage. Released as an OpenType font, Tooting Sans expands upon the standard sans serif character set to include Greek and Cyrillic glyphs, small caps, oldstyle figures, proportional figures, ligatures and improved support for Latin-based languages.

Catty Purry is a cute and funny cat font. This font is big, bold and unique. The handwriting touch will make your project looks more natural and eye-catching also allow you to create stunning design quickly and easily. Feel free to use this font for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards, and more. Check out our font collection for more great and artistic fonts. Pick your most favorite font and use it as you like to reach your goals. To access the alternate glyphs, you need a program that supports Open Type features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link ( goo.gl/ZT7PqK )

Walking around Paris looking for inspiration for our latest people font, we encountered chic Parisians, yummy food markets, and bakeries on virtually every street corner with delicious baguettes and pastries. We were surprised how many people were cycling, motorcycling and rollerblading along the vast boulevards and side streets of Paris. We spotted classic French cars like the 2CV and Citroën CX and watched the world go by in one of the many sidewalk cafes whilst enjoying a 1664 or a café crème. With our latest people font, Paris, we tried to capture this unique Parisian atmosphere and hope we succeeded. All 64 illustrations are based on photographs taken on location over a period of time. The photographs are then hand traced to create high quality, detailed silhouettes.

In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve years of work on it have made it more fitting to the luxurious expression of our day and age, rather than nineteenth century Europe. Upscale and stylish, Didot Headline is an essential tool for any designer involved in magazines, books, tasteful music, or overall luxury packaging that requires clean and large classic typography with an unmistakable modern spin. We recommend the use of Didot Headline between 12 and 48 points. For larger display use, check out its sister family, Didot Display.

Meet Greenleaf, a display family that blends elegant art deco details, extensive linguistic support, and technically innovative features to create a bold impression that’s ideal for branding, signage, packaging, invitations, and so much more. Greenleaf’s “Pro” fonts support over three hundred sixty languages to reach the broadest possible audience. Meanwhile, its decorative companions expand the family’s expressive potential. They effortlessly create banners, chains, frames, and patterns — and include chromatic fonts which can be set in two colors without layers or special design software. Download the user guide to see Greenleaf’s many features and discover how the fonts actively help you take advantage of all they have to offer. Enjoy! Greenleaf is a trademark of Charles Gibbons / Oddsorts and may be registered in certain jurisdictions.

Shelf is a humanistic sans-serif font of cool and solid character. Its frugal, clean and organic drawing as well as its name were inspired by the ice shelf landscape. Shelf was designed as a universal tool for creating a coherent information and navigation systems with accompanying publications, such as visual identity of exhibitions including catalogues. It is suggested to set long texts in Roman and Italic, while the best combination for a wayfinding system is Roman and Oblique. Every weight, therefore, contains Roman, Italic and Oblique versions. The variety of over 1500 glyphs constitutes a rich set of Latin script characters. Shelf includes small caps, a broad set of figures, a wide set of alternative style variants, arrows and a number of OpenType features.

Introducing the Blitzen font! Blitzen is a fabulous and playful but striking font. These are massive, hand-drawn letters that are guaranteed to stand out, whether on lighthearted product designs or more spectacular quote designs. Ideal for quotes, lattering projects, packaging of goods... so many things! Font Features A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols A font containing uppercase and lowercase letters, numbers, and a wide range of punctuation marks. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required, and to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love ♡

In the early days of printing it was soon recognized that there was a need to identify the printer and publisher behind the printed work. So these industrious people created marks to identify themselves to clients. This font contains over 160 marks dating back to the early years of printing with the likes of Fust, Ratdolt, Manutius, Caxton, and a whole host of others represented. Some of these printers were very influential and altered the course of history, some merely enabled the broader public to access the classics. Some were imprisoned and others helped foment revolutions. But all were riding the new current of this technology of moveable type that helped transform our world through the enabling of easily exchanging information.

Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina Soft consists of 7-weight versions from thin to bold.

Meet the new font family! This font came to my mind while I was sitting in line at the dentist. There are often different magazines at the front desk to read and pass the time while waiting. One of those magazines turned out to be about fashion. When I opened it on a random page, I saw beautiful pictures. But you know what the first thing that catches my eye? The font! The font in which the headline or quote is written. After you read it, you look at everything else. And I wondered what my font would be in this case. I present to you my version of a font for fashion lettering. Good luck and love to you, friends!

Sansduski is a sans-serif decorative/display family. Its very high x-height and tight spacing make it more suitable for use at large point sizes than small point sizes. (There are better options if one wants a readable text font.) It comes in nine weights and one outline style, with an oblique style accompanying each of these ten styles to give a total of 20 styles in the family. The letter O is a rectangle with rounded corners and this shape motif is carried over to other characters that are usually rounded. For a monospaced rather than proportional version of this design idea, see SansduskiMono. Sansduski is appropriate for titles, posters, advertising, and other uses that benefit from simple letter forms that are geometric and clean.

Indulge yourself in a luxurious typography pairing with Lovtony; a classic font duo consisting of an elegant Script & Sans Serif. Lovtony is also great for creating beautiful logos, posters, wedding invitations, blog posts, social media, and more! FEATURES: 7 Weights font All caps Stylistic Alternates & Ligatures Numerals & Punctuation Accented characters Multiple Languages Supported HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs Please message me if you want your language included or If there are any features or glyph requests, feel free to send me a message, I would like to update it. I hope you have a blast using Lovtony Font Duo! Thanks for use this font ~ Khaiuns