A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, flat thick serifs, a very useful design for display.

Alphonse Nouveau JNL is based on the lettering style of famed Art Nouveau illustrator Alphonse Mucha, and is available in both regular and oblique versions.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

The typeface was designed at ParaType (ParaGraph) in 1990 by Alexander Tarbeev based on Pragmatica typeface, 1989 by Vladimir Yefimov. A monospaced condensed sans serif.

LD Funky Chunky is a lighthearted, chunky font that's casual and perfect for some visual fun. They'd make a great team on your next project!

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders, very condensed.

FG Rakel is a small old looking handwriting connected script font. I have found it useful on greeting cards and scrapbook journaling among other things.

Nouveau Eccentrique JNL is a novelty Art Nouveau lettering style found on some 1920s sheet music cheerfully entitled "I'm Glad I Can Make You Cry".

Allnoob Typeface is one of the elegant decorative fonts neatly arranged and cool, you can also use it for business, clothing, movie titles, and more

Stoan is a rough, textured grunge font, based on the popular Spaza. Its characters are irregular and funky, with edges that disappear into the distance.

An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.

Ornamental font, based on samples of Alphonse Mucha, who was an Art Nouveau painter and decorative artist. In this collection assembled typical wavy shape secession.

English Script is the classic Spencerian English script. I always wanted to do one of these; now finally I did. Your classical designer Gert Wiescher

I finally managed to create a font from the characters I wrote on my Etch A Sketch board. A bit grungy, but definitely something else.

Borba Sans is based on Borba . It is really readable sans serif typeface which may be used whenever you need a stylish and modern typography.

JH Hala is a modern style typeface; it is designed based on Koufi style & latin humanist sans serif classification, typical for corporate identity, branding & signage...

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

The shield, a form in heraldry, has infinite design subdivision possibilities. Shield Ornaments contains a selection of 98 geometric designs on rounded and pointed shields.

HeartMatrixed is based on a matrix of dots in the shape of little hearts. It uses the same design pattern for placing dots as Dottie.

The rounded hand lettering for the circa-1920s sheet music title "I'm On My Way Back Home" inspired the font design for Lettering Pen JNL.

Shopping Spree JNL was inspired by the hand lettering on the title card for the 1938 film "Fast Company" starring Melvyn Douglas and Florence Rice.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders, very condensed.

Stampede was created from a small sample of letters found on an old document dating back to 1902 from the Chicago, Indiana & Eastern Railway Co.

General Merchant JNL is a bold, compressed sans design in the 'Grotesk' fashion with varying character widths and flattened tops on the usually rounded characters.

Stencil Machine JNL replicates the lettering of a stencil cutting machine. The stencils produced on such machines were primarily used for carton identification and shipping.

The PL Fiorello Condensed font has a Latin influence and has been used to set headings on novels and posters relating to suspense and crime.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. All styles offering an extended Latin character set. » pdf specimen «

Cross Stitch Classic is based on upper case characters 12 stitches tall and contains uppercase characters A-Z, lowercase characters a-z, numbers and punctuation.

A very unusual type based on wooden type designs of the 19th century, lacking lower case which may not have been designed for this font.

Asbigan is an beautiful and very elegant font for brand and logo design. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This font have 126 BEAUTIFUL LIGATURES is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. Asbigan is also included full set of: ligatures uppercase and lowercase letters multilingual symbols numerals punctuation HOW TO ACCESS LIGATURES CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs Thanks for checking out our font! I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Welcome aboard the Hyperspace Race Capsule! Let the weight of gravity slip away as our interplanetary transport system takes you around the solar system in unparallelled style and comfort. Our reclaimed UFO has been remodeled with soft, luxurious curves on the interior and the latest cutting edge flight technology under the hood, to meet all your typographic travel desires. Each weight and package includes these luxurious five-star amenities: Kick your Capsule into TURBO mode to access eleven sleek, fast-moving alternate letter shapes. Hit WARP SPEED to cross time and space with hundreds of auto-connecting letter pairs. Chat with passengers from all over Earth, as Hyperspace Race Capsule effortlessly presents speech in 224 languages. Use the versatile Variable font to access 20 preset weights plus over 100,000 options between. Hyperspace Race Capsule is a versatile, full-featured font that's perfect for galaxy-wide branding projects, now and into the future.

Are you in search of Ancient Astronauts? Extraterrestrial beings who came from the 12th planet to influence human cultures, technologies and religions? They're here! They visited our Earth prehistorically and they didn't just make contact with humans -- they gave birth to our entire race! Some believe they are a secret group of reptiloids who still control humanity! Their agents live amongst us disguised as George W. Bush, Queen Elizabeth II, Kris Kristofferson and Lady Gaga. It's true, we read it in Weekly World News. These ancient aliens established divine status over primitive men and compelled them to build Stonehenge, Pumapunku, the Moai of Easter Island, the Great Pyramid of Giza, and the ancient Baghdad electric batteries. After all, if you're stuck on Earth, you may as well have some big heads to look at and a source of power to jump start your flying saucer. And a font. Features: Three fonts (Regular, Bold & Alien) with alternate characters.

Delight Muffin is a display serif font in thickly designed weights for modern, friendly, and stylish design purposes. Generally, every letter of this font is in rounded shapes with a few spaces given. The top and the bottom parts of the letter are the thinnest ones with hardly invisible differences between the thick and the thin lines, which contrast the low lines. With Delight Muffin’s legibility, it is possible to use the font in various text sizes. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Delight Muffin fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Gotto, the playful Sans-serif font with an italic twist and multilingual support. Perfect for logos that want to stand out from the crowd. Let Gotto bring some fun and personality to your next design project! Features : - Gotto Family Font - Multilingual support, US Roman, Latin 1 Support --- This Font Support Language: Afrikaans, Albanian,Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, ManxMorisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu, Thank you for purchasing premium fonts from Attype Studio. Follow and explore our work on Pinterest & Instagram. If you have any question, don’t hesitate to contact us. Hope you enjoy with our font! Attype Studio

Honey Cages is a lovely display serif font in thick weights to show friendly, expressive, motional, balanced nuances between functionality and creativity. Generally, the letter shapes are round with consistent heights and wide spaces. There are also curved wipes on some of the letters’ edges to add decorative styles. Use Honey Cages for big-sized texts for a legibility reason. This font comes with some lovely features for you to enjoy. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Honey Cages font fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there. Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds. Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff. Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well. This is one quill script that no large bird had to die for. A few technical notes The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on. Awards During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.