Iridium™ was designed by Adrian Frutiger in 1972 for Linotype. It is in the modern" style like Bodoni or Didot, in that it has the sparkle created by a high thick/thin contrast and a symmetrical distribution of weight. But the sometimes harsh and rigid texture of the modern style is tempered by Frutiger's graceful interpretation. Iridium itself is a very hard, brittle and strong metal; yet the Latin and Greek roots of the word mean rainbow, or iridescence. And indeed, this font is infused with a more lustrous and complex spirit than the average rather stark modern typeface - note the stems that gently taper from waist to serif, the nicely curved ovals of the round characters, and the slight bracketing of the serifs. Iridium was originally designed for phototypesetting, and Frutiger himself cut the final master photo-mask films by hand. This digital version has all the craftsmanship of that original and includes the roman, a true italic, and the bold weight. Iridium works particularly well for book and magazine text and headlines."

Jamie Handwriting is a charming hand-script font. Its contextual and stylistic alternates makes for a typography indistinguishable from a true handwritten text. Jamie Handwriting's cute and quirky lettering fits any project or contexts that requite that extra bit of genuineness and life. It is wild and funny to look at, and its quick movements emits a happy optimism. The family consists of ten high-quality styles: The weights Thin, Light, Medium, Bold, Black as well as each style as Regular and Alternate. The different thicknesses ensures it will work in any size, and the Alt style prevents any repeating characters. Jamie Handwriting is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Pasargad is a new font family, designed by Naghi Naghashian. It is a Font family in 3 weights, Light, Regular and Bold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Pasargad supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Pasargad design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Pasargad’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Pasargad was developed for multiple languages and writing conventions. Pasargad supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Oustad Arabic is designed by Naghi Naghashian. It is a Bold headline font, in 1 weight. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Oustad Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. OstadArabic design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Kasha was developed for multiple languages and writing conventions. Nima supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Core Sans DS is a rounded version of Core Sans D and a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans DS features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans DS is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans NR, Core Sans M, Core Sans G,Core Sans A, Core Sans GS and Core Sans ES. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans DS supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

‘Scion’ is an original design by Alex Kaczun. The inspiration for the typeface came from the Toyota SCION logo, which bears its name. In Alex’s own words, "I loved the simplicity, proportions and hi-tech look of the logo and decided to create an entire new design series based on its unique look". The fonts come in five flavors: thin, light, regular, bold and black. All the font weights were designed systematically on tabular widths so that the user can make adjustments to overall type color without changing the line length. In addition, Alex Kaczun has provided us with several alternate glyph substitions to further enhance the overall appeal of this contemporary new design. The large Pro font character set, which supports most Central European and many Eastern European languages, makes this typeface series ideally suited for display copy as well as text composition. In the near future, Alex plans to include a narrow, compressed and ultra expanded, along with true-drawn italic variations to further expand the possibilities of this great new display series.

In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since. A few years ago I developed a font. Boris Bencic used it when he was redesigning L’Officiel magazine in Paris. I took these initial forms and developed them into the font Mommie when I started my own foundry. Although I usually design text typefaces, working on Mommie taught me how complex it can be to create a script headline font. The biggest challenge in this process has been to keep it alive and fresh. The Regular weight is only made for very big headlines. The thin lines with the bold drops are very elegant. For smaller sizes use the Medium and Small weight. It won the TDC 2008 award and was Judges Choice of Christian Schwartz.

Debacle is a super bold contrastive display face built upon pure geometric shapes. Sharp, angular lines are countered against obtuse rounded forms creating a striking visual discord. Select inner corners are rounded, giving characters dual attributes, while linear round-end counters simultaneously contrast and compliment the square-ended punctuation and symbols. Stylistically, Debacle’s prominent letterforms effortlessly create type-as-image text settings. Its style relates to the lush display typefaces from the seventies, yet is highly contemporary in its refinement and finish. Features include: Precision kerning Basic Ligature set including ‘f’ ligatures (ae, oe, fi, fl, ffi, ffl, ff, fh, fj, ft, tt, th, ct, st, la, aj, fa, ls, es, ev, ew, tz, lv, lw, ti, it, ea, kv, ka, ky, yx, xy, yy, km, yw, wy, yv, vy, kw) Alternate characters (O, Q, _, $, ®, •) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Introducing The Hepcat - 2 Style Display Font, a font that effortlessly embodies boldness, retro vibes, vintage charm, and a touch of playfulness. Its rounded letterforms and unique alternative characters add an extra layer of distinction to your designs.

Bold, punchy and attention-grabbing, Maximum is an extended sans serif with obround curves that fills the space on the page due to its tight spacing and short ascenders and descenders. Recommended for posters, packaging, headlines and branding.

Moklan is an all caps bold display font that has a funky and playful style. suitable for logotype, branding, social media, posters, advertisements, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Highman is a modern condensed bold font. Its contain all caps letter yet its have a different height between the uppercase and lowercase. Its fit for brand, titling, stacking or grid layout and all kind of display usage.

Zuboni Stencil is a bold, uppercase typeface based on a Russian design from around 1920 (original designer unknown). Its extensive character set supports most European languages that use the Latin or Cyrillic alphabets as well as modern Greek.

Lucky Dream is a handmade font bold, new fresh & modern script with a calligraphy style. Lucky Dream can used for anything from promotional material and handwritten quotes, to product packaging, signage, labels, newsletters, posters, merchandise and branding projects.

Take a bit of Brooklyn attitude, add a dash of hand-lettered appeal and mix in a slightly Art Deco flair... Your result is Canarsie JNL; a bold sans serif face that would make any New Yorker proud!

Contentor is a display type originated in the habour and made for long journeys. Inspired by the industrial lettering on containers, hardcases and boxes, Contentor and Contentor Stencil are a condensed and bold typeface fit for any voyage.

Jt Gilboys Inspired by bold and rounded typefaces.Very characterful, fat and rounded , it is the best choice for editorial, You can use glyphs to create a different appearance for your design. world name or brand design, charismatic shape,

Valvolina is a bold headline font inspired by Italian Futurism and the Moderne graphic design of the inter-war period. It uses elementary geometric shapes to build its characters, lending it an energy and punch. Dramatic and contemporary.

Ben Kidoz is a sweet and friendly display font, created with an incredible playful touch, with Regular, Bold, Italic and hollow feel. Add this font to your favorite creative ideas and notice how it makes them come alive!

Chive Turkey JNL is a solid version of Jeff Levine's inline font, Toucan Tango JNL. This bold and sassy sans serif has the great retro look of hand lettering and can really add some punch to ad copy.

Introducing BROKENZ – Bold Sans Condensed fonts with 4 styles with strong and challenging nuances. very suitable for the title, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional

A WPA (Works Progress Administration) poster from the 1940s saying "Behind the Headlines" presented the title hand-lettered in a bold, condensed slab serif. This became the model for Newsmaker JNL, available in both regular and oblique versions.

Introducing the "Stinko" font designed elegantly and simply, with a combination of bold, thick, and symmetrical. This font is suitable for your work needs. Web font Uppercase Lowercase Numbers & Punctuation Any Questions? just ask! Designed by hanief farandi

Header Maker combines rough and bold curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, quotes, product packaging, merchandise & social media posts.

A poster for the 1932 film “Shanghai Express” starring Marlene Dietrich has the films name is a semi-Asian lettering style. This bold poster font is now available as Asian Railway JNL in both regular and oblique versions.

Kafina Serif Font, Kafina is a beautiful display font, designed with a modern and bold style. It's suitable for branding, logo, and many other designs. Features: Accents (Multilingual Characters) 12 Ligatures 114 Alternates Numerals and Punctuation (OpenType Standard)

Linoset was created from cut and printed linoleum. The lettering is based on Helvetica Neue Condensed Bold – it has been cut, printed and re-drawn to take on a completely new life – it's rough, tough and downright nasty!

From the backlots of Hollywood to a computer near you! Quiet on the set... Huntington JNL is a bold sans serif font inspired by titles preceeding the opening of the film classic "Casablanca". Art Deco meets Film Noir...

Metalworker JNL is Jeff Levine's take on a perennial favorite originally known as Eagle, but available under different names over the years. This bold, clean Art Deco font was the basis for Jeff's star-studded National Spirit JNL.

Ecentric is a bold font inspired by the vintage style of letters on posters, bagde, packaging, labels from antiquity. The classic feel is really perfect you who needs a vintage typeface for logotype, apparel, branding, packaging, quote etc.

Tagline is a Fun, Bold casual font that was born from the New York graffiti style. Good for all your entertainment projects. Though "Tagline" is radical in style it's still very readable and calls attention to your message.

Lokanova is a display font with a sans serif type designed in a bold and unique style to give the impression of a firm but still playful design. Lokanova is available with uppercase, lowercase, number, symbol and multilingual

Dustine script is an extraordinary and bold script, suitable for a large number of designs. This font has two styles, Regular and Italic. With two styles, you can choose according to the project that you are working on.

The bold round point pen lettering on the cover of the 1934 sheet music for “New England in the Rain” was the model and inspiration for Poster Pen JNL, which is available in both regular and oblique versions.

Skizzors is a family designed by Ethan Dunham created by cutting letters out of paper. The fonts have an irregular edge but are clean and legible. The bold version is almost black and complements the regular version nicely.

Solastion is a signature style font that looks both bold and sheer. An elegant looking font and lots of unique characters like natural hand strokes. – Font feature Uppercase, Lowercase, Numerals & Punctuations, Stylistic Alt, Stylistic Set, Swash Ligature, Multilanguage

Belonk is a bold, simple and sweet handwritten font. Its authentic look and feel will add a great touch to your designs. Use this font for stickers, svg designs, shirts, mugs, social media, monograms, and more! Thank you!

Cintra font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a sans serif, bold, geometric typeface with subtle rounded angles, which provides a soft, pleasent appearence. Cintra consists of 8 styles.

Really excited to introduce Hupper Nush is a bold handwriting font with cool character! Hupper Nush will be perfect for all your designs project. Hupper Nush Included: Uppercase Lowercase Number & Symbol International Glyphs Ligature Hope you enjoy it.