Rasheda is a beautiful italic font. Inspired by classic cursive calligraphy from the Renaissance era in the 8th Century. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script, sans, or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Ollykers is a Brush script font, With a rough stroke brush and fun character. It has Opentype features of ligatures, alternate lowercase, swashes and couple of cursive characters lowercase such as b,d,g,h,k,t. Makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Ollykers brush script font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Ollykers brush script font. Cheers, Maulana Creative

Designed by Gennady Fridman and released by ParaType in 2008. Hub represents so called block letter handwriting style, which becomes more and more usual and nowadays replaces traditional cursive handwriting. One of the reasons for these changes is an often requirement in official forms to write in block letters. Some forms contain even stricter rule – to write in capital letters. Hub was designed to meet these requirements and includes small caps instead of lower case letters. It’s recommended for use in advertising and display typography and especially when you need to show a sample of properly filled bureaucratic form.

Introducing Berghain! Modern script handwriting with a beautiful, natural, and cursive style. This font has natural handwriting texture making this font look authentic but still readable and incredibly versatile. This font will look outstanding in any occasion design concept, whether it’s being used on colourful backgrounds or as a stand as a headline in a minimalist set! Berghain has multi-language support, swashes, alternate and beautiful ligature dan you can apply it in OpenType mode in adobe photoshop or adobe illustrator. This font will suit your design, especially in branding, wedding, advertising, headline, poster, book cover, and many more! Enjoy this beautiful font!

Lucida Calligraphy is a chancery cursive script typeface family designed by Kris Holmes and Charles Bigelow. It is a very legible and readable typeface, designed for use on screen and in print environments. Lucida Calligraphy was originally released in one weight. It is now available in five weights, from Thin to Black. Lucida Calligraphy is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles. The Lucida Calligraphy typeface family has a Standard character set with 255 glyphs supporting the basic range of Latin languages.

Ellograph® CF is a charming monospaced font family with easy readability and striking cursive italics. A generous x-height and short descenders allow for even, organized lines of text. Beautiful as a coding font and in logos, headlines, and text. With its clean construction and expressive italics, Ellograph® CF stands as a versatile font family on its own. It also pairs well with a wide array of typefaces – contrasting Ellograph with a serif like Artifex CF or Wayfinder CF is effective and beautiful. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Good Love Song is a cursive font family. It is inspired by love, hearts, and USA’s script. It can be written in Carolinian, Sioux, O'odham, Southern Athabaskan, Hawaiian, Samoan, Dutch, Maltese, Aymara, Mapuche, Rapa Nui, and other Latin alphabet languages. This font family is cute and fun. It has many heart decorations. The strokes are drawn with a round cap tool, with no contrast. The form is upright. Parts H have capitals with High starts. Parts L have capitals with Low starts. Parts U are love line Unions. It can be used with the font Good Song.

Gramers is an elegant and modern minimalist font family, a new roman sans serif font carefully crafted, These font ideas come from various references, from vintage, classic, art deco, to the modern era. Carefully drawn with high contrast between the strokes bold and thin with the aim of making even the simplest sans serif letters look sensual, elegant, and warm. The feeling of versatility and luxury you get in Gramers. As you can see in the display of our creations such as Branding, Header, Logotype, Posters, Magazines, Packaging, Art deco wedding invitations, and others. This shows that Gramers can accommodate various design styles. The flat lines cover five styles (each light, regular, medium, semi thick, Thick), each of which includes nearly 293 glyphs. OpenType features include 103 standard ligatures and a small number of character variants, and multilingual support (including multiple currency symbols). Features: • 5 Font weight • uppercase • Alternative & Ligature Styles • Numbers & Punctuation • Characters with accents • Supports Multiple Languages This type of family has become the work of real love, making it as easy and enjoyable as possible. I really hope you enjoy it! I can't wait to see what you make with Gramers! Feel free to use the #Dora Typefoundry and #Gramersfont tags to show what you've done!

Presenting the LAVOZA typeface from alitdesign. LAVOZA font is designed by combining a slant blackletter font with a classic serif font style. The Lavoza font is inspired by a classic roman design that we apply modern elements according to current trends. This bold classic concept will create a design that is frightening but still looks modern and elegant. The Lavoza font is perfect for the design of young people who dare to be different and unique from the current trending design concept. Lavoza font is highly recommended to be a collection of fonts for current or future design creation. LAVOZA is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with unique and modern and brave concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "LAVOZA"contains 587 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

VetteLetters is proud to bring you the TpKurier-family. It is cooked up by our German chef Martin Lorenz currently living in lovely Barcelona! Chef Lorenz about the TpKurier recipe: “TpKurier is the second redesign we did of Courier. The first redesign in 2000, although based on a five-unit grid, was drawn completely by hand. Six years later we designed another grid version of Courier, and the TpKurier family was born. This version is completely constructed up till its last detail. We didn't want to correct ‘mistakes’ deriving from the use of the grid, but instead make them visible (see “S”). TpKurier is based on a very simple grid, composed a proportion of four units high by two units wide. A series of other links between them make it possible to form a font from this grid. We felt it was important to consistently work within these limitations so that any unexpected asperities would help provide the font with its character. Even though it is a rough constructed typeface it was important to us to design real italic lower case letters and not just a sloped roman (see “a”, “g” or “s”). The first family published contained a serif and sans-serif version of the TpKurier, with italic and bold.”

Pyke's Peak is a spirit type descended from Paeleoflex: The Angel of the Odd. Wraith-like forms mix Roman inscriptional letters with an ar'deco theme for an ethereal graphic art effect. Suitable for magazines and editorial design, book jackets & interiors, posters & broadsides, art & craft objects and other things needing a touch of the extraordinary. Over 500 extra characters give Pyke's Peak unusual range and ability. Mirror capitals, phantom forms, dot phantoms, "superposed" (overlapping) ligatures, capitalized ligatures and fitted pairs for hours of trippy rub-down arcadian magic. Includes hanging numerals, lining numerals, full punctuation, standard math & monetary symbols. Accented characters for Latin 1 and Latin 2 cover the following languages: Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Spanish and Swedish. Available in OpenType format only. Pykes Peak comes in two versions: (1) Pyke's Peak the full-blown OpenType version with over 500 extra characters, (2) Pyke's Peak Zero, the zero cost version with full Latin 1 & 2 character set but no extra characters. Pyke's Peak Zero is free to download, is licensed for commercial and personal (non-profit) use, and may be embedded on webpages using the CSS @font-face property. This typeface is dedicated to Australian musician James "Jock" Paull, who is a free spirit.

In Carpenteria each letter is hand-designed based on a geometrical old mechanical style. You can use it for posters or impact graphics.

Chinese Herbs JNL gives an outline and cast shadow treatment to the lettering found in Chinese Menu JNL. Based on some old signage.

Most of the letter keys are from animal drawings done by a six or eight year old child who has now grown up.

A page from an old manual for sign painters yielded the hand-lettered alphabet that served as a model for Claim Check JNL.

Cabriolet V8 is a vertical version of the Cabriolet family, a geometric script fontface re-interpretation inspired by old chromed emblems of 1950s.

Introducing Bronc Stomper; Bronc Stomper got its start from an old logo design used by the New York and Harlem Railroad in 1904.

Go West is a spurred version of the FontMesa Red Dog Saloon font which is a revival of an old 1800s woodtype font.

A treasure trove of typographic rarity, found in an old print shop in the Saxon town of Frankenberg, now revived and carefully extended.

Lonestar is a revival of the old classic slab serif font named Hellenic which was very popular in the middle to late 1800s.

Data Seventy is a high-tech style font, with the look of old computer lettering. Data Seventy gives any text a futuristic appearance.

Rock Logo is an all caps, display typeface, inspired by old cool rock/metal band logos. It has many alternates, swashes and ligatures.

Wood type maker W. H. Page designed this in 1870. Caps, figures and points only. A great decorative for old-timey poster work.

Inspired from blueprints of old Montreal buildings, this font is a hand lettered, all caps face with influences from the arts & crafts movement.

Decorative Panels JNL is a collection of twenty-six border design panels inspired by old decal and rubber stamp catalogs of the 1940s.

Introducing "Summer Surfing", a font duo - serif and sans serif designed to bring the energy of the waves to your designs! With three styles - regular, rough, and texture - you can create a range of effects, from clean and modern to weathered and rustic. Each style of the font features bold, rounded letters that evoke the movement and curves of the ocean. But that's not all! Summer Surfing also includes 13 beach-themed illustrations as dingbats, including surfboards, waves, and palm trees.

Chenko is a nod to Alexander Rodchenko the Russian Constructivist artist and designer whose poster work is characterised by its stark, stripped down typography and bold, geometric graphics. It was truly revolutionary in its day, and continues to be influential in ours. Chenko is my own take on his deceptively simple letterforms, and designing a font without a curve or a diagonal (okay I cheated on a few details like the O-slash and A ring characters) presented some interesting design challenges!

Hexi is a modern style serif font. It has 9 thicknesses (Thin to Black) to provide more support when designing and also Oblique version to give your texts more different or contrast. Have bold serifs to reduce the pixel effect on digital devices. Minimized the nodes in each design to keep the glyphs bodies clean. Give the extrema point on each curve, it will make Hexi look smooth and neat. There are several subpackage options for you to save even more.

Moilgo is a beautiful bold typeface that was inspired by classic typefaces that are synonymous with luxury brands, beauty and elegant curves, high contrast and an all-round feel, perfect for art projects and typography across all platforms. Moilgo also has unique ligatures which makes it easy for you to create a logo for your personal branding and your business beautifully. Moilgo will be perfect for many project like logos, magazines, posters, branding, packaging, quotes, blog headers, advertisements, and more.

Aquate Script is a professional brush script typeface. It displays a fast but confident movement, with bold curves contrasting sharp corners. With it's multiple alternate alphabets, it is greatly adaptable and really gives a logo or headline the impression of being a custom, hand-painted type. The font supports all European and Latin based languages, as well as all characters you'll ever need. In additional to stylistic and contextual alternates, the typeface contains ligatures and a full set of swash glyphs.

Brotherline is a connected script built from a single bold mono-line, inspired by hand-lettering style and various calligraphy letterforms.The first idea with this font is to create a font for Logotypes. Curves are smooth and flow with very nice circle shapes. This font is great for logos, logotypes, packaging, and store-front or signboard. NOTE: To access the alternate glyphs, you will need a program that supports OpenType Features. Activate the Ligature (liga) and Contextual Alternates (calt) for better experience.

Description: Begonia is an unique bold with curve and pointy edge style font, inspired from begonia flower that traditionally symbolic of uniqueness, harmony, gratitude, or caution, which is make this font has its own characteristic. Begonia is all-caps font equipped with extra ligatures and alternates. Begonia is perfect for branding, text header, t-shirt design, logotype and other stunning graphic design. Begonia Features: Uppercase glyphs Lowercase glyphs Numeral and Punctuations Currencies Standard Ligatures Stylistic Alternates Thankyou for choosing this font Regard, Grontype

Megar is a display font with a bold retro feel and available in 2 styles, regular & oblique. It is suitable to complement your work with a retro or pop art theme. Megar is sold at affordable prices and you will get lots of bonus background gradient & gradient shapes. Get this font right now! Don't miss this product from us! Also check out our other products. Viaction Type

Inspired by a bustling village within Aotearoa New Zealand’s capital city of Wellington, Tinakori is an elegant and sophisticated serif font that invokes art deco, classical art and thin balletic structures. It’s been a passion project that’s finally come to fruition. The simple italic and bold versions help accentuate the individuality of the serif which is precise but holds a fluidity that makes it feel inventive.

Minimum Waste - the name is taken from a Sade song, but is meant more as a political statement. Please be aware about your everyday use to make sure the planet survives!

Heretic surrounds itself with an atmosphere of evil, carnival freakshow and no-nonsense thuggery. Mix the black and condensed weights of this octagonal blackletter together for more interesting, yet disconcerting results.

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."