A usable version of the classic artists’ stencil font, picks up from where Josef Albers left off. Pared down for maximum minimalism, yet remarkably readable.

A great new display face. The slight serif gives extra character to this solid looking design, whilst the outline version has an open, clean look.

Ruina inline is an alternate version of Ruina, containing inline and also oblique, a very expressive font that can be seen in any casual design

A new look of Appetite typeface. Swashed initials, and true italic. Try these tasty letters! Look at the new Appetite version — Appetite Pro — Release 2016!

It is the unicode version of the runic script. Can be used with virtual keyboards. You can download the keyboards here. https://www.babelstone.co.uk/Keyboards/Runic.html

Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.

Franklin Stencil JNL is based on the classic and perennial workhorse design of Franklin Gothic Condensed and is available in both regular and oblique versions.

Playwright JNL and Playwright Slant JNL are versions of the perennial Art Deco font Broadway—with a look as if lettered by a sign painter.

Copperplate Deco is my sparingly decorated version of my Copperplate fonts. They can be used as standalone fonts. Yours once more very glitzy Gert Wiescher

Vintage French tin stencils with various phrases were the model for Paris Stencil JNL. The type design is available in both regular and oblique versions.

Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowaday’s use.

Alphonse Nouveau JNL is based on the lettering style of famed Art Nouveau illustrator Alphonse Mucha, and is available in both regular and oblique versions.

CoalhandLuke is a handwritten font I made by using a piece of charcoal. The Pro version contains an additional set of Cyrillic and Greek characters.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

Omnidirectional Arrows JNL is a series of arrow dingbats in different shapes and directions in both solid and outlined drop shadow versions from Jeff Levine.

The hand lettered title credits for the 1950 French film “Lady Paname” inspired French Cinema JNL, which is available in both regular and oblique versions.

Vintage wood type with a strong Clarendon influence served as the model for Slabserif Wood JNL, which is available in both regular and oblique versions.

The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.

Modeled after an image of an almost complete set of Latin Condensed wood type, Cattle Trail JNL is available in both regular and oblique versions.

How cute can you get? Cattapilla's open type version has extra ligatures and stylistic alternates, perfect for scrapbooking, greeting cards, announcements or any creative project.

Chinese characters have simplifed and more complex, "traditional" variants. Zenith imagines what an un-simplified, traditional version of the Latin alphabet might have looked like.

Altero is a font family for larger-than-life words. It supports 112 languages, features a total of 334 glyphs and includes an italicized version.

An old extended Grotesque for use in advertising and display typography. Cyrillic version with adding Bold style created for ParaType in 2003 by Isabella Chaeva.

"Airwars" is a display font with a modern, space, and futuristic theme. This font reflects elements of technology and innovation often associated with modern and futuristic designs. The use of a space theme can also add a sense of space exploration and cosmic wonder to your design. "Airwars" is suitable for a variety of design projects that aim to emphasize these aspects, including space-themed designs, advanced technology, advertisements for futuristic products, and much more. With "Airwars," you can create designs that reflect a vision of the future and space exploration.

"Urban Crazy" is a graffiti font that contains several different styles and layers within it. When these styles and layers are properly combined in a design, they can create a three-dimensional (3D) effect on the text. Fonts like this are often used in street art, posters, and other designs that aim to add dimension and depth to their typography. With "Urban Crazy," you have the flexibility to create text with various effects and styles, ranging from simple to highly complex. This allows you to customize the design according to your creative vision.

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. Architype Vierkant was developed from the few letterforms that Crouwel created for an opening spread in a 1972 Drupa catalogue, on the theme ‘typo vision international’ – this single reference showed an interesting interplay of the experimental ideas underpinning his controversial ‘new alphabet’ and Fodor.

Introducing Caligreto Display new generation Typeface with 5 Weights. Caligreto Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Caligreto is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Five Weights. Light, Regular, Medium, SemiBold and Bold.

Introducing Krick Display new generation Typeface with 4 Weights. Krick Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Krick is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes four Weights. Regular, Medium, SemiBold, and Bold.