On the line is a slanted stylistic script display typeface, with elegant features, beautiful curves and artistic forms all well balanced. Refined rough shapes combined with precise elegant strokes complement the personality of this typeface. A hybrid handmade round script, that evokes a quintessence of tradition while keeping its modern design esthetics. Ideal for brochure design, menus, invitations, package design, and advertising.

Luxury Home is a slab serif typeface of 9 weights from Extra Light to Extra Black and can be used as both a headline and text face. "Luxury Home" is recommended for using in long-form writing and articles, since a serif is far more readable for longer passages of text. The typeface has a carefully crafted weight range, with ligatures .

Luscombe is a boisterous and lively display face, recalling the shaded and outlined faced much beloved of 1920s poster and advertising artists, while offering a regularity of outline that those faces often did not achieve. Itís ideal for poster and display work, or for signage with a subtle period feel. Mix the two faces to add emphasis where it's needed.

La Brilliante is the newest signature font perfect for wedding invitations, website headers, logos and more. La Brilliante is designed with natural handwriting which will make your design look unique and very beautiful. La Brilliante has front and back swashes in lowercase letters and has more than 50 ligatures that will beautify your writing. Thank you very much for viewing.

Grinc Heart is a playful and perfect Christmas font. The font is awesome for creating cool designs that scream for attention. It’s ideal for anything ranging from t-shirts, book designs, poster, blog writing, greeting cards to stickers, or anything that needs a casual touch. Fall in love with its incredibly cool style, and use it to create lovely designs!

The reason you purchase this font is because it is ‘special’. The creator of this font was born with a love for geometric patterns. I am fundamentally attracted to forms that have a sense of order and freedom of dispersion. This is a font that I came up with accidentally while working. I think that coincidence combined with consistent effort is ‘special'.

Warning: works with contextual alternate-feature, which is not showing here. Matita Connected is part of a larger type family developed from 2005-2019 with handwriting in mind. A solid script face in two weights and a dotted instructional version. With alternative glyphs based on different writing habits. For teaching, teaching material or just typography. An unchildish handwritten type family for many purposes.

Thimberly is a modern and awesome handwriting font with extraordinary charm. This will change any design idea to be beautiful and perfect! Thimberly can be used for a logo, branding, or just writing which you can combine into great designs. It has multi-lingual support. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word.

Dutch type designer Just van Rossum created this display FontFont in 1992. The font is ideally suited for advertising and packaging, film and tv as well as music and nightlife. FF Dynamoe provides advanced typographical support with features such as ligatures. It comes with tabular lining figures. As well as Latin-based languages, the typeface family also supports the Greek writing system.

Introducing the Brendiva font family, a display font with 14 variants, comprising 7 upright and 7 italicized characters. Its clean and orderly design imparts a professional impression, while the high contrast in certain letters adds a unique and beautiful touch. It is perfectly suited for diverse design projects including logos, branding, magazines, packaging, labels, books, fashion, novels, makeup, and any advertising purpose.

Markin is named after the writing utensil with which it looks like it was drawn, the marker. Its even strokes display characteristics similar to those of a sans serif typeface, but the stroke endings with their typical handwritten look give Markin a personal touch. Extremely versatile, it is the perfect choice for any work where individuality and spontaneity are the emphasis.

Murisa Betzmann is a very special font. We make it with enthusiasm and joy. Betzmann is an innovation and style in typography. We provide 4 alternates for each uppercase, and 4 swashes for each lowercase. You are also given various ligatures for variations of your writing. Multiple alternates, multiple swashes, multiple ligatures, a brilliant work of art. Get it right now.

There was a time in this country when many young people studied a trade via a correspondence course through the mail. While this method still exists, it's now more common to find students taking online classes. From an early-1960s course in sign painting comes Sign Merchant JNL, a classic brush stroke type design popularized on show cards and posters.

Say hello to the Montlake Road Script Font. This is a carefree and elegant font with a romantic and feminine flare. Montlake Road has Opentype ligatures that give help give a natural handwritten look while the lowercase swashes add a beautiful touch to any project. This font is perfect for logos, notes, labels, wedding invitations, or branding for any project.

We're proudly introduce Al Mahdis, the arabic-style font. Starting from the idea of ​​making an Arabic font that remains clean and easy to read, Al Mahdis was born. This font is very suitable for writing calligraphy, book titles, or even your business logo. We're honored and hope the Al Mahdis font can be part of your special work. Thank You :)

ฟอนต์วันวาน อักษรแบบตัวเขียนอ้างอิงจากสไตล์การเขียนแบบพู่กันให้ความรู้สึกพริ้วไหว มีสไตล์ให้เลือกใช้ 9 สไตล์ตเป็นตัวเอียงทั้งหมด และเพิ่มความน่าสนใจด้วยการไฮไลท์ตัวอักษรที่ต้องการจากนั้นเปิดใช้งาน Stylistic Set 01-09 (ss01-09) หรือ Access All Alternates (aalt) จะมีป็อปอัพเด่งขึ้นมาให้เลือกอักษรทางเลือกอื่นๆ ฟอนต์วันวาน เหมาะสำหรับการผาดหัว ข้อความสั่นๆ หรือจัดวางเป็นกลุ่มคำสั่นๆ - Wanwan, a calligraphy font based on a brush writing style. There are 9 styles with italic. Comes with Stylistic Set 01-09 (ss01-09) or Access All Alternates (aalt). Wanwan suitable for headline wedding cards and other graphic work.

Cirth was invented by J.R.R. Tolkien for use in his novels. It is modelled on the Anglo-Saxon Runic alphabet, and is used to write the language of the Dwarves (Khuzdul) in The Hobbit and The Lord of the Rings in inscriptions in wood and stone. It is also used as a alternative alphabet for English. This font is english version.

Creative people tend to mix printing and cursive, i.e. some letters connected, some not. Why? Who knows? Handwriting analysts have a field day with this sort of thing. Have a field day of your own with Dempsey, based on the writing of Tucson film teacher, media artist and programmer, Vikki Dempsey. It’s fun, assertive and will make you look even more creative.

Snowy Days is a cool and playful snow-themed display font. The font is awesome for creating cool designs that scream for attention. It’s ideal for anything ranging from t-shirts, book designs, restaurant menu, blog writing, greeting cards to stickers, or anything that needs a casual touch. Fall in love with its incredibly cool style, and use it to create lovely designs!

SUSHI is an unusual font family (2 styles), created by Bartosz Panek. The idea was created while working on the design of a certain logo. With time, a whole font was created from modular elements, which in its form brings associations with food, fish and sushi. The font contains uppercase characters, numerals and a large range of punctuation (over 220 glyphs).

Enovella is a cool and modern Sans Serif font. writing for a magazine that requires a lot of text is the strength of this font. easy to read, and not tired on the eyes. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. Thank You

Vikings or Norses are Scandinavian pirate and merchant tribes. Actually, "Viking" or "Nors" is not a nation name; It is the name given to Dans, Norwegians, Swedes and other Scandinavians regardless of who they are. The Elder Futhark here is a runic script - a version of the Viking script. I will upload other versions over time. Write nice things with pleasure.

Immerse yourself in the allure of a bygone era with the Bardon Vintage Retro Sans Serif Font Collection. This captivating font collection boasts 10 distinct styles, each meticulously crafted to capture the essence of vintage charm while maintaining a modern edge. From refined elegance to rugged authenticity, Bardon offers a versatile range of options to infuse your designs with a touch of nostalgia.

Magnitudo is a very amazing handwritten font. This font is equipped with many choices of styles (alternative A-z forms), making it easier for design workers to determine the form of writing according to their desired tastes. This font also features an international accent to be used in several countries at once.I hope you are interested in my work. Thank you...

Goat is a font display with extremely fine and sharp serifs, inspired by Gothic architecture, which brings a vertical elongation in extent and an allusion to the typical ogival vaults of the style. A font that not only carries a texture of writing with magnitude and elegance, but also causes some kind of strangeness for the subversion of some typographic laws.

A humanist sans-serif family which displays subtle influences of the edged writing tool. Inspired by modern faces such as Chaparral and Enigma, Arum Sans is versatile enough to be used for high-end text setting as well as display purposes. A full international glyph set, extended for European use, allows Arum Sans to play on the field with the big boys.

The Grimm family is a blackletter inspired graffiti style built for headline and display. The family includes 3 variants: Grimm Regular & Grimm Curves both utilize traditional upper & lowercase letters while the Grimm Fat variation is an all-caps style. All 3 styles include initial, terminal & isolated letter variations as contextual alternates as well as a number of stylistic alternates, ligatures & other embellishments.

Welcome to the world of Edifact, a damaged display typeface that’s here to shake things up! With its roots in the magnetic ink lettering of the 1960s, this typeface is all about breaking the rules and forging a new path forward. But Edifact isn’t just any old font. Oh no, it’s so much more than that! With OpenType ligatures, you can unlock a world of custom combos that will bring a whole new level of realism to your work. And let’s be honest, who doesn’t love a little bit of extra pizzazz? But the real magic of Edifact lies in its unique blend of retro-futurism and post-apocalyptic roughness. This typeface isn’t afraid to get its hands dirty, and it’s not afraid to take risks. With Edifact, your message will stand out from the crowd and grab your audience’s attention like never before. So don’t be shy—embrace the wild, post-apocalyptic world of Edifact and let your creativity run wild! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Zalderdash! The wackiest, most uproarious font on the farm. This isn’t your average typeface—oh no, this is a zany slab-serif, and it’s so thick you could milk it. Our font farmers have been hard at work breeding this baby to make sure it’s as silly as can be. Zalderdash isn’t just any old font, it’s a campy Clarendon that’s sure to make all your graphic design dreams come true! With its automatic character substitution, your text will jump off the page like a herd of wild cows! You’ll be mooooved by the boisterous and bouncy impression it makes! And don’t worry about perfect alignment because Zalderdash loves to get cockeyed! It’ll take your design from boring to barn-raising in no time. So, whether you’re designing a farm-fresh logo or a hilarious invitation to your next hoedown, Zalderdash is the font for you. It’s fun, it’s goofy, and it’s the freshest thing to hit the typography scene since sliced hay! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

INSPIRED BY THE LOVERS OF LETTERS AND ANCIENT ANIMATED DRAWINGS: We present one of our most desired typographical tools of 2019: NUTCAKE CATCH-WORDS! Designed and produced by #carlosfabiancg and #a_freitez at different times and places in Venezuela and Colombia. Each word design was like “travel to the old school of hand lettering of 1930” due to the number of options and alternatives we discarded to solidify meticulous researches and Bezier drawings, based on analysis and synthesis of empty and full calligraphy, first done with a round brush and then perfected with pencil and paper. For this reason, each NUTCAKE CATCH-WORDS design contains a high dose of cursive expressiveness, apparently handwritten, and that is why our customers can take advantage of more than 160 words compiled in a single OTF file. NOTE: if you need any new word with the NUTCAKE CATCH-WORDS style, please write us and we will gladly design it to include it in your file. Below the list of 160 catch words: and, An, All, As, After, Ante, Avec, Break, Bright, Big, Back, Both, Best, Body, Butter, Breakfast, By, Bajo, Coffe, Café, Closet, Can, Cocktail, Cookies, Custom, Cabe, Con, Contra, Could, Crisp, Candy, City, Chocolate, Chocolat, Come, Del, Don't, Deliver, Desde, Di, Durante, Enjoy, Eat, Example, El, En, Entre, Front, Fire, Free, Fashion, For, Fresh, Friday, Family, Going, Great, Go, Heres, Here, Hand, Hacia, Hasta, Have, I'm, It’s, Imagine, It, Join, Just, Jam, Kitchen, Kiss, Know, Keep, Like, Life, Lady, La, Las, Les, Los, Le, Love, Money, More, Master, My, Mediante, Now, now, New, new, next, nuevo, nueva, Off, out, ofertas, oferta, offer, offers, Please, Para, Per, Page, Quality, Queen, Question, Valley, Queso, Right, Road, Save, See, Show, Something, So, Según, Sin, So, Sobre, Sale, Shop, Style, Styles, Sweet, Special, To, the, The, Theres, There, To, This, Three, They, That, Tras, Think, Time, Take, Transfer, Until, Vacation, Value, Vote, What, Hats, With, Welcome, Which, You, Y, You're, you, Zip, Zoom, Zombie.

Huai and Huai Thai marks the first professional typeface release by Potch Auacherdkul and represents the culmination of research into the duality of influences between handwritten, vernacular Thai lettering and Latin typefaces. The result is a warm, expressive typeface that doesn’t abandon the human hands and the language that produced them. With Thai script, there are two different terminal styles—the Loop terminal style, associated with the original forms of Thai glyphs; and the Loopless, which has evolved to best coordinate with Latin sans serif typefaces. In recent years, this Thai Loopless style has continued to influence and even change to become ‘more Latin.’ One would go so far as to define these heavily Latin-influenced typefaces as Thai Latinized. This curiosity with shifting influences, turns the idea around and explores what would happen if the vernacular Thai scripts actually influenced their Latin counterparts instead. An Inversion of Thai Latinized is the result. The street signs of Bangkok, local vernacular writing, quick, fluid strokes… these influences form the DNA behind the Huai Thai typeface. Refining and systematizing those natural, handwritten strokes into a Thai typeface and then using those solutions to serve as the pioneer proportions behind the development of its Latin script companion was the product. Huai adopted the essence of these Thai glyphs into the Latin and uniquely embraced the contemporary writing system (and soul) of the Thai people in its letterforms.

ITC Werkstatt is a result of the combined talents of Alphabet Soup's Paul Crome and Satwinder Sehmi, along with Ilene Strizver and Colin Brignall. It is inspired by the work of Rudolph Koch, the renowned German calligrapher, punchcutter, and type designer of the first third of this century, without being based directly on any of Koch's typefaces. Werkstatt has obvious affinities with the heavy, woodcut look of Koch's popular Neuland, but also with display faces like Wallau and even the light, delicate Koch Antiqua. Brignall began by drawing formal letters with a 55mm cap height, which Sehmi reinterpreted using a pen with a broad-edge nib. “Not an easy process,” says Brignall, “since one of the features of Koch's style is that while it was calligraphic in spirit, most of the time his counter shapes did not bear any resemblance to the external shapes, as they would in normal calligraphy. This meant that Sehmi could not complete a whole character in one go, but had to create the outside and inside shapes separately and then ink in the center of the letters.” The process was repeated, only without entirely filling in the outlines, for the Engraved version. Crome handled the scanning and digitization, maintaining the hand-made feel while creating usable digital outlines. “The collaboration of artisans with particular skills,” says Brignall, “in a modern-day, computer-aided studio environment, seems very much in step with the 'workshop' ethos that Rudolph Koch encouraged and promoted so much.”

An authentic style of feminine handwriting with a pencil Who still writes by hand? And who still writes nicely? What constitutes beautiful handwriting anyway? In Marleen Script nearly 100 stylistic alternates for individual letters and more than 400 ligatures are included. With these options it is finally possible to convincingly simulate the effect of true handwriting with a typeface. So, the form of the single character seldom repeats itself since it is mostly replaced with a ligature; and, with each combination of characters the result is a slightly different form of the individual character. Type set in Marleen Script appears remarkably similar to a text actually handwritten with a pencil. The characters of Marleen Script have intentionally been digitalized as a bit loose and irregular. Stylistic alternates are available for many of the letters, some even with various alternates to choose from, in order to produce a font with a very lively appearance. This typeface also fills a completely different kind of gap: finally, a ”typically female“ font. Spirited capital letters, the tendency toward loops and the obvious inclination toward the left are all common characteristics of ”female scripts.“ The original for Marleen Script was created by Marleen Baumann from Augsburg in the spring of 2010 using a sharp pencil on rough handmade paper. In spite of irregularities, this font is aesthetical. Although most people rarely put forward an effort with their handwriting, in Marleen Script one can see the desire for an attractive form.

When Hal Taylor saw the 1930 logo for the Stetson Shoe Company of Weymouth, Massachusetts, he didn't run out and buy a pair of loafers. Instead, he seized on this striking example of an Art Deco logotype as the basis for a new typeface design. “I was impressed with the delicate and sophisticated letter forms,” Taylor recalls, “particularly the enlarged cap S -- in any other case it would have seemed unbalanced, but in the context of this logo, it worked perfectly.” All the letters in the original all-caps Stetson Shoe logo were rendered with condensed proportions except the O, which was a perfect circle. While the prominent O added visual interest to the logo, Taylor knew that such a character would limit his typeface to display applications. For versatility's sake, he drew his O for ITC Stepp with the same proportions as the rest of the alphabet. Taylor also gave the logotype's inverted S a more traditional design, but kept the original as an alternate character in the OpenType font. Taylor's toughest challenge during the design process was creating a lowercase. “A good type design tells you what it wants to be,” he says, “and after a little while the Stepp caps began to tell me what the lowercase should look like.” Taylor's lowercase is slightly more conventional than the caps. The jaunty g" and almost upside-down "s" add subtle charm, while the capital letters provide the broader gestures of Stepp's personality. Together, they create a versatile and distinctive typeface design. One of Hal Taylor's first jobs was as a photo-lettering typographer in Philadelphia, setting headlines and creating custom lettering. This was followed by a stint doing finished lettering for John Langdon, whose ambigrams appear in Dan Brown's best-selling novel, Angels & Demons. Today, Taylor works as a graphic designer in the publishing industry, but he still finds time to create an occasional hand-lettered book jacket, and draw handsome typeface designs. ITC Stepp is available in four weights, ranging from Light to Ultra Bold. All four weights have companion italics, and the lightest three weights also offer a suite of small caps."

Borrowing from the 1940s, and inspired by printed text found in an old catalog, the slightly imperfect letterforms of Pitkin JNL emulate the hand-lettered look of signs and show cards.

Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.

Zura’s font family design draws its inspiration from nature and a tribal style. The use of geometrical expression emotes a technological undertone. Opentype features include: Old style numerals Case sensitive forms

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other.

Retro futuristic design. Inspired in old concept futuristic designs and in pixels. This display font is great for logo design, posters and to make a "look forward" statement in your designs.