This family was created -- inspired from the engraved typeface (Two styles : Normal & Italic) used in the pack of 52 playing cards who was describing the 52 counties forming a small Atlas of England and Wales and depicting English roads for the first time, published by Sir Robert Morden in 1676. Our OTF and TTF versions are covering Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, containing historical and standard ligatures plus specific Old English abbreviations. The MacTT Classic version is containing the basic standard 256 glyphs including some extra ligatures.

A Modern Pixelate font are prepared special for NFT, pixel style, game, or poster design needs that will add your value. It's so perfect to add your style and headline overview. And specially for Micro font, we crafted for old style, NFT and unique feels so enjoy to create any project that will show your main idea out. Micro Pixelate Modern Font ready with: Perfect to get creative with this font Preview as a inspirations that you can do with Micro font Ready with Uppercase and Lowercase characters Wish you enjoy our font. :)

Alghera Pro is a casual script font family.  It was digitally engineered in 1996 by Pat Hickson of P+P Hickson and Steve Jackaman of International TypeFounders, Inc. (ITF).  Jackaman revamped the family in 2017 and added wider language support to include Western, Central, and Eastern European languages. Alghera Pro has a hand-written, antique feel, and was inspired by an old label on a bottle of Portuguese wine.  As with all the Red Rooster “Pro” versions, the family contains a 40% larger glyph set and improved designs.

Palmerson is an aesthetic vintage font, inspired from the past typography, elegant signage, gold leaf , sign painting and old label product. Palmerson comes with tons of alternates characters to make more eye cacthy . Two different size uppercase and one lowercase it's make more choice to combine and find some more great typography. Palmerson Font is suitable for authentic logos, headings, sign painting, posters,letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. Finally BOOM..!! you get a great design for your project.

Songs of Moravia is a beautiful script typeface. Its decorative capitals, adorned with delicate swashes and swirls, evoke the rich heritage and melodious charm of European design. Songs of Moravia captures the genuine spirit of folk tunes, offering a hint of tradition woven with modern craft, perfectly suited for projects that seek to marry the old with the new. Gentle yet vibrant, this type is a delightful choice for invitations and formal design. Use underscore _ to make a swash after any word, or multiple underscores for different lengths. Example: Baseball_

Attempting to marry the warm friendliness of the Cubano typeface with the versatility, functionality, and geometry of Eurostile has resulted in Cubenzis. After finishing the regular weight, I realized that it reminded me of old Soviet military hardware, something you might see on the outside of a tank or rocket, so i made the decision to include a full Cyrillic alphabet as well. It feels very sci-fi to me and i can imagine it being used as signage on a ship or as a warning label on machinery.

The six typefaces of the Kyhota group all have an “Old West” look to them. KyhotaOne has very thick slab serifs compared to KyhotaTwo. KyhotaBarbed is more condensed than either and has little barbs on the verticals, something that was a feature of a number of nineteenth century typefaces in this style. KyhotaFezdaz is condensed, without barbs, and with the slab serifs replaced with a flare serif. KyhotaBigBottom and KyhotaBigTop play with the weighting of the serifs, with one (either top or bottom) very thin and the other very thick.

Evocative of paint on weathered wood, Nelson’s engraved capital letters are as rustic and confident as the Old West. Combine the engraved face with bold and rough versions to create handsome wordmarks, or use Nelson to captivate customers of food packaging, restaurant menus, and roadside attractions. See what’s included! Engraved • Ornaments • Rugged • Bold *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Cookery is a contemporary, friendly and authentic hand-drawn brush pen typeface with irregular baseline. It is well-suited to display use for book covers, logotypes, packaging, restaurant menus, invitation cards and advertising, among other uses. Get the most out of Cookery's 613-character set by activating OpenType features including letters having the capability to automatically adjust between connected and disconnected forms, alternates, swashes, initial/terminal forms, old style figures, etc. All these alternatives provide a wide range of possibilities to give your compositions a natural, playful and unique look.

Is it calligraphic? Is it handwritten? Something like a fusion - casual, handwritten and calligraphic! My aim was to bring calligraphy into the 21st century, creating a present day version of a calligraphic script. Archivo is clear, legible and extremely versatile. It can be funky and modern, pretty and feminine, serious and old-style. Use it for posters, marketing material, invitations, greeting cards, cosmetic and clothing media. Archivo has standard OpenType features, and language support includes all European character sets. We recommend that you do not use Archivo as an "all-caps" font.

Titular is a condensed Sans Serif typeface that works well with headings, subheadings, newspapers, magazines as well as with logotypes, brands and posters. This typeface revives the spirit of old Woodtypes, but adding a contemporary flavour and Latin American seasoning. The family comes with 2 subfamilies: one regular and one alternative. Just like many of our faces, every subfamily includes 7 weights plus italics. Titular is a Latinotype’s typeface designed by Bruno Jara, and produced and supervised by Latinotype Team. Latinotype Team comprises: Luciano Vergara, Daniel Hernández, Bruno Jara, César Araya and Rodrigo Fuenzalida.

Wild Fat Font - playful handwriting experimental display typeface inspired by classic old cartoons. Wild Fat Font is available in 3 styles: outline, outline distorted, and regular. The regular style imitates writing with a fat marker. The Wild Fat Font works perfectly for bold titles, Festival posters, a graphic element for bright T-shit or hoodies, designs for Kids, graffiti concepts, modern aesthetics, fashion, any visual design project, and even backgrounds! This bulging and chunky font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas!

William Caslon (1692-1766) laid the foundation for English typefounding, when he cut his first roman face in London in 1722. He modeled his designs on late seventeenth-century Dutch types; thus his typefaces are classified as Old Styles. The original Caslon punches have been preserved, enabling a perfect recutting of his faces. Notice the hollow in the apex of A and the two full serifs or beaks in the C. The italic capitals are irregular in their inclination. The Caslon font family is distinctive for use in subheadings or continuous text.

Trained Monkey is a happy serif cartoon font. Use it for your book cover designs, posters, product packaging (may I suggest peanut butter?) and whatever else you may fancy. This monkey was made by hand, so the glyph edges are a bit rough and uneven - giving it ‘ye olde handmade look’. The name? Well, I was watching a movie (can’t remember which one) in which two guys were having a discussion. One of them said to the other: ‘a trained monkey could have done this job!’ That’s all folks.

Adantine offers the opportunity to bring Victorian Elegance and Character to modern design work. It is inspired by the hand-lettered captions often seen on old sepia-toned postcards, but also has some of the spirit of 19th century advertising cuts. Adantine is offered in regular and text faces, as well as all and small Capitals forms with purpose made swashed capitals, and in a decorative embossed form. It can be used to set small amounts of text, as well as for headings and display purposes. Bring some steam-age elegance to your next project!

A rather narrow and compact design, Monotype Clearface combines both old style and antique characteristics. The lowercase letters are tall, the ascenders and descenders quite short. The intention was to produce a typeface that was easy to read in small sizes, hence the name. Monotype Clearface Bold was first cut for mechanical composition in 1922, and was based on the Clearface Gothic design created by Morris Fuller Benton for ATF in 1910. Although designed as a text face, Monotype Clearface is now more commonly used in advertising and display work.

Swansea font is an ornate and elegant serif typeface providing both roman and italic variants. The old world strokes and flourish embellishments are fused with a modern uniformity that makes this type versatile and useful in many contexts. A collection of two character ligatures bring out additional possibilities (It's easy to override these ligatures in the Glyphs menu of most design software packages.) It's excellent for posh specialty branding applications, antique themes, fine art publications, fashion, and much more. This font also includes the complete Cyrillic character set for Russian, Belarusian, and Ukrainian.

Azalleia is a new exaggerated flourished caps typeface. Well elaborated and unusual design, inspired by old cross-stitch and craft books. Works great when used for display artworks. Entirely designed by hand, without use of auto-tracing and available in two different designs. Buying the two fonts pack you get free the exclusive collection of Azalleia native colored eps vectors, zipped with the font and ready to use. Take a look at the banners in the gallery section to see samples of this nice collection of eps free vectors.

The font Kyiv is an attempt to unite old-style antiqua with the Ukrainian tradition and modern requirements. Besides having usual italics the Renaissance tradition of "semi-italics" renewed, compact weights are also provided. Special charm is added by decorative motives of chestnut leaves and flowers. The weights are included in a way to promote the solution of various tasks both text, and an accidental set in various combinations. The font Kyiv was awarded the 2nd prize in category of text fonts in the first Ukrainian typeface competition Ruthenia in 2010.

Modern digital typography pushes many designers to try and achieve visual perfection with their lettering. In the days of wooden type, the premise was more in creating a font that "sold" the message (possibly, in part due to the lack of advanced tooling to achieve uniformity). In many styles of wood type (such as the one used as a model for Broadletter JNL), there are vast differences within the character design, weight and symmetry from letter to letter. This is now looked upon as "old fashioned" and "charming" - part of the appeal of this typeface.

While searching online for vintage type inspirations, an image was spotted of an old letterhead for a steel manufacturing company. The hand lettering of the word 'Ludlum' only offered D,L,M and E as visual examples, but from this Jeff Levine has designed Eckhardt Dualine JNL - a Deco-flavored dual-line type font. As with a number of other releases that emulate hand-lettering or sign painting, Jeff has named this font in honor of his good friend, the late Albert Eckhardt, Jr.; who ran Allied Signs in Miami from 1959 until his passing.

Decart is retro display font inspired by "Art Deco" style with more than 1100 characters, covering many languages using latin and cyrillic alphabet. The font also has 15 OpenType features : (All access Alternative (aalt) - Contextual Alternates (calt) - Fraction (frac) - Numerator (numr) - Denominator (dnom) - Superior (sups) - Inferior (sinf) - Tabular Figure (tnum) - Old Style (onum) - Ordinals (ordn) - Small Capital (smcp) - Small Capital From Capital (c2sc) - Case Sensitive Forms (case) - Stylistic Set (ss01 - ss02 - ss03) and Kerning (kern). Decart has, in addition, circled letters (basic latin & cyrillic), figures, fraction and arrows.

Kimberlie is a luxurious display serif font with unique character by combining geometric shapes with organic curvy details. It is a unique typeface for your individual personality. Inspired by old-style serif and contemporary serif fonts. The extreme contrast between thick and thin strokes gives a harmonic and stylish look. Elegant and sensuality didone serif enhanced by ligatures, alternates and swashes. Kimberlie features OpenType with 1025+ glyphs, 210 Stylistic Alternates, 486 Ligatures. Perfect for a wide range of uses. From greeting cards to magazines, wedding invitations, logos to website etc.

Attic Antique by Three Islands Press. Flipping through a friend’s old hardbound collection of John Burroughs nature essays a while back, I thought it'd be fun to try to develop a typeface with the same uneven, imperfect look to it. I picked and chose among various printed characters, enlarged them somewhat with a photocopier, then hand-rendered each. Had to custom-make some of the accents and symbols, then added a couple goofy dingbats just for the heck of it. The result: an amazingly legible serif family akin to the Century faces.

Bredston is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Bredston comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. You just combine with the another font like script , serif or san serif font and adding some effect finally BOOM..!! you get a great design for your project.

Introducing RETRO-86 - A modern take on old-school computer graphic fonts. RETRO-86 was inspired by the low-resolution computer graphics of the 1970s, 80s, and 90s seen in classic games and on computer screens and interfaces. RETRO-86 features a beautifully limited, blocky design and is perfect for projects relating to the tech industry, the gaming world, and nostalgic work from the late 20th century. RETRO-86 is also a hyper versatile typeface. It comes in 2 complementary styles (regular, and shadow) and features 8 weight options each!

Kate Greenaway was a very famous British (1846-1901) author and illustrator of childrens books. Her books were an outstanding success in English publishing during the Victorian period. Recently I found these sweet Mignonettes in an old foundry specimen book. Mignonettes is derived from the French word "mignon" which stands for lovely, charming, sweet, delightful, pleasant and that does exactly describe these little drawings. I already published a Kate Greenaway's Alphabet a couple of years ago. So here is my second installment. Yours, Kate Greenaway fan Gert Wiescher

Racon Font Family comes in two weights as regular and bold with seven styles. You can create unique and great designs with its classy, legible, elegant look and most preferred texture and clean styles. You can enrich your designs by using Racon Fonts with its clean and old styled extra figures. You can reach the keyboard codes of the extras as a pdf file from the "Gallery". It would be a perfect choice for designing posters, affiches, logos, invitation cards, t-shirt and magazine prints, eye-pleasing typographic designs and more. Enjoy!

CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in InDesign and the Creative Suite to keep things compatible with Office and such. The inspiration was a scan of the old Cushing No. 2 font in Felici's article on CreativePro about 100 year oldtype. It's a fun, open, large OpenType font of 370 characters with oldstyle figures, small caps, and small cap figures. It needs polishing, but it's good looking.

Commercial Script is a sophisticated copperplate script design. Its capitals are elaborate initials, and the lowercase letters join together in the style of real handwriting. Commercial Script's elegant refinement makes it a classic and ever-popular typeface. The spark behind this typeface comes from centries-old English Spencerian copperplate calligraphy. In 1985, the American typefoundry Barnhart Brothers & Spindler released a typeface in this style. This was redesigned by ATF's Morris Fuller Benton in 1906, and ATF released Commercial Script" in 1908. In 1994, Letraset' released this digital version of the typeface."

Salda; It is a modern sans serif family that blends old and new generation sans serif fonts in the same body. It has a wide usage area with its light narrow structure, sharp and clean lines, humanist touches. It provides clean and smooth visuals in vertical screens, mobile applications and block texts. With two different x heights (xL-xS), the body offers richness in text and headings. It consists of a total of 40 styles. Ideal for all kinds of editorial design, packaging, corporate identity, brand, application, web and desktop.

ITC Florinda was designed by Luis Siquot in 1997 and consists exclusively of capital letters. The basic forms were influenced by old favorites like Franklin Gothic, but Siquot ornamented the classic forms with symmetrical knobs which look like pieces of lead left over after pouring the forms. This gives the figures a playful, constructed look. When used in a text, the horizontal lines seem to come together to draw a fine line through the middle of the lines of text, giving it an ornamented character. ITC Florinda should be used exclusively for headlines or display.

The first three weights of the family were designed at ParaType (ParaGraph) in 1997 by Dmitry Kirsanov . They were based on the artworks of Moscow graphic designer Andrey Kryukov (1923-1997). The original version was developed by Kryukov at the end of the sixties for Russian railways. The proportions and elements of construction were inspired by Eurostile (1962) by Aldo Novarese. It is intended for use in advertising and display typography. In 2009, Dmitry added the new styles, corrected the old ones, and enhanced them with extended character sets.

Frederic W. Goudy (1865-1947) created over 100 typefaces during his lifetime. Like most type designers, he is known principally to most people only through his eponymously titled faces such as Goudy Modern, Goudy Old Style etc. This set includes one of Goudy's rarest Arts & Crafts styled faces, a font known as Aries. The font was originally created by Goudy for a private press in Eden, New York in 1926. Also included in this set are two decorative fonts: one font of 52 decorative Ornaments & one font that contains 52 Ampersands.

Biscuit Boodle is a fun and uplifting script from Portland Studios Illustrator Justin Gerard. The characters are brush drawn with a slight texture. The font comes packed with OpenType alternates and ligatures. Included are small caps, old style figures, titling alternates and ending swashes. Sixty-four optional ligatures add a slapdash quality to your copy and make sure that no two letters in a word are alike, and auto replacing word ligatures add to the fun. The Biscuit Boodle family also includes an even more spontaneous alternate and even ornaments for even more creative options.

Supaduper PB is a font inspired by some wonderfully funky hand-lettered greeting cards from the 1980's. The delightfully awkward and animated playfulness of this lettering style was maintained throughout the fleshing out from the original specimens - and I think you're going to have a lot of fun typing with this. Even if you haven't seen these old greeting cards, the lettering style has a familiar visual to it. Bring back a little nostalgia, add a little wonkiness, or just have fun typing with Supaduper PB today!

The Alitun incanor font is inspired by Gothic style typography and calligraphy. It has clean, sharp lines making it easier to read by combining old and new. If you are looking for a font with these features, Alitun incanor can meet your needs. This font is equipped with natural calligraphy - characteristic of gothic synthesis and multilingual support.Font; ideas for headlines, flayers, greeting cards, product packaging, book and magazine covers, logo types, clothing designs, tattoo designs, album covers. With this font you can create your own unique design. Have a good time.

Biscayne is inspired by the old and classic Art Deco art and architecture found in some building ads from the 1930's in the Art Deco District of Miami. The name of the font family is one of the most emblematic and representative places in Miami City. Biscayne can be used mainly in titles, display and short texts. This typeface family supports East Europe languages. It also includes standard and discretionary ligatures, alternative style of uppercase, fractions, numerators and denominators, end and/or terminal forms and other OpenType features.

Kafenia is a geometric display typeface, consisting of capitals and small capitals only. Inspired by the combination of vintage and decorative aesthetics with squarish and compact look, Kafenia claims to be a classy and old stylish slab serif. With more than 1540 glyphs Kafenia is a great tool for your designing needs. Flexible, easily wrapped and reformed with plenty of open type features, Kafenia aims to provide versatility and lots of options for unique results in logos, posters, headlines and every design inspiration you dare bring to life.

Originally developed as a part of a corporate identity, Bale is a warm and confident sans-serif font. With its generous counters and angled terminals Bale is a dependable work horse with enough flare to add interest to any typographical landscape. This hardworking font comes equipped with small caps, automatic fractions, proportional/tabular lining and old style figures and alternative glyphs and is the must for any typographic toolkit. Bale Mono is the monospaced companion of Bale. This Mono font brings a technical edge to the cool professionalism of Bale.