Font has Industrial motifs and simple geometric shapes. Best suited for large lettering. Font contains characters for all occasions, many ligatures, alternatives and exotic.

Salty Cracker is a display font with Black Letter elements. The symbols have a nice shape and long ascenders and descenders. Display font Latin

An elegant sans serif typeface with style. Fashionable, classy but still modern! Designed and shared by Vikers | RerdSystems. Perfect for logos, posters and more.

Redgar is a weathered display family. It comes in four styles – regular, slab, stencil, clean and has a matching set of banners and shapes.

It is the 3rd inscription font I shared with Liljegren Runic, one of the inscriptions in America. I couldn't find much information about it.

Pukupuku is a cute round font. This font is designed based on the shape of clouds and beans, which looks somewhat like handwritten letters.

Illinoise is a mutation of one of the most beautiful screen fonts ever. But, there are no straight lines. Everything is shaking. Let's party!

DoctorBob is a so-called stencil font. Notice the difference between upper- and lowercase; the lowercase has incomplete shapes to vary your text with.

The influence for this font came from the Fred Africian's uppercase letter composition shapes, published in "The Art of Letter-type" album, Yerevan, 1984.

The Core Sans N Family is a part of the Core Sans Series (Core Sans N SC, Core Sans N Rounded, Core Sans M, and Core Sans G). Letters in the Core Sans N Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans N Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans N Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

Hello, Let's play with Moontok! a handmade font with a fun, sweet, also playful type character that gave extra cuteness and perky at once. Like how it named, the cheerful shape bring imaginations to fluffiness, sweetness, cuties, cookies, coffee latte smells, cheesecake, happy kids, even refresh summer trip Moontok has an OpenType feature that will automatically change each character into stunning ligatures, easy! The alternates tail bring cheerful accent to your wondrous display composition, both make more flexible exploring your needs and also including sexy punctuations Even the font shape has a fun impression, the clear bold line still fit to represent something cool and fresh also making it very easy to read and applied in various design styles such as crunchy poster designs, snacks packaging, logos, promotional artworks, storybooks, business cards, website header, and many more design projects. Moontook has its own charm of cheerfulness itself moreover combined with sharp and funny color. It will so easy to remember, catchy and flawless. wanna play more? jump up to try your words Happy summer times!

Starlit Neon is a delightful display font that combines the elegance of rounded letterforms with the captivating allure of neon lights. With its bold uppercase characters and unique design, this typeface adds a touch of playfulness and charm to your projects. The defining feature of Starlit Neon lies in its rounded letterforms, which exude a sense of softness and approachability. Each letter is meticulously crafted with smooth curves, creating a harmonious and pleasing aesthetic. The rounded shapes give the font a friendly and welcoming appearance, while the neon style adds a touch of excitement and vibrancy. Inspired by the mesmerizing glow of neon signs, Starlit Neon infuses a sense of enchantment and allure into each character. The font captures the captivating charm of neon lights, casting a radiant glow that evokes a magical atmosphere. In some letters, you'll find additional subtle accent lines, which enhance the overall composition with a touch of sophistication. The uppercase letterforms of Starlit Neon are bold and assertive, commanding attention with their rounded shapes. Each letter of Starlit Neon is thoughtfully crafted to strike a balance between rounded shapes and legibility. The uppercase characters are distinct and easily recognizable, ensuring your message remains clear and impactful. The additional subtle accent lines in select letters add an extra touch of visual interest, elevating the font's overall composition. Find out more ways to use this font by taking a look at the font preview. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Starlit Neon perfect for designs like headlines, logos, and eye-catching titles that seek to make a bold statement with a touch of whimsy. Whether you're creating posters, branding materials, digital artwork, or anything in between, this font will infuse your projects with a sense of joy and uniqueness. It particularly shines in applications related to entertainment, children's products, beauty, and lifestyle themes. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Bluebell is a modern script type family in the style of copperplate calligraphy. It comes with six weights from extra light to extra bold, all of them maintaining the distinct high contrast. Rich with Open Type features, Bluebell includes Swash & Stylistic alternates, automatic ligatures, old style figures and small caps that work as stand-alone font as well. Each font also comes with a set of ornaments that are found in the glyph palette. Bluebell makes for an elegant, iconic display letter for packaging, books, posters and the like.

This time, I would like to introduce a bold typeface called "Madame Karoline", which has an attractive retro atmosphere. This font looks interesting too, as I've added some alternatives that you can use. Don't forget to add an extruded style to make your design look more appealing. This font is suitable for those who want a design that shows an old-school side but still relates to a modern look that is attractive . No problem if you have experience using this font in your designs. Make this font one of your computer's font collection.

Atrium, designed by Alex Jacque, is a strong, linear, geometric sans-serif display typeface based off century-old pen art by W.E. Dennis. Atrium's stubbornly geometric letterforms are set off with a few softening flourishes on a few glyphs. It's sharp corners, straight verticals and horizontals make Atrium pack some punch when used in headlines, pull quotes, and logotypes. Atrium was released in 2012 in OpenType format and comes in three different weights: light, regular, and bold, with a regular and oblique version of each for a total of 6 styles in the family.

Velour is an elegant display typeface, with thin, bracketed serifs. The typeface’s main features are the curved crossbar on ‘A’ and ‘H’, the long, sophisticated legs of ‘K’ and ‘R’ including an alternative ‘k’ automatically substituted in appropriate places, providing a consistent flow of text and a romantic feel. The typeface comes with a beautiful set of both standard and old-style numerals, two different ampersands and alternates with less complicated letterforms. Velour is available in 6 weights, from Thin to Bold, and supports Western, Central and South Eastern European languages.

Penang is a modern take on an old piece of Art Deco signage I had discovered in Penang Malaysia. The font is available in four styles: Regular, Bold and Italics of both. It looks great as All Caps but works equally well in standard copy. The font is loaded with plenty of extras and glyphs (256 but who is counting). I have various cuts of certain letters available as alternates to enhance whatever design you’re working on. I’m really happy with how this font finished, so I hope you enjoy using it.

Introducing Barlock a strong display font, inspired by sports design and old school typography. Carefully designed with the curve-less of the letterform but not cubistic, and has a bold weight that suitable for an elegant-strong design. Barlock is an all-caps font equipped with a bunch of alternates characters that you can mix and match to your design concept. A perfect choice for logo, posters, apparel, labels, jersey, headline, quotes, books, packaging, and many more! Fonts featured : Uppercase Smallcaps Numbers Symbols & punctuation Multilingual PUA Encoded Stylistic set 01-03

Bughia is an elegant and bold serif font. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! Bughia is an upper and lowercase serif font with balanced curves. This font is inspired by writing from the good old days, but still has a strong modern look. A variety of stylistic alternatives that allow for versatile design options and work perfectly for headlines, logos, posters, packaging, T-shirts, postcards, and more.

Add some sweet flavor to your next project with Toffee, the newest release from Font Kitchen. Sweet and sophisticated in 9 different weights, all with true italics. Toffee’s handcrafted glyphs and sharp serifs bring an old-fashioned flavor with a modern twist. We’ve slow-cooked Toffee with the finest ingredients, including stylistic alternates, fractions, ligatures, tabular/proportional figures, and more. Whether you need a bold, playful weight or something more light and elegant, Toffee is a great way to add a warm, inviting personality to your next project with a handmade feel.

Wanderland Display Font is an inky, uncial display typeface with 271 characters, Adobe Latin 1 language support, and a small collection of swashes, ornaments, and alternates. As a modern take on an old style, Wanderland makes a great font choice for bold signage, branding & logo designs, cover designs, video titles, and label & packaging designs. Designed for use in large sizes with soft corners for a vintage, ink-bled aesthetic. Activate the included ornaments and swashes with the Swash OpenType feature and by using the numerals and A to I of the alphabet.

In Lewis F. Day’s 1910 classic, Alphabets Old and New, the author presented the inspiration for this typeface as an example of German monumental lettering, most likely to suggest not that the typeface was really big, but that it had been found on German monuments. Bold yet charming, the face takes its name from a picturesque village in the Bavarian Alps which was the ancestral home of the Gröbl line of Curtii forebears. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Take inspiration from the old-fashioned era. The Brughler typeface gives a vintage aesthetic. With it's unique & distinct characteristics, it stands out from the rest, while also keeping a timeless appeal. Brughler comes with 3 different styles of the font: Regular, Rough, and Stamp. Brughler's Rough & Stamp versions allow you to create a printed look without using 3rd party effects, removing a step in the creation of your final product. It is perfect for packaging, posters, and branding projects that need a bold impact. Features: Uppercase Numerals & Punctuation Alternates Multilanguage Supports 60+ Latin based languages

Monasterka refers to the preservation of ancient traditions and the right orthodox faith. It is a bold, archaic typeface in two styles especially designed for printing purposes. It is a powerfull, expressive typeface inspired by old cyrillic writing and may do a great job for brochures and publications designs that has to do with religious or historical thematic, mostly as headlines and titles with great impact and personality. This family has an extended language coverage for many languages including latin, cyrillic and greek alphabets and comes in two styles.

Palmerson is an aesthetic vintage font, inspired from the past typography, elegant signage, gold leaf , sign painting and old label product. Palmerson comes with tons of alternates characters to make more eye cacthy . Two different size uppercase and one lowercase it's make more choice to combine and find some more great typography. Palmerson Font is suitable for authentic logos, headings, sign painting, posters,letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. Finally BOOM..!! you get a great design for your project.

A rather narrow and compact design, Monotype Clearface combines both old style and antique characteristics. The lowercase letters are tall, the ascenders and descenders quite short. The intention was to produce a typeface that was easy to read in small sizes, hence the name. Monotype Clearface Bold was first cut for mechanical composition in 1922, and was based on the Clearface Gothic design created by Morris Fuller Benton for ATF in 1910. Although designed as a text face, Monotype Clearface is now more commonly used in advertising and display work.

Modern digital typography pushes many designers to try and achieve visual perfection with their lettering. In the days of wooden type, the premise was more in creating a font that "sold" the message (possibly, in part due to the lack of advanced tooling to achieve uniformity). In many styles of wood type (such as the one used as a model for Broadletter JNL), there are vast differences within the character design, weight and symmetry from letter to letter. This is now looked upon as "old fashioned" and "charming" - part of the appeal of this typeface.

Bredston is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Bredston comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. You just combine with the another font like script , serif or san serif font and adding some effect finally BOOM..!! you get a great design for your project.

CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in InDesign and the Creative Suite to keep things compatible with Office and such. The inspiration was a scan of the old Cushing No. 2 font in Felici's article on CreativePro about 100 year oldtype. It's a fun, open, large OpenType font of 370 characters with oldstyle figures, small caps, and small cap figures. It needs polishing, but it's good looking.

The French publication “La Lettre Dans le Decor et La Publicite Modernes” (“The Letter in the Modern Décor and Advertising”) was a 24-page booklet showcasing the then-current trends of the time (circa late 1930s-early 1940s). On one page was found a squared, extra bold sans serif alphabet set with strong Art Nouveau influences, yet it was ahead of its time by taking on the look and feel of 1980s techno typography. They say “everything old is new again”, and Nouveau Techno JNL is now available digitally in both regular and oblique versions.

Introducing our new font Killarney. A bold and heavy display font that inspired by the vintage/classic letterforms used in old-advertisements. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its square and blocky letterforms make Killarney a great for headlines and space killer. Packed with 500+ glyphs, Killarney composed of slanted version, standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, stylistic sets, ligatures, etc. This font is a must have item for your designing arsenal. Go get yours now while it's hot. :D

This typeface was designed for editorial purposes (text sizes), where the letterforms contain short serifs (more economical). This font family contains different weights (from Extra Light until to Extra Bold) to create an simple and sequential typographic hierarchy scale. There are two different weights and options designed specifically for text sizes (Regular and Text). The design is classical but contain some contemporary details, which are not distractive for reading, it's simple and clean at small sizes. This font family include italics, small caps, ligatures, old style and tabular figures.

Van Wyck JNL was inspired by some old printing found in a catalog.

FP Stage was inspired by old Victorian theater posters and corresponding typographic designs.

Eingraviert is based on old books capitals, with a wood type engraving style

This fun font will get you singing that old favorite song ... It's fun.

an art deco font based on brazilian Rio's lettering old publish lettering style

A fancy version of an old Bruce's Typefoundry wood type : the 515 type...

Liam, an oldstyle easy to use typeface, excelent to emulate old printed books...

When designing AM Sans One, it was a great challenge for me to develop a modern sans serif, which despite the large number of existing fonts in this sector has its own unique character. Starting point for the design concept was the cap O, designed as a rectangle with rounded corners, and not as usual as a circle or oval. The O should form the basis for the whole alphabet. Another feature are the characters with oblique starting and end strokes such as "A, V, W". These have not exactly straight, diagonal lines, but have a slight curvature. Thus, these letters do not look too geometric. Also the cap K deviates slightly from the usual shape which makes AM Sans One different from other already existing fonts. I could well imagine applying this font for areas such as engineering or architecture.