Tide Sans’ fresh, carefree, look makes you almost forget that you’re staring at a monitor and not on the beach. When Tide Sans is not surfing, you’ll find it at community college parties, giving free henna tattoos, or tossing a Frisbee to the dachshund next door. The Tide Sans family includes beautiful italics and an equally affable condensed set. Tide Sans does the work for you by providing a ridiculously large stylistic alternates set, fine tuned small caps, and a whole beach of alternate (amper)sands to feel between your toes. Also check out its kid brother, Tide Sans Condensed.

Siro is a large x-height sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 7 weights from ExtraLight to Heavy and their matching Italics. The basic skeleton of their letterform was designed simply to create neutral, natural and clean impression and their very large x-height makes this family legible and readable even on small size screen. Siro supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.

Bedontes is an unique handwritten brush font. Created with brush pen to give a great contrast between thick and thin curves. Drawn, Scanned & Vectorized from paper to screen. I wanted to create an authentic brush typeface leaving the texture and imperfections the way they are, but perfect for any awesome project that need hand writing taste. Comes with regular and italic, also support multilingual. This is suitable for branding, header, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more! Thanks for checking out this font. I hope you enjoy it!

Typography or Calligraphy. Unconnected or Connected. For us, at DSType Foundry, that was the main question. With Aparo, we tried to bring the best of the two worlds into a single, yet complex, typeface. Aparo appears to be a very simple bold italic roman typeface, but it has plenty of calligraphic flair, including swashes that make your words stand out, collision detectors so that you don't get weird combinations, alternate characters activated by default for improved calligraphic effect and a very extended character set in a total of 897 glyphs. Download our detailed type specimen for complete information on Aparo.

Wright is a sans-serif geometric typeface inspired by the lettering found on modernist building plans. An elegant small x-height, tall ascenders and wide capital letters make the font look great in titles and short paragraphs. Wright consists of 4 subfamilies, each in 6 weights plus italics—48 fonts in all. Its wide range of alternates and ligatures make it an ideal workhorse suitable for a variety of projects and give your designs a stylish appearance and unique look. As you would expect from Latinotype, this font comes with a standard set of 800 characters and supports over 200 Latin-based languages.

The Fou typeface family was designed as an alternative to Trade Gothic condensed bold. During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. Fou can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics, expert sets and numerous special characters.

Westbourne Modern Serif Typeface is a stylish font It has both modern look. Comes with alternatives and ligatures, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more. WHAT'S YOU GET ? Westbourne Regular and Italic Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word Fully accessible without additional design software. I really hope you'll get pleasure using Westbourne font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating.

Highfield is a luxury sans serif type family of three weights plus matching italics. It’s influenced by the modern and elegant style sans serif typefaces that are popular in high class editorial design. The fonts are based on geometric forms that have been optically corrected for better legibility. While the bold weight is a great performer in display sizes the light and regular wights are well suited to longer body & supporting text. Highfield is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages.

Rotundus Rounded is a rounded sibling of Rotundus, an elegant sans serif typeface based on geometric shapes. Precise lines and accurate curves with soft edges are the main characteristics of this fresh and modern font family. While unconventional letterforms give Rotundus Rounded its distinctive appearance, a tall x-height and a condensed width provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Rotundus Rounded is suitable for almost any type of analogue and digital application. The Rotundus Rounded font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Rotundus Rounded comes in six weights with matching italics.

The Nuga typeface embodies a commanding presence with its slab serif design, offering a versatile range across 9 distinct weights from thin to black. This extensive variety is further enriched by both regular and italic styles, totaling 18 distinct fonts. Its robust nature makes it an ideal choice for titles, headers, and subheaders, lending an authoritative air to any text. However, it doesn't stop there; Nuga's versatility extends to paragraphs, making it suitable for both display and body text. This font stands out effortlessly in branding, print materials, and logos, its powerful characteristics leaving a lasting impression on any design it graces.

Cambridge seeks to build on the popularity of Fiendstar amongst educational publishers and advertisers who need easy-to-read text in a classic sans serif format. Cambridge is an elegant typestyle that is equally at home in a schoolbook or an annual report. Feedback from users has resulted in a handful of changed letterforms which remove any ambiguities between similar letter forms. The family contains four weights in three widths and now benefits from matching italic form for all variants. Cambridge Round provides a rounded version of all styles, useful for headings and more informal texts.

This is the serif text family for the book design group of font families which David designed in the process of writing "Practical Font Design With FontLab 5". The letterspacing is set wide for body copy use. The main purpose is readability and reading comfort. There are several whimsical graphics, plenty of OpenType features: oldstyle figures [tabular and not], small cap figures, lining figures [tabular and not], discretionary ligatures, small caps, and so on. The feature set is limited for the italic and bold versions. It produces an exceptional book. See Librum Book Design Group for a package containing all fifteen fonts,

SpittingImage is a font which speaks of mechanical exactness, cool and reserved. The SpittingImage font family is formed by two different weights (regular and bold), each one with uppercase and lowercase letters, numbers, punctuation marks and diacritic characters in regular and italic. The outline version included as a part of OpenType-Feature. There are in all styles numerous ligatures, alternate characters, small caps, and different sets of numbers that you can put both headlines and short texts without any problems. OpenType features: contains over 1.000 Glyhps Central European Glyhps Standard Ligatures Small Capitals Stylistic Alternates Discretionary Ligatures OldStyle Figures Ordinals Slashed Zero Feature

Monckeberg is an expressive font with a strong personality which is based on 15th century classic Venetian typefaces. High contrast between thin and thick strokes, calligraphic features and diagonal stress are its most striking characteristics. Monckeberg is ideal for short text and paragraphs, and specially designed for logos, branding, editorial design and web use. Monckeberg consists of 2 subfamilies of 9 weights, from Thin to Heavy, with matching italics, resulting in a total of 36 fonts. The basic family is classic and elegant while the alternative version allows for greater design freedom. Monckeberg contains 511 characters that support over 200 Latin-based languages.

Leenyx is a geometric display font family and works best in display applications, such as posters, signage, logos and label. The Leenyx family comes in 2 versions: Leenyx AX and Leenyx BX. Leenyx AX has lines of even width and no serifs. Leenyx BX has lines of even width with slight curve on the ends of the strokes. Each Leenyx font version has two weights: regular and bold, each available in italic, making a total of eight styles for. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

RAMS is a Sans Serif type family of four weights with matching italics. The typeface’s design was influenced by the geometric style of Sans Serif faces of the 30s. The letter shapes – based on geometric forms – have been optically corrected for better legibility, thus enabling geometric concepts to be adapted by typographic tradition. While the typeface is intended for use in display sizes, it is also quite legible in text and is well suited for editorials. Rams is released in OpenType format with extended support for most Latin languages and includes some opentype features – proportional/tabular figures, slashed zero, ligatures, fractions...

Croog Pro is an upgraded version of Croog fonts (2009). As its predecessor, the new release is a rounded geometric monoline typeface, but built now in four weights with true italics. One more style has been added - "Black", for display use. Squarish in proportions, monoline letterforms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog Pro is released as OpenType fonts with extended glyph amounts, which enabled support of more Latin languages as well as Cyrillic languages, and includes some OpenType features.

Bodoni expresses the beginning of the Industrial Revolution; its serifs are flat, think and unbracketed, while the stress is always on the mathematically vertical strokes. Bodoni believed in plenty of white space and therefore descenders are long. The M is rather narrow; in the Q the tail at first descends vertically and the R has a curled tail. The italic, like most continental modern faces, has roman serifs. Monotype Bodoni provides a clear-cut effect due to its simplicity. It reproduces well, particularly in sizes over 12pt. This font is slightly darker than Bauer Bodoni. The contrast makes Monotype Bodoni appear more condensed.

Normative Pro is a sans-serif font family that includes a 12 styles (6 weight and italics), supports Latin, Cyrillic, Greek, Eastern European, Baltic and Turkish scripts. The family uses a large number of useful Open Type features: small caps, contextual alternatives, stylistic alternates, fractions, proportional and tabular figures and more. Normative Pro is a font with a wide sphere of application, legible from very small sizes to very large ones. Can be used both in technical documentation, office work, business communication, as well as in advertising, visual communication, magazines and posters, in branding and packaging.

Gezart is a modern sans serif with geometric touch in 32 weights - 16 uprights and its matching italics. The weights are ranging from Hair to Heavy, with one of them (Extra Thin) is for free of charge. Each weight of Gezart contains more than 700 glyphs. The family is equipped for complex, professional typography with Open Type Features including — small caps, localized forms, old-style figures, standard ligatures, subscripts, superscripts, numerators, denominators, numbers in circles arrows, currency symbols and fractions. The Gezart font family is ideally suited for branding & layout design, posters, body text, web, editorial design, and more.

Praho Pro is a part of Warsaw Types – a project based on Warsaw’s local typographic heritage. The project, presented at the Museum of Praga, is a collaboration of 12 young Polish typographers. Praho Pro is a multilingual family inspired by the unique, historical character of Praga district of Poland's capital - Warsaw. High contrast, thin serifs, sharp terminals and large x-height are key features for distinctive headlines. The whole family consist of 9 weights and real italics, small caps, superscript and subscript letters, oldstyle, tabular figures and fractions. It covers latin and cyrillic script. Every weight has almost 2000 glyphs.

Quiet Sans is a super geometric sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only to make crisp, sharp and strong impact by geometric letter form but also to be legible and readable even on small size screen by their sophisticated design. Quiet Sans supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.

Proza is a humanist sans serif typefamily, consisting of 12 styles (6 weights + italics), with roots in serif designs from the Renaissance, such as Garamond and Jenson. Proza was made to function well at a large range of sizes, from the smallest of text sizes, to gigantic posters, making it a highly versatile type family. Its large character set (support for 100+ languages) and opentype features do all the heavy lifting for you, while its elegance and refined details ensure to deliver a punch of class to your designs. A detailed article about the development and design of Proza on ilovetypography.com.

Narin Font Family is a geometric sans design with rounded corners which seems much softer and eye-pleasing even though it still has geometric and straight borders. The family comes in six weights with regular and italic forms. Narin Font Family is legible from very small size to very large ones. It is suitable for letterpress and also long texts. With the small caps, all fonts can be used to create great and gorgeous works like logos, texts, presentations, t-shirts etc. and can be used to create the pressworks such as posters, magazines and books. The word "Narin" means "graceful" in Turkish.

Hogar Slab, based on the Hogar typeface, is the result of combining a script and a slab serif into a single type system. The system has a monolinear style composed of a slab serif and a script slab serif version that share similar proportions, weight interpolations and details. Hogar Slab is basically a slab serif with script gestures and a script with slab serif shapes. In order to make the system more complete, I included an italic version, which represents a transition between both main styles. Additionally, I developed a set of patterns including some furniture designs by well-known architects.

Montu is an elegant, modern sans serif font family. It includes upright and Italic style, each of them has five weights from thin to bold. This is a multi-functional font that is perfect for any project Montu Font Features: - Full Set of standard alphabet and punctuation - PUA Encoded - no special software needed to access extra characters - Language support: All European languages - Multilingual Characters AÁĂÂÄÀĀĄÅÃÆBCĆČÇĊDÐĎĐEÉĚÊËĖÈĒĘẼFGĞĢĠḠHĦIIJÍÎÏİÌĪĮĨJKĶLĹĽĻŁMNŃŇŅÑ OÓÔÖÒŐŌØÕŒPÞQRŔŘŖSŚŠŞȘẞTŤŢȚUÚÛÜÙŰŪŲŮŨVWẂŴẄẀXYÝŶŸỲỸZŹŽŻ aáăâäàāąåãæbcćčçċdðďđeéěêëėèēęẽfgğģġḡhħiıíîïìijīįĩjȷkķlĺľļłmnńňņñoóôöòőōøõœpþ qrŕřŗsśšşșßtťţțuúûüùűūųůũvwẃŵẅẁxyýŷÿỳỹzźžż Thanks so much for checking out my shop, and please get in touch if you have any questions! Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

“PGF Dinos” is a low contrast round typeface that resembles handmade American ‘Sign Painting’ in such the upper portion of the characters is bigger than the lower one, what gives the font a more playful and friendly personality. Another remarkable feature is its hooked terminals in characters such as C, G or S, heightening the differences between similar characters. “PGF Dinos” Family is composed of 10 different weights ranging from Hairline to Extra Black plus Italics and a full set of Dingbats. Early version was originallly called as “Globa” and was developed under the supervision of the Latinotype Team. Designer: Pedro González.

In the beginning, this font had been designed for an affiche work as wood pattern which includes one font and medium weight. The stylish design of this font had been inclined us to create more weights and more styles. Daphne Font Family comes in three weights; normal and italic. Plus two additional styles which are wood pattern and shadow. You can get great wood pattern results with Daphne Font Family; also with colored shadows, you can get gorgeous results in poster works and t-shirt prints. Even in very small type sizes, it can be legible.

Bebas Neue is a free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. - Bebas Neue Pro has lowercases and Italics. - Bebas Neue SemiRounded are some derived, Semi rounded fonts from this Bebas Neue. - Bebas Neue Rounded are some derived, rounded fonts from this Bebas Neue. - Mocha Mattari is a distressed, vintage-effected font based on this Bebas Neue. When you need more impact for titling, please try our Kaneda Gothic, Dharma Gothic and Rama Gothic. When you need body-text font matching with this Bebas family, please try our Bio Sans font family.

The Bellonte is a fashionable and relaxed handwritten font with a unique feel and a stunning impact. Comes with rough style regular and italic. This font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, social media, movie titles, books titles, a short text even a long text letter and good for your secondary text font with sans or serif. And also for special events or anything that need handwritting taste. Thanks for checking out this font. I hope you enjoy it!

Danish type designer Jan Maack created this sans FontFont in 2012. The family has 8 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as web and screen design. FF Marselis provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates.The typeface was selected as one of Typographica’s favorite typefaces of 2012. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

The "Fou" typeface family was designed as an alternative to "Trade Gothic condensed bold". During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. "Fou" can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics and condensed styles, expert sets and numerous special characters.

Lyra is an Italian Renaissance script that might have developed if metal type had not broken the evolution of broad pen calligraphy. It lies in the area between the humanist bookhand and the chancery cursive, combining the fullness and articulation of the Roman letters with a moderate italic slant and condensation. A steep pen-angle allows use of a broader pen relative to the x-height, giving the letters more contrast with light verticals and heavy curves. Lyra embodies the Renaissance spirit of refining technical advances of the late middle ages with reintroduction of ancient classical principles. Based on the moving penstroke with constantly changing pen-angle, it brings the vitality of handwriting to the ordered legibility of type. Lyra is a formal italic, too slow for copying books. By eliminating the element of speed, digital technology opens up a new level of calligraphy, bringing it into the sphere of typography as would naturally have happened if metalworkers had not controlled the process. If classical Western traditions are respected, digital calligraphy has the potential to recapture the work of the past and restart its stalled evolution. There is of course no substitute for the charm of actual writing, with each letter made for its space; but the tradeoff is for the formal harmony of classical calligraphy as every curve resonates in tune with every other. This three-weight font family marks Philip Bouwsma's much-requested return from a three year hiatus. It also reminds us of his solid vision in regards to how calligraphy, typography and technology can interact to produce digital beauty and vesatility. Each of the three Lyra fonts contains almost three character sets in a single file. Aside from the usual wealth of alternates normally built into Bouwsma's work, Lyra offers two unique features for the user who appreciates the availability of handy solutions to subtle design space issues: At least three (and as many as six) length variations on ascending and descending forms, and 65 snap-on swashes which can be attached to either end of the majuscules or minuscules. The series also offers 24 dividers and ornaments built into each weight, and a stand-alone font containing 90 stars/snowflakes/flowers, symmetric contstructs for building frames or separators, masking, watermarking, or just good old psychedelia.

Insider is a warm & legible grotesque. It’s custom made for Insider Consulting in Düsseldorf, Germany. It’s highly legible in small sizes because of the basic proportions and the balanced inner forms. It’s optimized for setting longer texts, but also works very well in headlines and leads. The fonts contain loads of OpenType features to spice up your design. The matching Stencil font is very suited for creative designs. The Stencil Regular has the same dimensions as the Insider Regular, so you can mix them without hassle. The font family has real italics and not just mathematically slanted romans. The dynamic cursive shapes root in handwriting. With 9 styles (5 weights + 4 italics), the family is very versatile and can be used for designs with a complex typographical hierarchy.

Envoy is a serif type inspired primarily by Garalde oldstyle types like those of Claude Garamond. As such, it is particularly well suited for book and magazine text. Characteristic details more typical of Venetian oldstyle faces serve to give Envoy just a bit more personality. The base family includes regular, italic, bold, bold italic and small capitals. Expert sets add ligatures and alternate letterforms. Display sets include letterforms customized for titling. Originally designed in 1995 and 1996, for the 1996 Morisawa International Typeface Design Competition, Envoy was later revived, completed and publicly released in 1998. During the initial design, the family was known as Truman in honor of Northeast Missouri State University becoming Truman State University, but the name was changed to Envoy prior to entry in the competition.

Rhetoric is a friendly display typeface that’s full of personality. The fonts are defined by their roman characters which could be described as “upright italic” – the style traditionally associated with a cursive character set has been applied to the roman glyphs. Rhetoric embraces its curves –exemplified by the voluptuous caps for /A/M/U/V/W/X/Y/ which further enhance this typeface’s quirky nature. This 18-font type family has weights from Hairline to Ultra in both roman and italic. Western European languages are covered in its basic character set, but there are a number of alternates and discretionary ligatures that allow you to embellish your typographic designs. Designed for branding purposes, headlines and short runs of text, Rhetoric will be a worthy addition to your type collection.