Storybook is a friendly informal script with rounded features and a generous x-height for enhanced legibility. This distinctive italic typeface comes in three weights and bridges the gap between traditional scripts and contemporary hand-written styling; it adapts to a nostalgic or classic purpose whilst retaining a modern feel at the same time. The design lends itself to subject matters like childrens' books, various literature projects and even speech bubbles in equal measure. The Storybook glyph palette boasts an extended European character set and a well considered series of swash alternates which instantly transform the appearance of any texts when activated.

Our Carioca Script Pro was inspired the lettering from the RCA Records Stereo Action Series from the 1960's. It's a signature script that is both elegant yet slightly bouncy and truly sings…lending a happy-go-lucky flavor to any design. This script is loaded with extra features - truly giving Carioca Script Pro something to sing about. Opentype features include: - Swash Capitals. - Initial and Final forms of Lowercase letters via Stylistic & Contextual Alternates. - Full set of Inferiors and Superiors for limitless fractions. - Oldstyle figures. - Ordinals. - 10 Flourishes included in Carioca Script Pro. 90 Flourishes in Carioca Script Flourishes.

Anlinear is part of a series of constructed typographic experiments from the young Swiss designer Michael Parson. In the Anlinear family, which contains three separate weights, Parson has successfully created a fabulous display of alphabets out of the sole arrangement of lines at right angles to each other. The letters in this face virtually groove with the beat as you set them in text. Like a musical score, they provide a fantastic look just right for your next flyer. This family of fonts looks best when set in larger point sizes, in headlines or other display settings.

Benton Modern was first prepared as a text face by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from Morris Fuller Benton’s turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Bank of England is loosely based on the blackletter lettering from Series F English twenty pound banknotes introduced in 2007. The font takes inspiration from German Kanzlei (Chancery) typefaces and the English calligraphers John Ayres and George Bickham. For designers using OpenType-aware applications, Bank of England includes Swash versions of all uppercase letters and ampersand, Alternates for nine lowercase letters and capital Z, and sixteen ornamental flourishes. Western European accented characters are included, and also a simplified St. Edward’s Crown (Elizabeth II’s coronation crown) at the Section (§) and PlusMinus (±) keystrokes (Windows Alt-0167 and Alt-0177).

The Confetti is a typeface created about 1930 by the defunct José Iranzo foundry in Barcelona, and imitates the forms and gestures of handwriting created with a round nib as “Speedball”Series B. The original typefaces were a pair, called “Escritura Energica ” and “Escritura maravilla”. The typography has a dynamic air, caused partially by irregular alignment of the characters respect to the baseline and aesthetics takes us to the proposed commercial lettering or advertising of years 20-30. Confetti was one of the fonts selected by the website Typographica.org in its prestigious list of “Our Favorite Typefaces” in 2006.

Eckhardt Informal JNL was found in a Dan Solo alphabets book under the name "Circus Wagon". This hand-lettered design with a playful inline is reminiscent of the show cards of the 1940s and 1950s. The Eckhardt series of typefaces is named in honor of the late Al Eckhardt, Jr. - a good friend of type designer Jeff Levine whose talents in hand-crafting attractive lettering was appreciated by many. His work, like the others before him is fast become a lost art in today's technology-driven world. Eckhardt Informal JNL is available in it's regular (inline) version and also as a solid version.

North Block is a true sports branding classic. It's timeless shapes and features will give you an instant athletic feel to your project. North Block Regular got chamfered corners for that powerful and edgy visual performance and North Block Soft has rounded corners for a softer, more subtle approach. These fonts are perfect for sports logos, branding, posters, apparel design, magazine headlines, labels and so much more. North Block features a character set with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

The designer favorite Blue Goblet series has been extended once again with Blue Goblet Frames and Vignettes #2. These animated and lively frames and vignettes can be resized easily without any loss of quality, and can easily be converted to outlines and modified. Combining them to form unique compositions or inserting them into chapter headings are just a few ideas for these versatile ornaments. Please see the sample .pdf to see all 96 Frames and Vignettes in action, and be sure to check out the original Blue Goblet Frames and Vignettes, Blue Goblet brush script and Blue Goblet Ornaments, Emblems and Florals.

Hurme Geometric Sans No.4 includes seven weights with true Small Caps, obliques and swash alternates. Uppercase swash alternates can be automatically applied to all characters or just to first and last characters of each word. Please see the specimen PDF for complete overview of the typeface and its features. Alternate characters and other Opentype features make for a versatile family that can be adjusted for specific needs. Hurme Geometric Sans is a series of font families all with distinctive qualities and features but share the same basic construction and proportions. See also the other Hurme Geometric Sans families.

An industrial strength slab-serif typeface which performs equally well with headlines as well as longer text. It differs from the stiff almost mechanical structure of other slabs, by introducing distinct letterforms in characters like ‘f’, ‘r’ and managing at the same time to combine effectively the typeface’s round parts with deep cuts and sharp inner corners, which add an interesting character to this otherwise contemporary series. PF Synch Pro consists of 4 fonts from black to regular. It is loaded with 3 special OpenType features and offers multilingual support for all European languages including Greek and Cyrillic.

Hexatype is part of a series of typographic experiments from the young Swiss designer Michael Parson. In this font, Parson has created an intriguing system of lines that form into letters, all based off of a hexagonal grid. Text set in Hexatype takes on an interesting honeycomb-like appearance. For a different effect, try overlapping individual letters, or use a few of Hexatype's letters together as elements in a logo. A good companion to Hexatype is Linotype's Ned Std. These two fonts, as well as eight more experimental designs by Parson, are included in the Take Type 5 collection."

Initially created for use in a logo and with a limited number of characters, Edgewater evolved into a full typeface suitable for everything from projects requiring a space-age, futuristic feel to logotype for the most refined, conservative corporations. Edgewater was joined in November, 2008, by Edgewater Hairline, which supports more than 30 languages and is especially attractive in larger point sizes. The hairline version also is a nice complement to the other fonts in the Edgewater series, though still striking enough to stand on its own as the dominant visual in a virtually unlimited number of displays. Timeless, unique and flexible.

Tectónica is an elegant and stable heavy-duty didonish typeface in three different flavors: the strong and sober Poster Style, the fancy and classic Engraved Style and the playful and sexy Swash Style, each of one includes a distinctive set of alternates, ligatures, numbers and plenty of other resources and OpenType features for your text delight. With heavy contrast and solid presence yet full of delicate details and variations, Tectónica was especially designed for being used in headings, logotypes, large text settings and display use in general where a well-founded and firm yet graceful and refined statement is needed.

These Charming letterforms, filled to the brim with the pop sensibility of late sixties je-ne-sais-quoi and the high camp detachment of the early seventies, scream out 'I am THIN and GORGEOUS!' Daring, Sexy, Witty and Subversive, Absolutely Fabulous swings from the pages of Marvel's UNION JACK to provide you with all the handheld wobble you'll need for thrilling titles, taut climaxes and logos that tingle with sartorial sophistication. If you're not thinking of miniskirts, black leather and concealed transmitters in bowler hats when you install this font, you're just not on the right wavelength, baby.

Pseudographia is a lighthearted, loving pastiche of “Greek-Style” type inspired by J.M. Bergling’s 1917 “Society Greek” lettering. Happily living in the world of kitschy cross-cultural fonts of the kind found on restaurant awnings around the US, Pseudos is blithely unconcerned with legibility. Instead, it embraces its own benign exoticism and revels in its own chicanery! Pseudographia’s standard letterforms are angular Roman forms. Its Stylistic Set One contains a simplified Small Caps version of the kind commonly seen at Mediterranean eateries. Its Stylistic Set Two contains a full set of outlined Ornamental caps. Opa! Part of The Ampersand Forest's Sondheim Series.

In the 1990s I drew a text face for the San Francisco Chronicle. It was based on W. A. Dwiggins’ Electra and incorporated many features of the Linotype Legibility Series: More compact, with a taller lowercase X-height, etc. That type was called Electric and it was the Chronicle’s text face for nearly a decade, surviving several redesigns. From that, I made Azuza, a more detailed and sensitive style. Azuza was recognized in the TDC2 type competition in 2001. Then it went into hibernation as a Type 1 font family. Today it is back. Six fonts. Open Type.

Guapa was first born from a personal experiment: transforming a geometric sans serif 'à la Futura' into a charming postmodern deco design. It was applied in a poster specially designed for a typography exhibition called 'Pimp the type'. Later it became a well-suited typeface for the word: from titles for magazines to book & record covers and packaging. The family consists in one single weight, which is provided with Discretionary ligatures, Alternative characters, Swashes forms, Initials and some Stylistic Sets. The Ornaments Series will be designed in the future, as well as a Cyrillic update. Guapa is fancy, delicious & fresh!

Steradian is an exploration of the geometric genre and although it has a geometric base, the widths between letters are not much different across the weights. That is due to the process, in which the proportions of the heavier weights paved the way for the lighter ones. It also has a series of details that make Steradian stand out and gives it a special touch. Some of its main features are the double-story ‘a’, its closed apertures and some of the capitals have a distinct personality (such as the G and Q). Read more about the design process at the Emtype’s Blog.

In the 1949 Paramount comedy "My Friend Irma" (a film based on the popular radio series that introduced America to Dean Martin and Jerry Lewis), an opening gag set-up involving excavation work utilizes street barricades which inspired Work Crew Stencil JNL. Placed along the site, different advisories are stenciled upon barricades warning of the work in progress. The scatterbrained Irma (Marie Wilson) walks straight through the construction, oblivious as to what's going on around her and steps right into the open hole dug into the sidewalk (a scene she reprises in 1950's "My Friend Irma Goes West").

Willow is an Adobe Originals typeface designed in 1990 by Joy Redick for the Adobe Wood Type series. Willow is a condensed typeface modeled on nineteenth-century wood types known as Clarendons (wood type Clarendons do not resemble the English metal types of that name). Clarendon condensed faces were originally so well-designed that words or a line of display type have an even color that is remarkable for wood types. Taken from proofs of type in the Rob Roy Kelly Collection housed at the University of Texas at Austin, Willow can be used for display work such packaging, advertising, and posters.

Ariom is a fresh, geometric, sans-serif font family inspired by iconic typefaces. Ariom has a big x-height value, ​geometrical letterforms, sharp edges, and strong stroke contrast as the neo-grotesque fonts from the 20th Century. The typeface is versatile and can be successfully used in magazines, posters, branding, websites, headlines, large-format prints, brand identities, social media, advertising, editorial design, posters. The family contains over 40 alternative glyphs and over 50 ligatures in each style. The family comes in 3 weights with their corespondent italics. The family Latin supports Western, Central, South Eastern, South American, Oceanian, Pan African, Vietnamese, and Sámi.

A sturdy and solid presence, CamingoSlab is defined by its heavy serifs, low stroke contrast and elliptic curves. Yet it retains a light touch, and feels vivid and friendly, thanks to the humanistic tone that derives more from handwriting than from strict construction. Special attention has been paid to compatibility with the other members of the Camingo series — With their consistent line heights, an equal grey value and the same formal language it can be seamlessly combined with CamingoDos and CamingoMono. CamingoSlab comes with a Pro version that contains small caps, ligatures, 10 different figure sets, stylistic alternates and two sets of arrows.

Dead Space is a science fiction/horror media franchise created by Glen Schofield and Michael Condrey, developed by Visceral Games, and published and owned by Electronic Arts. The franchise's chronology is not presented in a linear format; each installment in the Dead Space franchise is a continuation or addition to a continuing storyline, with sections of the storyline presented in prequels or sequels, sometimes presented in other media from the originating video game series, which includes two films and several comic books and novels. I created this font by redrawing the alphabet in which the Death Space alien language is written.

BLOGGY designed in 2010 by André Toet. In the series of typefaces that were created by our team, BLOGGY stands out as a rough typeface based on a grid. Within this square grid the typeface is enlarged and reduced in size in order to create a dazzling font. A complete ‘extra alphabet’ was added to the font by cutting the letters diagonally. To us typedesign doesn't only mean designing fonts for books but also advertising, posters, film or digital use. We hope that BLOGGY will do the trick ! Concept/Art Direction/Design: André Toet © 2017

In the world of graphic design, the typeface is everything. It’s the foundation on which you build your message, the first impression your reader gets of your brand. And when it comes to creating a unique and memorable brand, there are few typefaces more distinctive than Shnixgun. Based on the venerable Franklin Card Gothic, this inky, textured typeface takes inspiration from the age-old tradition of metal type, infusing it with a modern, edgy twist. Its rustic, weathered appearance is the perfect choice for anyone looking to add a touch of authenticity to their work. But Shnixgun is more than just a pretty face. Thanks to its custom letter pairs, it breaks up the monotony of repetitive letters and adds a level of nuance and sophistication to your message. With Shnixgun, your words become more than just a series of letters—they become a work of art. But what really sets Shnixgun apart is its rusty texture. This is a typeface that wears its age proudly, with every letter infused with the character and patina of a bygone era. Whether you’re designing a vintage-style poster, a hand-crafted logo, or an art magazine spread, Shnixgun is the perfect choice for anyone looking to infuse their work with a sense of warmth, authenticity, and honesty. So don’t settle for a bland, soulless typeface. Let Shnixgun’s rusty glyphs permeate your message with affection and depth, and bring your designs to life with a touch of artistic flair. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Stone Dense is a playful display font. Stone Dense has a large number of ligatures, 160 ligatures. So that makes this display font more playful and unique. And Stone Dense has a bold body, with unequal widths for the characters. Stone Dense can suitable for your projects that require fonts with bold and strong characteristics. Such as branding, logos, titles, headlines, printing, magazines, quotes, posters, fashion, t-shirts, apparel and others. Stone Dense is also support multi language.

The letters in TapedUp are constructed from straight pieces of what could be masking tape. The letters have a unsophisticated or unpolished quality to them. The typeface is caps-only but many of the shapes on the lower-case keys differ from those on the upper-case keys. It was formed with a template used for several letterbat fonts and also typefaces Rumpled and Tinkerer. The family has six styles: regular, bold, shadowed, oblique. bold oblique, and shadowed oblique.

Say Hello to Ballsye, a Superb bold display font. This font is a very bold font so it has a strong impression. But other than that, this font can also be a fun and playful font. Ballsye is perfect for branding design, posters, apparel, for logotype, website header, fashion design and any more. Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Charles Wright is a full typeface in the style used for British vehicle license plates. The standard Bold weight is based on the condensed bold ‘2001’ style with an uppercase which conforms to UK registration plate specifications for character heights of 79mm and widths of 50mm. The 9 font family also includes previously unavailable Medium and Regular weights, Obliques , and a newly designed lowercase. For platemakers, the wider '1935' and lighter 'Motorcycle' fonts are also included.

Typewriter Revo is based on Typewriter BasiX but it is completely redesigned: While Typewriter BasiX has dapples and grunge (which looks more realistic), the contours of Typewriter Revo crisp and clear. Typewriter Revo is more suitable for continuous text while Typewriter BasiX and Typewriter DirtY are suitable for large Pictures, logos or headings. In contrast to Typewriter BasiX, Typewriter Revo includes 11 more characters and is also available in a bold, italic and bold + italic version.

Forbes consists of one bold weight and is an alphabet in the style of the bold English slab serifs, as made evident by its flexed serifs. This style first made its appearance in the 19th century. It was used at first only on posters but later became available in smaller point sizes and was then be used for titling and headlines. With its robust figures, Forbes should be used exclusively for these applications in middle and large point sizes.

Aremic is a bold display font created to be used for bold headings coming in 2 shapes Regular and Rounded including Oblique. This font is inspired by the shape of the letters on sports posters. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Quta is a sans serif typeface produced by FoDa foundry, that meets all the needs of professionals who search a family of clean geometric font, very well suited for headlines, newspaper and many purposes. With a basic character set in Five weights with their italics. Quta covers many features like: -Five main weights (Light, Regular, Medium, Bold and Extra Bold) -Matching italics for all weights. -language support for many Latin-based scripts -Ligatures and many other OpenType features.

ROMANICA is a relaxed humanist sans with subtly curved corners and slightly flared glyphic terminals that are expressively angled where appropriate. Romanica has the authority of the ages without the harshness of many classically inspired typefaces. All eight fonts include a full complement of Latin Extended-A characters, Welsh diacritics, Irish dotted consonants, and additional oldstyle numerals. ROMANICA is available in three packages - • Basic Family (Regular, Italic, Bold & Bold Italic) • Light (Light & Light Italic) • Medium (Medium & Medium Italic)

Kochay is an unique bold and blurred hand lettering monoline font. this font is outstanding with its sharp and bold style that makes kochay font is more tough and aesthetic. This font equipped with extra ligatures and alternates. Kochay is perfect for branding, text header, t-shirt design, logotype and other stunning graphic design. Features: Basic Latin Glyphs Multilingual Numeral and Punctuation Standard Ligatures Stylistic Alternates Thankyou for picking up this font, hope you enjoy it. Regard. Grontype

Guthenberg Bold Script is a bold calligraphy script with dramatic movement and strong style for your latest project that needs a handlettering look. It's perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery and any projects that need handwriting style. Guthenberg comes with uppercase, lowercase, numerals, punctuations and many variations of each character, including OpenType alternates and common ligatures to let you customize your designs.

Badr is a traditional-style Arabic text typeface with two weights: Badr Light and Badr Bold, and include Latin glyphs (Cochin Roman and Bold), allowing a single font to set text in both most Western European and Arabic languages. The two Badr fonts incorporate the Basic Latin and the Arabic character sets, which support Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

BRIGNELL BIG is a two font family designed by Ian Brignell. Bold and honest, it approaches like a dare: Go Big no regrets. A bold, personable sans serif headline font characterized by a stylized and geometric structure. Creatively, Brignell Big was born in 2011 and was inspired by lettering designs Ian was working on for CO Bigelow packaging that harkened back to early 20th century modern sans serifs. Recommended for headline use especially on packaging. Extended Latin set.

Maxes is a modern Bold sans Display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Maxes font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Maxes font. Cheers, Maulana Creative