Carl Gauss is a modern sans-serif font that combines geometric precision with the beauty of neo-classic design. Its clean lines and sleek appearance make it an excellent choice for logotypes, branding, and other projects that require a crisp, contemporary touch. The font's distinct elegance and attention to detail make it an attractive choice for a wide range of applications, from digital to print. Carl Gauss is designed to bring clarity and sophistication to your projects while maintaining a sense of warmth and approachability. The Carl Gauss font family includes eight high-quality styles to suit various design needs: Regular: A balanced, versatile style for everyday use Italic: Adds a touch of movement and expressiveness to the regular style Bold: A stronger, more assertive version for impactful designs Bold Italic: Combines the boldness of bold with the energy of italic Caps: An all-caps variant of the regular style for a more commanding presence The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Wakerobin takes its charming swagger from the hand-painted billboard, poster and signage lettering of the mid-19th century. These showy styles did everything they could to stand out from the background cacophony of advertising, with signwriters using sharp and high contrast serif letters, squared block shapes, or art nouveau forms to grab the attention of passersby. Wakerobin embraces the spirit of these letterforms, bringing these various styles together in one typeface - as if users had their own sign painter on hand. Just as lettering artists had to adapt to a variety of sizes - from wide streetcar lettering to compressed forms that squeezed into narrow Victorian windows - the variable version of Wakerobin scales up and down in width to fit whatever environment the user’s working in. The static fonts come in three widths and five weights. As well as its adaptability, Wakerobin is bursting with vintage flavour, making it hard to ignore. Its distinctive, spiky serifs would be right at home on food and drinks packaging, as well as shop windows, adverts, and any other place that calls for some typographic showmanship. It performs particularly well in busy environments, or anywhere with a lot of visual noise - just as its historic predecessors did. And while Wakerobin is first and foremost a display typeface, it’s surprisingly elegant when used at text size, or in the lighter end of the weight spectrum.

Rotis is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher was a long-time teacher of design with many years of practical experience as a graphic designer. He named Rotis after the small village in southern Germany where he lived. Rotis is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design.

Phoenician/Canaanite The Phoenician alphabet developed from the Proto-Canaanite alphabet, during the 15th century BC. Before then the Phoenicians wrote with a cuneiform script. The earliest known inscriptions in the Phoenician alphabet come from Byblos and date back to 1000 BC. The Phoenician alphabet was perhaps the first alphabetic script to be widely-used - the Phoenicians traded around the Mediterraean and beyond, and set up cities and colonies in parts of southern Europe and North Africa - and the origins of most alphabetic writing systems can be traced back to the Phoenician alphabet, including Greek, Etruscan, Latin, Arabic and Hebrew, as well as the scripts of India and East Asia. Notable features Type of writing system: abjad / consonant alphabet with no vowel indication Writing direction: right to left in hortizontal lines. Sometimes boustrophedon. Script family: Proto-Sinaitic, Phoenician Number of letters: 22 - there was considerable variation in their forms in different regions and at different times. The names of the letters are acrophonic, and their names and shapes can be ultimately traced back to Egyptian Hieroglyphs. For example, the name of the first letter, 'aleph, means ox and developed from a picture of an ox's head. Some of the letter names were changed by the Phoenicians, including gimel, which meant camel in Phoenician, but was originally a picture of a throwing stick (giml).

Wakerobin takes its charming swagger from the hand-painted billboard, poster and signage lettering of the mid-19th century. These showy styles did everything they could to stand out from the background cacophony of advertising, with signwriters using sharp and high contrast serif letters, squared block shapes, or art nouveau forms to grab the attention of passersby. Wakerobin embraces the spirit of these letterforms, bringing these various styles together in one typeface - as if users had their own sign painter on hand. Just as lettering artists had to adapt to a variety of sizes - from wide streetcar lettering to compressed forms that squeezed into narrow Victorian windows - the variable version of Wakerobin scales up and down in width to fit whatever environment the user’s working in. The static fonts come in three widths and five weights. As well as its adaptability, Wakerobin is bursting with vintage flavour, making it hard to ignore. Its distinctive, spiky serifs would be right at home on food and drinks packaging, as well as shop windows, adverts, and any other place that calls for some typographic showmanship. It performs particularly well in busy environments, or anywhere with a lot of visual noise - just as its historic predecessors did. And while Wakerobin is first and foremost a display typeface, it’s surprisingly elegant when used at text size, or in the lighter end of the weight spectrum.

A light hearted unicase typeface inspired by the titling of the 1977 Pink Panther cartoon, Therapeutic Pink.

Very light and italicized, this font was created as a somewhat futuristic interpretation of a modern font.

Buttsmuggler is a light-hearted puffy font, good for a cartoon-like or casual hand-drawn look.

Gionni was designed by Cindy Kinash. This is a hand drawn, tall, light, thin retro inspired font.

Status is a hybrid of a super fat alphabet and ultra light figures and other special glyphs.

Brutal is a not stencil calligraphic typeface designed in light, regular and bold. language: all latin glyphs

Introducing “Khakoy Font” – Unleash Playful Creativity! Dive into a world of limitless imagination with Khakoy Font, your ultimate tool for injecting a playful spirit into your designs. Khakoy Font is the embodiment of joy and whimsy in typography. Crafted to spark delight, it’s your go-to choice for projects that demand a dash of fun and a pinch of mischief. With its lively and distinct characters, Khakoy Font invites you to explore the playful side of design. It’s a font that ensures your message is conveyed with a contagious sense of playfulness, captivating your audience instantly. Designed to ignite creativity, Khakoy Font adds a touch of amusement to your projects. From cheerful posters to charming children’s books, this font is your partner in crafting designs that leave a lasting, joyful impression. Let your designs break free from the ordinary and embrace the vibrant spirit of Khakoy Font. Elevate your creative game, infuse humor and light-heartedness into your work, and watch your designs come alive with this delightful typeface. Discover the magic of Khakoy Font today! – PUA Encoded Characters – Fully accessible without additional design software.

The Colville fonts began their existence in 2015 as a project-specific typeface, made to be used on a custom-made headstone commemorating Canadian artist Alex Colville (1920-2013) and his wife Rhoda Wright. For that purpose, some initial shapes were modelled after letters Colville himself had used on a Governor General gold medal he designed in the mid-1970s. From there started a year-long project that culminated in a set of four comprehensive fonts ranging in weight from Light to Bold, each containing over 750 glyphs to cover Pan European language support, stylistic alternates, five sets of figures, automatic fractions, and some ornaments rooted in Alex Colville’s art. These fonts exhibit a strong art deco aesthetic that has always been a favourite of architects, metal casters, and sign makers. This is a very humanist geometry alternating from the precisely calculated to the curvy and lithe, subtle contrast, flat stroke stops, and airy proportions that make for a counterspace built for accommodation and comfort. The breadth and timeless humanism of the Colville set makes fit in a variety of applications, from straightforward headlines, titles, and emphasis captions, to branding and packaging.

Karim is a traditional-style Arabic text face, designed in response to a demand for a traditional text face adapted to setting Quranic commentaries. Within the constraints of the standard character set and typesetting program, Karim’s design aims to recall the style and fluency of manuscript Naskh without, however, reproducing the idiosyncrasies of any particular calligrapher. The line weight chosen is heavier than usual for a traditional light face in order to benefit the reproduction of small size Tafsir text. A tall kaf, deep descenders and slightly inclined alifs and lams all help to suggest the cursiveness of manuscript. The type-style that emerges is characterized by restraint and clarity; qualities suited to Karim’s original purpose, and ones that recommend it for wider use. Karim ships includes Latin glyphs from Janson Text Roman, allowing the single font to set text in both most Western European and Arabic languages. Karim’s code pages incorporate Basic Latin and the Arabic character set, which supports Arabic, Persian, and Urdu. The font includes tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

A well-polished typeface is like the sweet sound of a melodious voice. Soprano is designed for elegant and luxury design elements. Whether it's brands for watches, jewelry, cars or fine wines, Soprano adds the undeniable and outstanding beauty of a professional designed elegant typeface. Soprano offers 5 weights and a full set of upper & lowercase letters, ligatures, old-style & lining figures as well as ​broad Latin​ language support. www.typethis.studio

De Arloy Typeface was inspired by art nouveau style from 1890-1910 which combining classic typography with awesome features bring classic touch on this decade :), it works well with normal size text but it works even better for large displays or short words. this is suit for : wine packaging, labeling, logo, classic shop, coffee shop, movie title, etc De Arloy Features Uppercase Lowercase Numerals & Punctuations Open Type featuring Ligatures

Our Ultra Pro is an ultra bold slab typeface with nods to wood type styles like Clarendon and Egyptian. Its powerful and dramatic letterforms are both serious in form but friendly in appearance yet it is still easily legible. Perfect for power headlines and titling for impact, the SmallCaps and extensive figure sets only work to further expand the usefulness of the typeface across a wider gamut of design options.

A casual sans that harks back to the very English style of book jacket and poster art of the late 50's and early 60's. The turned-in terminals are reminicent of Stephenson Blake's Grotesque 9, and the italic provides unique cursive versions of the lowercase characters. Available in a "narrow" version as well as two standard weights, this face lends itself to the wider letterspacing that evokes hot metal.

Kurkuma (Turmeric in Dutch) is a spice I use in all of my curries. And I love curry! It's not more than fair to name a font after my favorite ingredient, so here you have it: Kurkuma. It is a unique and somewhat bizarre font with both an angelic and a diabolical side. I wouldn't set a whole text in it, but it does look great in headlines, posters and websites.

Donatella - Handwritten Fonts are elegant handwritten fonts, with texture, to be as authentic as possible while still being able to read clearly on your project. Donatella is a truly versatile font - combining sophisticated, casual and even fun sides depending on the style you use. A complete set of upper and lower case letters, and a second set of lowercase letters, Donatella - Handwritten Font also has 37 Ligatures for question just email.

Performance is a set of perforated plates that appear to be characters. The construction of characters is described by sequences of holes whose shape and placement define the appearance and mood of font styles. An interesting feature of the design is an absence of side bearings and leading. Due to this feature a text article set by Performance forms a perforated coherent surface similar to postage stamp block.

This typeface is patterned after the lettering produced by the Marsh Stencil Making Machine, which was an indispensable part of industrial shipping departments in the mid-twentieth century. The font is unicase, but includes a “this side up” pointing hand at the section mark position, and a recycle symbol at the German double-s position. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. You may not feel strange if you find PAG Etiketa in news papers, noble film posters, or fashion magazines. This font has both a retro and modern side, so it is an all-rounder font for your design project.

A quintet of remorseless homewreckers, each member of the Vamp family contains hypnotic dingbats to lure you into their web. The Vamp family consists of the bewitching Vamp, the bigger, brasher Vamp Bold, the dangerous, psychedelic Psycho Vamp, as well as the lean (but still mean!) Vamp Slim and Vamp Slim Oblique. The Vamp family's seductive art deco form and fiendishly geometric wiles will break your heart and steal your soul.

Bubblegum Sans Pro is upbeat, flavor-loaded, brushalicious letters for the sunny side of the street. It bounces with joy and tells a great story. Designed by Angel Koziupa and produced by Ale Paul, this typeface is a loud 21st century shoutout to the kind of the 1930s lettering that sold everything to everyone through every medium. Bubblegum Sans Pro version covers all Latin-based languages and includes some alternates.

A very distinctive style of font, in a kind of art deco style form the '30s. This font is unique in that there are no open, negative spaces in glyphs such as upper and lower case o, or p, or others which would usually have them. Instead the glyphs are solid. The only letters or glyphs which have triangular sides are A and V, X, and Y. This is unusual.

Turquoise Inline is a new version of our bestseller Turquoise This version of roman capitals is more focused on display use, with the details of an inline roman type. This font can be used, for ads, labels, wine labels, logo and all kind of display uses. Open Type features needs to be activated for all the ligatures and alternates. Enjoy it! We recommend to combine Turquoise Inline with Nautica Sottile & Auster

Karol Sans is the perfect companion for Karol, without being a literal translation of it. It has its own personality and offers a wider range of six weights and their italics which gives it added versatility. It has all the indispensable OpenType features for a text typeface like Small Capitals, different sets of figures, fractions and many others. The character set supports Latin, Central European, Baltic and Turkish languages.

Horror Party is a spine-chilling Halloween display font designed to send shivers down your spine. With a ghoulish twist on traditional lettering, this font adds a touch of eerie enchantment to your designs. Perfect for t-shirt designs, party invitations, and all things spooky, Horror Party brings the thrill of the macabre to your creative projects. Unleash your dark side and let this font make a haunting impression!

Arkit is a ‘constructivist’ sans with a humanistic taste. Its geometric look hides an organic soul that can be felt rather than seen, as for instance in the strokes that are slightly tapered. Arkit features a big x-height and is suitable for signage and for many display applications, but it also performs well as a book face both in body copy and in captions and small-size texts.

TCF Noli is a no nonsense straight-sided typeface with a soft technical appearance. Designed with seven weights and true matching italics, TCF Noli was specially developed with corporate and editorial projects in mind. The clarity of the letter forms and the openness of TCF Noli make it very readable in small sizes and suitable for every design purpose. TCF Noli is available with extended Latin language support.

Céline was inspired by a recent trip to a vineyard in the South of France. A vintage stencil numeral set was etched onto the wine fermentation tanks. Céline is a one weight stencil display typeface with plans to expand the family with multiple weights and non stencil versions. Céline includes some language support, standard and discretionary ligatures. I hope you enjoy it as much as I did making it.

Donatello is a classically proportioned design with subtly tapered strokes, inspired by the lettering on the fifteenth century cantoria by Luca della Robbia in the Museum of the Duomo, in Florence. The design, consisting of caps and small caps, also includes Donatello Alternates -- a compatible set of wider characters. It was designed by Paul Shaw and Garrett Boge in 1997. Donatello is part of the LetterPerfect Florentine Set.

Empires is a supercharged, street-wise brush font bursting with energy, Empires is ideal for logos, apparel,T-shirt,Hoodie, quotes, product packaging, or anything which needs a typographic turbo-boost. Empires Swash - Need a cool drip on your text or a splash of paint? This font set has you covered. Type any letter a-z using this font, and you'll get a unique swash to accompany the font

The Fleurons of Paris were inspired by an iron gate, an iron railing, a Metro tile, a Metro stop, the Eiffel Tower, Notre Dame, a rainy afternoon, a glass of wine, an outdoor cafe and the list goes on and on. Absorbing all things visual was immensely satisfying second only to coming home and reliving the trip tiny graphic by tiny graphic. Also look at the Ornaments of Paris.

Keetoowah evolved from a just a few letters in a sketch for a sorority t-shirt design. They loved it and kept asking for more of the same. The only solution was to make a font. These characters were made to be broken up, two toned, rotated, merged and jammed together. But, Keetoowah has a serious side. It has a great Southwestern flavor like smokey BBQ and patterned blankets.

Chank worked with Josh Eshbach, an intern from Minneapolis College of Art and Design, to create Cocaine as the Chank Font of the Month for November 2000. Inspired by Speedball type designs of the ’20s and ’30s, Cocaine has been redrawn and streamlined for use in the digital age. Curvy and round and relishing in its idiosyncrasies, Cocaine recalls vintage French wine posters and antique sheet music covers.

Want to go bold with a classic and elegant look? Introducing Wukang Blackletter font. Our latest gothic font evokes confident elegance with striking details on each side of the lettering. This font can be used in a variety of projects to create a vintage and elegant style. Use it to enhance visual projects, titles, or banners, packaging with a bold classic look that exudes style, elegance, and strong personality.

Unicore is a large family of geometric sans serif fonts. Design wise, it is inspired by classic 20th-century typefaces like Futura, Gill Sans, and Avenir. It fuses their aura with contemporary elements, like a unique harmonisation of width and height. You can see this in the lowercase letters especially and it helps support the fonts’ legibility. The regular weights in the family are optimised for body text.