Tropical Leaves is a modern calligraphy font. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

The Reyden is a retro and bold display font. This font is PUA encoded which means you can access all of the glyphs and alternates with ease! It would look great on headlines, magazines, logos, branding and so much more!

Sweet Magolina Script is a beautiful modern calligraphy typeface. Sweet Magolina is perfect for today’s emerging market design. This font has a stylish, trendy, natural, and soft touch. You can use it for wedding invitations, branding, parties, graduations, birthdays, gatherings, etc.

Blistar is a romantic and sweet modern calligraphy typeface with characters that dance along the baseline. It has a casual, yet elegant touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Victorah Gaerioa is a lovely and timeless serif font. It is the best choice for creating eye catching logos, branding and quotes. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Spooky Crack is an incredibly unique and interesting display font. It is perfectly suitable for any Halloween-related project or crafty idea! Spooky Crack is PUA encoded which means you can access all of the glyphs and swashes with ease!

Ambie Skratch was inspired by grudge fonts, as well as rock music, and deconstructed art work. It was made by shacking a sharpie marker in a fast angled motion. Then these images were scanned and altered further on the computer.

Matrijs is the Dutch word for mold. It comes from the Latin word for mother or womb and is somewhat similar to the English word Matrix. Matrijs is a handmade Garamond which can be used for a wide range of projects.

Premiere California is a lovely and timeless handwritten font. It is the best choice for creating eye catching logos, branding and quotes. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

A useful font to have a handcrafted note effect "on the fridge". It can be used both in a graphic context and to letter a comic or create a slightly informal cover graphic. Handcrafted and then digitally converted and expanded.

This almost-all-caps display font features a variable baseline to give it an unstable look. Also, the upper and lower cases differ slightly and can be used to add some alternates in words with letters next to each other.

Sikandinarie is a clean and neat serif font combined with swirl strokes to make this font unique yet elegant. This typeface has many unique alternatives that can make your designs even more interesting, making it the perfect choice for any project.

Smile Hana is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It has a casual, yet elegant touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Christmas Bright is a warm, elegant and cozy handwritten font. it will look gorgeous on each of your festive designs or Christmas letters. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Andtioh is my vision of sci-fi font. I want to propose the idea of ​​simplicity and techno in two ways. I think this font can find its place in logos and names and will make your business look innovative.

Pattia is a joyful and festive display font. It is ideal for Christmas Holiday-themed greeting cards and for any crafting project. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Introducing Walske. Stylish, Classic, Modern, Elegant display font. Inspired by ancient historical architecture that makes the font has a unique personality, you can use it for every project in different themes for branding, headline/title, posters, packaging, & more. Multilingual support.

Lendriyan fonts, calligraphy and handwriten fonts. This font is very beautiful and charming with curves. With its uniqueness, this font can be used as a logo, title, script, leaflet, landing pages and others. You just like this font, thank you

Santino is a rounded monoline, post-bauhaus geometric font with smooth extremes and a touch of modern sensuality. It is named after Ariel "Negro" Di Lisio's son. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.

Bush Market is a handwriting script typeface designed to give off a bouncing, fast writing vibe, and informal. It can be used as a handwritten header display or as a stylish text for magazine, blog, branding, packaging, wedding invitation project, etc.

Hallery is a lovely and timeless handwritten font. It is the best choice for creating eye catching logos, business card, branding and quotes. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Realiztix is a playful, handmade font which is perfect for branding, clothing, logos, projects, headlines, posters and packaging. Realiztix allow unique and versatile design options and is equipped with multilingual accents, so it can be used in several Latin languages.

We’re children’s book illustrators and Mr DogDog is a set of our 96 unique hand-drawn pictures (61 animals, 20 dialogue balloons and 15 other symbols). You can use it on invitations, mugs, posters, pillows, wallpapers, balloons and so much more.

Salmah is a chic, refined script font that emanates sophistication and elegance. Its stylish alternates and ligatures make this font the perfect match for any project. Salmah is PUA encoded which means you can access all glyphs and swashes with ease!

After Butler is a lovely and timeless handwritten font. It is the best choice for creating eye catching logos, branding and quotes. After Butler is PUA encoded which means you can access all of the glyphs and swashes with ease!

Milton Keynes is a modern thick font that comes from hand scratches so it is great for branding logos, t-shirt designs, posters, business cards, typography, newspapers, other design projects and many other media that can be manipulated with this font.

EightZeta is a hand-drawn font designed by Bartek Nowak. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Lightning Christmas is handwitten font featuring stars light. It will add an awesome to any design project that you wish to create! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Lourino is a flowing script typeface, drawn by Måns Grebäck during 2018 It is a high-quality font with cute letter shapes and large, round capitals. The font has an extensive set of characters and supports all Latin based European languages.

Demian is the work of Dutch designer Jan Van Dijk. It is an informal script font whose capitals should serve as initials to the word settings of the lower case letters. Demian has the spontaneous, flowing look of true handwriting.

Simple and eye-catching display fonts for your design touch. You can apply it to packaging designs, posters, logos, quotes, merchandise etc. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features

Fontazia Mazzo features a unique assortment of floral bouquets in abstract vases. A modern addition to any interior design layout or for any project where flowers say just the right thing! Like other type, these dingbats can easily be integrated into any text document or graphic program.

Galileo, a vintage font family made by brush. Each letter that has been hand drawn and then scanned, which makes the font unique and special. Galileo contains 4 styles and can be used for headlines, t-shirts, logos and posters. Appreciate this project and follow us :)

Berimbau is a whimsical narrow hand-drawn typeface. It’s stylish, versatile and loaded with amazing OpenType features that do their magic in OpenType savvy applications. Its sprightly swashes and twisting stylistic alternates (say that 3 times fast!) play together to deliver a really cool contextual feature that, in a push-button way, substitutes the first letter in a word with its left swash version and the last letter with its right swash version (please type a space before and after the words).The feature also applies stylistic variants to some of the intermediate letters. Which button to push? The Contextual Alternates one! If you're not a one-click-way-person you can pick your preferred glyphs through the glyphs palette. There you’ll find at least 4 variations for each letter: left swash, right swash and 2 regular forms that correspond to the upper and lower case keys. Some letters also have a 5th variation that acts as stylistic alternate. This font is conveniently packed with the ‘access all alternates’ functionality, so when you click on a glyph at the glyphs palette you’ll see all variations available for it, making it easier to choose the one that will fit better. A bold weight was made to provide that extra-strength when a bit of… boldness is needed. Please note that it doesn’t have the advanced OpenType features (but is still very charming!). Yet, both weights have a handy set of ornaments for added yumminess.

Syntax was designed by Swiss typographer Hans Eduard Meier, and issued in 1968 by the D. Stempel AG type foundry as their last hot metal type family. Meier used an unusual rationale in the design of this sans serif typeface; it has the shapes of humanist letters or oldstyle types (such as Sabon), but with a modified monoline treatment. The original drawings were done in 1954; first by writing the letters with a brush, then redrawing their essential linear forms, and finally adding balanced amounts of weight to the skeletons to produce optically monoline letterforms. Meier wanted to subtly express the rhythmical dynamism of written letters and at the same time produce a legible sans serif typeface. This theme was supported by using a very slight slope in the roman, tall ascenders, terminals at right angles to stroke direction, caps with classical proportions, and the humanist style a and g. The original foundry metal type was digitized in 1989 to make this family of four romans and one italic. Meier completely reworked Syntax in 2000, completing an expanded and improved font family that is available exclusively from Linotype GmbH as Linotype Syntax. In 2009 the typeface family was renamed into a more logical naming of "Syntax Next" to fit better in the Platinum Collection naming." Syntax® Next font field guide including best practices, font pairings and alternatives.

Sealt Typeface is inspired by the oldest saltworks in Eastern Europe, founded in 1390 in Drohobych. Sealt means salt in Old English, so most letters are rough and sharp like salt crystals and seem to be carved out of the rock. View PDF Specimen: https://michaelrafailyk.com/typeface/specimen/Sealt.pdf Variable font: Sealt VF has weight axis and includes hundreds of weights ranging from Light (300) to Bold (700), so feel free to choose the most accurate weight that you need, using a slider. Localized Forms: 47 character substitutions for Azeri, Bulgarian, Catalan, Dutch, German, Kazakh, Moldavian, Polish, Romanian, Tatar, Turkish. Glyph Composition/Decomposition (Diacritics): Full Latin and based Vietnamese set of diacritics (561 characters). Precomposed. Ordinals: adehnorst. Superscript, Subscript, Numerator, Denominator: 0123456789. Fractions: ¼½¾⅐⅑⅒⅓⅔⅕⅖⅗⅘⅙⅚⅛⅜⅝⅞⅟ (precomposed). Any other fractions (even those typed through a slash) will also be displayed correctly, with the automatic replacement to Numerator + fraction + Denominator. Slashed Zero: All 0 figures, including Lining, Superscript, Subscript, Numerator, Denominator, and Fractions. Contextual Alternates: ΆΈΉΊΌΎΏ. Greek uppercase accented characters lose their tonos accent and retain only dieresis in All Caps mode. Turned on by default. If you need tonos accents in All Caps then turn off Contextual Alternates (calt) feature. Standard Ligatures: OO TT tt fi. Turned on by default. Language count: 480+. Kerning Class pairs: 4295. The promo images used photos of Albin Berlin, Hervé Piglowski, Karolina Grabowska, Scott Webb from Pexels and Dollar Gill from Unsplash.

Relax. Deep breath. And step away to font nirvana with Cabrito Semi. Like its Cabrito relatives, Semi’s handwriting-inspired feel is mellow and care-free. But don’t misunderstand us. Even with its fun-loving peculiarities, this free spirit will command whatever party you invite it to. It’s a perfect blend of unique and functional. So what’s the secret of this little one’s strength? It’s pure balance. Cabrito Semi’s energy surges from deep within the relaxed, balanced tones of its humanist structure and calligraphic crafting. The 36 fonts of this well-crafted semi serif originate from the popular Cabrito, an insigne design slab serif developed for the kid’s book, The Clothes Letters Wear. Along with its other amigos, Inverto and Sans, Cabrito Semi rounds out this easy-going household of fonts. The four fonts play well together on anything from meals and candy to toys and cars. With the support of the other three, Semi makes a great choice for titles and moderately long text like you would use for websites, flyers, and packaging. Semi’s complete pack of alternates is accessible in any OpenType-enabled system. This kiddo has loads of alternates, swashes, and alternate titling caps to add a bit of sweetener to the balance. Also bundled are swash alternates, old style figures, and compact caps. Preview any and all of these features in the interactive PDF brochure. This font members of the family also consists of your glyphs for 72 languages. So who says you can’t love quirky? Take a look at Cabrito Semi--and any of the other members of the Cabrito family. You’re bound to find yourself loving fun all over again.

Grenale Slab adds to the new standard of elegance within the Grenale family. Not your typical slab, Grenale has some unique forms that give it a look all its own. This glamourous slab still draws much inspiration from Grenale’s Didone sans and its haute couture influence. Independently attractive, it’s balanced and poised, with well formed strokes. Grenale Slab’s thin weights are simple but vibrant--elegant forms that naturally lend themselves to designer journals and high-end branding along with upscale applications. With added energy and power, the thicker weights give your work a firmer, statlier look. Grenale Slab’s upright versions are also matched by optically adjusted italics. The fashionable typeface includes a multitude of alternates that may be accessed in any OpenType-enabled application. The stylish features include a large group of alternates, swashes, and meticulously refined details with ball terminals and alternate titling caps to accessorize the font. Also included are capital swash alternates, old style figures, and small caps. Peruse the PDF brochure to see these features in action. OpenType enabled applications such as the Adobe suite or Quark can take full advantage of the automatic replacing ligatures and alternates. This family also offers the glyphs to support a wide range of languages. Any of Slab’s weights also provide a well-matched companion to its original counterparts, Grenale #2 and the original Grenale. It’s time to think high-class. Graceful and assured, the carefully crafted forms of Grenale Slab step pleasantly onto each page with elegant charm. Include its range of alternate glyphs, and this chic font is a superb choice for bringing a far more refined look to your copy.

Simplo: the ‘Italian Futura’. Simplo is a geometric sans serif typeface, built in sixteen styles. It is a tribute to the 1930s typeface Semplicità, designed by Nebiolo’s Alessandro Butti. Although many details of Simplo differ from Semplicità, it preserves the spirit of the original. Simplo is ideal for use in display sizes. It is also quite legible in text, and is well suited for graphic design and corporate identity design. Simplo has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. The most notable characteristics of this typeface are the ‘t’ and the ‘f’. The ‘t’ is the culmination of simplicity: a vertical line with just a simple right-side crossbar. The ‘f’ also has just a right-side crossbar, and is really tall: it reaches both the highest and lowest vertical position of the typeface. The top of the distinctive ‘s’, is much narrower than its bottom. The ‘a’, ‘b’, ‘d’, ‘g’, ‘p’, ‘q’, and ‘u’ are spurless, and show a family resemblance with Hans Reichel’s 1990s typeface Dax. However, these letters are rounder and more geometric than Dax’s counterparts, because of Dax’s higher x-height and narrower design. In Paul Shaw’s Imprint article about typefaces that have been overlooked and/or underappreciated, “Overlooked Typefaces”, he concluded his discussion of Semplicità as follows: “These idiosyncrasies suggest that Semplicità might find a warm reception today, given the current love affair with Gotham, Neutraface and Proxima—and the resurgence of ITC Avant-Garde Gothic.” Free demo font available. For more information about Simplo, download the PDF Specimen Manual.

The joy of pure geometry, revisited. Geometric typefaces are a staple in every typographer’s toolbox since the 1920s. It was a time when iconic faces such as Futura, Erbar, and Kabel appeared on the scene and turned the world of type upside-down. Inspired by those early giants as well as later epigones with a legacy of their own (such as 1970’s Avant Garde Gothic), Flink is the Identity Letters take on this genre, characterized by a clean and focused appearance. With neat shapes and the look of pure geometry, Flink adapts to a vast range of applications and topics, from the fine print in contract to website body copy to logo design to billboard-size slogans. Its x-height is considerably larger than in classic geometric sans-serif fonts; its proportions are harmonized as opposed to strictly constructed. This makes for a more contemporary look, setting it apart from the classics. To further reduce the rigidity of a purely geometric composition, you can replace some letters with more humanist alternates, such as a, g, j, etc. This font family comes along in 8 weights from Thin to Black. Each weight consists of an Upright and Italic version. There are more than 750 characters per style, including two stylistic sets that offer variations to the look and feel of Flink, making it even more versatile. Plenty of additional Open Type Features like ligatures, case sensitive forms, old-style figures, and symbols make Flink a valuable tool for the discerning typographer. Flink is the reimagination of a classic genre, designed to suit the needs of our time. ––––– Please note: There is an upgraded Version available: Flink Neue