A fun all caps bubble font. It's fat, it's happy, and it's perfect for fun greeting cards, posters, quotes, and groovy lettering designs.

Klenthing is a simple typeface. It's handwritten and is perfect for invitations, branding, blog posts, greeting cards, DIY projects, labels, quotes, and more!

A freely written handwriting font with a lot of ligatures added for credibility. The PRO version comes with Greek and Cyrillic glyph sets.

So Love is a cute and adorable handwritten script font. It’s perfect for branding, logos, wedding invitations, diaries, cups, mugs, greeting cards, and more.

Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

A special offer by RMU Typedesign for those who like it old-style. Now finally with the possibility to create a Greek Meander frame.

Introducing Bloena casual handwritten script. Great for magazine layouts, crafting, branding, posters, websites, social media, greeting cards, invitations, mugs, frames, and so much more.

Happy Holidays! Okaycat's "Christmas Card" is a dingbat font that brings cheer to the season with a great selection of holiday greetings & Christmas symbols!

Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Condensed Gothic, great for tight-fitting headlines and other condensed titling situations. Applications include Headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Very big on talk, Locutorio supports Latin, Cyrillic, Greek and over 100 additional languages. Also included is a bonus set of global communication icons.

Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Condensed Gothic, great for tight-fitting headlines and other condensed titling situations. Applications include Headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Santica is a beautiful handwritten font. Santica is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, and album covers.

Rashford is a brush font that fulfils all your needs, made with a brush pen with a real brush tip that gives result of a rough and distorted font. It contains uppercase, lowercase, punctuation and symbols. Rashford is suitable for posters, graphics designs, quotes, greeting cards, invitation cards, logos, packaging, branding, magazines, titles, advertising, business cards, signs, greeting cards, flyers, kids t-shirts, logos, and every other design which needs a rough look.

DALEK PINPOINT is a clean and precise version of K-Type’s distressed DALEK typeface, a small caps face with overtones of Greek, Phoenician and Runic alphabets, based on Dalek comic book lettering from the 1960s. The package includes Regular and Bold weights, plus an Italic and Bold Italic which are optically corrected obliques. The fonts contain a full complement of Latin Extended-A characters, and now include Greek capitals and small caps.

The Sidetic language is a member of the extinct Anatolian branch of the Indo-European language family known from legends of coins dating to the period of approximately the 5th to 3rd centuries BCE found in Side at the Pamphylian coast, and two Greek–Sidetic bilingual inscriptions from the 3rd and 2nd centuries BCE respectively. The Greek historian Arrian in his Anabasis Alexandri (mid-2nd century CE) mentions the existence of a peculiar indigenous language in the city of Side. Sidetic was probably closely related to Lydian, Carian and Lycian. The Sidetic script is an alphabet of the Anatolian group. It has about 25 letters, only a few of which are clearly derived from Greek. Consensus is growing that the script has essentially been deciphered.

Patmos Sans is a carefuly hand crafted sans serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages. Patmos Sans has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures and it is fully unicode-mapped (PUA encoded). The standard ligatures of the font, are 4 decorative ornaments, that you may add at the end of a word and they fit perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application, then type "d" and a number from 1 to 4.

Textus Receptus is a historical revival based on the Roman and Greek types used by Johann Bebel (and later also Michael Isengrin) in Basel in the 1520s. The Roman is a low-contrast medium-to-heavy Venetian reminiscent of Jenson or Golden Type. The unusual polytonic Greek, not previously digitized, is lighter in weight and supplied with all the ligatures and variants of the original. Yet when used without historial forms the Greek has a surprisingly contemporary feel: it’s quirky and playful as a display face, but still easily legible in running text. Bebel’s Greek extended and refined the one used for the first printed Greek New Testament, Desiderius Erasmus’ Novum Instrumentum Omne, published in Basel in 1516 by Johann Froben. The name of the font was chosen in honor of this edition, which was so influential that it was later called the Textus Receptus (the “received text”), serving as the basis for Luther’s German Bible in 1522 and much subsequent scholarship for over 300 years. Following 16th century practice, Textus Receptus contains 130 ligatures and stylistic alternates for Greek, accessible either with OpenType features or with five stylistic sets. The Greek capitals, often printed bare in early editions, have been equipped with accents and breathings for proper polytonic or monotonic typesetting. The Roman includes both standard and historical ligatures along with the abbreviations and diacritics typically employed in early printed Latin. For expanded language coverage it has the entire unicode Latin Extended‑A range and part of Latin Extended-B. The capital A is surmounted by a horizontal stroke, as in some 16th century Italian designs, and the hyphen and question mark have both modern and historical form variants. Mark-to-base positioning correctly renders fifty combining diacritics, and with mark-to-mark positioning the most common diacritics may be stacked, permitting, for example, accents and breathings on top of length-marked vowels. Numerals include old-style, proportional lining and tabular lining. For further details, please download the 31-page Textus Receptus User Guide.

This stunning display face is based on Hans Bohn’s 1929 opus for Gebr. Klingspor, originally named Orplid. One of the treasures discovered in the legendary green vinyl binder that launched Nick’s love of type, it’s a real crowd pleaser. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Display type-family in op-art style with Latin, Greek and Cyrillic scripts support. Award: The Best Of Ukrainian Design in Typestyle and typography 2016.

Summer Crackers is a simple, fun, and relaxed handwritten font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

CoalhandLuke is a handwritten font I made by using a piece of charcoal. The Pro version contains an additional set of Cyrillic and Greek characters.

FG Rakel is a small old looking handwriting connected script font. I have found it useful on greeting cards and scrapbook journaling among other things.

Use it for all of your hand-lettering projects like invitations, greeting cards, promotional materials, websites, and branding that need that hand-brushed lettering vibe.

How cute can you get? Cattapilla's open type version has extra ligatures and stylistic alternates, perfect for scrapbooking, greeting cards, announcements or any creative project.

Sheepdog is a whimsical handwriting font originally created for use in greeting cards and to combat the propagation of ! Use it to your hearts content.

Condensed serif font. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Monthly Goals A Playful Font It is perfect for headings, flyer, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers, etc.

Grandma is a lovely hand-drawn serif font. It is perfect for greeting cards, children's books and everything that should have a handmade, kind feeling.

The Mathematical Pi font family contains six mathematical Pi fonts, with Greek, blackletter, script and open capitals, together with a range of mathematical signs and symbols.

An expanded caps-only cross-stitch font, based on a mid-20th century embroidery pattern. Use it in large sizes for advertising, posters, greeting cards, etc.

IMark is a “drying” marker hand written, felt tip pen font. Usage recommendations include captions, packaging, invitations, cards, posters, ads, greeting cards, book jackets and covers.

JH Naskh expanded light font is designed based on Naskh calligraphy; it is typical for greeting cards, book covers including spine, headlines, short text paragraphs, poetry…..

Lingerhend is a classic handwritten script font. It’s the perfect font for wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!

Add a touch of flair with this one-of-a-kind TrueType font. It gives a handwritten appeal to scrapbook journaling, greeting cards, and creative publications.

The Mathematical Pi font family contains six mathematical Pi fonts, with Greek, blackletter, script and open capitals, together with a range of mathematical signs and symbols.

Full of love is a simple, fun, and relaxed handwritten font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!