ATC Harris is a a workhorse monospaced geometric font with a focus on simplicity and legibility. Font contains 580+ glyphs, full alphabet, ligatures, numerals, accents and punctuation. ATC Harris was released in 2016.

Hello, Introduce the new font : Roots N Branches Roots N Branches inspired by hipster life. Handmade fonts & Sharpie marker What's Included Inside The Fonts ? Uppercase Lowercase Symbols Numerals European Multilingual Thank You, Regards!

Little Birds is a script that can be used with vintage, simple and modern styles. It is very suitable for logos, posters, t shirts and more. Features Uppercase Lowercase Numerals Ligatures Stylistic Alternates

Cybestpunk is a display font that comes with a cyber tech style. suitable for tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Volken is a heavy bold sans-serif font. This font is perfect for various projects, clean, and easy to read. what you get: · Alphabet · Number and Punctuation · Lettering format font · Include Multilingual support.

Introducing our new product called Rastering | Elegant Calligraphy Font Manu script. Rastering fonts include uppercase and lowercase letters, numbers, various types of punctuation and ending. All lowercase including last swash and alternate fonts.

"Christmas Friday" is an elegant and beautiful handwritten font. This font is equipped with uppercase, lowercase, numerals, punctuation, ligatures, and multilingual support. It is suitable for Christmas, parties, birthdays, weddings, engagements, invitations, bann

Stencil Work JNL was re-drawn from a vintage paper stencil with one inch high Roman letters and numbers, often found in stationery, drug and variety stores in the 1950s through the 1980s.

Neosonic is a modern display font made in a more dynamic, fast racing style, suitable for your modern designs with technology or sports themes. Neosonic comes complete with : - Allcaps Font - Multilingual - Number & Symbols

Vertical Roundpoint JNL is one of a number of classic hand-lettered typefaces found in a 1941 edition of the Speedball® Lettering Pen instruction book and re-drawn digitally by Jeff Levine.

A display Didone of four weights plus italics. The defining stylistic features are large x-height and asymmetric legs that give feminine, oriental, floral look. Includes accented swashes, decorative ligatures and oldstyle numerals.

Moyers typeface is Vintage Design, old-fashioned, elegant. This font good for vintage design, Display, t-shirt, logo, labels, posters and etc. Features: -Uppercase -Lowercase -Numerals -Basic punctuations Available in OTF formats. Thanks!

A font that can be used to simulate old dot-matrix style printing, older receipts, or even as marquee light lettering. Includes extended Latin diacritics, Roman Numerals, and Greek, Hebrew, and Cyrillic Alphabets.

Rocklay is a bold script font. With a classy and natural style, it brings beautiful typeface. Rocklay is best used for branding, logotype, and quotes. Features: - Multilingual Support - PUA Encoded - Numerals and Punctuation

Display Inline JNL is a companion design to Jeff Levine's Signboard JNL font - both derived from die-cut display letters and numbers popular during the 1950s and 1960s for signs and show cards.

Scrouble is a display font that comes with a playful scribble style. suitable for tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Stallman Round is a Display font family containing 98 Fonts (Regular, Oblique). It's a perfect font for titles There are also 6 OpenType features (Numerator; Denominator; Fraction; Case Sensitive; Ordinals; Access All Alternates)

Lotustail is a handwritten font that includes many OpenType features. It also includes alternates and ligatures. This font also comes with numbers, symbols, punctuation and multi-lingual characters. It is also PUA Encoded.

Baraka - in Swahili - a blessing. It is a simple, block-like typeface closed in cuboids. It was created and designed in Tanzania, Africa. It contains 183 gliphs, which due to their simplicity, which consisted in cutting out letters from rectangles using as little light as possible, makes an impression and is in fact a very heavy display typeface. It was created primarily for posters and labels, where thanks to its modularity and form enclosed in a limited geometric figure

Moire™ Regular is a block-style sans serif font designed by Jim Ford in the spirit of typefaces popular during the 1950's. The Moire Regular font is slightly more streamlined for a more contemporary voice than its predecessors. Moire Regular is useful for all modern display settings in signs, publications, reports and presentations. The Moire Regular font will also reproduce well in on-screen uses from User Interfaces to web graphics. Character set: Latin 1.

The April 8, 1932 issue of The Film Daily ran an ad for a film entitled "The Sin of Lena Rivers". Hand lettered in a block style of chamfered characters, it is reminiscent of the 1920s, but still carries a touch of Art Deco influences with the thinner and extended horizontal strokes of the E, F and H. This retro sans serif design is now available digitally as Evil Ways JNL in both regular and oblique versions.

You may already have guessed it...Litter Funk is experimental typography. Some letters are fat blocks, others have stars, stripes or dots, some are funny and funky while others are plain weird - but all in all, they leave a really nice confusing effect when used. Due to the contextual alternates, each letter comes in 5 different versions, and automatically cycle as you type. Well, the font was fun to make - I hope you have fun using it! :)

A contemporary interpretation of grotesque (historic) typestyle, relying on geometric shapes applied to a grid. Idiosyncrasies within the typeface are based on how this grid is constructed and applied rather than those inherent in drawing type with a pen or cutting from a block of wood. Other grot types retain the quirks of original woodcut typefaces. Elephant has a different vocabulary of quirks that remove it from being too reverential or constrained to a historic context.

We've gathered the old characters together, and added a bunch of young new hotshots, to create the long-anticipated sequel to our STORMTROOPER font! The digitally remastered Special Edition STORMTROOPER is now a trilogy, with two new weights -- outlined ARMOR and inlined BLASTER -- each containing more than 100 autoconnecting letter combos*. Yes, you'd have to be crazy to attempt a font like this; our man JG certainly has courage... * Hutts, dewbacks and point blank misfired laser shots not included

Inspired from Cambodia’s alphabet, Khmer. I tried to explore the visual of the original character in Latin characters. Inspired by 2 gothic fonts, Old London (for the modern/straight feel) and Berliner (for the dynamic between thin and bold line). The letters are made with pencil in a millimeter block book, then scanned into clean vector format. And the result can be use for Display or a Headline with traditional or ethnic theme, including film, game, event, etc.

On April 20, 1950, film comedian Jerry Lewis indulged his love of cameras by opening up Jerry Lewis’ Camera Exchange on Vine Street in Hollywood. It closed in 1951. Thanks to an image preserved within newsreel footage of the shop’s grand opening night, a glimpse of the post-Art Deco signage with its unusual, block style lettering inspired a digital version. Highly unusual and best for novelty projects, Shutterbug JNL is available in both regular and oblique versions.

Carte Blanche literally means 'Blank Ticket'. Yeah, yeah, it is also a very 007-ish catchphrase, but I wanted to give this elegant font a 'stylish' name and Carte Blanche popped up. All glyphs were hand drawn on a rather expensive piece of heavy-weight paper and were put into the font in between changing nappies, bouts of the flu and the subsequent wiping of snotty noses. Carte Blanche speaks most Roman-based languages - albeit nasally…

Blockrock is an OpenType typeface that lets you build letters right away. Use the different weights to construct 3-dimensional letter-buildings. It is inspired by the apartment living blocks in the center of East Berlin built in the 60s. The regular font contains more complex letter buildings, while the simple font has simplified and plain letters in two different levels. Blockrock comes with kerning and a full Western and Central European language support, including Baltic and Turkish.

Bitblox fonts are based on the lettering created for Glyfyx’ eponymous wooden alphabet blocks. The characters are inspired by the low-res bitmap lettering seen on early generation computer devices. The Bitblox family consists of eight pixelated fonts, including a trio of styles that stack up to create a colorful, dimensional effect. An extensive multi-styled dingbat collection is also included. The Bitblox lettering was designed by James Beall with PSY/OPS Type Foundry, for Glyfyx Inc.

Introducing Boxer Machine, a powerful brush font that captures the essence of handcrafted strokes. With its strong and natural style, this font brings an authentic and dynamic feel to your designs. It is the perfect choice for logos and various formal applications such as labels, magazines, books, greeting cards, packaging, novels, and advertising materials. Boxer Machine exudes confidence and impact with its combination of uppercase and lowercase letters. The brush-inspired strokes add a touch of ruggedness and artistic flair to your typography, making it stand out from the crowd. Whether you're creating a bold logo or designing eye-catching headlines, this font is sure to leave a lasting impression. In addition to its aesthetic appeal, Boxer Machine offers functionality. It includes numbers and punctuation marks, ensuring versatility across different design projects. With multilingual support, you can effectively communicate your message to a global audience. The font also features PUA (Private Use Area) Encoding, granting you access to special characters and glyphs. Take your creativity to the next level and personalize your designs with unique elements.

Introducing the stunning and sophisticated Grinda font, an elegant serif typeface inspired by luxury classic covers and combined with modern typeface style. With 534 glyphs and 359 alternate characters, Grinda provides an extensive range of display combinations for lettering, giving you endless design possibilities. Grinda comes with a variety of OpenType features including alternates and end swashes, making it easier to create beautiful and unique lettering. This font also supports multiple languages, making it versatile and accessible for designers around the world. Perfect for logotypes, headings, covers, posters, logos, quotes, product packaging, headers, merchandise, social media, greeting cards, and much more, Grinda will elevate your designs to the next level of elegance and sophistication. To access the alternate glyphs, you'll need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe InDesign, and Corel Draw. In the zip package, you'll find the Grinda font files in OTF, TTF, and WOFF formats, and it comes with uppercase and lowercase letters, as well as numbers, punctuation, and symbols.

Modulus Pro, the extensive update to Modulus. This update was built around the original Modulus Font. This rounded sans-serif has a larger glyph set which covers many languages. Modulus Pro now comes in 8 weights from Extra-Light to Black. This updated version was designed with the designer in mind, you have many stylistic alternates to get creative with and make some really cool customised typography. A large range of examples have been designed to show just how versatile and creative you can get with this font family. It's fun but has a cool, edginess to it at the same time. Modulus Pro is not just another rounded sans-serif, you are going to want this in your font list.

Elegance flows through Couturier Poster soul. The new cousin of early launched Couturier, brings higher contrast and an extended family, perfect for big sizes. Inspired by the didones from the 18th century, its design its heavily influenced by contemporary ideas makes it suitable to use for almost anything you can think of. Equipped with swashes, ligatures, small caps and alternates, this typography is very versatile and allows you to set a big range of compositions with discretion or personality. Couturier Poster comes in six weights and matching true italics, from thin to black. It's a good choice to pair with Couturier for smaller sizes and Couturier Poster for the big titles. It has a set of 1248 characters that cover more than 200 languages derived from latin.

Marceaux is a sophisticated font with a touch of elegance and modernity. The letterforms are sleek and slender, with clean lines that give this font a refined and graceful appearance. Whether you're creating a logo, a book cover, or a website, Marceaux will bring a touch of class to your project. Marceaux features a complete set of small caps, uppercase, and lowercase letters. The font has been developed in six weights, from light to black, with corresponding true italics and oblique letters, and two styles (serif and sans-serif) for a total of 24 styles, making it versatile enough to use in a variety of design applications. Marceaux includes an expanded character set that supports over a hundred latin-based languages.

A triple threat, Letteria Pro is a typographic trio designed for branding and packaging. With the soul of a broad nib pen and the grace of a brush, it has five weights and a lot of style. In order to achieve a pragmatic contrast between a composition’s communication levels, we have created a mechanical typeface with only capital letters in sans and slab versions that elude to a De Stijl style. Ligatures and swashes provide a plethora of options, including Thin, Light, Regular, Bold and Black weights, while its companions offer a single weight. Together, this Latinotype original covers more than 200 languages within the Latin alphabet. Yet another powerful tool for your arsenal of fonts that command consumer attention.

Displace Serif is a continuation of my Displace fonts. Adding serifs allows you to see the font in a new way. There is a more pronounced charm of Italian monumental fonts, but in an expressive way. The appearance of the serifs allowed the font to move to the antiqua class, but this is purely a formal matter. The proportion of serifs changes markedly from weight to weight, allowing the font to retain its decorative character. In the Light drawing the serifs are barely visible and delicate, while in the Black they are in superposition. The font is catchy, noticeable, which makes it suitable for graphics requiring instantaneous spectator emotions. Displace Serif is suitable for editorial design, as despite the modern image it retains the classic concept.

Rooney is based mainly on old-style serif construction principles, such as the angle of stress, the open letterforms and the medium contrast, which lends the typeface a serious feel. Nonetheless Rooney is equipped with rounded shapes and soft curves that add a warm and smooth overall impression. Rooney combines these two different approaches: It has distinctive, original letterforms, but remains very readable and versatile. It includes six weights from Light to Black and Italics. The Rooney family comes with a Pro version, which is intended for professional designers. It contains lots of OpenType features such as small caps, ligatures, different figure sets and alternate glyphs. With around 840 glyphs, Rooney Pro is a powerful tool for any kind of typographical task.

Danish type designer Ole Søndergaard created this display FontFont in 2011. The family contains 3 weights: Book, Bold, and Black and is ideally suited for advertising and packaging, film and tv as well as music and nightlife. FF Signa Stencil provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Correspondence, FF Signa Serif, and FF Signa Serif Stencil.

Javiera is a geometric sans-serif typeface with humanist attributes. One of its main features is its small x-height, which makes ascenders and descenders look longer. The contrast gives the font a more stylised look, typical of humanist fonts. Curves and rounded terminals make Javiera a smooth, friendly and versatile typeface, well-suited for branding, magazines and publishing projects. User can take more advantage of the versatility of the font by enabling alternative characters included in the set. Javiera comes in 6 styles—from Thin to Black—plus matching italics, giving a total of 12 fonts. The font’s extreme weights are perfect for display use. Javiera family contains a set of more than 400 characters and supports over 200 different languages.

Cream is a retro soft serif typeface comprising 12 fonts. It can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional ligatures and alternates that are built into this type family. You’ll soon be creating distinctive typographic compositions that are pleasing to the eye. There are 12 fonts altogether, ranging from Light to Black weights in both roman and italic. It has an extensive character set that covers all Latin European languages. Key features: 6 weights in Roman and Italic 75 Alternates 37 Ligatures Full European character set (Latin only) 730 glyphs per font.